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An oak cottage longcase clock mid 18th century, with restorations, the ogive cornice above a crossbanded square glazed door enclosing a 12" square brass dial with roman numerals subsidiary seconds dial and date aperture and foliate engraved centre and inscribed Ratcliffe Welshpool, 8 day movement striking on a bell between gilt capped Doric turned pilasters above a shaped top, bevelled trunk door, ogive moulding and base board and raised on shaped bracket feet, new back 76.5" high

William Fenton, Newcastle, George III mahogany longcase clock with moulded dentil cornice, the arched face with moon phase and cast gilt foliate and c-scroll spandrels, silvered chapter ring, subsidiary seconds dial, silvered face, eight day movement, the arched door flanked by turned columns, the trunk with moulded edge arched door flanked by canted blind fret corners, the base raised on later ogee bracket feet.

An Edwardian mahogany bracket clock, moulded arched top with brass capped turned columns, circular white enamel dial with black Roman numerals and brass bezel, the case inlaid with an urn, eight day movement striking on a gong, 32.5cm (12.75")

A tortoiseshell and gilt metal mounted French Louis Quinze style Boulle bracket clock, 19th century, the caddy top with replaced dolphin finial and inlaid with foliate brass strapwork between acanthus cast corners over a glazed panel enclosing a 9" thirteen piece enamel dial with roman chapters and eight day movement striking on a bell, with glazed side panels and foliate brass inlaid case door, applied with foliate castings throughout and raised on leaf lappeted shaped bracket feet, distressed, 28 in (71.12 cm) high, 16 in (40.64 cm) wide, 8 in (20.32 cm) deep

A contra Boulle bracket clock bracket, French, mid 19th century, of ogee form with male mask corners and inlaid with tortoiseshell, mother of pearl and stained bone flowerheads, 14.5 in (36.83 cm) wide, 9 in (22.86 cm) deep, 13 in (33.02 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the arched and carved top over a shaped arched glazed door flanked by mirrored baluster brass capped pilasters and enclosing a 13" arched enamel dial with roman numerals, subsidiary seconds dial and date aperture, painted with rustic scenes in the arch and to the corners, eight day movement striking on a bell over an ogive moulding and chequer strung square top short trunk door, flanked by foliate carved brass capped quarter pilasters over a further ogive moulding and chequer strung baseboard and on bracket feet, restorations, 84.5 in (214.63 cm) high

A mahogany longcase clock, early 19th century, the arched glazed hood with shaped cresting and flanked by fluted brass capped pilasters enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture and marked Thomas, Ilfracombe, the arch painted with a view of Raby Castle, the corners painted with castle ruins, eight day movement striking on a bell above a three quarter length crossbanded trunk door between canted angles and over an ogive moulding, the crossbanded figured base board raised on shaped bracket feet, distressed, 86 in (218.44 cm) high

A Black Forest Gothic walnut cased cuckoo clock, mid 19th century, the pointed arched top case with crockets and battlements over an open recess showing three bells, the hammers held by three polychrome painted figures over a turned wood dial with Roman chapters against a Gothic blind tracery carved body and between rope twist pillars over a carved blind balustrade and plinth with outfacing front corners and squat bracket feet, three train double fusee movement striking on the quarters, half hours and hours, 27 in (68.58 cm) high

A mahogany mantel clock, 1920's with silvered dial, Roman numerals, chimes, silent and fast, slow subsidiary dials in a bevelled glazed case striking on two gongs, and on plinth base and bracket feet, 13 in (33.02 cm) high

George III provincial oak longcase clock, eight day movement with brass 10.5in (26.67cm) square dial, signed 'John Owen Llanrwst', engraved acid etched centre with subsidiary seconds, cast floral scrolled spandrels, the hood with architectural pediment and turned parcel gilt columns, the trunk with a shaped door within reeded quarter pilasters over a box base with shaped panel raised on ogee bracket feet (reduced in height and with restorations), 80 in (203.2 cm) high

AN EARLY 20TH CENTURY MAHOGANY CASED BRACKET CLOCK, the arched silvered dial supporting a three-train movement, with chime/silent and advance/retard dials to the arch, the arched top case flanked by reeded wooden pillars, raised on ogee brass bracket feet, approximately 14.25 ins high., 14.25 in (36.2 cm) high

