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An Asprey George III style bracket clock, circa 1900, in an Architectural case, with arched top, silvered dial, signed Asprey, late Payne & Co,, Bond Street, the fusée movement signed Payne & Co., London 5224 on the backplate, striking on a gong, with repeat mechanism, the sides with brass fishscale panels, on compressed bun feet, 48cm high, 27cm wide (pendulum requires new suspension spring, repeat string missing)
Of 10th Royal Hussars interest; a silver bracket clock, London 1924, the silvered dial with Arabic numerals, the case with engine turned decoration, raised on four feet, French movement, 11 x 8 x 6cm. Inscribed to inside of door "Major J. Garcia M.B.E., from the officers, The 10th Royal Hussars (P.W.O.) 10th Sept. 1954". Movement works but stops, case in good condition but tarnished.
R. M. Schneckenburger, an imposing 19th century mahogany ormolu-mounted chiming and striking bracket clock with bracket, the arched face with silvered chapter ring, fast/slow and chime/silent dials and applied cast pierced scroll and trelliswork spandrels, the case flanked by pair caryatid mounts to canted corners, on stepped plinth base, pierced ormolu scroll and paw feet, flame finials, the signed movement striking a gong and chiming on four graduated gongs, pull cord repeater, pendulum, 74cm raised on a matching bracket, 29.5 x 49cm
A 19th century Scottish mahogany longcase grandfather clock by William Robb of Montrose, Scotland. The clock having an arched glazed hood housing a brass and silvered dial with Roman numeral chapter ring. Mahogany case with single door and raised on bracket type supports. Measures approx. 205cm x 45cm x 23cm.
A 19th century Queen Anne revival walnut eight day longcase clock movement. The clock with a brass arch dial signed 'James Bush, Tower Street, London', with subsidiary seconds dial and calendar finished with a silvered Roman numeral chapter ring. Arched hood and fluted front corner hood pilasters over a rectangular long trunk door on a single panel box base and shaped bracket feet. Measures approx. 234cm x 48cm x 26cm.
A 19th century French 8 day mantel clock. Set on a gilt wooden bracket, the white marble body having gilt feet and adorned gilt metal swag chains. Atop, a gilt spelter dandy gent with foliage atop an 8-day cylinder movement. Marble dial with roman numeral chapter ring. Measures 32cm tall, 26cm long.
English ebonised double fusee bracket clock with bracket, in need of restoration, the 8" brass arched dial signed Andrew Prime, London to the centre of the strike/silent silvered disc to the arch, over a silvered chapter ring enclosing a matted centre with false pendulum bob and calendar apertures, the movement back plate finely engraved with scrolling foliage, within a stepped case surmounted by a caddy top and brass carrying handle, 20" high (keys, but no pendulum)
English mahogany double fusee verge bracket clock, the 7" brass arched dial signed Norton, Ipswich to the foliate engraved silvered centre with false bob pendulum aperture, strike/silent dial to the arch, with fine foliate engraved movement back plate, within a stepped case surmounted by a caddy top, four acorn finials and a carrying handle, 21" high (pendulum and door key)
English ebonised double fusee bracket clock, the 8" brass arched dial signed Kerridge, Wimborne to the foliate engraved centre with serpent shaped hands, enclosed by a brass chapter ring and surmounted by engraved flowering foliage to the arch, the movement striking on a gong, within a stepped case surmounted by a caddy top and five turned brass urn finials, 26" high (pendulum and keys) *This clock bears a strapwork brass presentation plaque to the front of the base inscribed Presented to the Honourable & Reverent A.G. Douglas.M.A. by the parishioners on his leaving Scaldwell Northamptonshire, October 1872 ** There is also some historical literature that accompanies the clock
Unusual French mahogany and walnut month going two train bracket clock, the 7.5" white convex dial signed Higer á Paris, with centre seconds, the month duration movement with rare Coup Perdu escapement, striking the hours and half hours on a bell, within a pillared rounded arched case applied with cherub and foliate cast metal mouldings surmounted by a caddy top and acorn final, 27.5" high (pendulum and keys)
Ansonia Patent novelty bobbing pendulum clock in the form of a lamppost, the 3.5" white dial with subsidiary seconds dial inscribed Patented Dec. 14th, 1886 and bearing the Ansonia trademark logo, within a drumhead casing supported upon a white metal stand with pierced foliate supporting bracket, 15.25" high (pendulum)
XIX Century Mahogany Oak Eight Day White Dial (C. Clark Wakefield) Longcase Clock, with a swan neck pediment, arched door, trunk with small door, inlaid chamfered sides, base with an oak panel on bracket feet, (white dial with painted cottage scene, Roman numerals, minute dial, (no weights) 243cm high.
