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An early 19th century mahogany long case clock having finial and swan neck hood over painted dial with 8 day movement over reeded and inlay trunk on square base and bracket feet

A longcase clock, Thomas Lupton, London, mid 18th century, 8-day moon phase movement with arch dial, subsidiary second dial, the mahogany case with swan neck pediment, reeded pilasters and waisted body with N pilasters, on box base with ogee bracket feet, the dial 35 x 50cm, 245cm high

EDWARDIAN MAHOGANY INLAID BRACKET CLOCK

A 19th Century 8-Day Striking Long Case Clock having brass arched dial with raised scroll and floral spandrels, having Roman and Arabic numerals, in oak case having Corinthian column supports, on bracket feet, 2m 7cm high overall

A Franz Hermle bracket clock with Westminster chiming movement and moon phase roller, height 32cms

An early 20th Century oak bracket style clock, the eight day movement striking to two gongs, hours and quarters, having anodised dial with Roman numerals, in arched case with string inlay with moulded base, raised on brass bun feet with brass carrying handle, 14 1/2" high

An Edwardian mahogany and inlaid mantel clock by Dent of London, the eight day movement with brass dial and Roman numerals, no.62803, in shaped case on moulded base and bracket feet, 9" high

A 19th century oak eight day long case clock, the arch hood with fluted gilt metal mounted corner pilasters enclosing a 12" arch top moon phase dial with silver chapter ring and subsidiary second hand above carved trunk, resting on bracket feet, 245 cm high with weights and pendulum.

An 18th century 24 hour oak longcase clock, the square 11" dial with subsidiary day and month aperture, the dial signed `J Robinson Bakewell` over arch trunk door, raised on bracket feet, 215 cm high, weight and pendulum.

An 18th century mahogany cased bracket clock, with twin fusee movement, the dial having a gilt silvered chapter ring signed `Chris Pinchbeck, London` encircling a matted centre with pierced gilt brass spandrels to the corners and a strike/silent dial in the arch, the caddy top case with gilt brass handle above an arched glazed door, with pierced fretwork sound holes backed in red silk, the brass movement back plate ornately etched with heraldic crest, standing 42 cm high (minus handle), on squat moulded square feet, 26.5 cm wide x 17 cm deep. Illustrated.

W. Grace, London, a William IV mahogany bracket clock, the eight-day duration, double fusee movement striking the hours and half hours on a bell with pull repeat, with the eight-inch round painted dial having black Roman numerals and blued steel spade hands, the mahogany case having canted corners with applied carved mouldings to the front and to the front of the scroll sides, with a curved top, height: 44cms. * William Grace is recorded as working in London from before 1855 until 1869.

Ellicott, Royal Exchange A mahogany bracket clock, the double fusee, eight-day duration movement striking the hours on a bell with the eight-inch round, convex dial having black Roman numerals, blued steel hands and signed by the maker ‘Ellicott, Royal Exchange’, with a cast brass bezel, the mahogany dome topped case having decorative boxwood inlay to the front, height: 41cm. * The Ellicott family were well known clockmakers working at the Royal Exchange, having started with the ingenious maker John Ellicott who died in 1733. A succession of family members, including John jnr, one of the countries most eminent makers, continued the business with, at the date this clock was made, Edward jnr. who became a Freeman of the Clockmakers Company in 1795 before becoming Master, and died in 1835.

A reproduction 19th century style bracket clock in a mahogany finish case with a Junghans quartz movement and having silvered chapter ring with decorative spandrels.

An Edwardian oak bracket clock in the George 111 style, silvered arch dial engraved with floral scrolls, three quarter chiming movement striking five gongs, the case with caddy top on skirted base, brass carrying handle

A late 19th century French slate timepiece, circular enamel dial with single wind hole; an American bracket clock; and two 1930`s oak mantle clocks (4)

An early 19th century rosewood and brass line inlaid clock bracket

AN EARLY 19TH CENTURY MAHOGANY CASED EIGHT DAY BRACKET CLOCK by Francis Abbott, Derby, having a brass bezel and convex glass, the circular painted dial with Roman hours showing the maker`s name and two winding apertures, each side having gilt brass ring handles with floral plates and arched pierced grills, the moulded base raised on nicely turned ball feet, twin fusee movement with pendulum and winding key. 55cm(h) x 33cm(w) x 17.5cm(d)

A MAHOGANY CASED EIGHT DAY BRACKET CLOCK, 20th century, of arched form surmounted by three moulded panels, the arched glazed door encloses the silvered dial with Roman hours, two subsidiary dials for slow/fast and chime/silent, all surrounded by foliate engraving, raised on a moulded base. 37cm(h) x 25.5cm(w) x 18.5cm(d)

