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A mid to late 19th Century musical bracket clock by Smith & Sons, Clerkenwell, ebonised case of Baroque design with gilt metal finials and mounts, arched gilt and silvered dial with Gothic Roman numerals, speed and Full Chime, Westminster Chime and Silent subsidiary dials to the arch, side handles and sound grilles, the eight day fusee movement striking on eight bells and chiming on a gong, height 63cm (pendulum), together with an ebonised and gilt wooden wall bracket with gilt metal pierced gallery (2)

An early George III flamed mahogany longcase grandfather clock by Joshua Harrocks of Lancaster, c.1760, dental pediment, above circular pilaster supports, square aperture, brass and silver face and dials, roman numerals and date aperture, above more dental pediment, platform base with carved bracket feet. 207cm H

LITHERLAND DAVIS & CO OF LIVERPOOL; a 19th century mahogany lancet top bracket clock, with two applied lion head handles, a circular dial set with Roman numerals above inlaid panel, height 47cm, with later mahogany wall bracket.

A 19th century bracket clock with ebonised case, the twin fusee movement supporting a silvered face marked 'Henry Ross of London', with Roman numerals, height 50cm.

An early 20th century mahogany cased bracket clock, the silvered brass dial with Roman numerals, raised on bun feet, height 37cm, together with a brass anniversary clock.

A n Oak Cased Bracket Clock

A Very Fine Mahogany Cased Bracket Clock, Brass and Silver Dial

AN OAK CLOCK BRACKET, MISCELLANEOUS ARTIST SIGNED PRINTS, ETC

ϒA William IV rosewood bracket clock, Wideham & Adams, London, circa 1835, with eight-day twin fussee bell striking movement, the silvered Roman numeral dial signed for the maker Wideham & Adams, Lombard Street, London, the case with swept pagoda top and applied mouldings above a plinth base and bun feet, 46cm high ϒ indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

A mahogany bracket clock with three dials, marked Robert Jones & Sons, Liverpool, height 36cm.

A Victorian carved oak quarter chiming bracket clock, Unsigned, late 19th century, the substantial four pillar triple chain fusee movement with anchor escapement regulated by lenticular bob pendulum incorporating rise/fall beam regulation to suspension, the quarters sounding a choice of two melodies on either a graduated set of eight bells or four gongs and the hour sounding on an additional larger gong, the 7.25 inch wide single sheet silvered brass Roman numeral dial with steel fleur-de-lys hands and fine foliate scroll engraved infill to spandrel areas with the upper continuing into the shallow arch to envelop the triple CHIME/SILENT, FAST/SLOW regulation and WHITTINGTON/WESTMINSTER chimes selection dials set within a canted silvered brass surround, the open triangular pedimented case with fan carved tympanum over inverted breakfront alternating applied rosette and fluted panel decorated frieze and bevel-glazed hinged door to the dial aperture flanked by projecting carved fluted Corinthian Columns, the sides with conforming frieze over leafy trail pierced rectangular sound frets and the rear with rectangular brass grille inset door, on ogee moulded skirt base with block feet, 57cm (22.5ins) high including finial

GOOD QUALITY OAK CASED BRACKET CLOCK WITH SILVER COLOURED DIAL, APPROXIMATELY 39cm HIGH

A German reproduction kingwood and marquetry balloon-cased bracket clock and bracket, allover cast ormolu mouldings and mounts, relief moulded dial with enamel numerals and brass 8-day movement, clock height 58cm

A LATE 18TH CENTURY FRENCH BOULLE MARQUETRY BRACKET CLOCK, ormolu figural surmount of Hercules wearing a lion skin, the tortoiseshell and ormolu mounted balloon shaped case with shell and fruit above the door and eagle with outstretched wings above Classical devices to the foot of the door and between the front legs, the circular embossed gilt dial with enamel white and blue Roman numerals and an enamel plaque below the dial 'HELYE A PARIS', the backplate engraved the same, the eight day movement with count wheel strike on a bell, with key, case key and pendulum, height 69.5cm (condition: left side panel has two cracks in the glass, brass inlay missing to left and right sides, gap between back door and interior base, other losses to timber and splits, ormolu surmount is loose, movement winds, heard and seen chiming)

