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A French Sevres style porcelain and gilt metal mounted mantel clock, late 19th century, with eight-day striking movement, the painted Roman numeral dial above a figural scene, inset with further panels painted with arabesques and medallions to the sides, on bracket feet, 37cm highProvenance: Property from a Private CollectionCondition Report: Has an associated pendulum and key, the pendulum bearing a different serial number to the clock. The key is wrapped and is un-inspected by Dreweatts. The movement has not been tested and Dreweatts can give no guarantees to accuracy or longevity.The dial with old chip, loss, and repair around the winding holeThe gilt with wear and losses to the surface of the porcelain, some chips and losses to the enamel decorationSome dirt and discolouration to the gilt metal, some old pitting The porcelain with a crazed appearance overall Please refer to additional images for visual reference to condition    Condition Report Disclaimer

A mid 18th century bracket clock by Thomas Gardner, London, a bell top Japanned case, the arched top dial having a brass matted centre, silvered chapter ring with Roman numerals, date aperture, gilt metal spandrels and a strike/silent dial. The verge double fusee movement striking on a bell and back plate, ornately engraved depicting a bird amongst flora and scrolls, 20h including handle x 11w

A Junghans brass cased carriage clock, the circular dial with silvered chapter ring bearing Roman numerals, quartz movement, the case with engraved foliate and overlay damascened decoration, raised on bracket feet, 15.5cm wide, 11cm deep, 20cm high.

A circa 1830 mahogany and brass inlaid bracket clock, the pagoda top with moulded decoration above a figured brass inlaid front flanked by brass arched side grills and brass ring handles, raised on a plain plinth base, the eight day movement with circular brass enamelled dial and the chapter ring with Roman numerals enclosed within a convex glass brass bezel, 47 cm high x 30.5 wide x 16 cm deep

A Millennium mahogany finished long case clock, with broken arch pediment, oval shell paterae, full length reeded column sides and ogee bracket feet, the silvered and gilt brass circular dial having Roman hour numerals, an amatted centre field, marked HOWARD K MILLER, Millennium Edition, and having subsidiary seconds ring, three train movement striking chimes, 212cm high

J Chant of Brigg. An early 19thC oak mahogany and rosewood cross banded long case clock, the break arch dial painted with a girl and dog in a landscape, cottages and ruins, dial bearing Roman numerals, subsidiary seconds dial, eight day movement with bell strike, bell lacking, the hood with break arch pediment and baluster turned pilasters, trunk door inlaid with a galloping horse and flowers, flanked by baluster turned pilasters, the base inlaid with an exotic bird, raised on bracket feet, with pendulum and weights, with key, 221cm high.

A French early 20thC oak cased mantel clock, square brass dial with foliate spandrels, silver chapter ring bearing Roman numerals, thirty hour movement, No 7024, the case of domed form with gilt floral and foliate embellishments, raised on bracket feet, with key, 38cm high, 24cm wide, 18cm deep.

OAK CASED EDWARDIAN BRACKET CLOCK

Modern mahogany eight-day longcase clock, the silvered and brassed 30cm dial with triple train movement, moon phase, Arabic and Roman numerals, subsidiary date and seconds dials, by Comitti of London, 198cm high, with three brass weights and pendulum, Minor scratching to chapter ring.Scratches below hinge of dial door.Very minor wear to case.Chips and scratching to bracket feet and apron.

Modern walnut bracket clock, Georgian style, circular dial with Roman chapter ring, kienzle movement striking on five gongs, 27cm.

Oak and mahogany longcase clock, arched painted dial signed, .... Oundle, the river landscape scene to the lunet, subsidiary second dial, eight day two chain movement, the case with broken swan neck pediment, short door, bracket feet, height 210cm.

