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Mid Century chinoiserie lacquered bracket clock by Goldsmiths and Silversmiths Ltd, having French brass drum movement.

Garrard of London, reproduction mahogany case bracket clock of Georgian design, with key, height 26cm.

EARLY TWENTIETH CENTURY FRENCH BRASS CARRIAGE CLOCK unsigned single train movement with lever platform escapement, the enamel dial with Roman numerals in black, with gilt front piece, set within a brass and bevelled four glass case, on bracket feet, 11cm high

EARLY VICTORIAN MAHOGANY LONGCASE CLOCK by R Stewart, Ayr, the unsigned eight day two train movement with anchor escapement striking on a bell, the signed painted 13" dial with Roman numerals, subsidiary seconds and calendar dials at twelve and six respectively, pierced brass hands, encased within an arched hood with thistle pediment, contained within a mahogany case with inlaid door, on plinth base with bracket feet, 224cm

EARLY NINETEENTH CENTURY OAK LONGCASE CLOCK the unsigned eight day two train movement with anchor escapement striking on a bell, the arched 12" painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds dial and calendar aperture at twelve and six respectively, painted pierced steel hands, the arched hood with swan neck pediment and doric columns, contained within a waisted oak case, on plinth base with bracket feet, 227cm high

TWENTIETH CENTURY BRASS CARRIAGE CLOCK unsigned single train movement with lever platform escapement, the white enamel dial with Roman numerals, set within a brass and bevelled four glass case, on bracket feet, 11.5cm high

TWENTIETH CENTURY BRASS CARRIAGE CLOCK lion stamped single train movement with lever platform escapement, the white enamel dial with Roman numerals, set within a brass and bevelled four glass case, on bracket feet, 11cm high

TWENTIETH CENTURY FRENCH BRASS CARRIAGE CLOCK unsigned single train movement with lever platform escapement, the white enamel dial with Roman numerals, set within a brass and bevelled four glass case, on bracket feet, 11cm high

EARLY NINETEENTH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK by A. Cockburn, Haddington, the unsigned eight day two train movement with anchor escapement striking on a bell, the 12'' painted dial with Roman numerals and outer Arabic seconds, subsidiary seconds at six and date at twelve, pierced steel hands, encased within an arched hood, the mahogany case with satinwood cross banding, on plinth base with bracket feet, 198cm high

EARLY TWENTIETH CENTURY ONYX MANTEL CLOCK by Jules Rolez Limited, signed eight day two train movement striking on a coiled gong and numbered 16586, the gilt and enamel dial with Arabic numerals and two front winding holes, pierced steel hands, the onyx case surmounted with foliate urn finial, applied brass decoration, on stepped plinth base with bracket feet, 34cm high

Pownall and Son, Liverpool, an Edwardian mahogany granddaughter clock, the eight day Westminster gong striking moved faced by 8" brass dial with silvered Roman chapter over 3/4 length door, box base and bracket plinth, 154cm

Will Snow, Padside, Yorkshire, a late 18th century oak longcase clock, the hoods with scroll pediments and acorn finial enclosing a bell striking thirty hour movement faced by 10 inch dial over 3/4 length door, box base and bracket plinth, 222cm

Edwardian walnut bracket clock with inlaid decoration and 8 day striking movement

Edwardian mahogany bracket clock the dial inscribed Terry and Co. of Manchester

AN EARLY 20TH CENTURY MAHOGANY BRACKET CLOCK IN GEORGE III STYLE, the arched case with brass carrying handle and canted fluted pilasters, the white enamel dial with Arabic numerals, Junghans two train movement striking a coil gong, with key and pendulum, presentation plaque dated 1925. 36cm high excluding handle

An Edwardian satinwood mantle clock with eight day drum movement with enamelled dial, striking hours and half hours on spiral gong, raised on shaped bracket feet, 27 cm high

Charles Absolon of London. A George III mahogany bracket clock, with circular brass dial and twin fusee movement, with engraved backplate, 18in.Charles Absolon, recorded c.1778.

A Regency mahogany bracket clock, the case with gilt brass pineapple finial, fielded canted spandrels, brass diaper inlay and knulled moulding to the base, fitted a white enamel dial with Roman numerals and eight-day movement striking on a bell/see illustration Condition Report: The case is rather dull and needs a good clean, there is a split to veneer to lower section of the case between 4 o'clock and 7 o'clock. Bolt on left hand spandrel with split moulding and missing. Rear door repaired at lock and later button latch fitted to base of door. Grills in need of re-silking. Face rubbed, complete with pendulum, no key.

An 19th Century bracket clock, the silvered dial with Roman numerals, fitted a twin fusee striking movement and set in a mahogany and inlaid arch top case, 47cm high/see illustration

Grant of Fleet Street, London. A Regency mahogany bracket clock, in gothic arched case with enamelled Roman dial and signed twin fusee movement, with associated wall bracket, 20.5in., in need of restorationJohn Grant of Fleet Street, recorded 1781-1810.

