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A grandmother clock, the arched brass dial signed Tempus Fugit, silvered chapter ring bearing Roman numerals, Westminster eight day movement with rod strike, the mahogany case with a panel base and bracket feet, 178cm high.

George Atkinson, Louth. A 19thC oak and mahogany longcase clock, the arched dial painted with a pheasant in woodland landscape with floral spandrels, the circular dial bearing Arabic numerals, subsidiary seconds dial and date aperture, with an eight day four pillar movement, the break arch hood with central brass finial, raised on brass capped fluted columns, the trunk of plain form raised on bracket feet, with weights, pendulum and keys, 223cm high overall.

Early 20th Century oak bracket clock, Camerer Kuss & Co New Oxford St, the arched top with gilt metal swag pediment above a square glaze door and apron base, the dial with a signed silvered chapter ring and gilt metal spandrels, twin train movement striking on a gong, 38cm high

Early 19th Century Welsh oak cased 8 day longcase clock, the face marked M Godfrey, Cowbridge, the hood with broken swan neck pediment above arched aperture flanked by turned columns, banded plain waist door with reeded canted angles on a panelled base with bracket feet. Arch painted face with Roman numerals and country house decoration, 16 x 12" approx. Two train movement striking on one bell with seconds dial and date aperture. Complete with pendulum and two weights. 216cm high including finial approx.(B.P. 21% + VAT) Face appears to have been well repainted. The case in basically good condition. Likely all restored at some stage.

A Regency mahogany bracket clock, the case with fish scale grille sides and engraved door grilles, with carrying handle to a brass mounted pad, painted dial with Roman numerals, signed Dorrell, Clerkenwell, London, to double fusee movement striking on a bell, on brass bracket feet, 31.5cm wide, 20.5cm deep, 43cm highCondition report: Glass to back door is not present.Red silk grill backings are faded and degradedThe movement is dusty and not known to be working. Would require attention.Pendulum is present. The back needs to be replaced, the case needs to be retouched, the movement needs to be fully re serviced.

A small Edwardian mahogany bracket clock: the eight-day duration, spring-driven timepiece movement having a platform lever escapement and stamped Made in England 27594, the break-arch silvered dial engraved with black Roman numerals, foliot swags to the four corners and Tempus Fugit within the arch, with blued-steel hands, the mahogany bell-top case with glazed sides and flat feet, height 25cm.

A small inlaid timepiece bracket clock: having an eight-day duration, single-fusee timepiece movement, the four-inch round enamel dial having black Roman numerals with blued-steel spade hands, the curved top mahogany case with brass inlaid floral decoration to the front, brass fishscale fretwork to the sides, a gilt-brass handle to the top and standing on ball feet, height 24cm handle down, 27cm handle up.

A Georgian shaped boulle tortoiseshell and brass clock stand: the serpentine shaped stand of green tortoiseshell inlaid with engraved brass decoration and standing on cast-brass feet, with cast-brass mounts to both top and bottom edges, dimensions 28cm wide, 16cm deep, 29cm wide, together with a French gilt-wood clock bracket.

A Regency mahogany bracket clock: the eight-day duration double-fusee movement striking the hours on a bell, with the eight-inch round convex painted dial having black Roman hour numerals and blued steel moon hands, the mahogany carved pagoda top case with carved applied decoration to the front, brass fishscale fretwork to the sides below carrying handles and all standing on brass ball feet, height 47.5cm.

Wilson, York, an oak and mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a thirteen-inch brass break-arch dial with a raised silvered chapter ring engraved with black Roman numerals, the centre having a subsidiary seconds dial, engraved scroll decoration and signed Wilson, York, with cast-brass c-scroll corner spandrels and decorative brass hands, the arch having a silvered boss engraved with a bird in flight and wording Tempus Fugit, the oak and mahogany veneered case with fluted quarter columns to the trunk, boxwood stringing and shell inlay to the door, the hood with fluted columns and a swan-neck pediment, the base with canted corners and raised panel, standing on bracket feet, height 224cm.

