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EARLY OAK CASED LONGCASE CLOCK WITH BRASS DIAL BEARING NAME THOMAS VERNON, LUDLOW. BRACKET CLOCK MOVEMENT (SEE PICTURE)

Eardley Norton: a George III mahogany and brass mounted striking and musical bracket clock, the dial with foliate, scroll and flowerhead spandrels to the silvered roman and arabic chapter ring, the matted centre with date aperture, ornate pierced hands, the arch with silvered subsidiary dials for strike/not strike and chime/not chime and music section for tunes (March, Minuet, Song, Cotillion, March, Dance) centred by a recessed nameplate signed Eardley Norton London 2074, six pillar movement with triple fusee movement and verge escapement, hour strike on bell and music on thirteen bells with fifteen hammers, 5 1/4in. cylinder, two full repeat levers, the backplate engraved with leaves and scrolls around a cartouche signed Eardley Norton London, also numbered 2074 in top right corner, engraved securing brackets, the case with leaf and urn finial on fluted supports (damaged), caddy top flanked by four vase pattern finials, pierced brass foliate fretwork sides with material backing, brass handles, arched glazed front door with fretwork detail, fluted canted corners with brass detail, brass lined plinth base on brass bracket feet, 21in. high (not including detached finial and support). Eardley Norton is listed as working at Clerkenwell between 1762 and 1794. He was a member of the Clockmakers Company and had a reputation for making complex timepieces, sometimes with musical and astronomical movements for the export market. PROVENANCE Purchased by the vendor's grandfather William Strang, 1st Baron Strang (1893-1978) whilst Charge d'affaires at the British Embassy in Moscow 1930-1933. Thence by descent.

A Victorian oak and mahogany banded longcase clock, the circular painted arabic dial with subsidiary seconds dial and date aperture, two train movement with anchor escapement striking on a bell, the case with cavetto cornice above plain frieze, door below with circular glass panel flanked by columns, rectangular waist door with re-entrant top corners, panel base with bracket feet, 82 1/4in. high.

A large oak cased bracket clock, the brass roman dial with twin fusee movement striking on a gong, the backplate stamped W. & H. Sch. (Winterhalder & Hofmeier), the balloon-shaped case with acanthus scroll frieze, the plinth base with bun feet, 20in. high. NB By repute ex Royal Arcade, Newcastle. The Royal Arcade was built in 1831 by Richard Grainger and was Newcastle's first shopping arcade. It was demolished in the early 1960's to make way for the Swan House Roundabout.

James Head, Bridnorth: an oak longcase clock, with square 10 3/4in. brass roman dial, single pointer and engraved James Head, mask and scroll spandrels, the brass pillared movement with anchor escapement and engraved wrought iron detail (originally dial and pillared movement, probably a hook and spike clock adapted to fit case), the associated case with plain frieze above single glazed door flanked by turned columns, mahogany banded rectangular waist door, panel base on bracket feet, 78in. high.

Geo. Broadbelt, Gateshead: a Victorian mahogany longcase clock, with painted arabic dial, subsidiary seconds and date dials, foliate spandrels and Wellington and Battle of Salamanca scene to the arch, two train movement with anchor escapement, striking on a bell, the case with fretwork cornice above an arched glazed door flanked by columns, arched waist door, and panel base on bracket feet, 89in. high.

George Barron, Bowlers-green: a mahogany longcase clock, the arched brass dial with roman chapter ring, outer arabic numerals, matted centre with subsidiary seconds dial and date aperture, the brass with engraved outer edge, mask and foliate spandrels, two train movement with anchor escapement, the matched case with swan neck pediment, fluted bud finials, arched glazed door, flanked by fluted columns, arched waist door flanked by fluted quadrants, panel base on ogee bracket feet, 85in. high.

A French brass carriage clock, late 19th/early 20th Century, with enamelled roman dial, platform lever escapement, rounded rectangular case on bracket feet, 5 1/4in.

D. Robb, Montrose: a George III mahogany longcase clock, the painted roman dial with arabic outer numerals, subsidiary seconds and date dials, moon phase to the arch, two train movement striking on a bell, 1/4 striking on three bells, the case with broken pediment, with central brass finial above an arched glazed door flanked by fluted columns, line inlaid rectangular waist door flanked by fluted quadrants, on panel base with bracket feet, with weights and pendulum, 89in. high.

