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Cased brass carriage clock by Barlow Paris, mounted by handle over moulded cornice white face, Roman numerals, raised on bracket feet, W 7.5cm, H 12cm, D 6 cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

20th century brass and bevel glazed eight day carriage clock,by Sewills of Liverpool, mounted by reeded handle, moulded cornice, white face, Roman numerals, plinth base raised on bracket feet, W 10cm, H 14cm, D 8cm CLOCKS & BAROMETERS - as we are not a retailer, these items are sold as seen and may or may not be in full working order, if you would like any advice on buying clocks or barometers, or a full condition report, please contact our valuation team Condition Report Click here for further images, condition, auction times & delivery costs

Vintage English bracket clock 25cm high approx.

WALNUT WALL CLOCK, early 18th century and later, the 6 1/2" brass chapter ring inscribed Wm Sellers, London inside cherub head spandrils, on a brass 30 hour, hourly striking movement with anchor escapement, the case with square glazed door and shaped bracket base, height 46cm, width 27.5cm, depth 18cm

REGENCY MAHOGANY BRACKET CLOCK, the 8" enamelled dial inscribed Holmes, London, on a brass eight day twin fusee movement hourly striking to a bell, the arched case with brass stylised foliate inlay, a pair of gothic arched and pierced grilles and glazed back door, on bun feet, height 45cm

GEORGE III MAHOGANY BRACKET CLOCK, the 6 3/4" enamelled dial with roman numerals on an eight day brass movement hourly striking to a bell, the domed case with glazed back door, fish scale pierced grilles, line inlay, orb finial, brass handles and feet, height 56cm, width 28cm, depth 19cm

A small reproduction Geogian style bracket clock by Smallcomb Clocks, H.24cm.

A late 19th century walnut architectural form bracket clock, with engraved copper dial and black etched Roman numerals, raised on bracket feet, 42cm high.

A 19th century gilt bronze bracket clock, H. 40cm.

A late 19th / early 20th century Ansonia (American) carved beech mantle clock of architectural form, raised on small bracket feet, H. 41cm.

A 19th century French boulle and ormolu Bracket Clock

A 19th century mahogany clock bracket, together with two others. (3)

An early 20th century mahogany veneered domed top bracket clock, the silvered dial with subsidiary regulator and chime/silent dials, with chrome carrying handle. 35 cm high.

A 1970s bracket clock in the Georgian 'style,' with 8-day lever movement by Elliott of London, striking with Westminster and Whittington chime, brass dial, silvered chapter ring, burr walnut effect pagoda case with applied gilt-metal mounts, retailed by Dimmers of Southsea, (with key) 30cm high

An early brass bracket clock with single hand and  silvered chapter ring, striking movement, on carved walnut bracket dial inscribed "Sam Lane Gloster Fecit"

An 18th century oak cased longcase clock with reeded pilasters to the hood, the silvered dial with Roman numerals, subsidiary seconds dial, date aperture and makers name JNO Mercer of Hythe. The oak case with plain door on a plinth base and bracket feet (af). 18ins wide by 80¼ins high.

A George III oak longcase clock, 13.5cm circular engraved brass dial, Roman chapter, subsidiary minute and date aperture, signed Harlow/Ashburn (sic), thirty-hour movement with countwheel striking on a bell, the hood with moulded outswept cornice and brass capped Doric columns, shaped rectangular top to trunk door, skirted base, bracket feet, 204cm high, c.1780Tjhe clock was made by Samuel Boulton Harlow (1751-1815), eldest son of Ashbourne clockmaker Joseph, although he was apprenticed to John Litton of Ashbourne 1767-1774, after which time he worked for a while at Birmingham before returning to Ashbourne where he sold clockmaking materials, made clocks to a high standard, as well as watches, and was the inventor in 1794 of a key to save breakages of watch springs (a device often attributed to Breguet). This relatively prolific family continued as clockmakers at Ashbourne for a further two generations. Condition Report: Dial has been restored, movement cleaned.