Robert Bullock, Halesworth, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch arched brass dial, possibly a later addition, having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute markings and fleur-de-lys half-hour markings, the dial centre engraved with floral scroll decoration, a subsidiary seconds dial, date aperture and maker's name Rob. Bullock, Halesworth, with cast-brass cherub-head spandrels to the four corners and decorative brass hands, the arch having a round silvered boss engraved with an eagle, with cast-brass dolphin spandrels to either side, the rear of the dial having a falseplate embossed with the name of the dialmaker Wilson of Birmingham, the mahogany case with satinwood stringing and inlay to the trunk, base and hood, with a gothic-shaped moulding to the door and inlaid floral and vase decoration to the lower trunk, the hood with a high swan-neck pediment with further satinwood stringing and surmounted by three brass eagle-and-ball finials, the base with canted corners and further inlaid decoration, all standing on bracket feet, height 250cm inc. finial.* Biography Robert Bullock is recorded as working in Halesworth, Suffolk in 1823 and may well be the same maker then recorded as working in Lower Olland Street, Bungay from circa 1830 until circa 1855.

John Farr, Bristol, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, applied gilt decorative corner spandrels, with further gilt decoration to the arch depicting a bird on a nest surrounded by flora, and signed to the dial centre Jno. Farr, Claire Street, Bristol, with decorative brass hands, the curved-top mahogany case having boxwood stringing, the trunk with a short door and canted corners, the hood with typical Bristol wavy-edge frame, carved decoration inset to the top frieze with the fluted columns having cast-brass capitals, the base with raised moulding and standing on bracket feet, height 210cm.* Biography John Farr Snr. is recorded as working in Claire Street, Bristol from December 1771 when apprenticed to William Sladen and his wife Rachel. He is recorded as a watchmaker in the 1801 directory. His son Stephen was also apprenticed to the same couple in 1778 and he had a son, John Farr Jnr., apprenticed 1812, with whom he went into partnership and who is recorded at 27 Claire Street from 1823 until 1837 being the probable maker of this clock.Reference A.J. Moore The Clockmakers of Bristol 1650-1900, Pub.The Author 1999.

Bentley & Beck, a Regency mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell and 'ting-tang' quarters on two bells, striking once at quarter-past, twice at half-past and three times at quarter-to, with the backplate engraved with the maker's name Bentley & Beck, Royal Exchange, London, the twelve-inch Gothic arched painted dial having black Roman numerals, a subsidiary seconds dial, a 'strike/silent' dial within the arch and blued steel hands, the Gothic shaped mahogany case having raised ebonised mouldings to the hood, trunk and base with canted corners to the trunk, the hood with decorative ebonised inlay and fluted columns, all standing on a tapered plinth, height 218cm.* Biography Bentley & Beck are recorded as working in London as a partnership between 1815 and 1824. Known pieces signed by them include a Congreve rolling ball clock, a musical bracket clock and a fine watch. John Bentley was apprenticed on the 6th September 1796 to Boys Err Burrell becoming free and a member of the Clockmakers Company from 1813 until at least 1823. James Beck of 5, Sweetings Alley, was a chronometer maker being recorded as a member of the Clockmakers Company from 1811 until at least 1823.

E.W. Payne, Bromley, a Victorian chiming longcase clock: the eight-day duration movement having three brass-bound weights, a flat-rod pendulum with brass bob and striking the hours on a large silvered cylindrical gong and the quarters on eight further silvered gongs, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings with a chime/silent lever set at III o'clock, the matted centre having a subsidiary seconds dial and a silvered plaque engraved with the retailer's name E.W. Payne, Bromley, with cast-brass cherub-and-crown spandrels to the four corners, the arch with a silvered dial for setting the chimes to Westminster, St Michael or Whittington, with cast-brass dolphin spandrels to the sides, the break-arch oak case having a glazed door, canted corners, fluted columns to the hood, a panelled base and standing on bracket feet, height 230cm.* Biography E.W. Payne were established as jewellers in Bromley, Kent in 1899 and finally closed their doors in 2013 having occupied showrooms on a prominent corner plot in the town centre.

A German Junghans bracket clock with brass dial

A late 19th century burr walnut arch top bracket clock having white enamel clock face with Roman numerals to the chapter ring raised on a plinth base.

A 19th century Victorian mahogany clock bracket. The decorative bracket with inverted finial base and carved, detailed surround. Shelf set atop. Measures approx. 33cm x 50cm x 19cm 

An Edwardian early 20th century circa. 1900 French made Samuel Marti eight day bracket clock. The face having enamelled roman numeral to the chapter ring within an oak case over carved base with brass bun feet. Movement marked 'MEDAILLE D.OR, Samuel Marti, 1900' Model number 16431. Measures 35cm. 