Richard Smith, Newport: a mahogany longcase clock, the arched brass dial with silvered roman chapter ring with outer arabic numerals, subsidiary seconds dial and date aperture to the matted centre, name boss to arch, two train movement with anchor escapement, case with caddy top above an arched door flanked by fluted columns with brass slips, shaped and moulded waist door flanked by fluted quadrants, panelled base on bracket feet, with weights.

Wm. Snow, Padside: a large Georgian mahogany longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dial, with moon phase to the arch, foliate spandrels, two train movement with anchor escapement striking on a bell, the case with broken pediment and dentil cornice, brass finials, blind fretwork frieze, moulded arched glazed door flanked by fluted columns with giltmetal capitals, arched and moulded waist door flanked by fluted quadrants, panel base, shaped bracket feet, 104in. high approximately.

A late Victorian oak clock-bracket with floral carved frieze above dentil cornice and stepped mouldings, internal size 33 cm wide x 25 cm deep (clock size)

A Georgian oak 8-day longcase clock with arched brass and silver dial by Howell of Sarum in caddy-top hood with fluted classical pillars above long shaped trunk door, moulded box base and ogee bracket feet, 225 cm high

English red tortoiseshell bracket clock, the gilt brass and silvered dial with cherub spandrels, Roman and Arabic numerals and subsidiary calendar aperture, the two train fusee movement striking on a single bell, the dial and back plate inscribed ` Daniel Parkes, London `

Reproduction walnut cased gilt metal mounted three train bracket clock by Elliott

Good quality figured walnut ormolu mounted bracket clock, the silvered and gilded dial with Roman numerals, with a single train fusee movement

Early 20th Century oak cased bracket clock, having silvered dial with Roman numerals and two train movement striking on a gong

Regency mahogany and cut brass inlaid bracket clock, the arched case with a brass finial above a carved surmount, the circular painted dial with Roman numerals, signed Metcalfe, London, the two train fusee movement with anchor escapement and repeat function striking on a bell, overall height 21ins

19th Century mahogany longcase clock, the hood having broken arch pediment with painted moon phase dial with floral painted spandrels and subsidiary seconds and date dial, inscribed J.R. Saunders of Honiton above an inlaid flush panel door flanked by spiral turned pilasters and panelled base on bracket feet, 89ins high

Early 20th Century mahogany and brass mounted bracket clock in Regency style, the silvered dial with Roman numerals, signed Primavesi, the two train movement with repeat function by Gustav Becker (slight splits to case)

19th Century oak longcase clock having rectangular hood, the painted broken arch dial with Roman numerals, date aperture and thirty hour weight driven movement over a shaped flush panel door flanked by reeded canted corners and conforming plinth base with bracket feet, 84ins high

AN EDWARDIAN OAK CASE BRACKET CLOCK with silver dial and Roman numerals on rectangular stepped base (AF)

A MAHOGANY AND SATINWOOD INLAID BRACKET CLOCK the rectangular arched hood above a silver dialed with Roman numerals between cylinderical columns on platform base 43cm high

A FRENCH BRASS REPEATER CARRIAGE CLOCK the rectangular case with enamel dial and roman numerals on bracket feet

A BRASS CARRIAGE CLOCK the rectangular dial with Roman numerals on bracket feet

Regency period Rosewood Double Fusee Bracket clock, working, Funnel Fleet Street London

A fine Edwardian mahogany cased bracket clock and bracket the engraved brass and silvered face with subsiding chime/silent and slow/fast dials, striking on a coiled gong and four smaller gongs, the architectural case carved with domed finials, the clock 57cm high, the bracket 35cm high

JAMES PEPPER, BIGGLESWADE A PART 18TH/19TH CENTURY OAK LONGCASE CLOCK, having heavily carved Victorian case with foliate and floral motifs, carved trunk door and box base, on plain later bracket foot, 8-day mechanism faced by an 11"" brass dial with cast spandrels

A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having hood with swan neck pediment, waist door and box plinth raised on bracket feet, 30 hour mechanism faced by a painted dial with dog and pheasant motif, 2.06m high

JAMES PEPPER, BIGGLESWADE A PART 18TH/19TH CENTURY OAK LONGCASE CLOCK, having heavily carved Victorian case with foliate and floral motifs, carved trunk door and box base, on plain later bracket foot, 8-day mechanism faced by an 11"" brass dial with cast spandrels

A VICTORIAN OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK having hood with swan neck pediment, waist door and box plinth raised on bracket feet, 30 hour mechanism faced by a painted dial with dog and pheasant motif, 2.06m high

Early XX Century Brass Eight Hundred Day Mantel Clock, under a glass dome, together with a Swiza gilded brass clock, with an arched top on bracket feet.