AN EARLY 19TH CENTURY MAHOGANY THIRTY-HOUR LONG CASE CLOCK by Martin Roper, Penrith, having a well defined broken swan-neck pediment with brass disc terminals, arched glazed hood door and turned columns, the long shaped trunk door between canted corners, the conforming base with shaped bracket feet, the arch of the dial painted in gilt with a chinoiserie scene on a black ground, the chapter ring with Roman hours and Arabic minutes framing the maker`s name and crescent form date aperture, all framed by painted spandrels depicting cherubs. 226cm(h)

A 19TH CENTURY CARVED OAK EIGHT DAY LONG CASE CLOCK by W Herbert of Ludlow, having a swan neck pediment over the arched glazed hood door and reeded columns, all carved with foliate designs, the long trunk door with further carved foliate scrolls, between reeded quarter columns, the carved base with floral roundals on shaped bracket feet, the arch of the dial with painted rolling moon mechanism, the chapter ring with Arabic hours framing the subsidiary seconds dial, crescent form date aperture, two winding holes and maker`s name, all within painted spandrels depicting female figures. 223cm(h)

A 19TH CENTURY MAHOGANY EIGHT-DAY LONG CASE CLOCK by Joseph Peile, having a flat-topped hood with moulded cornice above an arched glazed door and turned columns, the arched trunk door between inlaid columns over a plain crossbanded base with bracket feet, the brass dial with embossed foliate arch, the engraved chapter ring with Roman hours and maker`s name, further engraving and two winding apertures. 223cm(h)

A MID 18TH CENTURY OAK THIRTY-HOUR LONG CASE CLOCK by Joshua Harrocks, Eamont Bridge, having a flat topped hood with dentil moulded cornice, square glazed door, and turned columns, the long shaped trunk door and plain base on shaped bracket feet, the dial with silvered chapter ring, Roman hours, Arabic minutes and maker`s name enclosing engraved foliate scrolls, crescent form date aperture and subsidiary seconds dial, all framed by applied ornate brass spandrels. 224cm(h)

A LATE REGENCY MAHOGANY BRACKET CLOCK by Thos. Leonard, 50 Tabernacle Walk, Finsbury Square, London, the "balloon"-shaped case on scroll supports and concave plinth with compressed bun feet, the silvered dial with Roman numerals and single fusee movement, 17½". See illustration

WILLIAM PREDDY, TOTNES, a mahogany longcase clock the 35.5cm painted, broken arch dial with Roman numerals, seconds dial, calendar aperture and signed in the centre "Preddy Totnes" the four pillar movement mounted on a false dial plate with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door flanked by similar columns, panelled plinth and bracket feet, 230cms high (with 3 brass eagle and ball finials, pendulum weights & key)

TYTE, WELLS, a mahogany longcase clock, the 33cms painted broken arch dial signed in the centre "C Tyte Wells" with Roman numerals, seconds dial, calendar aperture, pierced gilt hands, floral spandrels, the arch with figures and a castle beyond, the four pillar movement mounted on a false dial plate, with anchor escapement, rack striking on a bell, the case with broken arch pediment, writhen columns, short trunk door, panelled plinth and bracket feet, 224cms high (with finials, pendulum, weights & key)

Anon, a Swiss silver pocket watch, with a bar lever movement, the cuvette with engraved retailer`s name `Terry & Son Westbourne Place W`, the silvered dial with engraving and matting, applied gilt Roman numerals and black spade hands, in an engine turned case, in a mahogany and inlaid clock-case style watch case, on brass bracket feet, 17cm high; and T. J. Jenkins, Merthyr Tydfil, a silver open face pocket watch, London 1873, no. 7539, with a fusee movement, a white dial with Roman numerals, gilt spade hands and subsidiary seconds, in an engine turned case

An inlaid oak bracket clock, early 20th Century, casket hood, a brass dial surrounded by inlaid spandrel pieces, cast bracket feet, Westminster striking movement by Gustav Becker, with eight hammers striking five gongs, 40cms, (16").

An ornate early 20th century French ormolu mounted and white marble mantle clock, standing on bracket feet, 15" high,

A late 19th century brass fire window repeating carriage clock with a white enamel dial on bracket feet,

A reproduction George II style mahogany bracket clock, by Wuba, the silvered and gilt metal dial with moonphase arch, striking on a bell, the case with carrying handle and four gilt metal finials and caryatid mounts, on ogee bracket feet, 27cm high.

A 19thC French burr walnut bracket clock and bracket with pressed brass dial having enamel Roman numerals and eight day timepiece movement, clock height 36cm, bracket 18cm.