A reproduction bracket clock, the engraved arched dial with moonphase, the movement striking on rods, 38cm high; a brass temple bell and a bronze pestle and mortarCondition report: At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report

Edwardian inlaid bracket clock, with broken glass, with key, Maple and Co Paris and London

A Victorian mahogany clock wall bracket, with inverted turned baluster ornament and roundels, mounted with gilt metal foliate studs, 30cm wide x 17cm high Condition Report: The depth of the shelf is 19 cm front to back. Overall this is presentable.The shelf with some very minor slight splitting to one join of veneer. Two half-ball ornaments are lacking to one bracket, another is detached (but present) to the other bracket. Wear to gilt studs, some old woodworm holes to underside, with small associated area of deterioration to wood. Minor surface wear.

A late 19th century mahogany cased bracket clock by Dent of London, 4 Royal Exchange, the silvered dial with Roman numerals denoting hours, 33cm high

A Continental brass striking bracket mantle clock, late 19th century, the movement stamped for Gustav Becker/Freiburg/758987, the engraved silvered dial with black Roman numerals to chapter ring, the front with pierced brass scroll and niello ornament, surmounted with a gadrooned urn on domed top mounted with stylised dolphins, the sides with beast masks suspending drops, on waisted plinth with acanthus and paw feet, with key, 44 cm high

A Boulle bracket clock. 67 cm high.

An early 19th century arched mahogany bracket clock, the dial inscribed Campbell Oswestry. 46 cm high.

Two Mahogany Wall Clock Brackets, the first: a Victorian bracket with scroll and acanthus leaf carved decoration, 34cm high, the second: an early 20th century bracket, 35cm high Condition report: Both with small scratches and minor dents and minor chips to edges in parts.

W. Mason, London, double fuse bracket clock, 8-day movement, alarm striking on single bell, brass arched dial, silver chapter ring, secondary dial to arch with strike silent, all contained in mahogany case of classical design, fretwork brass panels lined in fabric.height 65cm (25")

Early 19th-century bracket clock, twin fuse, 8-day movement with anchor escapement striking on single bell, white painted dial with Roman numerals under convex glass with brass bezel, figures mahogany case, flame finial, brass inlay, each side with ring handle, glazed panel with brass fretted grill, repeating pull string, all standing on four spherical brass feet.width 29cm (12"), height 51cm (20")Condition report: Unsigned, case in good order, small piece of veneer missing near hinge to bezel door, small section of veneer missing adjacent to glazed grill left-hand side of clock, some minor veneer damage to rear glazed door, turnbuckles added at later date to keep door fast, some small pieces of veneer missing to edge of glazed grill on right-hand side of clock (see photographs). The clock doesn't maintain a 'tick' long term.

Butterfield Higginshaw longcase clock, 8-day movement striking on single bell, arched painted dial incorporating rolling moon, slightly domed dial decorated with Roman numerals, mahogany case with swan neck pediment, brass finials, rope-twist columns, figured mahogany matched veneers to door, whitewood stringing, bracket feet.width 66cm (26"), depth 25cm (10"), height 262cm (103")Condition report: Goliath clock, please note the size, originally would have been suited to a public building, small section of crossbanding missing to box base on front and side (see photographs).

Joyce Ruthin 30 hour longcase clock with eleven-inch brass dial, chapter ring with Arabic and Roman numerals, oak and mahogany case, canopy with swan neck pediment, bobbin turned columns, trunk with reeded decoration, oak cross-banded door, box base all supported on ogee bracket feet.height 218cm (86")Condition report: Canopy with replacement turned wooden rosettes to swan neck, beading and veneers appear to be complete, original feet, movement not original to case, new pendulum, damage to feather.