A late 19th/early 20th Century mantel clock, with brass eight day movement chiming on five gongs, the arched brass dial with Arabic numerals on a silvered chapter ring inscribed ""Cooper Dereham"" in walnut architectural style case with arched pediment over a single glazed door flanked by fluted columns on stepped base with four bracket feet, 48cm high, 33.5cm wide

An early 19th Century longcase clock, the eight day movement having arched painted dial inscribed ""Tho Hill, Rochdale"" with swing moon phase and subsidiary seconds dial, in mahogany case with swan neck pediment on reeded columns, shaped arched trunk door flanked by reeded pilasters on satin strung base and bracket feet, 229cm high

A late 19th/early 20th Century mantel clock, with brass eight day movement chiming on five gongs, the arched brass dial with Arabic numerals on a silvered chapter ring inscribed ""Cooper Dereham"" in walnut architectural style case with arched pediment over a single glazed door flanked by fluted columns on stepped base with four bracket feet, 48cm high, 33.5cm wide

An early 19th Century longcase clock, the eight day movement having arched painted dial inscribed ""Tho Hill, Rochdale"" with swing moon phase and subsidiary seconds dial, in mahogany case with swan neck pediment on reeded columns, shaped arched trunk door flanked by reeded pilasters on satin strung base and bracket feet, 229cm high

EARLY 19TH CENTURY WELSH STAINED OAK EIGHT DAY LONG CASE CLOCK by Evan Evans of Newcastle Emlyn, having broken swan neck pediment above arched aperture flanked by reeded corinthium colums, shaped waist door under strap work frieze flanked by quarter reeded pilasters on a panelled base with bracket feet. Face with rolling moon, Roman Numerals, seconds and dial and date aperture, eight day, two train movement striking on one bell. Face 17.5`` x 12.5`` (44cm x 33cm). Clock overall 220cm high approx. Case overall has been heavily varnished and is in poor condition, particularly around the panelled base which is coming apart. The face is original and in reasonable condition. Case requires restoration.

A Comitti of London, mahogany cased bracket clock, 20th century, the sarcophagus top above a square glazed door enclosing a brass dial with silvered chapter ring on a brass movement CONDITION REPORT: good condition no significant scratches to body although some light wear in places. Movement and dial clean. No guarantee as to working order.

A late 18th/early 19th century oak long cased clock, the painted dial with date aperture, inscribed W. Whatmore of Northampton, behind a square glazed door, the trunk with arched door, plinth base and bracket feet, 30 hour movement, h. 205 cm CONDITION REPORT: No warranty as to working condition of movement, loses, repairs and replacements throughout.

A George III mahogany bracket clock with a 19cm silvered chapter ring with Roman and Arabic numerals with leaf and flower spandrels, the roundel in the arched signed William Mayhew, Woodbridge, flanked by leafy scrolls of flowers and leaves, the two train fusee and chain movement striking on a saucer bell now lacking with a brass pendulum with locking screw, the case with an arched moulded top with a loop handle, brass scale fret sides, the hinged door glass detached possibly later, raised upon a plinth base and gilt brass bracket feet 40.5cms x 29cms x 17.5cms, minor pieces of moulding missing with a winding key (illustrated)

A Victorian walnut cased bracket clock with a 13cm silvered chaptering with brass leaf and scroll spandrels with a chime silent, slow fast, subsidiary dials in the arch, the three train Unghans, A09 movement striking with hammers on four gongs and a coiled gong, the architectural case with an arched top carved with leaves above an oval, foliate spandrels flanked by fluted columns raised upon a plinth base, 46cms x 29.5cms x 22cms

A French repeating carriage clock, the two train gong striking repeating movement with a platform lever escapement the case with a fluted baluster supported handle above fluted columns raised upon an ogee plinth base and bracket feet, with key 19.5cms x 9cms (illustrated)

A late 19th early 20th century oak bracket clock with a 14cm silvered chaptering with subsidiary chime silent and fast slow dials in the arch, Roman numerals the two train movement striking on two gongs, the oak case with an arched top with brass urn finials, stop fluted inlaid copper quarter columns raised upon a plinth base and bun feet, 36cms high x 29cms x 18.5cms

