We found 28112 price guide item(s) matching your search

An Early XIX Century Mahogany and Oak Longcase Clock, the white dial with Roman numerals and two subsidiary dials, inscribed "Wm Helliwell, Leeds", with swan neck pediment, turned supports, the trunk with small shaped door, canted corners, shaped apron to base with bracket feet,

A GERMAN DARK STAINED BEECHWOOD BRACKET CLOCK, WINTERHALDER & HOFMEIER, BLACK FOREST, CIRCA 1900 the architectural case with pediment and fluted pilasters, the square dial with Roman numerals to the silvered chapter ring the eight day movement striking the hours and quarters (pendulum and key in office)

A 1940's Elliott of London eight day Westminster chime bracket clock (with key)

An Arts and Crafts brass clock, domed and splayed bracket form, repousse decorated in the Iona style with knotted zomorphic serpents, the 3.5 inch white enamelled dial with Arabic numerals, 18cm high

Hamburg American Clock Company, a Jugendstil oak bracket clock, of tapered plinth form with silvered strap decoration, the 6 inch dial embossed with Arabic numerals below an open arched pediment with galleried sides, encasing a bell, a marbled glass pane below, 36.5cm high, 24.5cm wide

Henri Picard, a French ormolu mantel clock, Pepin a Paris, relief moulded Rococo form with Sevres style plaque painted with floral bouquet within a tooled gilt cartouche, the gilt chased 3 inch dial with enamelled Roman numerals within a floral wreath, surmounted by a floral garlands, on four scrolled foliate bracket feet, signed to the case and movement, 24.5cm high

A 19th century French ormolu mantel clock, the movement marked H&F Paris, 4 inch white enamelled dial with Roman numerals and Arabic chapter ring, within an architectural case of domed pediment and cuboid plinth on a stepped base supported on five bracket feet, heavily encrusted and bracketed with foliate scrolls, a shell mask above, surmounted by an urn finial, signed to the dial Dijon, 41cm high

A Large Exhibition Type Longcase or 'Grandfather' Clock with a three train movement on eight chiming bells, supported by three large brass weights of varying sizes, playing Westminster and Whittington chimes. Subsidiary dials to the arched brass dial with silent and chimes display dial; the brass dial fitted with cast ormolu mounts to back corner, silvered chapter rings to the dial, maker or retailers name to the face, Thomas Armstrong and brothers, Manchester. Impressive mahogany case profusely inlaid with satinwood and various coloured exotic woods, with an Adams type urn to the central panel of the door; inlaid swags to the base, supported by shaped bracket feet. The hood with finely carved rosette roundels to the scrolls, with a central finial, fret work sides to the hood and finely matched Corinthian columns with capitals to both the case trunk and hood, 90'' high, 18'' wide, 12'' deep.

AN EBONISED BRACKET CLOCK IN LATE 18TH C ENGLISH STYLE WITH BREAKARCHED BRASS DIAL AND THREE TRAIN MOVEMENT, 37CM H EXCLUDING HANDLE, 19TH C AND LATER

ROBERT SAINSBURY OF CHIPPINGHAM; a late 18th century ebonised bracket clock, the circular silvered chapter ring set with Arabic and Roman numerals and with date aperture, the plate signed and set with gilt floral and cherubic spandrels, the case with fretwork detail, the movement backplate further signed and featuring elaborate floral engraved decoration, height excluding swing handle 41.7cm.Additional InformationThere are numerous splits chips and loses to the case which appears to have been refinished, as well as signs of historic worm, replaced section to the top, clock has not been tested and there is no guarantee of working order. Further scratches and marks to the dial.

DENT OF LONDON; a 20th century mahogany cased 'Tempus Fugit' bracket clock, the brass bell with applied cherub masks, the silvered circular dial set with Roman numerals, height 33cm.Additional InformationPlease note, there is no key for the case, although it is open.

JOHN PURDEN OF MAIDENHEAD; an oak cased longcase clock, the hood with blind fret decoration to cornice, enclosing brass face, the brass dial with Roman numerals, raised on bracket feet, height 210cm.