A 19thC silver plated bracket clock, with a French eight day movement, striking on a bell, with a later dial, the square case with putlo finial, cast with face masks, shells and scrolls, on paw feet with foliate knees, 44cm high.

An early 20thC George II style ebonised bracket clock, with a Goman eight day movement, striking on a coiled gong, the silvered arched dial with Roman chapter ring, the case with carrying handle and urn finials, on paw feet, 32cm high.

An early 19thC cross banded oak longcase clock, with swan neck pillared hood and brass adornments, quarter inset reeded column trunk with shaped door, moulded base with bracket feet, floral painted (but worn) 32cm diameter circular dial with thirty hour movement, 203cm high.

A French brass repeating carriage clock with enamel Roman numeral dial, striking on a gong, on bracket feet, 18cm high

A 19th century American mantel clock, makers Jerome and Co, of Gothic arched form, with circular Roman numeral dial, on bracket feet, 49cm high

A George III oak 8-day longcase clock, maker Alexander Nimmo of Linlithgow, the arched brass dial with makers name and numbered 170 above a brass Roman/Arabic numeral chapter with subsidiary seconds dial and date aperture, the swan neck hood above a ogee shaped door, on a plinth base with bracket feet, 228cm high x 50cm wide

James Pepper of Biggleswade, A George III oak longcase clock, the silvered face with secondary dial, date aperture and gilt spandrels supporting a twin train striking movement under an arched hood, the case with conforming moulded door, on a plinth base with bracket feet * The Peppers of Biggleswade traded as watch and clock makers in the town from 1721-1870

A good quality walnut cased bracket clock with Junghans movement.

A good quality oak cased bracket clock with brass fittings..

A good quality oak cased bracket clock with Gustav Becker movement.

SCOTTISH REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK BY JAMES HOWDEN , CIRCA 1820 the white enamel dial signed James Howden, Edinburgh, the twin train 8-day movement with anchor escapement and striking on a bell, the foliate engraved back plate with conforming signature, the arched case with pineapple finial and pierced sound frets, raised on plinth base, together with a matching bracket (2) 30cm wide, 54cm high, 16cm deep

GEORGE III EBONISED BRACKET CLOCK BY WILLIAM WRIGHT OF SOUTHWARK, CIRCA 1770 the gilt arched dial with silvered chapter ring and date aperture, the 30-hour movement with anchor escapement and foliate engraved back plate, with conforming signature, the arched case with pierced sound frets and raised on a moulded plinth base 27cm wide, 44cm high, 15cm deep

A 19TH CENTURY WELSH OAK LONGCASE CLOCK, the hood with broken swan neck pediment above arched aperture flanked by wrythen turned pilasters, the waist with ogee pointed arch door fluted corbel`s and wrythen pillars on an arched panelled base with bracket feet. Arch painted face with rolling moon Roman numerals seconds dial and date aperture marked David Herbert. Herbert Aberystwith eight day two train movement striking on one bell. C1830. Face 19" x 13.5". 93" High overall.

A LATE 19TH CENTURY FRENCH GILT BRASS CLOCK GARNITURE, the clock in architectural style with mask mounted pediment above circular face flanked by corinthium columns, applied floral swag below on a stepped bracket base. Two train brass French drum movement striking on one bell. Flanked by two urn shaped vases, all standing on velvet covered gilt wood bases. 11" High. (3).

A LATE 19TH/EARLY 20TH CENTURY FRENCH GILT BRASS CARRIAGE CLOCK, having full depth enamel dial with Roman numerals swing handle and bracket base. The back plate marked Paris under parrot mark. Believed to be Henri Jacot of Paris. 5.5" High.

A 19TH CENTURY MAHOGANY LONGCASE CLOCK, the hood with fret carved scrolled pediment above arched aperture flanked by reeded gilt metal mounted pilasters the waist with arch panel door flanked by wrythen gilt metal mounted quarter pilasters on a panel base with bracket feet. Arch painted face with woman in a garden to the arch, foliate spandrels Roman numerals and seconds and date dials. Marked D.C Burlingham, Lynn, eight day two train movement striking on one bell. The face 17" x 11.5", overall 84" High.

A 19TH/EARLY 20TH CENTURY FRENCH GILT BRASS CARRIAGE CLOCK, having full depth enamel dial with Roman numerals, swing handles on bracket base. 5.75" High.

An 18th Century oak and mahogany cross-banded long-case clock with an eight day movement striking on a bell. The 12" brass dial mounted with pierced figural spandrels, silvered Roman and Arabic chapter ring, subsidiary seconds dial and date aperture, signed Jn Cooper, London. All over a long shaped trunk and raised to a bracket plinth, 218cm high. ILLUSTRATED

Theodore B Star-a mid 19c. mahogany cased bracket clock with 8 day movement with circular Arabic dial fitted in a part inlaid and pierced case with lions head carrying handles on squat gilt coloured feet. 37 cms high.