Works of art to include stone eggs, gilt clock bracket, picture frames etc. (qty)

A Regency mahogany eight day movement bracket clock, from Robert E. Hogben, the silvered round dial with Arabic numerals, above a fretwork panel, moulded top and bottom, brass carrying handles and bun feet, 34cm x 23cm x 13cm

A Late 19th Century German Ebonised and Gilt Brass Mounted Bracket Clock, by Winterhalder & Hofmeier, the arched brass dial with narrow silvered chapter ring with Roman and Arabic numerals, Strike/Chime and regulation dial to arch within ornate gilt brass winged Cupids head spandrels and leaf scroll ornament, to the eight day two train fusee movement striking on two gongs, contained in ebonised case of "18th Century English" design, swept-in top with five gilt brass two-handled finials and with mask caryatids and floral ornament to the cant corners, on gilt brass scroll and paw pattern feet, 29ins high, and ebonised bracket with gilt brass mounts for same, 19ins wide x 13ins deep x 12ins high

A William IV Oak Cased Bracket Clock of Large Proportions, by S. J. Bartlett of Maidstone, the 8.25ins diameter brass dial (formerly silvered) with Roman numerals and Chime/Silent dial to arch, to the substantial brass framed three train chain and fusee movement quarter striking and chiming on a gong and eight bells, contained in oak Gothic pattern case with ornate turned and leaf carved finials and leaf capped columns to sides, moulded base on bun feet, 30ins high, and matching oak bracket for same with shaped and fretted supports, 18ins wide x 10ins deep x 12ins high Note: Samuel J. Bartlett recorded as a watchmaker working in Maidstone 1821-1855.

An 18th Century Wall Clock, by Isaac Hurst of Bury, the 10ins square brass dial with single hand, silvered chapter ring with Roman numerals, dial centre engraved with leaf scroll ornament, to the thirty hour movement, in brass and steel posted frame and outside locking plate striking on a bell, 13ins high, mounted on later pine bracket

A 19th Century Oak and Mahogany Longcase Clock, by John Hallam of Nottingham, the 12ins square painted dial with Roman and Arabic numerals, subsidiary seconds dial and floral sprays to spandrels, to the thirty hour weight driven movement striking on a bell, contained in oak and mahogany case with moulded scroll pediment and reeded columns to hood, shaped trunk door, on plinth base with bracket feet, 80ins high

An Early George III Mahogany Longcase Clock, by John Shelton of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and Strike/Silent dial to arch, to the altered movement now with three trains striking and chiming on eight bells and a gong, contained in figured mahogany case with shaped cresting above moulded cornice and with cant corners to hood, the shaped trunk door veneered in figured mahogany with ebonised borders and cant corners, the base with applied astragal mouldings, on bracket feet, 93ins high, (lacking weights) Note: John Shelton recorded as apprenticed 1711. Member of the Clockmakers Company 1720. Liverymen of the Clockmakers Company 1766.

A Late 18th Century Mahogany Longcase Clock of Small Proportions, the 10ins painted metal dial with shaped top, Roman numerals and with subsidiary seconds dial and calendar dial, to the eight day two train five pillar movement striking on a bell, contained in mahogany case with arched and moulded cornice and fluted and brass stopped cant corners to hood, figured trunk door and base with raised panel, on bracket feet, 75ins high

Edwardian walnut inlaid bracket clock with striking movement enclosed by bevelled edge glass panelled door (43cm high)

An early 20th century bracket clock, with red lacquered Chinoiserie case and pierced grill back, backplate stamped 12532, 24 by 14 by 32cm high.

An Italian slate bracket clock with two train movement together with a single train clock of Gothic design.

A REGENCY MAHOGANY BRACKET CLOCK, the 8-day twin fusee striking and repeating movement with domed circular dial, inscribed "Ballard, Cranbrook", the stepped top and fluted rectangular pediment surmounted with gilt pineapple finial, the case with bras s outline and cut brass inlaid spandrels, the sides with trellis grilles below gilt ring handles, on a cut brass inlaid and part ebonised plinth and ball feet. 56cm high (together with a conforming bracket)

J.C.Brown of Bristol, Connecticut, Early XX Century Bracket/Wall Clock, having eight day movement, painted and lacquered casing with mother of pearl and nacre insets, 49cm high.