A late 19th century French brass mantel clock, with Japy Freres bell strike movement, no. 21718, retailer's mark for Miller & Sons and 'CAF', the gilt dial with husk rosette decoration and enamel Roman numeral inserts, the ornate balloon case with pineapple finial, grotesque masks, shells and gadrooned borders, on ornate bracket feet, 14½in. (36.8cm.) high. * Condition: Winds and runs, strikes correctly. Gilt wear throughout. Enamel numerals all in good condition.Small chip to edge of bevelled glass.
A 19th century Breton carved wooden clock bracket, in the form of a cross legged man, supporting a shelf with chamfered arcade and carved border, 12in. (30.5cm.) wide, 8½in. (21.5cm.) high. * Condition: Good condition with engrained dust and dirt. Shrinkage crack and two pin holes to moulding above the figure.
A fine William IV Ottoman style amboyna and ormolu English double fusee domed bracket or table clock, by Payne & Co. of 163 New Bond Street, London, circa 1830, the amboyna case with high domed top, profusely decorated with ormolu mounts, standing on ormolu double scroll feet to each of the outset corners, the arched sides and movement door with silk grilles behind ormolu masks, the gilt brass arched dial finely chased with leafy scrolls, with signed Roman chapter ring and Strike-Silent dial to the arch, fronting a restored double fusee movement striking the hours and half hours on a gong, with pull repeat, 16in. (40.7cm.) high.* Provenance: W. F. Turk, Fine Antique Clocks, Wimbledon Chase, London, c.1999 * Condition: Winds, runs and strikes correctly. In good condition overall. Movement very clean and has clearly been professionally cleaned and restored at some time. Minor veneer chips around key holes to sides. Locks original and functioning correctly. Some gilt wear to ormolu throughout. Dial very good, with a few tiny flakes to enamel on numerals and small scratch to centre. Case in good condition - old, minor cracks to veneers to movement door and a few tiny nicks and scratches to veneers and mouldings, which would be expected. Arched moulding above the movement door is slightly loose to one side. Two cracks to the lattice ormolu mask to the front of the dome, and one crack to the centre of the mask on the opposing side.
A German mahogany cased quarter striking musical mantel clock, 1920s-30s, the three train, eight day movement by Gustave Becker, no. 2419445, striking the hour, half hour and quarter hour with Westminster chimes on eight gongs, the gilt arched dial with silvered Roman chapter ring and Chime/Silent dial to arch, gilt metal leafy scroll spandrels, in an arched case with fluted columns and brass ogee bracket feet, 15¾in. (40cm.) high, case with faults. * Condition: Winds and runs. Strikes correctly on the quarter hour and half hour, but the hour strikes needs to be corrected as it is currently striking two hours ahead. Dial VG. Case has veneer loss to right hand side of plinth and some scratches, knocks and marks throughout. With key.