THOMAS GASKELL OF KNUTSFORD; a 19th century eight day longcase clock, the painted dial set with Roman and Arabic numerals with subsidiary dials, with an oak crossbanded case to bracket feet, height 213cm.

Early 20th century mahogany longcase clock with moon phase over circular silvered Arabic chapter ring, glazed trunk door on heavy bracket feet, 230cm high

A 1920'S MAHOGANY CASED QUARTER CHIMING BRACKET CLOCK by BOND & KEDGE, PUTNEY, with silvered dial, on bun feet. 9ins high.

A SUPERB BRACKET CLOCK by SIMON DE CHARMERS, LONDON, in an ebony case with brass carrying handle, glass sides and door, with circular chapter ring, fusee movement, striking on a single bell with signed back plate, repeat pull action. 15.5ins high x 9ins wide.

A REGENCY MAHOGANY BRACKET CLOCK, with chain fusee movement, painted circular dial in an architectural case, possibly a marriage. 15ins high.

A 19th Century French boulle work balloon bracket clock, circa 1870, of Rococo design, cast gilt metal scroll mounts, figural finial, the gilt dial with inset enamel Roman numerals, height 63cm ,(pendulum)

Kippax, Retford, a mid 19th Century musical oak bracket clock of Gothic Revival design, the arched case incorporating carved finials, blind tracery and buttresses, 20cm brass dial with Roman numerals and silent/chine switch, fretwork sound grilles, the movement striking on ten bells and a gong, height 62cm (two keys and pendulum)

Moser, Paris, a mid 19th Century gilt metal bracket clock, (originally part of a larger component/garniture), lidded urn finial supported by winged beasts, escapement window, white enamel dial with day and date subsidiary dials, the bell striking movement signed Moser Paris, No.1979, height 17cm

Wales & McCulloch, London, a mid 19th Century mahogany bracket clock, circa 1845. the arched case with brass swing handle, 19cm white painted dial with Roman numerals, sound grilles below, side windows, shaped brass bracket feet, the double fusee movement striking on a bell signed Dawson & Peene, height 35cm (pendulum)  

A George III mahogany 8-day longcase clock by Joseph Brown of Worcester (1767-1796), circa 1780, arch moulded pediment above a silver chaptered ring, brass dial, roman numerals, Arabic outer-track numerals, inlay inscription of the makers name, fluted pillars with brass quarter, moulded panel door, raised on bracket feet, weights and pendulum. 207cm H

An early 20th Century Century Eureka electro-magnetic bracket clock, glazed case, Arabic numeral dial, bi-metal balance with coil and adjustment screws, raised plinth, height 27cm

Barwise, London, a 19th Century rosewood bracket clock, of architectural form with a pitched roof, 9cm white enamel dial with Roman numerals, bun feet, the signed movement striking on a gong, height 22cm, in a fitted oak case (pendulum and two keys)

A George III oak and mahogany longcase 8 day clock by J Holliwell of Derby, globe finial on swan neck pediment hood, arch top with corner rose spandrels, roman numerals, date aperture, subsidiary seconds dial, flanked by turned flute pillars with moulded brass ends, satinwood strung, moulded panel door, raised bracket feet. 225cm H x 52cm W x 25cm D

William Gray, a 20th Century brass lantern bracket clock, with a wooden wall bracket and cylinder weight (left hand-side door missing)

A late 19th century walnut bracket clock, 12.5cm brass dial inscribed H Pomfritt, 40 Great Ancoats Street, Manchester, eight-day movement, striking on a gong, the backplate signed W&H/SCH/5 [Winterhalder & Hofmeier], the arched architectural case applied with gilt metal leafy spandrels flanked by fluted split turnings and draught turned roundels, 38cm high, c. 1900

A late George III mahogany bracket clock, 18cm white enamel dial inscribed Geo: Yonge, Strand, London, and numbered with Arabic numerals, twin-winding holes, 8-day movement chased with demi-lune borders and striking on a bell, moulded arched pediment crested by a swing carrying-handle, the apron and sides with brass scale fretwork, glazed door to verso, skirted plinth, rectangular base with brass bracket feet, 42cm high over handle, c. 1820