A late 19th early 20th century oak bracket clock with a 13cm silvered and gilt decorated dial with Arabic numerals, leaf and coronet spandrels, the three train German movement striking on five gongs, the architectural case with a leafy frieze above fluted columns raised upon a plinth base with a repeating movement 40cms high x 29cms x 20cms

An early 19th century oak and mahogany cross banded long case clock with a 33.5cm white enamel dial indistinctly signed Ellesmere with subsidiary seconds and date aperture, rose and leaf painted spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, brass rosette finial`s above brass capped fluted columns, the trunk with a shaped cross banded door, flanked by fluted quarter columns raised upon an inlaid plinth base, reduced bracket feet, requires restoration approximately 212cms with two weights and a pendulum

An oak long case clock with an 18th century 30.5cm brass and silvered dial signed Lupton, Altrincham with subsidiary seconds and date aperture, the spandrels emblematic of the four seasons, the two train eight day movement with an anchor escapement, rack striking on a bell, with a later case with a leaf pediment above a plain frieze, slender case with a panelled plinth and bracket feet 210cms high, two weights and a pendulum

An Edwardian inlaid mahogany long case clock with a 31cm arched brass dial with subsidiary seconds, winged cherub and leafy spandrels with a chime silent dial in the arch, the three train substantial pillar movement striking on eight saucer bells and five gongs, the inlaid mahogany satinwood cross banded case with an arched ovolu moulded hood with three brass spire finials, gilt metal Corinthian columns above a long satinwood cross banded door centred with a satinwood conch shell above a panelled plinth similarly inlaid, raised upon bracket feet with three weights and a pendulum 249.5cms (Illustrated)

A George III oak and mahogany cross banded long case clock with a 33cm brass dial, signed E Harrison, Warrington with subsidiary seconds and date dials, the two train eight day movement striking on a saucer bell, the case with a caddy top above a detached green glass frieze above a long cross banded door, damaged hinges raised upon a panelled plinth base and raised on bracket feet 214cms high with two weights and a pendulum, one finger detached, requires restoration

An early 19th century inlaid mahogany long case clock with a 36cm white arched dial signed H Cowden, Edinburgh, with subsidiary seconds and date aperture, the spandrels painted with baskets of fruit and leaves with a lunar calendar in the arch, painted with a castle in landscape and a masted galleon, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting with gilt brass roundel`s above turned hood columns, the trunk with a shaped door with a satinwood open fan and an oval inlaid with a satinwood urn above a panel with satinwood spandrels above a plinth base inlaid in satinwood with Prince of Wales feathers, canted angles raised upon a plinth base and ogee bracket feet, approximately 235cms high with two weights and pendulum, (illustrated)

A William IV inlaid mahogany three train long case clock with a 35cm white arched dial signed Barnith, Rochdale with spandrels depicting emblematic maidens of the four seasons with a lunar calendar in the arch, painted with a masted galleon and a figure with a church in the distance, the three train eight day movement striking on a saucer bell and two bells, the case with a swan neck cresting with applied brass roundel`s, the frieze inlaid with oval satinwood fans above brass capped columns, the trunk with an arcaded frieze above a frieze inlaid with a satinwood conch shell flanked by oval satinwood shells with a Gothic door inlaid with rosewood and line inlays flanked by cluster columns raised upon a well figured plinth, the angles inlaid with ribbon tied harebell`s, ogee bracket feet with three weights and a pendulum 238cms (Illustrated)

A George III mahogany long case clock with a 32cm brass and silvered dial, signed in an oval D Seddon, Frodsham with subsidiary seconds dial with applied gilt metal spandrels emblematic of the four seasons with a lunar calendar in the arch, depicting a windmill in landscape and a figure crossing a bridge, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting above a gilt and brass frieze above two fluted columns, the well figured trunk door flanked by fluted quarter columns raised on a panelled plinth base and bracket feet with two weights and a pendulum approximately 224 cm`s high, width 56cms (Illustrated)

An Edwardian inlaid walnut granddaughter clock with a 20cms silver arched dial with Roman numerals with a roundel, engraved tempus fugit with leaf and flower spandrels, with a three train movement striking on five gongs the inlaid case with a domed hood, canted angles with pierced fretwork sides against a red silk ground above a blind fret carved frieze the arched door inlaid with an oval with well figured wood raised upon a plinth base, similarly inlaid with a plinth shaped apron and ogee bracket feet, 184cms high (illustrated)