A rare French gilt metal mantel clock with Chappe semaphore automata, early 19th century, the case in the form of a rectangular tower, the front decorated to simulate stonework with creeping ivy and flowers, surmounted by a semaphore tower with working signalling arms, which spell out the semaphore inventor's name 'C-H-A-P-P-E' in semaphore on the hour, on a velvet covered plinth to an ebonised, gilt lined base on bracket feet, the 3in. white enamel dial with blue Roman numerals and blued steel moon hands, above a recessed, arched painted panel depicting two windmills in a rural landscape, the blades moving as the clock strikes, the circular clock movement with off-set silk suspension clearing the mechanism for the automata above, with outside countwheel striking the hours and half hours on a bell, 21¼in. (54cm.) high to top of semaphore tower.* Provenance: Bonhams New Bond Street, Fine Clocks sale, 12th Dec. 2012, Lot 15 * Condition: The clock winds and runs and the front automata windmill blades turn when the clock strikes. The semaphore function has not been tested as the cotton threads operating the semaphore have become twisted whilst in storage and the top pulley threads are overlapping incorrectly, with one trapped behind the pulley. It will need some careful work to disentangle them and set them up correctly again. The case has probably been restored and refinished at some stage, and there is a spot of corrosion to the lower section of the 'stone' front plate. The painted arch appears largely original, with some paint flakes and retouching/overpainting to the top of the arch. Windmill blades probably repainted. Velvet faded and some marks and scratching to base. Lacks dome. Winding key for semaphore mechanism is present - the winding lug is slightly bent but the key does fit if carefully angled. Clock mechanism key not present. Several hairlines to dial running vertically.
A Victorian oak single fusee mantle timepiece with carved "drum-head" case and a simple unnamed Roman dial on a plinth base with bracket feet. 30 cm diameter dial, 39 cm wide x 16 cm deep x 50 cm overall height. Together with a 1940s Ellliot triple train walnut and chrome mantle clock of geometric form, 34 cm wide.The drum head has now been reunited with its correct pendulum and winds freely and is ticking away without hesitation or pause, this is, of course, no guarantee of reliability or accuracy.The Elliot triple train clock winds on all trains but runs for a little while and then stops.
A Victorian 8-day Gothic mahogany triple fusee bracket clock by Bennett (Sir, John) 65 & 64 Cheapside, London, with a carved architectural case with spire finials and castellated parapet, the one-piece silvered Roman dial with strike silent indicator to the arch top, the movement chiming and striking on a coil gong and eight bells with pull repeat, the case on an inverted breakfront base, together with an associated mahogany wall bracket. 41 cm wide x 26 cm deep x 66 cm overall height of the clock alone.Sir John Bennett started his career in Cheapside, London between 1839 when the shop at number 65 was still occupied by Rigge & Co, perfumers and cutlers, and 1847 when the Tallis Supplements came out. Before that, he had a shop in Stockwell Street, London A private estateGood general running order
A French gilt-bronze mounted brass inlaid tortoiseshell bracket clock, in the manner of André-Charles Boulle, second half 19th century, the waisted case surmounted by a scrolling foliate mount over a series of further mounts, inlaid with cut and engraved brass set into a tortoiseshell ground, on scroll feet, the gilt dial having enamel plaques with Roman numerals, the twin train movement stamped Vincent & Cie Medaille D'Argent 1855, striking a gong on the hour and half hour, with pendulum, 63.5cm highPlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.
A George III mahogany repeating table clock, John Lambert, last quarter 18th century, the case with inverted bell top surmounted by a brass swing handle and flanked by four acorn finials, the break arch door with Rococo style brass quadrants, the sides with glass panels, on a plinth base with brass bracket feet, the arched silvered dial with Roman numerals and Arabic five minute markers, the gilt matted centre with silvered plate signed Jn Lambert London and date aperture at six, with Strike / Silent subsidiary dial to arch and having C-scroll spandrels, the twin fusee movement with verge escapement, the backplate finely engraved with scrolling flowers and foliage, striking a bell and having pull cord repeat, the pendulum with pear shaped bob, with two case keys, 51cm high (handle extended), 27.5cm wide, 18.3cm deep Provenance: Private London collection, purchased by current owner from W. F. Turk in 2008. Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Brian Loomes records John Lambert as working in Shug Lane, London in 1784, and Tichborne Street, Piccadilly, from 1805-1811 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G., 2022, pp460. Another John Lambert bracket clock was sold at Bonhams, London, 28 June 2011, lot 145.