A late 19th/early 20th Century carved oak bracket clock of arched form with twisted supports, silvered convex Roman dial, three train striking and chiming movement with key and pendulum, 41cm high, some cracks to case

A late Georgian long case clock of uncommon diminutive stature, being an oak-cased 30-hour clock by John Broom of Exeter, having a painted square face with gilt-enriched floral spandrels, the hood having a swan neck pediment with brass paterae and fluted columns, the trunk front having an oblong door and scratch-reeded sides, on a plinth base with square bracket feet, 188 cm

Early 19th Century inlaid mahogany cased bracket clock, with 8-inch convex cream Roman dial, twin fusee movement striking on a bell, arched case with lion mask ring handles, on brass ball feet, 44cm high

Winterhalder & Hofmeier - Early 20th Century German mahogany-cased two-train bracket clock, with silvered Roman dial beneath two subsidiaries, 36cm high

19th century mahogany cased drum head longcase Grandfather clock, the dial with two subsidiary dials named for Ritchie and Son of Edinburgh Condition Report:Wear to the dial, paint loss and craquelure. Bracket feet off and broken. Case is missing columns and there is no sign of it being worn. 

An unusual 1960s Japanned long case clock, heightened in gilt, broken pediment over domed door, silvered chapter ring with Roman numerals, the back with applied figures in relief, on plinth base and bracket feet, 230cmH

An ebonised and parcel gilt portico mantel clock, dial supported below pediment top, on four tapering columns, gilt based with bracket feet, 49cmH

A 19thC. Regency style Gustav Becker bracket clock, case a/f, 18in tall

A George III design burr walnut bracket clock, by Elliott, the arched dial inscribed Tempus Fugit, with Whittington and Westminster chime movement, 33cm highCondition report: Good condition, with two keys

Edwardian, inlaid mahogany two-train bracket clock in Georgian style with stepped top hanging brass handle, the silvered face flanked by brass mounted quarter pilasters. Strokes on single gong. With pendulum and key. 42 cm high approx.(B.P. 21% + VAT) Minor knocks and losses to the case with use and wear. The face is noticeably worn to the numerals. Appears complete.

A 19th century rosewood and brass inlaid mounted dome-top bracket clock, by Thomas William May, Shrewsbury, the silvered dial bearing Roman numerals, on rectangular base supported by four brass ball feet, 34 cm x 33.5 cm x 17.5 cm.Condition report: Good overall cosmentic condition, with some light surface wear and marks commensurate with age. Pendulum and wining key present. Dront door currently locked (no key present)

A late 19th century walnut cased bracket clock by Lenzkirch, with dome top cornered by four brass pineapple finials, the eight-day movement striking on a coil gong, the brass face with silvered chapter ring bearing Roman numerals, the movement numbered 993752, 32 cm high x 23 cm x 16.5 cm.Condition report: Winding key and pendulum present. Good overall cosmetic condition. Not tested for accuracy.

Thirty hour, single handed clock movement, with brass and silvered dial, signed Stedman, of Godalming, circa 1760 with lead weight and pendulum; and elm wall bracket, dial 23cm diam

German Ting-Tang bracket clock, with Westminster Chimes, Junglans, in inlaid mahogany case, 44cmH CONDITION: good. With pendulum and key

A 19th century mahogany 8-day bracket clock, marquetry inlaid swag decoration with brass mounts and shaped case, with white enamel dial and Arabic numerals, movement signed J Marti of Paris, and striking on a gong, with key and pendulum, case height 27cm, working order

A walnut-cased Junghans eight day bracket clock.

Seventeenth century and later thirty hour lantern clock with verge escapement and bob pendulum, top mounted bell, engraved floral dial with silvered chapter ring and single hand, in a brass framed case with turned columns and finials and dolphin frets, together with a mahogany wall bracket, clock and bracket 57cm overallCondition report: It is difficult to establish what parts are later but our feeling is part of the movement is period but the cogs look later and some parts are machine made. The case has been entirely made up later

A wooden cased miniature four glass mantel bracket clock by Sewell Ltd. of London and a Waterford Chrystal mantel clock in box with papers. H.17 W.10 D.6cm (largest)

19th C Elkinggton and co Bracket Clock

A Georgian period mahogany framed Grandfather Clock, the dentil moulded cornice over an arched brass etched dial by Alex Kirkwood, Paisley, the figured mahogany body flanked by half roped turned uprights, on square base with bracket feet, approx. 209cms (82"). (1)

A good late 18th Century / early 19th Century Irish figured mahogany Grandfather Clock, the carved swan neck pediment with centre shell over a grotesque mask with carved frieze, the square brass face with Roman numerals and subsidiary dial, flanked by two reeded pillars, over a flame figured crossbanded door, on attractive box base, with bracket feet, 226cms (89"). (1)