A 19th century French lacquered brass five-glass repeating carriage clock, 5.5cm white enamel dial inscribed with Roman numerals, 14-day movement striking on a gong, the case quite plain, swing carrying-handle, rounded rectangular top above reeded pilasters, bracket feet, the backplate inscribed Paris and numbered 25811, conforming numbering to base, 17cm high, c. 1880

A late 19th century gilt-metal mounted mahogany bracket clock, of small proportions, 11cm slightly convex white enamel dial inscribed J.W. Benson, Ludgate Hill, London, Arabic numerals, painted with ribbon-tied swags of flowers, chased scroll hands, twin-winding holes, 8-day French movement striking on a gong, caddy top with urnular finials, lotus frieze, foliate bosses at angles, skirted base with leaf-and-berry border, bun feet, 29cm high, c. 1900

A William IV oak and mahogany long case clock, the arched painted 12in (30.5cm) dial with moon phase, painted roses in spandrels, Arabic chapter, subsidiary seconds dial and date aperture, ringed winding arbors, signed Jas. Shipley/Derby, 8-day movement striking on a bell, curly pediment with brass paterae to hood supported on turned columns, inlaid mahogany frieze below hood, fluted quarter columns flanking trunk door with shaped top with marquetry urn in vesica shaped reserve, panel and canted angles to base, bracket feet, pendulum & weights, 87.25in (221.5cm) high.James Shipley (1784-1850) was son of William, of a clockmaking dynasty. He was apprenticed to his uncle 1798-1805 and worked with his elder brother Jonathan until the latter's death in 1811, after which he worked alone and later with his sons Bevel and Digby Shipley. In 1806 he purchased the bankrupt stock of William & John Holliwell of Derby, and worked from no less than four addresses, ending in St. James's Lane from 1843, where he was succeeded by his sons.

An early 20th century mahogany bracket clock, 16cm silvered chapter ring with Roman numerals , the arch with three subsidiary dials, Chime/Silent, Fast/Slow, Chime on Eight Gongs/Come on Four Gongs, three winding holes, the movement W & H Sch for Winterhalder & Hofmeier of Germany, striking the hour on a large gong and eight subsidiary gongs with a pull repeat on the hour, the case with an arched moulded top with urn finials above stop fluted quarter columns, stepped plinth base, lions wined paw feet. 45cms high

A George III Revival ebonised musical bracket clock, inscribed W. Wordley, 84 Cannon St, London, 19cm silvered chapter ring inscribed with Roman numerals, surmounted by Chime/Silent and Cambridge Chimes/Chime On Eight Bells adjustable subsidiaries, three winding holes, triple fusee movement with anchor escapement, nine hammers quarter chiming on a nest of nine bells and striking the hours on a gong, urnular and scroll gilt-metal spandrels, oversailing arched moulded top with flaming finials above Corinthian pilasters, fretwork sides with twin-carrying handles, skirted base, cartouche scroll feet, 36.5cm high, c. 1880

An Edwardian mahogany and marquetry lancet bracket clock, 13cm silvered chapter ring inscribed with Roman numerals, surmounted by a subsidiary fast/slow chapter, twin-winding holes, 8-day movement striking on a gong, applied with scrolling leeafy spandrels, the cresting and plinth apron inlaid with satinwood paterae and leafy scrolls, the sides with axehead twin-carrying handles, bracket feet, 36cm high, c. 1910

A 19th century French ormolu cartouche-shaped bracket clock, 18cm convex enamel dial inscribed Balthazard, Paris, Roman and subsidiary Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the case crested by a scantily clad putto and cast throughout with scrolling acanthus, flowers and a musical trophy, 65cm high, c.1860