A Victorian style brass mounted ebonised chiming bracket clock, of architectural form, the arched silvered dial with chime silent and eight bells / Westminster selectors, with German movement, height 23.5in.

John Weston, Wolsingham: an oak thirty hour longcase clock, the brass roman dial with outer arabic numerals, engraved bird and swag design to centre and with date aperture, inscribed 'made nos 60' under maker's name, foliate spandrels, anchor escapement striking on a bell, the case with arched glazed door flanked by columns, shaped waist door, panelled base on bracket feet, 82in. high.

Jno. Bloor, Newcastle: a late Georgian oak and mahogany banded longcase clock, with painted arabic dial, subsidiary seconds dial and date aperture, moon phase to the arch, two train movement with anchor escapement, shaped pediment, shaped waist door with inlaid detail to canted corners, panel base with bracket feet, 90in. high.

Gibson, Newcastle: a thirty hour mahogany longcase clock, the square brass roman dial with subsidiary date dial, anchor escapement, the case with ogee cornice above glazed door with pilasters, arched waist door, panel base on bracket feet, 77in. high, with pendulum.

A miniature French brass carriage clock, late 19th/early 20th Century, with enamelled arabic dial, platform lever escapement, the architectural style case with caddy top, pierced fret frieze, canted sides with columns, bracket feet, 3 3/4in. high, with key.

Harrison, Liverpool: a handsome George III mahogany longcase clock, the brass dial with silvered roman chapter ring with inner date track, the centre of the dial with subsidiary seconds dial and decorative nameplate, with moon phase to the arch and inscription over "The man is yet unborn who duly weighs an hour", foliate spandrels, two train movement with anchor escapement, pull repeat lever, the case with floral swan neck pediment centred by pierced fret cornice, arched door flanked by fluted columns, the central section with blind fret panel above a shaped flame mahogany door, flanked by fluted quadrants, panel base, on ogee bracket feet, 95in. high, with weights and pendulum. See illustration

An early 20th Century bracket clock, in the Chinese taste with simulated red lacquer decoration, silvered roman dial, later battery movement, 11 1/2in. high.

An early 20th Century walnut longcase clock of small size, with brass roman dial and engraved 'tempus fugit' to arch, with three train quarter striking movement, the case with broken pediment, arched door above shaped rectangular waist door, panelled base and bracket feet, 72in. high.

Hugh Lough, Penrith: a carved oak longcase clock, with brass roman dial and moon phase, dummy winding holes, vacant date aperture, thirty hour movement with anchor escapement, arched pediment and door, carved waist door and carved panel base on bracket feet, 84 12in. high.

Donisthorpe, Birmingham: an oak longcase clock, with brass roman dial and outer arabic numerals, subsidiary seconds dial and date aperture, moon phase to the arch, two train movement with anchor escapement, the arched frieze above glazed door flanked by fluted pilasters, arched waist door, fluted quadrants, panel base, ogee bracket feet, 86in. high.

A late 19th Century oak bracket clock, the brass dial with silvered roman chapter ring and subsidiary slow/fast and chime/silent dials, with three train movement by Winterhalder & Hofmeier, striking on gongs, the architectural case with pediment above glass door flanked by fluted pilasters, pad feet, 17 1/2in. high.

John Evans, Lampeter: an oak longcase clock, the square brass roman dial with outer arabic numerals, the decoratively engraved centre dial with subsidiary seconds dial and date aperture, the spandrels decorated with scenes of putto, two train movement with anchor escapement, swan neck pediment, glazed door below with pilasters, square waist door, fluted quadrants, panel base, bracket feet, 91in. high.

An oak cased dome topped Westminster bracket clock and associated mahogany bracket with silver dial and housing a three train eight day movement.

A George III North Country oak and mahogany crossbanded longcase clock, the 14" square arched painted enamel dial with Roman numerals, minute track, subsidiary seconds dial and calendar aperture, the arch with rolling moon phase dial above two hemispheres, the spandrels painted with roses in bud, signed William Wain, Burslem, the eight day striking two train four pillar movement with anchor escapement. The hood with broken swan neck pediment, brass finial and glazed door flanked by fluted columns above a shaped trunk door inlaid with marquetry shell, flanked by quarter engaged fluted pilasters, panelled box base with canted corners raised on bracket feet (pendulum, key and two weights). 231cm h.

An 18th century brass bracket clock, the 25cm Roman and Arabic numeral chapter ring signed John Hartley, with engraved and matted centre with date aperture, bird cage case and movement striking on a bell, with later oak hood and bracket

A George III mahogany and rosewood cross banded eight day longcase clock, with painted Roman numeral dial signed L Frederick of Wolverhampton, below a moon phase and movement striking on a bell, with broken swans neck pediment, on bracket feet, 238cm high

A George III oak and mahogany longcase clock, the 33cm painted Roman numeral dial signed 'Thomas Underhill Albrighton', with subsidiary seconds and date dial, below a moon phase, the case with broken swans neck pediment, the trunk with fluted corner pilasters, on bracket feet, 226cm

A late George III Shropshire oak eight day longcase clock, the 36cm painted dial signed Bowdler Minsterley, with Roman numerals, subsidiary seconds and date aperture, the hood with broken swans neck, the case with corner pillasters on bracket feet, 216cm

A Regency rosewood brass bound bracket clock and bracket by Brockbanks & Atkins, London, No. 1872 (1815-1835), 6 Cowpers Court, London, white enamel dial, black and white Roman numerals, brass grilled sides, pineapple finial, eight day movement striking on a single bell and supported on four brass ball feet (with pull repeat action). 26ins high overall.