An oak and mahogany eight day longcase clock, signed Cairns and possibly Morpeth, early 19th century, the 33cm painted break arch dial centred with subsidiary date and second dials, signed with the makers name enclosing the two train movement striking on a saucer bell, the case with canted corners and a lancet shaped, upon a shaped apron and bracket feet, 216cm high, two weights and pendulum
A late George III oak cased longcase clock signed 'Moses Evans, Llangernew', the twin swan neck hood with freestanding pillars flanking the 33cm painted square dial, centred with a date aperture and subsidiary second dial, signed with the makers name and enclosing the two train movement striking on a saucer bell, the case with conforming quarter pilasters and a door with shaped upper corners, upon bracket feet, 206cm high, two weights and pendulumCondition reportReplaced movement board and guide rails to the cheek pieces, the back board also replaced indicating the clock has undergone a degree of restoration and possibly the clock movement is associated to the case.The movement looks/clean well maintained however this cannot be taken as a guarantee of working condition.Overall the clock appears to be in sound condition with no visible damage or faults to the case, although it appears to have had some sympathetic restoration
A German walnut cased bracket clock, early 20th century, the architectural case with fluted pillars flanking the 15cm silvered and gilt metal dial, with the three train movement striking on five graduated rods, impressed made in Württemberg, upon compressed bun feet, 48cm high, with pendulum
Charles X ormolu bracket clock, silvered dial with subsidiary seconds dial, French cylinder movement striking on a bell, the case with cast decoration of scrolls, florets and leaurel wreaths, 23cm.Condition report:Please see additional uploaded images, including the side, back, top, base and movement.
Welsh oak and mahogany longcase clock by George Sharratt-Ford, Newtown, Monmouthshire, circa 1840, the arched hood with swan neck pediment, supported by turned baluster pilasters, the painted dial with landscape to the arch and castellated buildings to the spandrels, the circular chapter ring with Roman numerals in a seconds chart, date crescent, eight-day movement, the central body with mahogany crossbanding and diamanted centre inlay with Asiatic pheasant highlighted with mother of pearl, quarter ringed pilasters, the box base similarly inlaid, cross-banded and on bracket feet, height 217cm.
Oak longcase clock, architectural pediment, the hood with engaged columns, long door, bracket feet, eleven inch square brass dial with seraphim spandrels, silvered chapter ring, subsidiary date aperture, signed Richard Hackett, Harringworth, thirty hour movement striking on a bell, height 211cm.Condition report:There is rubbing and losses to the wood on and just below the hood. One of the columns on the hood is pulling away. The finial is attached by blu-tack. There is a small vertical crack to the left-hand-side panel. The hinges have been replaced. There are cracks and evidence of woodworm to the base. One of the cogs has been detached. The weights and pendulum are present. Please see additional uploaded images.
A German carved oak bracket clock, c1890, with Winterhalder & Hofmeier movement striking on two gongs, in breakarched case applied with engraved brass presentation tablet dated 1892, pendulum, 50cm h and a related illuminated address to Henry T Cowley from the Members of the Loyal Walton Lodge December 1891, 39.5 x 26cm, framed (2) Good condition
JOHN RAYMENT, HUNTINGDON. A MID-18TH CENTURY EBONISED INVERTED BELL-TOP BRACKET CLOCK, the case surmounted by a brass carrying handle above a glazed moulded door, enclosing a 17.5cm arched brass dial with gilt spandrels and silvered engraved name roundel and chapter ring surrounding a matted centre and calendar aperture, the five-pillar fusée movement with verge escapement and signed foliate engraved backplate, quarter-repeating on two bells, 45.5cm high, 50cm including handle.
RICHARD FENNELL, KENSINGTON. A GEORGIAN MAHOGANY BRACKET CLOCK, the inverted bell-top case with brass finials, pierced side panels, ball feet and glazed door, enclosing a 7.5cm arched brass dial with silvered strike/silent, chapter ring, calendar aperture and name plate, the twin fusée movement with foliate engraved back plate and bob pendulum, striking on a bell, 51cm high including brass carrying handle.
THOMAS MOSS OF FRODSHAM, A GEORGE III OAK EIGHT DAY LONGCASE CLOCK, the box hood with Corinthian style pillars, flanking a glazed door that's enclosing a 13 inch dial, with a bell striking movement, foliate spandrels to each corner, Roman and Arabic numerals, concentric calendar, seconds dial above signature reading Tho Moss, Frodsham, on a trunk with a shaped door, and fluted quarter columns, height 200cm (condition:-some veneer loss, see images, missing bracket feet, pendulum broken) (with two weights and pendulum, crack to bottom plinth)

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28112 item(s)/page