A GEORGE III OAK AND MAHOGANY BANDED LONGCASE CLOCK, cushion moulded cornice above a plain frieze supported on plain columns, the 32cm (12 1/2'') brass dial with Roman and Arabic numerals, brass boys and crown spandrels, subsidiary seconds dial and date aperture, eight day movement, dial named Oliver Ardmagh, plain trunk door and plinth base on bracket feet, height 208cm, with pendulum, weights, door key and winding key (condition: not seen working, splits to front of plinth base)

A GEORGE III PALE OAK, MAHOGANY AND SATINWOOD EIGHT DAY LONGCASE CLOCK BY JAMES OATLEY OF TAMWORTH, broken swan neck pediment with stamped brass roundels with brass orb finial, the arched hood on fluted columns with brass caps flanking a painted dial, the arch with oval vignette of a gardener, strawberry and floral painted spandrels, the 32cm/12 1/2'' dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, named 'Jas Oatley Tamworth', reverse of the movement plate named WILSON, the trunk door flanked by quarter columns, on a plinth base with shaped bracket feet, height 237cm, with pendulum, two weights, trunk key and winding key (condition: the case is in good clean condition, the dial has two patches of paint loss where the movement is fastened, James Oatley was deported to Australia in 1814 arriving in Hobart in 1815, he was pardoned in 1821 and his later clocks bear the name of James Oatley, Sydney)

A George III mahogany longcase clock, the dial inscribed Peter Pohlmann, London, the hood with brass finials and fret carved panels on stop fluted columns above an arched trunk door and brass stop fluted corners on a panelled base and bracket feet, the arched dial with dolphin and mask gilt metal spandrels, strike/silent dial in the arch, silvered chapter ring, subsidiary seconds dial and date aperture, the eight-day repeating mechanism striking on a bell, 12 inch dial, 255 cm high

A fine late 17th century walnut veneered longcase clock by Daniel Le Count of London the movement with anchor escapement, five ringed pillars and outside countwheel strike on a bell above the plates, fronted by a matt brass dial with cherub-and-crown spandrels, a silvered Roman chapter ring with Arabic outer five minute track, ringed winding holes and foliate decorated ringed date aperture at VI, subsidiary seconds dial at XII, the hood with flared moulded cornice, painted floral frieze and gilt wood capped columns, the narrow trunk with shaped panels of inlay and feather banding to the door and central bull's eye glass lenticle, over a plain plinth with shaped apron and bracket feet, 21¼ x 11¼in. (54 x 28.5cm.), 88in. (224.8cm.) high.

A mid-19th century Boulle clock bracket of deep serpentine form, with concave insets to the scroll edged sides, all with engraved brass floral inlay and foliate ormolu mounts, 13in. (33cm.) wide, 8½in. (21.25cm.) high, some losses. *Condition: A few losses to lower centre brass inlay and tiny chip to tortoiseshell in same area. Two small losses to right hand side. Brass edge strip lifting to right hand side scroll. One complete foliate rosette missing from beneath the right hand side of the top and the brass oval edging to this and the oval to the opposing side are later replacements.

A late Victorian eight day longcase clock the eight day movement striking the hours on a gong, fronted by an arched brass dial with silvered Roman chapter ring, shell spandrels and sunburst mask and dolphin spandrels to the arch, the case with broken arch hood on fluted columns with brass Corinthian capitals, over a serpentine door to the trunk and panelled base, on bracket feet with wavy apron, 88in. (223.5cm.) high.

A 1930s oak grandmother clock with eight day musical movement, the brass arched dial with silvered Roman chapter ring, gilt mask spandrels and silvered 'Tempus Fugit' roundel to the arch, the panelled case with arched hood with barleytwist columns, on bracket feet united by a wavy apron, 67½in. (171.5cm.) high.

A George III mahogany cased longcase clock, the arch carved ogive cornice above foliate blind fretwork frieze and arched glazed door flanked by ring turned pilasters and enclosing 12.75 inch brass dial with silvered centre subsidiary seconds dial and date aperture and engraved foliate work, the silver chapter ring with Roman and Arabic numerals within mask and bird spandrels painted in the arch with a huntsman and dog, and inscribed ‘Jacob Housman Lancaster’, 8-day movement striking on a bell above a further blind fretwork frieze and ogee arched top, flame mahogany trunk door carved in relief with scallop shell motif between stop fluted quarter pilasters and barbers' pole boxwood and ebony canted angles over a bevelled moulding base and later ogee bracket feet, case in the manner of Gillows, 212cm high

A small Edwardian brass cased carriage clock, the white dial populated with black Roman numerals, beneath a bevelled glass, with a swing carrying handle above a bracket base, 14.5 cm high (including handle).