A fine 19th century French ormolu and Limgoes enamel clock, 8cm blue enamel convex rectangular dial inscribed with Roman numerals and painted with a putto and flowering leafy stems, twin-winding holes, 8-day movement striking on a bell, the sides and hinged door to verso with conforming enamel panels, the case surmounted by a sculptural pair of amorini, one crowning the other with laurels of love, oversailing top above scroll brackets and bellhusks, the shaped rectangular base cast in relief with ribbon-tied foliage, leafy scroll knees, the apron with an oval enamel musical trophy within a scroll frame, bracket feet, 30cm high, c. 1870

A George III oak and mahogany Neo-Classical long case clock, round painted 13.5in (34.2cm) dial, Roman and Arabic chapter, seconds dial, pierced gilt hands, ringed winding arbors, signed Condliff/Sheffield 8--day movement striking on a bell, Gothick trunk door with inlaid borders, inlaid in ebny and boxwood, curly pediment with marquetry inlaid paterae, grooved pylons to angles with central conforming fan, supported on unusual inlaid pillars with delicately carved Tower of the Winds capitals, shaped brass escutcheon with contemporary key flanked by fluted quarter columns, bracket feet, pendulum and weights, 85in (215.9cm) high (4)Martin Condliff and his brother Joseph (of Chapel-en-le-Frith) were apprenticed to Samuel Ashton of Ashbourne, Martin on 23rd September 1777 (having been born 1763); he set in Ashbourne in 1785, but by 1790 was married and working from 27, Far Gate, Sheffield. He was father to the eminent James Condliff of Liverpool (1790-1851)

A 19th century brass repeating carriage clock, with Roman numerals, swing handle, bracket feet, leather morocco case, c.1900

A substantial Victorian rosewood and brass marquetry musical bracket clock, 19cm arched brass dial inscribed with Roman and subsidiary Arabic numerals, Chime/Silent, Fast/Slow and Chime On 8 Bells/Westminster setting dials to arch, triple-winding holes, fusee movement chiming on a nest of bells and striking on a gong, the arched case with urnular finials and flanked by fluted Corinthian columns, acanthus scroll feet, 70cm high, c. 1860

A George III Lancashire mahogany longcase clock, 33.5cm arched brass dial, inscribed William Kirk, Stockport, Roman and Arabic numerals, rolling moon phase to arch, subsidiary seconds and calendar dials, twin winding holes, eight-day movement striking on a bell, the case in the manner of Gillow of Lancaster, brass ball and spire finials, lofty swan neck pediment, above a frieze carved with blind fretwork, shaped rectangular door to waist, flanked by brass capped stop-fluted quarter columns and rusticated angles, ogee bracket feet, 233cm high, c.1785***Please note that this lot may have been affected by flood water***

A George III mahogany bracket clock, 19.5cm convex painted dial inscribed Jn Collinwood, London, Roman numerals, twin-winding holes, eight-day twin-fusee repeating moverment striking on a bell, arched pagoda top case with brass sphere finial, pierced brass sound frets to sides, outlined throughout with boxwood stringing, brass fluted bun feet, 61cm high, c.1820 John Collin[g]wood was working in London from 1782, son of Samuel John (to whom apprenticed) and grandson of Thomas Collingwood, working in 1812.

A George III oak and mahogany longcase clock, 31cm square brass dial inscribed Cooper, Derby, Roman and Arabic numerals, subsidiary seconds and calendar dials, twin winding holes, 8-day movement striking on a bell, the case with swan neck pediment, fluted square pillars and angles, shaped rectangular door to waist, inlaid with a roundel, outlined throughout with boxwood and ebony stringing, canted base with bracket feet, 212cm high

A George III oak longcase clock, arched painted 12in (30.5cm) dial signed E. Marriott/Downham in arch, Roman and Arabic chapter subsidiary seconds dial and date aperture, gilt spandrels, pierced hands, eight day movement striking on a bell, carved hood with lofty swan-neck pediment centered by a brass ball and spire finial with modillion cornice supported on brass furnished Doric columns, luted quarter columns to trunk, shaped door, brass keyhole escutcheon, panelled base, bracket feet, 90.5in ( 226cm) high.Erasmus Marriott was working at Downham Market, 1780/1800.