A 19th century mahogany bracket clock by Griffith, with white dial, eight day movement, striking on a single bell with bun feet. 17ins high.

William Miles, London (Circa. 1775), a mahogany cased eight day longcase clock, with a silvered arch face, subsidiary strike/silent dial, in a case with flame figured door, supported on bracket feet. 8ft 0ins high.

A Georgian Oak longcase eight day Clock having swan pediment to the hood, also having fluted column supports flanking the single arch top pane glazed door, opening to reveal ormolu mounted brass face marked E. Greenhill, London. The case having long door with ornate carving, symmetrical dog rose climbing from the devils mouth being flanked by cross banded canted corners, the lower panel carved with demon head issuing a flower and foliage, and standing on bracket feet. 85'' high x 20 1/4'' wide x 11'' deep

A late 19th c. Oak cased architectural Mantle Clock, having fret cut pediment top with applied foliage style moulding. Brass and gilt mounted face, on lower moulded base and bracket feet. The brass movement marked Ansonia Clock Co. USA New York No. 5. 15 1/2'' high x 11 1/4'' wide x 5 1/2'' deep

A chiming arched Bracket Clock with Armorial glass panel, with key and pendulum.

A chiming arched Bracket Clock with inlaid detail, key and pendulum.

A chiming Bracket Clock.

A mahogany case bracket clock eight day movement, 1/4 chimes on four coiled gongs, hour on separate coiled gong with key and pendulum Condition Report: In working order, chimes but not keeping time.

A 19th century mahogany bracket clock with a drop shoulder chain driven fusee movement and 6" convex painted dial - Height 15" and Rams head carving with pendulum and key Condition report: Working, normal wear consistent with age, lock missing, replacement handles

A good guality mahogany bracket style mantel clock of small proportions 20 cm tall

An oak cased Hamburg American bracket clock, with cherub metal dial.

An oak cased bracket clock, possibly by Philip Haas & Sohne

20TH CENTURY MANTEL CLOCK BY JUNGHANStwo train key wind movement striking on a gong, the gilt and silvered dial with Roman numerals, two front winding holes, steel hands, carved oak case, on bracket feet feet, 41cm high

A Regency Mahogany Brass Mounted Bone Shaped Bracket Clock, the dial inscribed Thomas Saunders, Dorchester and with twin fusee movement striking on a bell, the carved case brass finial and with circular ring side handles, the whole raised upon low bun feet, 50 cms high

A George III Oak Longcase Clock the arched hood with reeded pilasters and three brass finials above an arched carved door and upon bracket feet, the brass dial inscribed Turner and Son, Rochford and with subsidiary seconds dial and date dial, and with strike silent, the two train eight day movement striking on a bell

A William IV Walnut Bracket Clock, the dial inscribed Harrison Chepstow with twin fusee movement striking on a bell, the unusual carved shaped case with scroll mounts, 41 cms high

A 19th Century Bracket Clock, the silvered dial with Roman numerals and with three train musical movement raised upon low brass feet, 40 cms tall

A Regency Mahogany Cased Bracket Clock, the dial inscribed Flint Birmingham with twin fusee movement striking on a bell and with side circular brass handles the whole raised upon circular bun feet, 40 cms tall

A George IV Mahogany Long Case Clock, the arched hood with swan neck pediments flanked by turned pilasters above a shaped cross-banded door flanked by quarter pilasters, the whole raised upon ogee bracket feet, the painted dial inscribed W Underhill, Newport with subsidiary seconds dial and date aperture and with moon phase movement

A longcase style clock, the 19 cm arched silvered dial with Roman numerals, and subsidiary Chime/Silent, Slow/Fast and Chime on 8 bells/Westminster chime dials, fitted an eight day movement (lacks bells), in an inlaid mahogany case, 192 cm high See illustration Condition report Report by RB Really looks like a bracket clock put onto a dwarf longcase clock type trunk and base, the colour is a pretty good match but not quite 100%. The dial is silvered, and slightly discoloured in parts, both wooden side panels are loose with damage and loss, as is the frame to the back door, strikes on eight gongs but as noted, there are no bells, there are four plates which hold the movement to the case, and these have later/modernish steel screws fixing it. The trunk door is generally good and not warped, the base has a vertical split, which should be easily visible, and there are smaller splits to the sides. The brass finial is damaged where it fits into the top of the case. Not a fusee movement.

Mixed works of art, to include a bracket, boxes, pair of globes, a clock, two Staffordshire figures, etc, (qty)