A WILLIAM IV MAHOGANY BRACKET CLOCK, the circular cream painted dial supporting a single train fusee movement, hinged brass bezel, foliate scrolled case, on a plinth style base, approximately 12.25 ins high., 12.25 in (31.12 cm) high

A mahogany and inlaid longcase clock, second quarter 19th century, the broken scroll pediment above an arched glazed door flanked by turned half balusters enclosing a 14 inch painted arched enamel dial with Roman numerals, subsidiary seconds hand and date dial and marked Jaz Burroughs Ironbridge, painted with a child and dog in the arch, 8 day movement striking on a bell above a triple pointed arch top crossbanded three quarter length trunk door flanked by half pilasters over a rosewood panel, ogive moulding and crossbanded base board on later bracket feet, 89 in (226.06 cm) high

An Edwardian mahogany mother of pearl and boxwood inlaid mantel clock, circa 1900, in Art Nouveau style, 5 inch silvered dial with Roman numerals, the case inlaid with pendant husks and a lyre over a bevelled plinth and raised on brass ogee bracket feet, the movement striking on a gong, 13.5 in (34.29 cm) high

A Vienna style walnut and beech cased wall clock, early 20th century, two piece 7 inch annular dial with Roman numerals and subsidiary second dial within an arched glazed door applied with baluster half columns and surmounted by a shaped bracket and lobed lower bracket, pendulum driven two weight movement, 44 in (111.76 cm) high

An early 19th Century longcase clock, in mahogany and oak case by R Blakeborough, Otley, the 30 hour movement with arched painted dial having automated figures of Adam and Eve to the arch and flora to the corners, the hood with scroll pediment centred a brass ball eagle finial, the case door shaped to top and with central inlaid oval cartouche, on platform base with bracket feet, 94 in (238.76 cm) high

German walnut cased bracket clock, late 19th Century, gothic domed pediment with two turned urn finials over reeded pilasters flanking an arched brass dial, silvered chapter ring with Roman numerals, applied brass spandrels, eight day movement striking on a gong, all behind a bevelled glass door and raised on a plinth base, shaped apron and bun feet, 16 in (40.64 cm) high

Oak longcase clock, early 19th Century, broken architectural pediment over a 12 in. painted dial with Roman numerals, signed 'Owen, Llanwrst', with date aperture and subsidiary seconds dial (hands deficient), floral painted spandrels, eight day movement striking on a bell, the trunk with quarter pilasters, shaped door with brass escutcheon raised on a box base with canted corners and a raised shaped panel, ogee bracket feet (in need of restoration), 88 in (223.52 cm) high

A late 19th/early 20th century oak bracket clock, the brass and silvered square dial supporting a lenzkirch ting-tang movement, the architectural carved oak case with inset brass mounts and side handles, 17.25 in (43.82 cm) high

AN OAK COTTAGE LONGCASE CLOCK, early 19th century, the square hood surmounted by a broken architectural pediment and three gilt brass ball and spire finials above a blind fret carved frieze and reeded pilasters flanking a glazed square door enclosing a 13" white painted enamel dial with Roman numerals, subsidiary seconds dial and date dial, and marked 'Griffiths, LLan-?', florally painted corners, eight day movement striking on a bell above an ogee arched top trunk door flanked by fluted quarter pilasters over a cushion moulding, the base board applied with an ogee arched panel between canted corners and raised on shaped bracket feet, (distressed), 83 in (210.82 cm) high

A SCOTTISH MAHOGANY LONGCASE CLOCK, first half 19th century, the broken scroll and canted pediment above an arched glazed door enclosing a 13" painted enamel dial with Roman numers, subsidiary seconds dial and date dial, and marked 'Hutchinson Airdrie', the arch painted with a portrait medallion of Robert Burns, the corners painted with figures emblematic of Scotland, England, Ireland and Wales, eight day movement striking on a bell, above a three quarter length trunk door flanked by quarter columns over a canted moulding and crossbanded base board raised on shaped bracket feet, (movement detached), 91 in (231.14 cm) high

