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891962 item(s)/page
Ein Paar Vintage-Ohrclips - Henkel & Grosse (Pforzheim), bicolor, gold- und silberfarbenes Metall, glanzpoliert, dreigeteilte gewölbte Form mit Strukturdekor und farblosem Kristallbesatz, signiert „Grossé ©â€œ, ca. 2,5 x 1,7 cm, Gesamtgewicht ca. 19,9 g
Vintage-Collier - Weißbronze, rhodiniert, bandförmig, ausgefasst mit smaragdgrünen Kristallen in Baguetteschliff sowie farblosen rundgeschliffenen Strasssteinen in Diamantoptik, ungemarkt, L. mit Verlängerungskettchen ca. 46 cm, B.ca. 0,7 cm, Gesamtgewicht ca. 23 g, leichte Tragespuren
DIOR Vintage-Collier - Christian Dior, Metall goldfarben, Flechtkette, mittiges Zierstück mit großen smaragdgrünen und saphirblauen Glascabochons in Krappenfassungen, am Karabinerverschluss gemarkt „Chr.Dior © GERMANY“, Verlängerungskettchen mit angehängtem Signet „CD“, Gesamtlänge ca. 44 cm, Gewicht ca. 146 g
Funkelndes DIOR Vintage-Collier mit großer Abhängung & Paar Ohrclips im Art Déco-Stil -Christian Dior, Weißbronze, rhodiniert, alle Teile gemarkt „19©74 Chr.Dior GERMANY“, ausgefasst mit rundfacettierten Strasssteinen sowie smaragdgrünen und rubinroten Baguettes und Cabochons, quadratische Ohrclips entsprechend gearbeitet, jeweils 2,2 x 2,2 cm, Collier Gesamtlänge / Maße Abhängung ca.46 cm / 11,5 x 6,5 cm, Federringschließe
Vintage-Collier - Henkel & Grosse (Pforzheim), Metall vergoldet, Ketten mit rautenförmigen Zierelementen, angehängte Plakette signiert „© Grossé“, peridot- und turmalingrüner Kristallbesatz, doppelt kreisförmiger Anhänger verso ebenfalls gemarkt „Grossé ©â€œ, Kettenlänge ca. 52 cm, L.(Abhängung) 3 cm, Gesamtgewicht ca. 15 g
Vintage-Brosche - LISNER / USA, silberfarbenes Metall, spitzenartig durchbrochen, mit weißer Emailauflage, Besatz mit pastellfarbenen Kristallen in Rundschliff, gesicherte Nadelung, verso signiert "© LISNER“, Dm. ca. 4,7 cm, Gewicht ca. 19,2 g, Steine mit minimalen Tragespuren
James Bond: Collection of 1970s vintage magazines from the The Man with the Golden Gun release period,including TV Times, Gossip, Photoplay, Movie Mirror, Mad, Great Stars, Fotogramas, Fighting Stars, The Deadly Hands of Kung Fu, Combat and others (qty). Provenance: Part of the Steve Oxenrider James Bond Collection
James Bond: Collection of 1970s vintage magazines from the Live and Let Die release period,including Veronica, Time, Tales of the Zombie, Sepia, Photoplay, Gossip, Film Review, Cracked, Bunte, Blanco y Negro, and others (qty). Provenance: Part of the Steve Oxenrider James Bond Collection
James Bond Two related Christies Auction Catalogues, the first: James Bond 007, Christies South Kensington, 17 September 1998, the sale offered 272 lots for auction, including, Christie's LOT 261, as listed on pages 96-97, an important collection of original scripts and associated material from the collection of the late Berkely Mather, sold on behalf of the estate of the late Berkely Mather, photo. illustrated throughout, illustrated soft covers titled in red text, 120pp, 21 x 27cm; together with, an eleven-page Addenda to the main Christies catalogue, which included twenty-four additional A Lots, in the September auction, photo. illustrated throughout, 21 x 26.5cm; with a loosely inserted Christies Letter of Consignment, and a Sale Lot Advice Note, both of which were originally sent to Dr. Wynne Weston-Davies Esq., addressed to his Stream Farm, East Sussex address, August-September, 1998;The second: James Bond, Christies South Kensington, 14 February 2001, the sale offered 291 lots for auction, including Christie's LOT 232, Goldfinger (1964) Berkely Mathers [Association] copy of the script for Goldfinger, listed on pages 114-115, (SEE LOT 8025A) photo. illustrated throughout, Index of Artists, Bond Films, Bond Books, Bond Actors, Bond Girls, Bond Villains, Glossary, Bibliography, photo. illustrated soft covers, 174pp, 8vo, 21 x 27cm; together with, a loosely inserted Christies Sale Lot Advice Note, originally sent to Weston Davies at his Cheltenham address; a Christies marketing brochure for Pop, Film & Entertainment 98; and an illustrated card marketing Christies forthcoming Vintage Film Posters Auction, 22 September 1998; with an accompanying LOA from Berkely Mathers son. (9) (PLEASE SEE LOT 8025A )Provenance: The Estate of the late John Evan Weston-Davies, Berkely Mather.Provenance: The Estate of the late John Evan Weston-Davies, Berkely Mather.Berkely Mather. John Evan Weston-Davies (1909-1996) was a British writer, known to his family and friends as Jasper, who published under the nom de plume Berkely Mather. He was also a prolific writer for radio, television, and films from his retirement from the army in 1957 until his death in 1996. Amongst other achievements he was responsible for putting Steed into a bowler hat and umbrella (The Avengers, Series 15, Episode 1: The Frighteners.)In 1961 