A 19th century French gilt metal and belge noir figural mantel clock, 7.5cm circular enamel dial inscribed with Roman numerals, twin winding holes, 14-day movement striking on a bell, the canted case crested by a harvester of the pastoral idyll, bracket feet, 42.5cm high, c.1890 Condition Report: damaged hand, bezel separated and glass missing.

EDWARDIAN OAK CASED BRACKET CLOCK, 8 DAY MOVEMENT HAVING A GILT ARCHED DIAL ENGRAVED WITH FOLIATE SCROLLS, GILT SPANDRELS, STRIKE/SILENT, SLOW/FAST DIALS

A 20th century Dutch bracket clock, the applied brass chapter ring with Roman numerals, flanked by brass barley twist columns, the bell with Atlas lifting the world, together with three other Dutch clocks, and a Big Ben Electric clock. (5)

A SMALL SWISS PAINTED BRACKET CLOCK, with white enamel dial, on its bracket. 55cm

A LARGE SWISS PAINTED AND PARCEL GILT BRACKET CLOCK, 19th century, with white enamel dial. 66cm

A REGENCÉ BOULLE-WORK AND ORMOLU BRACKET CLOCK, the dial inscribed by Balthazar Martinot à Paris, c.1725, of large proportions, the arched pediment surmounted by a figure of Victory, the carved gilt brass dial with Roman numerals set on individual enamels, above a glazed panel and Apollo mask to the base, flanked by caryatide brass mounts, the movement engraved 'Paris Balthazar à Martinot' verso and hung with brass disk pendulum, raised on fern and canted mask feet. (lacking its cresting) 66cm high

A BLACK VERNIS-MARTIN SWISS BRACKET CLOCK, LOUIS XV PERIOD, Neuchâtel, the white enamel dial with Roman numerals and pierced hands, enclosed by a black case with repousse ormolu mounts, the bracket en suite. 81cm high overall

A 19TH CENTURY RED LACQUER AND CHINOISERIE DECORATED BRACKET CLOCK, the domed top surmounted with bracket handle and four pointed finials, above a glazed white enamel dial surrounded by pagodas in an oriental landscape, the movement stamped 'R & Co. Paris', case number 68154. 28cm high

A LOUIS XV BOULLE BRACKET CLOCK, with lavish ormolu mounts, cast and chased with hunting scenes, surmounted by a figure of a huntsman with horn, the dial and movement signed Clouzier à Paris on its bracket (possibly associated). 132cm high, the clock 100cm high

OAK BRACKET CLOCK

An early 20th Century French bracket clock.

An Edwardian inlaid mahogany arched topped bracket clock raised on gilt brass feet.

An early 20th Century oak bracket clock having brass applied decoration.

A 19TH CENTURY MAHOGANY AND BRASS BRACKET CLOCK, with white enamel dial, eight day movement striking on two bells, signed Johanness Seytz, in an architectural case, with brass galleried top and rectangular platform base. 2ft 5ins high x 2ft 0ins wide.

A FRENCH LOUIS XVI STYLE ORMOLU AND PAINTED BRACKET CLOCK, with white enamel dial, eight day movement, striking on a gong, the case painted with a scene of young lovers, with a matching wall bracket. Clock 2ft 4ins high x 1ft 2ins wide.

A Regency 8-day mahogany cased bracket clock, by Thomas RichardWith arched top, the front panel inlaid with foliate brass inlay and quatrefoil designs, the sides with fretwork panels and surmounted by a loop handle, the 6.5 inch white enamelled dial with black Roman numerals, the twin fusee movement striking on a bell, stamped to movement Thos. Richard, 39.5cm high. CONDITION REPORT: Lot 297 - Please note the clock is not guaranteed in working orderSold with pendulum and two keys Has a replacement bellBack left ball foot has broken away, but presentVisible splits to the wood at the upper domed topCrazing/cracking to enamel dialSmall area of lifting to the inlayWear/tarnishing to the handle.