A VIENNA STYLE WALNUT VENEERED WALL CLOCK, late 19th century, the case surmounted by an anthemion and arched scallop bracket and two finials, over a bobbin and reel cushion moulded frieze and full length glazed door flanked by turned half columns enclosing a 6.5" two piece anular enamelled dial with Roman numerals, subsidiary seconds dial, the two weight pendulum driven movement striking on a gong, above a lower bracket applied with four flower heads and a half turned pendant fitting, 53 in (134.62 cm) high overall

A GEORGE III MAHOGANY LONGCASE CLOCK, late 18th century, the broken scroll swan neck pediment centred by an eagle and ball finial, the scrolls terminating in applied gilt brass paterae above a square glazed door flanked by turned brass capped pilasters enclosing an 11" square brass dial with Roman numerals and date aperture, and marked 'Thomas Shepherd, Wotton under Edge', engraved with flowers to the centre and corners, thirty hour movement striking on a bell, above a rectangular full length trunk door and ogive moulding, over a plain base and raised on shaped bracket feet, (base board cracked, moulding losses), 82 in (208.28 cm) high

A MAHOGANY AND INLAID LONGCASE CLOCK, Edwardian and later, the dentil moulded and faux fluted square hood above a glazed door enclosing a brass dial with silvered chapter ring and Roman numerals and marked 'John Cole, Barnstaple', pierced cherub spandrels, eight day movement striking on a bell above a full length trunk door inlaid with an oval chequer strung panel between canted angles over a concave moulding, the base board inlaid with a circular panel raised on a shaped apron and splay bracket feet, (losses, movement damaged and incomplete), 79.5 in (201.93 cm) high

A VIENNA STYLE WALNUT FACED WALL CLOCK, late 19th century, the case surmounted by a shaped bracket applied with a mask and flowerheads below a rearing horse, above a glazed full length door flanked by fluted half columns, 7" white enamel two piece anular dial with Roman numerals and subsidiary seconds dial, pendulum driven two weight movement striking on a gong, between glazed sides, lobed lower bracket and turned finials, 49 in (124.46 cm) high overall

A LATE VICTORIAN BLACK SLATE AND VARIEGATED STONE MANTEL CLOCK, 19th century, 6" slate dial with Roman numerals, within a fluted drum case between Vitruvian scroll brackets, over a concave plinth and on bevelled shaped base and bracket feet, movement striking on a gong, 22 in (55.88 cm) wide, 14 in (35.56 cm) high

J. W. Howard, Bootle, mahogany longcase clock, early 19th Century, broken swan neck pediment surmounted with turned finials over spiral reeded and turned columns flanking painted 14 in (35.56cm) dial with moon phase, the main dial with Roman numerals, subsidiary seconds dial and date aperture, signed, eight day movement striking on a bell, the trunk crossbanded and with further columns flanking a shaped door over a box base crossbanded and with canted corners, shaped apron and bracket feet, 92 in (233.68 cm) high

A FRENCH PORCELAIN INSET GILT METAL MANTEL CLOCK GARNITURE, early 20th century, the clock with 3" Sevres style bleu celeste porcelain dial with Roman numerals and surmounted by flowers and musical trophies, a maiden with dove standing to one side on a concave porcelain inset plinth and bracket feet, and a pair of conforming bleu celeste vases painted with scenes of pastoral lovers on bracket feet, eight day movement striking on a bell, 14 in (35.56 cm) high

An Oak Cased Bracket Clock, the silver dial with RAF wings and single train movement and an anniversary clock under glass dome

A William IV Mahogany Bracket Clock, the shaped top with carved cresting, the dial with Roman Numerals and two train striking movement with mahogany bracket

An early 19th century mahogany and crossbanded longcase clock, the arched painted dial with a subsidiary seconds dial and signed 'L.Koos, Merthyr' the eight day movement striking on a bell, the hood with a swan-neck pediment above an arched trunk door, on bracket feet, 223cm high. *L. KOOS is listed as working in Merthyr Tydfil in the early part of the 19th century

A Regency ebony and brass strung bracket clock, the circular white enamel dial signed 'Frodsham, london, with twin winding holes, the movement striking on a bell with pull repeat, within a case of lancet form, on brass bun feet, 41cm high