Ian Fleming recommended Mather to Harry Saltzman and Cubby Broccoli, the producers of Dr No, to revise the dialogue of the Maibaum/Harwood script which he considered to be too American. They first met at the offices of Curtis Brown, Mathers agents, on 28th November 1961 when Mather accepted £1,000 to revise the entire dialogue within a 2 week period (see Lot 3). Subsequently Mather carried out several re-writes of the script but declined a screen credit.He is credited with many of the famous one-liners including The names Bond, James Bond and with accidentally transposing the original vodka martini stirred not shaken (as in the books) to shaken not stirred (Mather himself never drank cocktails, preferring whisky and soda).In this script two lines which are undoubtedly Mathers according to his son are: Shocking, positively shocking after the electrocution of the villain in his bathtub and the final line in the film when Bond introduces the heroine to Felix Leiter as Pussy Galore, to which Leiter replies, Are you telling me. (Mather worked with Honor Blackman on both The Avengers and Goldfinger and remained friendly with the actress for many years afterwards.After Dr No Mather worked on the dialogue of both From Russia with Love and Goldfinger but subsequently turned down any further work on Bond films. He had a very good relationship with Sean Connery who insisted that he was present on the studio floor for the entire shooting of both films. He was present in Istanbul and Belgrade for the location shooting of From Russia with Love (see Lot 8015A). Whenever Connery found a line of dialogue difficult he would turn to Mather and say, Jasper give me a line whereupon Mather would ad lib a line that was more to Connerys liking and the shooting would continue. Mathers son Wynne was employed by Saltzman as a messenger boy during the shooting of Goldfinger at Pinewood and witnessed this procedure taking place throughout the making of that film.Condition Report: overall good conditions.
James Bond, a collection of vintage magazines and literature relating to James Bond, Bond Girls and Bond cars including; Playboy, Playgirl, Life, Cracked comic, The Hollywood Reporter, British Car and Bike, American Cinematographer and many others. ( approximately 90) Provenance: Part of the Steve Oxenrider James Bond Collection
James Bond, a collection of vintage magazines and related literature including ; a 1965 Japanese dialogue script, La Historia James Bond, 1984 Hobby Japan, Ian Flemings James Bond Club Del Misterio No37, Goldeneye and many others. (approximately 50) Provenance: Part of the Steve Oxenrider James Bond Collection
James Bond: Collection of 1960s vintage magazines from the On Her Majestys Secret Service release period,including Vanidades, Screen Stories, Record Song Book, Photoplay Film, Photo TV Land, Ilustrado, Movie Collector, Kine Weekly, Flama and others (qty). Provenance: Part of the Steve Oxenrider James Bond Collection
James Bond, five vintage film posters comprising ; Goldfinger 007 Film Festival (1964), American one sheet film poster ( 41 x27 inches), Quantum of Solace (2008) German Coca-Cola advertising poster (33 x 23.5 inches), Golden Eye (1995) film poster (24 x 17 inches) and two Die Another Day (2002) small film posters, (5)
An Art Deco sapphire and diamond set panel ring. Set with two central square cut pale blue sapphires, framed by twelve old eight cut diamonds, measuring between 1.5mm and 2mm in diameter, cornered by four triangular shaped sapphires. The panel is mounted above an ornate openwork gallery. The piece is stamped "18ct & Plat" to the shank and tests accordingly. Size N. Gross weight approximately 3.00 grams. Presented in a vintage ring box marked for Gertrude Jones, of 3 Cross Street, Manchester. Condition report. Sapphires untested for natural origin. Jewellery rom this period was known to be set with synthetic stones to allow consistency of colour across the piece.
A large strand of unused polished coral barrel beads, together with a vintage jadeite carved and a contemporary "mutton fat" nephrite jade. double sided carved disc. The coral beads are formed from coral branches polished into tube shaped beads. The strand is approximately 82 cm long. The central bead measures approximately 44mm x 24mm. Total weight of strand approximately 307 grams. The jadeite carving is a vintage depiction of a fisherman. It measures approximately 8cm x 6.5cm. It weighs approximately 92.18 grams. The "mutton fat" carving depicts a Xiezhi, a mythical beast representing justice. It measures approximately 4.6cms and weighs 28.08 grams. Also included in the lot: an imitation jade bangle, made of glass; a nephrite spinach green bangle; a dyed quartzite bangle; an aventurine and blue sodalite collar; and a nephrite elephant and brass stick pin.

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891962 item(s)/page