A 19th century ormolu 'bloom trough', cast with scrolling acanthus, lotus and guilloche, bracket feet, zinc liner, 37cm wide, c.1860 (formerly the base of a clock)

A George III oak and mahogany crossbanded longcase clock, 33cm square brass dial inscribed with Roman and subsidiary Arabic numerals, 30 hour movement striking on a bell, the case with swan neck pediment and brass capped reeded columns, canted rectangular door to waist, shaped apron, bracket feet, 208cm high, c.1810

A George III oak and mahogany longcase clock, 35.5cm arched painted dial inscribed William Kirk, Stockport, rolling moon phase to arch, painted with a battle and a pastoral idyll, Roman and subsidiary Arabic numerals, subsidiary calendar and date dial, painted with figures allegorical of the four seasons and antipodal globe-form maps of the world, twin winding holes, eight-day movement striking on a bell, the case with a japanned swan neck pediment, shaped rectangular door to waist flanked by brass mounted reeded quarter-columns, skirted base, bracket feet, 229.5cm high, 59.5cm wide, 29cm deep, c.1780

A Jaeger Le Coultre Atmos clock, 11cm dial with Arabic numerals to quarters and baton markers, lacquered brass case with bracket feet, serial no. 277746, 22.5cm high, wall bracket en suite, cased

A large late 19th century lacquered brass repearter carriage clock, 6.5cm rectangular enamel dial inscribed with Roman numerals, repeating movement striking on a gong, five-glass gorge case with swing carrying handle, skirted base, shallow bracket feet, 15cm high, c.1900, morocco travelling case

A late 19th century lacquered brass carriage clock, 6cm rectangular enamel dial inscribed with Roman numerals, eight-day movement striking on a gong, five-glass gorge case with swing carrying handle, bracket feet, 14cm high, c.1900

A George III oak longcase clock, 31cm arched painted dial inscribed N Olding, Wincanton, Roman numerals, subsidiary seconds dial, date aperture, the arched with a vignette of a stately home, twin winding holes, eight-day movement striking on a bell, the case with swan neck pediment, bracket feet, 211cm high, c.1810

A Victorian rosewood and brass marquetry musical bracket clock, 18.5cm arched gilt brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, the arch with Chime/Silent, Slow/Fast and Cambridge/Westminster setting dials, three winding holes, eight day movement chiming on eight bells and striking on a gong, the architectural case flanked by Corinthian columns, bun feet, 72cm high, 43cm wide, c.1880

A William IV/early Victorian walnut bracket clock, 20cm shaped rectangular silvered dial inscribed Bateman, 82. St. John St.t, London, Strike/Silent, Roman numerals, twin winding holes, eight-day movement striking on a bell, the case carved with a bountiful basket of fruit and flowers; 60.5cm high, 41.5cm wide, 26.5cm deep, 88cm high on bracket, c.1840

An 18th century walnut longcase clock, 30cm arched brass dial inscribed James Pepper, Biggleswaid (sic), Tempus Fugit to arch, silvered chapter ring with Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement, the case with domed cresting, arched rectangular door to waist, skirted base, shaped bracket feet, 220.5cm high, 53cm wide, 25.5cm deep, c.1750

An 18th century walnut longcase clock, 30cm arched brass dial inscribed Peter Vitu, London, Strike/Silent to arch, silvered chapter ring with Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, eight-day movement, the case with outswept cresting, arched rectangular door to waist centred by a lenticel, skirted base, shaped bracket feet, 208.5cm high, 46cm wide, 25.5cm deep, c.1750

An oak longcase clock, 29cm arched brass dial inscribed Willm. North, Leckonfield (sic), the arch with date dial, silvered chapter ring, Roman and subsidiary Arabic Numerals, subsidiary seconds dial, twin winding holes, eight-day movement striking on a bell, the case carved in the 17th century taste, arched rectangular door to waist centred by a Green Man mask, bracket-form plinth base, 212cm high, 52.5cm wide, 27.5cm deep

A 19th Century mahogany longcase clock painted arch dial by Jas Rough Kilcaid, enclosed by a beaded pillared door and broken swan neck pediment over a long conforming trunk door on canted bracket plinth base, eight day striking movement, height 212cm, S/D

A mahogany chiming bracket clock.