A Dent rolling/falling ball clockThe wooden plaque adorned with gilt suspension bracket, hanging a gilt and silver globe timepiece, 36cm high. CONDITION REPORT: lot 303 - Please note the clock is sold as seen and unfortunately we can never guarantee the working order of any clocks.

Military interest Victorian double Fusee bracket clock with platform escapments presented to the sergants mess (The Queens Own Hussars) bt Leut Col G.Phillips Xmas 1883 with silver mounts noting the campaings

A French brass four glass bracket clock, late 19th Century, of architectural form, bevelled glass glazing, champleve enamel decorated case including pillars, gilt dial with Arabic numerals and matching champleve pattern bezel, the movement striking on a gong, signed L.R, Brevete, S.G.D.G, with mercury pendulum and key, height 37cm

*A late 19th Century French boullework bracket clock, circa 1890, of Louis XV design, balloon shape, cast brass mounts, 13cm gilt dial with enamel inset Roman numerals, gong striking mechanism, height 44cm, (pendulum)

*A 19th Century gilt metal bracket clock, modelled as a Neoclassical monument, four corinthian columns with acanthus capitals, 9cm silvered dial signed 'Seriber (?) Dublin', the bell striking movement signed 'J.Charles, Paris', height 44cm, (pendulum)

*A 19th Century cast brass bracket clock, circa 1880, Rococo Revival design, mounted with cherubs and a goat amongst elaborate scrollwork, height 52cm

*A 19th Century French gilt metal bracket clock, circa 1880, of Baroque design with inset blue Sevres style porcelain plaques, height 42cm

A 19th Century French gilt metal bracket clock, circa 1870, Baroque design case surmounted with two cherubs draping vines over a goat, 9cm enamel Roman dial, inset Sevres style porcelain plaques the movement striking on a bell, height 32cm

*A 19th Century French gilt metal bracket clock, circa 1870, surmounted with a soldier in armour, 8cm enamel Roman dial signed 'Hry. Marc, Paris', inset alabaster panels to the plinth, height 43cm

*Clock cabinet. A Victorian mahogany clock cabinet, the hinged door with arched decoration (possibly for a lantern clock), 37 cm long, together with an oak clock bracket, a mahogany candle box with fret cut decoration, 58 cm high, plus one other (1)

EARLY TWENTIETH CENTURY MANTEL CLOCK The two train movement striking on a gong, the white dial with Roman numerals, blued steel hands, housed within a carved mahogany case, on bracket feet, 57cm high

REPEATING BRASS CARRIAGE CLOCK The two train eight day repeating movement striking on a gong and numbered 713, the white dial with Roman numerals, above a subsidiary calendar dial, set within a brass and bevelled four glass case, on bracket feet, 15cm high

A Winterhalder & Hofmeier carved wood and bevelled glass cased bracket clock, the Arabic numerals on silverised dial, with quarter striking on two gongs, 28cm wide

A Regency mahogany bracket clock by Edward Jefferys, Chatham, with 8 inch enamel dial and Roman numerals, the movement with pull repeat mechanism, in arched case with brass fish scale grills and carry handle, on brass feet, 44cm high

A mahogany chiming mantel clock in domed case, with silvered dial marked Harvey, London, with strike silent dial, the movement striking on a gong and a peal of eight bells, on gilt metal bracket feet, 46cm high

AN OAK AND MAHOGANY THIRTY HOUR LONG CASE CLOCK, swan neck hood on reeded column supports either side of door to 10' square brass dial with Roman numerals, corner spandrels, dial inscribed Presbury Coventry, single finger, quarter pilaster supports either side of door, separate plinth base having ogee bracket feet, approximately 212cm high (several modifications, alterations, replacements etc (one weight and pendulum)

AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, swan neck pediment supported on columns either side door to arched brass 12' dial with corner spandrels to Roman numerals and Arabic chapter rings inscribed Keetley Tuxford, rocking moon over, shaped bracket base, approximately 225cm high (splits and losses)