An Elliott bracket clock, in a black lacquered case with Chinoiserie decoration, the caddy top with brass swing handle, the arched brass dial with silvered chapter ring signed 'Boodle & Dunthorne, Chester' and 'Elliott', 30 cm high, mid 20th century.

A German mahogany longcase clock, for Fen Clocks of Suffolk, brass break arch dial, with moon phase, chapter ring bearing Roman numerals, three train movement with Westminster chimes, the case and hood of plain form, with a bevelled glass trunk door, raised on bracket feet, with pendulum and weights, 204cm H.

A French late 19thC slate and marble mantel clock, circular enamel dial with visible Brocot escapement, chapter ring bearing Roman numerals, eight day movement with bell strike by A Carlhin, Boulevard Balnetz Paris, No 4501, the case of architectural form raised on bracket feet, with key, 39cm H, 35.5cm W, 16cm D.

A French late 19thC slate and marble mantel clock, circular enamel dial bearing Roman numerals, visible Brocot escapement, eight day movement by Hy Marc of Paris, with bell strike, No 46524, the case of architectural barrel form with a glass fronted pendulum, raised on bracket feet, no key, 37cm H, 31cm W, 14.5cm D.

A Maple & Co late 19thC oak cased mantel clock, circular dial bearing Arabic numerals, French eight day movement, by VIncenti & Cie, with strike, For Maple & Co Ltd Paris, the case with carved detailing and spiral twist columns, raised on bracket feet, with pendulum and key, 33cm H, 25cm W, 14cm D.

A Victorian oak cased mantel clock, square brass dial with gilt floral spandrels, silvered chapter ring bearing Roman numerals, stated Examd by Dent, 61 Strand, London, eight day movement with coil strike, the case with an arched pediment, turned finials, the front with semi pilasters and engraved decoration, raised on ogee bracket feet, 47.5cm H, 25.5cm W, 18.5cm D.

An Edwardian mahogany cased mantle clock, circular enamel dial bearing Roman numerals, French movement, the case of domed form with brass columns, raised on bracket feet, 20cm H, 8.5cm D,32cm W, together with a Smiths Enfield oak cased mantle clock, with coil strike, 19cm H, 11cm D, 19cm W, (AF) (2)

A Wai Hing Clocks Company hardwood cased long case clock, brass break arch dial, with decorative spandrels, silvered chapter ring bearing Roman numerals, German three train movement with Westminster quarter strike, with a break arch hood, having turned pilasters, trunk with glazed door flanked by demi pilasters, raised on bracket feet, 213cm H.

A George III oak longcase clock, the break arch enamel dial painted with floral spandrels, circular dial bearing Roman numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the break arch hood with turned columns, over a plain and fluted trunk, raised on bracket feet, with pendulum and keys, 198cm H.

Samuel Robson (North Shields). A George III oak longcase clock, the break arch dial with chapter ring bearing Roman and Arabic numerals, two train eight day movement with bell strike, the case of plain form, hood with turned pilasters, raised on bracket feet, with pendulum and key, 215cm H.

Black Forest carved limewood coat rack, surmounted with a bear cub and with three coat hooks, 40cm x 20cm; also a Black Forest carved limewood clock bracket, the shelf supported on the horns of an oryx, further carved with mountain flowers and ferns, the oryx with glass eyes, 28cm x 30cm (2)

French mahogany and inlaid balloon mantel clock, white enamelled dial with Roman numerals, the movement striking on a gong, within a waisted case with boxwood and harewood fan inlays, raised on brass bracket feet, height 29.5cmPlease note our special conditions regarding clocks and watches

Thirty hour oak longcase clock, the hood with brass capped reeded columns flanking a 12'' brass dial, signed Baddely, Albrighton, with Roman numerals, signed engraved centre, date aperture, the movement striking on a bell, the trunk with walnut crossbanding, over a canted box base with raised panel and on bracket feet, height 206cmPlease note our special conditions of sale regarding clocks and watches