A George III Welsh oak longcase clock, 31cm arched painted dial inscribed W.Williams, Pontypool, painted to the arch with maritime scene, Roman numerals, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the hood with eagle, ball and spire finials, shaped rectangular door to waist flanked by reeded quarter columns, shaped skirted base, bracket feet, 235cm high, c.1810

An early 20th Century Chinoiserie black lacquered bracket clock by John Bennett London, the arched dial incorporating two subsidiary dial with matted centre and silver chapter ring enclosed by a glazed door below a caddy top decorated with figures, pagodas and weeping willows, the striking movement stamped Junghans on paw feet, height 53cm.

A post 1950s burr walnut small bracket clock by Garrard London, height 22cm, and a similar cased Elliott clock, height 18cm. (2)

An Edwardian inlaid mahogany mantle clock with Arabic silvered dial on bracket feet, a Rotherham 1950s walnut cased mantle clock and a twin bell alarm clock, height 26cm (4)

A 19th Century French brass carriage clock with white enameled dial in beveled glazed case and bracket plinth, height 12cm.

A Regency brass inset mahogany bracket clock by Turk of Sittingbourne, with painted dial and twin fusee movement, height 51cm Condition: Finial possibly a later replacement, slightly bent forwards, top of the clock looks to have been re-built and does not sit tightly upon the top of the main body, rather thick looking varnish dirty with a few fine dents, glass with minor scratching, brass work intact, the two corners are actually gilded wood rather than brass, again with rather thick looking varnish, dial dirty and discoloured but looks original, hands possibly later replacements, sides both good, back door with small break near latch, which is also a replacement section of veneer, original lock missing now held in place by a brass turn catch, comes with winding key but no case key, bezel to the front does pull open though. Overall in need of a some cosmetic restoration.

A mid to late 19th century single fusee bracket clock, maker A. J. Taylor, 21, Fetter Lane, London. In full working order.

A late Victorian tall oak mantel/bracket clock with silvered dial, in very good condition. 28" tall.In good working order.The clock has a double chime on the quarter hour, a double chime twice on the half hour, a double chime three time on the three quarter hour and the actual number of chimes on the hour.

Late 19th century mahogany parcel gilded bracket clock with cast metal paw feet, 40cm high

A 19th Century English antique George III manner ebonised double  fusee movement bracket / table / mantel clock by Jennens & Sons of Great Sutton Street, London. The fusee movement striking on a large bell behind a brass arched dial with silvered chapter ring  with Roman numeral chapter ring and faceted hands. All within an arched stepped ebonised pillared case surmounted by brass handles and raised on brass bracket feet. Measures: 42cm x 32cm x 24cm.

A fine quality 19th Century Victorian George III manner ebonised musical bracket table clock. Silvered dial to front with paired matching smaller subsidiary dials to top. Roman numeral chapter ring with faceted hands. The movement unsigned but striking on multiple bells.  Applied ormolu spandrels to sides of face. The case set with maidenhead columns. Flamed urn finials to top with glazed door. Raised on brass base and feet. Measures:58cm x 36cm x 20cm.

A late 19th century German mahogany bracket clock with arched top, the brass mask with cast spandrels, the silvered dial signed Coventry Leaver Co. and with regulator dial and chime/silent facility, with Winterholder & Hofmeier movement. Height 37cm.Condition report: The clock has a key and its pendulum, it winds as it should and was seen to run, it strikes the hours and quarters but it is erratic. The case is a little scruffy and lacks finials but has some nice features such as the stop fluted pillars.

A mahogany case 8 day bracket clock with three train movement Westminster chimes - 38cm tall

An 18th century bracket alarm wall clock with a 6 inch arched brass dial, signed Thomas Budgen Croydon, with four pillar movement striking on a bell, 13 inch tall, runs but stops

A Regency mahogany bracket clock, white enamel dial with Roman numerals, double fusee hour striking movement with repeat pull, the case with a domed top and with brass stringing, end panels with grilles, 44cm

Edwardian Wall Bracket Clock

A mahogany cased bracket clock, silvered face with numeric dial, approx 19 x 40 x 28 cms, the clock having a brass German movement nr 94133.