A BLACK SLATE AND RED MARBLE MANTEL CLOCK, with gilt figural mount, modelled as a bearded cavalier in hat over drum movement, dial inscribed John Bennett London with gilt Roman numeral chapter ring, Japy Freres movement c. 1870 stamped 4061, lion mask and ring carrying handles, shaped bracket feet and vine pediment, approximately 38cm x 18.5cm x 52cm high

A fine George III mahogany musical automaton longcase clock by Samuel Smith of London, the eight day, six pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9.5cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre signed 'Samuel Smith LONDON', with subsidiary seconds dial and date aperture, with foliate cast spandrels and strike / silent and chime dials, the arch painted with a Georgian interior with figures playing instruments with a lady at a harpsichord, inscribed 'FAL LA LA, HOME SWEET HOME, MARCH IN ROB ROY, BLUE BELLS OF SCOTLAND, MARINERS HYMN, 104th PSALM', the hood with fluted pilasters and glass side panels, the case with outline mouldings on bracket feet, 230.2cm high. Case and movement possibly associated.

λ A large late 19th century French brass and tortoiseshell boulle marquetry mantel clock, the eight day movement with an outside countwheel striking on a gong, the backplate stamped '59487', the gilt brass dial with enamel Roman numerals, the case with a putto surmount and decorated with ormolu rococo style mounts, 76cm high, 38.3cm wide, 17cm deep, together with a matching bracket. (2)

A George III mahogany longcase clock by Thomas Read of Manchester, the eight day four pillar movement with an anchor escapement and striking on a bell, the painted enamel arched dial decorated with figures and four season spandrels, the centre with a shepherd and a young lady, with subsidiary seconds and date dials, signed 'Thos Read MANCHESTER', the arch with a moon phase, the hood with a broken swan neck pediment, the case inlaid with stringing and marquetry with urns of flowers, scrolling leaves and oval paterae with a lancet arch door on bracket feet, 242cm high.

A 19th century mahogany chiming bracket clock, the eight day three train movement striking on eight bells and a gong, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals with cast foliate spandrels and three subsidiary dials, chime / silent, slow / fast, chime on eight bells / Cambridge Bells, the bell top case above a ripple moulding with gilt brass mounts and cast foliate paw feet, with side carrying handles, 62cm high, 37.8cm wide, 25cm deep.

A French brass and tortoiseshell boulle marquetry clock bracket, 23cm high, 34.8cm wide.

A mahogany quarter repeating verge bracket clock, the five ringed pillar movement with a knife edge verge, with a floral engraved backplate, the full quarter repeat on two bells, the brass dial with mock pendulum and date aperture in the matted centre, with mask and scroll spandrels, the arch with a silvered boss signed 'Robert Smith, London', in an inverted bell top case with brass handle and block feet, 46cm high.

A walnut grandmother clock in 18th century style, the eight day three train movement striking on eight gongs with an engraved brass dial and silvered chapter ring with Roman and Arabic numerals, with a rondel inscribed 'Tempus Fugit', flanked by brass mounted pilasters, the sides with fretwork panels and on bracket feet, early 20th century, 185cm high.

λ A late 19th century French brass and tortoiseshell boulle marquetry mantel clock, the eight day movement with an outside countwheel striking on a bell, stamped 'LEROY A PARIS', the gilt brass dial with enamel Roman numerals, the case with a putto surmount and applied with scrolling leaves, 45.5cm high, 23cm wide, 13.5cm deep, together with a matching bracket. (2)

A George III mahogany musical automaton longcase clock by Joseph Miles of Shaftesbury, the eight day five pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the engraved centre with a castle and a boat, signed 'Joseph Miles, SHASTON', with subsidiary seconds dial, with rococo cast spandrels and with subsidiary date and tune dials, the arched top with a painted automaton rondel with chickens and a flying bird, the hood with a pagoda top and brass finials, with blind fret panels, the case with stop fluted quarter pilasters, with a panelled base and bracket feet, 265cm high. Case and movement possibly associated.