A mid 18c. 8 day walnut cased Longcase clock. The brass arched dial style with silvered Roman numeric chapter ring with date aperture strike/silent feature signed "Stumbels, Totnes" fitted in carved wood with eagle finials raised above a cross banded trunk door flanked by quarter columns, the whole on bracket feet. Approx. 238 cms high. It is widely believed that William Stumbels was one of the greatest clock makers outside of London. Various examples of his work exist in Museums in the South West of England.

A good Regency mahogany cased fusee striking bracket clock. The domed top headed by a gilt coloured pineapple raised above a circular numeric dial with an 8 day movement and part stencilled back. In a part pierced case on plain base. 52cms high.

A 1930`s Oak Eight Day Westminster Grandmother Clock, with circular dial and applied decoration, glazed and bevelled door, on bracket feet, 196cms high.

A Rosewood Striking Bracket Clock, C H Cox, Leamington, circa 1850, case with arched pediment, lion ringed side carrying handles and glazed viewing windows, base raised upon bun shaped feet, 8-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and striking on a bell, movement secured by brackets, later seatboard, 43cm high

A Mahogany Striking Table Clock, circa 1820, the nicely figured case with a single pad arched top and carrying handle, pierced brass side frets and repeat cord, moulded rectangular base raised upon bracket feet, 8-inch painted arched dial with Roman numerals and bearing inscription Tho Southall, Stafford, the arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, movement backplate with engraved floral and scroll work and numbered 416, movement secured by brackets, bob pendulum, 48cm high

A French Regence Striking "Boulle" Bracket Clock, signed Roquelon A Paris, the highly elaborate case surmounted with a figure of father of time, waisted case with scroll gilt mounts and glazed side viewing windows, the glazed door decorated with winged cherubs and raised upon scroll worked feet, 9-1/2-inch cast dial with twelve Roman enamel cartouches and a central enamelled plaque signed Roquelon a Paris, twin barrel movement with square shaped plates, anchor escapement, numbered outside countwheel striking on a top mounted bell for the half hour strike and for the hours, movement lower backplate with matching signature, later pendulum with sun burst bob, 87cm high, together with matching "boulle" gilt mounted wall bracket, 33cm high

An Ebonised Quarter Chiming and Repeating Table Clock, signed William Wheatley, London, circa 1750, the bell top case with five gilded finials, side carrying handles and pierced sound frets, pull repeating cord, caryatid mounts to the canted corners, moulded base with brass bracket shaped feet, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture, mock pendulum aperture, recessed silvered plaque signed William Wheatley, London, the arch with strike/silent selection, the substantial triple fusee movement with verge escapement, quarter chiming and repeating with eight hammer striking a nest of eight bells and a further hammer striking a bell for the hours, movement secured by brackets, movement backplate fully engraved with foliate scroll work, bob pendulum, 58cm high

A Scottish Mahogany Eight Day Longcase Clock, signed Jas Paterson, Edinburgh, circa 1820, the nicely figured case of good colour, arched moulded top, side pierced sound holes, flamed veneer arched trunk door flanked by fluted pilasters, rectangular base with a moulded panel and raised upon bracket feet, 13-inch circular painted dial with Roman numerals, centre with seconds and date dials and signed Paterson, Edinburgh, four pillar movement with anchor escapement, movement with unusual arched plates, rack striking on a bell, 201cm high James Paterson is recorded in Edinburgh 1789-1825. See Baillie (GH) Watchmakers & Clockmakers of the World, page 244.

A Mahogany Eight Day Longcase Clock, the nicely figured case of good colour with a broken arched pediment and turned central finial, stop wood fluted columns, circular moulded hood door with blind fretwork corners, flame veneer trunk door flanked with stop wood fluted pilasters, crossbanded rectangular plinth raised upon bracket shaped feet, 13-inch circular painted dial with Roman numerals and signed J & W Howden, Edinburgh, subsidiary dials for seconds and date, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 234cm high (dial and movement circa 1810, associated to the case circa 1780)

A Mahogany Eight Day Longcase Clock, signed Denton & Fox, Hull, circa 1810, case with pagoda inlaid pediment, Corinthian fluted columns, nicely figured moulded trunk door flanked by canted corners, rectangular inlaid plinth raised upon bracket feet, 12-inch painted arched dial with Roman and Arabic numerals, centre with seconds and date aperture and signed, the arch depicting a painted scene of a lady with her dog, floral painted corner spandrels, four pillar movement with attached falseplate stamped Wilson, anchor escapement and rack striking on a bell (bell missing), 243cm