The "Hellfire" Club Grandfather ClockAn important 18th Century Irish mahogany Grandfather Clock, the swan neck pediment topped with rosettes, and a central carved bearded mask with horns, finished with interleaved foliage in relief, the brass dial with Roman numerals, Signed by Charles Gillespy, Dublin, and with a glazed door flanked by Corinthian columns, over a shaped panel door carved in relief depicting a demonic figure, and with draped fruit from mouth, Dated '1749,' and also a carved burning flame, the panelled base also carved with a hand holding cards, and crossed pikes, on bracket feet, approx. 240cms (94") high. (1)Provenance: By tradition from the "Hellfire Club" Dublin, purchased late 19th Century by the McCartney Family, Wynnstay House, Clonskeagh, Co. Dublin.

A 19th Century carved oak Grandfather Clock, the swan neck pediment over a glazed panel door housing a decorated brass and silver decorated dial by Jno Richards Wisbeck, the main body profusely carved with leaf and scroll decoration on ogee bracket feet, approx. 231cms (91")h. (1)

A very good Edwardian mahogany framed Grandfather Clock, decorated in the Georgian taste, with swan neck pediment over engraved and etched arch brass dial, marked Maple & Co., London, with reeded pillars flanking, over an inlaid shaped panel door on box base with bracket feet, approx. 233cms (92") high. (1)

A late 18th Century / early 19th Century oak framed Grandfather Clock, the swan neck pediment over a marked dial with rotating painted and silvered dial with Roman numerals, by Alexander Winstanley, Holywell, flanked by reeded ormolu mounted Corinthian columns, the shaped panel door with crossbanding, on box base with bracket feet, approx. 231cms (91") high. (1)

A 19th Century oak framed Grandfather Clock, the swan neck pediment with circular ormolu mounts over an arched brass and silvered decorated dial with glazed door flanked by Corinthian brass pillars, the main body with etched design and arched glazed door on box base, with bracket feet, 93" (236cms). (1)

AN EARLY 20TH CENTURY MAHOGANY AND INLAID LONGCASE CLOCK, the hood with a brass finial, arched glass door enclosing the 8.5' silvered and brass dial, the arch with a chime/silent handle and roman numerals, the trunk with a bevelled glass door, panelled base on bracket feet, height 215cm (three weights, pendulum and case key)

AN EARLY 20TH CENTURY MAHOGANY CASED BRACKET CLOCK, arched top above a foliate engraved silvered dial with chime/silent and slow/fast, Roman numerals, eight day double fusee movement, gong strike, left hand winding hole a.f and loose chain to interior, height 42cm, with pendulum, 'ticks and chimes' and a 1920's dome top mantel clock (2)

A gilt and ebonised twin fusee bracket clock, height 39cm

A Regency mahogany bracket clock signed Finer and Nowland, London, height 40cm

An early 20th century inlaid mahogany cased bracket clock, the silvered dial showing Roman numerals, 8-day movement, standing on four brass disc feet, height 37cm, with accompanied mahogany wall bracket

A Victorian black slate mantel clock the enamel dial showing Roman numerals, height 23cm; together with a reproduction mahogany bracket clock, a white metal mantel clock, and an oak cased wall barometer

A reproduction walnut cased bracket clock, with an eight day Imperial movement, 34cm high

A 19th century bracket clock, mahogany case with brass inlay 8 day movement, twin fusee, strikes on gong, running in saleroom 43 cm tall

A most substantial and impressive black stone cased Bracket Clock having black chapter ring with raised gold-coloured Roman numerals, the face 7 1/2'' diameter, the brass plate movement by "J. Marti et Ci", (Medaille de Bronze) striking on a coiled gong, the case having inset malachite and ormolu mounts and lion mask handles. Pendulum present but suspense spring damaged and winder lacking. 18'' wide x 14 3/4'' high x 8 5/8'' deep. (some chips to stone).

Early 20th century mahogany cased bracket clock, stepped arched pediment over domed bevel glazed door and turned pilasters, moulded plinth and brass bracket feet, the brass dial with Roman chapter ring, and chime/silent lever, triple train quarter chiming movement by 'Gustav Becker', movement back plate stamped 'P18, '2200246', with pendulum, H40cm, W33cm - Condition Report