A fine and impressive late Victorian mahogany musical longcase clock the gilt arched dial with silvered Roman chapter ring, subsidiary seconds at noon, matted gilt centre, pierced foliate and dolphin spandrels, chime/silent and Whittington/Westminster chime dials to arch, the eight day movement striking on nine tubular bells, the ornately carved case with arched moulded cornice on pierced foliate scroll canted pilasters, the hood with shaped scroll edge door, fretwork grilles to sides (one a/f), the trunk with glazed scroll astragal door, flanked by spiral reeded, foliate and turned columns, the base with scroll fielded panel enclosing a lion mask, on ogee bracket feet, 94½in. (240cm.) high, 26½in. (67.25cm.) wide.

A Regency mahogany quarter chiming eight day bracket clock circa 1820, the circular white painted dial with Roman numerals and plain twin fusée movement striking the quarters on nine bells, within a rectangular case with brass mounts, the stepped top with gilt brass urn finial, the front with gilt brass mounted panelled spandrels within fluted borders, floral rosette ring handles and pierced gilt brass grilles to sides, on gilt brass ball feet, 20in. (51cm.) high.

William Speakman, London, a double basket top three train bracket clock, the ebonised case with 4 turned finials above and repousse gilt metal mounts, the 7inch (18cm) dial with winged mask spandrels, mock pendulum and date aperture, silvered chapter ring, signed to a rectangular brass strip above the dial, having verge escapement, chime silent lever, the well engraved backplate signed `Wm Speakman London`, chiming and quarter repeating on a nest of 5 bells, the upper left backplate corner cut to accommodate the hammers, pierced heart-shaped pallet cock, all upon 4 disc feet. *William Speakman was apprenticed in 1654, and free of the Clockmakers Company in 1661, and Master in 1701 43cm (17in) Condition report: Some alterations / work have taken place on this clock. It has been suggested that the clock may originally have been a simple timepiece, later adapted to a three train movement and dial. The engraving of the signature above the dial is not of the same quality as the backplate signature, and may be later added. The striking and chiming needs some attention, but was working quite recently. The case looks to be old. The clock is therefore being offered `as seen`. Provenance: According to a hand written note, this clock was bought at Sothebys, lot 65, sale 4 October 1968. Note: for a clock by Speakman of similar design, see Skinner, Boston, sale of November 2, 2013, lot 284

A Regency mahogany triple pad top bracket clock signed Thomas Holmes Cheadle, the silvered one piece dial signed in the arch above two subsidiaries, wavey hands, Roman numerals, three train fusee movement chiming and repeating on 6 bells, the backplate signed to a curved plate, with brass scale side fret panels, folding carrying handle above, on ogee bracket feet, 43cm (17in)

William Wright of Cambridge, a Regency stained wood and brass inlaid bracket clock, the typical rectangular case with brass finial above 8inch (20cm) painted signed dial, the shaped top backplate also signed and with engraved border, the twin fusee movement lacking holdfast screw, adjustable pendulum, pull repeat cord, raised on four ball feet, 47cm high. Provenance: Formerly the property of Henry Franklin (1877-1950), Mayor of Cambridge in 1929-30, one foot is loose; one or two empty holes to plates; signs of previous repairs to movement and age wear to case

A GERMAN OAK CLOCK AND BRACKET with Lenzkirch movement, the carved basket topped architectural case with breakfront pediment, the substantial brass movement striking and chiming on coiled wire gongs, 73cm h overall, c1900++In good unrestored condition, the two scroll pierced wooden side frets damaged

A WILLIAM IV ROSEWOOD BRACKET CLOCK RICHARD REEVES SHOREDITCH LONDON the twin fusee movement with shouldered plates and striking on a gong, the case with brass gothic side frets and glazed rear door, 46cm h++Some cosmetic restoration, brass ring handles and small escutcheons possibly replaced. Dial slightly scratched

A REGENCY EBONY LANCET ARCHED BRACKET CLOCK GIBSON ROYAL EXCHANGE LONDON with painted dial, twin fusee movement with engraved backplate signed Gibson Royal Exchange London in an oval, bell and pendulum, the brass mounted and inlaid ebony veneered case with lion mask handles and gothic side frets, 39cm h++Complete and original with minor faults requiring some cosmetic work only, a good original example of the type and virtually complete with only a few minor veneer cracks, the loss of the keyhole in the side,etc