A LARGE VICTORIAN OAK CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train German movement by Winterhalder and Hofmeier, striking on eight bells and five gongs, with a pull-repeat, the backplate signed, the brass dial with a silvered chapter ring and Arabic numerals, with subsidiary dials, in an all over carved case 62.5cm high, 38.2cm wide

A GEORGE III EBONY BRACKET CLOCK BY BARRAUD LONDON, C.1770 the brass eight day twin fusee movement with four turned pillars and an anchor escapement striking on a bell, the backplate signed 'Barraud Cornhill London', the painted arched dial with Roman numerals and a strike / silence dial, signed, the moulded case with brass mounts, the pad top with a brass handle 38.7cm high, 27.3cm wide

AN EARLY GEORGE III EBONY BRACKET CLOCK BY ROBERT FLEETWOOD LONDON the brass eight day twin pull repeating movement with an alarm, striking on seven bells, with a verge escapement and with four turned pillars, the backplate engraved with Rococo scrolling foliage, the arched brass dial with a silvered chapter ring, with Roman and Arabic numerals, with date aperture and a subsidiary strike / silent and seconds dials, signed 'Robt Fleetwood, Abchurch Lane, London', the moulded case with brass mounts and cone finials, the bell top with a brass handle 36.7cm high, 23.7cm wide

AN EBONISED BRACKET CLOCK BY SAMUEL WRIGHT NORTHWICH the brass eight day twin fusee movement with an anchor escapement and striking on a bell, the brass arched dial with Roman and Arabic numerals, signed 'Samuel Wright Northwich', the case with a bell top, with a brass handle 56.7cm high, 27.5cm wide

A REGENCY EBONISED AND BRASS BRACKET CLOCK BY GIBSON LONDON, EARLY 19TH CENTURY the brass eight day twin fusee movement with an anchor escapement striking on a bell, the backplate signed 'Gibson Royal Exchange London', the painted circular dial with Roman and Arabic numerals, in a lancet shaped case inlaid with stringing, with lion's mask ring handles 39cm high, 29cm wide

A mahogany cased mantel clock, with arched brass dial, silvered chapter ring with Roman numerals and brass spandrels formed as Amorini, the circular maker's plaque marked D J Hallwood Ely, with a caddy top and brass four point finials, on brass ogee bracket feet, 39cm high, 27cm wide, 12cm deep.

An early 20th century bracket timepiece, 12cm clock inscribed Wilkinson, Newark, 23.5cm high overall, c. 1920

An Edwardian mahogany bracket clock, c.1905

A 19th Century and later mahogany 8-day longcase clock by D Sutherland Keith, arch form 12 and quarter inch silvered dial, Roman and outer Arabic five minute Numerals, subsidiary seconds dial over date aperture, flanked by twin wind up keyholes, above a moulded panel door enclosing  weights, pendulum and key present, raised on carved bracket feet. 207cm H

A square brass sundial, impressed with an image of the sun, Roman numerals and the year '1733', later converted to a wall clock with quartz movement, 16cm Sq, an early 18th century brass break arch lantern clock dial signed 'Rob Evens, Halsted', fitted with later quartz movement, 18cm wide, along with a mid 18th century oak cased bracket clock, the 18cm brass break arch dial signed 'Stephen Gibbs, London', later fitted with a quartz movement, 36cm high, also a small collection of openwork clock hands (at fault)

* A George III mahogany cased eight day longcase clock, signed George Monks, Prescot, the hood with gilt foliate glazed panels over freestanding fluted pilasters flanking the 36cm painted break arch dial, with painted moon phase, subsidiary second dial and date aperture, signed with the makers name and enclosing the two train, four pillar movement striking on a saucer bell, the case with conforming quarter pilasters flanking the flame mahogany door, above the lower panel inlaid with fan spandrels, with canted corners upon bracket feet, 219cm high, with brass finials 229cm high, pendulum no weights

An early 20th century German oak architectural 8-day chiming bracket clock, brass dial with silvered chapter ring, blued steel hands, Gothic case and movement striking on 5 gongs, case height 44cm, with key, pendulum and oak bracket, working order

A German light oak architectural 8-day bracket clock, brass dial with silvered chapter ring, Arabic numerals and movement striking on a gong, case height 42cm, with pendulum and key

An early 20th century Maple & Co Ltd of Paris 8-day bracket clock, white enamel dial with Arabic numerals and movement striking on a gong, case height 32cm, with pendulum

A small German reproduction mahogany dome-top 8-day moonphase bracket clock, by John Thomas, case height 20cm

A Modern Mahogany Cased Westminster Chime Bracket Clock by WBA Having Jewelled Movement, with Key, Requiring Attention.