Oak eight day longcase clock, having a carved case, the hood initialled and dated 1898, brass 11 1/2'' dial signed Hampson, Wrexham, and numbered 1430, with engraved matted centre, silvered chapter ring, the movement striking on a bell, the trunk and base carved and raised on bracket feet, height 212cmPlease note our special conditions regarding clocks and watches

Robertson of Forfar, Scottish mahogany eight day longcase clock, painted arched dial, the spandrels representing the seasons, Roman numerals, susbidiary seconds and date dial, with crown and thistle hands, eight day movement striking on a bell, the trunk with a bowed door flanked with turned pilasters, over a recessed panel box base and bracket feet, height 215cmPlease note our special conditions regarding clocks and watches

A silvered and brass faced mahogany bracket clock with pendulum CONDITION REPORT: In good condition with no signs of worm/losses etc.

A continental inlaid stained beech wood bracket clock

JAPY FRERES & COMPANY BRACKET CLOCK with pillared front and inlaid detail, 30cms H, 19cms W, 13cms D

An Edwardian mahogany eight day bracket clock, the silvered dial with Roman numerals, the case with arched top, spherical finials and fluted pilasters, 38cm high

A silver cased and tortoiseshell mounted mantle clock, c.1920, the arched top silver rectangular case raised upon bracket feet with inlaid tortoiseshell front by Henry Mathews, assayed Birmingham 1920, Swiss made movement with white enamel circular dial with Roman numeral chapter ring, in working order, height 20.8cm. 

Modern Zenith bracket clock

An Edward VII inlaid bracket mantel clock

A modern mahogany cased bracket clock having an arched brass dial with silvered chapter ring, Roman numerals and chiming movement by Elliot of London, height 33cm (excluding handle)

Late 19th Century presentation Bracket Clock in Ebonized Wooden case with Gilt metal detailing, silvered dial & striking movement, on lion paw feet, stands approx 43cm with Pendulum & key

Art Deco bracket clock decorated with woman

Antique two train wall clock and a mid 20th century bracket clock with Westminster chime

A Victorian black slate bracket clock with key and pendulum 

A Victorian mahogany quarter striking bracket clock, Payne and Co., circa 1840, domed with 7 inch silvered dial, etched with foliate scrolls, on brass ball feet, gilt pineapple finial, 60cm high

A 19th century French Boulle work and ormolu mounted clock, bombe form, the 3.5 inch white enamelled dial with Roman numerals, within a tortoiseshell and gilt brass foliate scroll case, on four cabriole bracket feet, the glazed aperture with cast head pendulum, 8 day movement, surmounted by a flame finial, 35cm high

A Late 19th/Early 20th Century Chinese Hardwood Clock Bracket in the form of a winged serpent, 31cm long, 36cm wide

A 20th Century Bracket Clock by Comitti with shell and line inlays and three train movement with Westminster chime, 31cm tall

An Edwardian Mahogany Bracket Clock, with dome case, kidney and batwing decoration, stepped base, twin brass carry handles, eight day movement, black Roman numerals to white enamel dial, 38cm high.

A Late XIX Century German Carved Oak Eight-Day Longcase Clock, with carved shaped pediment, the hood relief carved with scolling foliage, circular dial with Arabic numerals, back plate inscribed "S.K. Rodium Gong", the gadrooned base with carved panel above stepped base on bracket feet, 237cm high.

A Late XVIII/Early XIX Century Oak and Mahogany Eight-Day Longcase Clock, the hood with swan neck pediment, arched door to painted white dial with date aperture, the trunk with crossbanded door and base, on bracket feet, 206cm high.

BARDER R. C. R.  The Georgian Bracket Clock. Illus. Quarto. Orig. blue cloth in d.w. 1993; also 4 other illus. quarto vols. in d.w's re. clocks.  (5).

A contemporary Regency style bracket type mantel clock, Comitti of London

A 20thC Mappin & Webb brass carriage clock, with swing handle, in five part glazed case with visible movement, 5cm Dia. marked back plate with Roman numeric dial, on bracket feet, with single train keywind movement, 13cm H.