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Early 20th century French pewter mantel clock with a finial on the form a female bust, enamelled dial, on scrolled bracket base 15 x 8in. (38.10 x 20.32cm)

An early 20th century Seth Thomas mahogany case bracket clock, the 8 day movement striking on a gong with white enamelled dial, Roman numerals and show pendulum

A VERY GOOD EARLY 19TH CENTURY PAINTED PAGODA BRACKET CLOCK BY PARR OF LONDON of architectural form, the top with Greek key type decoration, painted with foliage and floral sprigs, the silvered dial with ormolu foliate overlay and three subsidiary dials, supported on acanthus capped feet. 25ins x 12ins.

19th century oak and mahogany banded longcase clock, the hood with a swan-neck pediment and turned supports, short arched door and on bracket feet, arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, eight-day movement, striking on a bell.

A late 19th/early 20th century ebonised musical bracket clock, traditional arched brass dial with silvered chapter ring, German movement both striking on seven bells and chiming on gong, architectural ebonised case embellished with ormolu mounts and finials, on ormolu claw feet, 2ft. 1in. high, complete with ormolu mounted bracket

AN OAK CASED BRACKET CLOCK, c.1900, the brass dial with silvered chapter and with slow/fast in the arch, the two train movement stamped W&H SON, the case with five brass finials and raised on brass scroll feet. 40cm

WIV rosewood bracket clock with painted dial, single keyhole, Roman numerals with circular surround set onto platform base with brass inlay of dolphins and scroll work, on bun feet. Maker: James King, London. Ht. 18 ins.

LATE GEORGE III LONG CASE CLOCK, BY J. HARROP, MANCHESTER CIRCA 1800 the painted moonphase dial with an 8-day bell striking movement, the fret carved broken swan neck pediment above a fluted frieze and gothic arched door, flanked by cluster columns, raised on ogee bracket feet 55cm wide, 243cm high

A late 19th/early 20th Century French lacquered brass and jewelled mounted mantel clock with leaf moulded decoration, the circular dial with Arabic numerals to a twin train movement striking on a gong, housed within an architectural type case with turned baluster pillars surmounted by an Etruscan style finial on bracket supports, 30 cm high

A BRASS CLOCK GARNITURE, late 19th century, the single barrel movement stamped 6136, the 3 1/2" enamel dial with red Roman numerals, the square case with turned foliate finial on domed lid, pierced flowerhead sides, moulded base and bracket feet, 14" high, and a pair of urns to match

A FRENCH "BOULLE" MANTEL CLOCK, c.1900, the twin barrel movement striking on a gong stamped Marti et Cie, and numbered 2846, 6 1/2" cast gilt metal dial inset with enamel plaques with Roman numerals, in balloon shaped ebonised and red ground case with gilt metal mounts, pierced scrolled surmount, on bracket feet, 13" x 25"

A FRENCH CARRIAGE CLOCK, 20th century, the twin barrel movement with repeater striking on a gong, the white enamel dial with Roman and Arabic numerals inscribed "L`Epee, Saint Suzanna France", secondary calendar dial, in brass corniche case with loop handle and bracket feet, 7 1/4" to tip of handle

A Regency inlaid mahogany arched bracket clock

A French tortoiseshell and brass Boulle bracket clock, 19th century, gilt metal dial plate with enamel Roman numeral plaques, the shaped body decorated with face masks and scrolling foliage, sun burst face mask pendulum, striking on a bell, flower encrusted finial, height 31 cm.

James Liddle, Bathgate: a Georgian mahogany longcase clock, the brass dial with silvered roman chapter ring, subsidiary seconds and date dials, foliate spandrels, nameplate to the arch, signed `James Liddle, Bathgate`, anchor escapement, the case with pierced fretwork swan neck pediment decorated foliate design, dentil cornice above an arched glazed door flanked by spiral twist corinthian columns, arched waist doors flanked by spiral twist corinthian quadrants, panelled base on bracket feet, 84 1/2in. high.

Robert Swan, Bridlington: an walnut cased longcase clock, arched brass roman dial, with subsidiary seconds dial and date aperture, nameplate signed `Robert Swan, Bridlington`, with strike silent dial to arch, ornate dolphin and scroll pattern spandrels, the five pillar movement with anchor escapement, the case with brass eagle and globe finial, arched convex frieze above a glazed door flanked by fluted columns, arched and banded waist door on panel base with bracket feet, 97 1/2in. high.

An early 20th Century oak bracket clock, the brass dial with silvered chapter ring, slow/fast dial to the arch, chiming movement, gilt spandrels, the arched case with brass finials, convex frieze above an arched glazed door flanked by canted corners with applied gilt metal busts, on plinth base, raised on scroll and paw feet,

J. Bryson, Dalkeith: a Victorian Scottish mahogany longcase clock, with circular silvered roman dial with subsidiary seconds and date dials, anchor escapement, the case with pierced pediment above an arched concave frieze, circular brass framed glass door below, rectangular waist door flanked by fielded panel base on bracket feet, 86in. high.

John Stancliffe: a carved oak longcase clock, with brass roman dial, matted centre, with dated aperture, mask and scroll spandrels, the case with mask and scroll cornice, foliate frieze, square waist door flanked by plain columns, the lower section with mask and foliate frieze, arched shell and leaf waist door, scroll pattern panelled base on bracket feet, 89 1/2in. high.

"Robert Davey of Hoveton, an early 19th century longcase clock, the brass face with silvered chapter ring, secondary dial, date aperture and strike stroke silent, supporting a twin train striking movement under an arched hood with fretted pediment, the trunk and base with starbursts on bracket feet "

An early 20thC walnut cased bracket clock, of 18thC design, the brass dial with silver chapter ring, matted centre and mask spandrels, in a square moulded case, on compressed bracket feet, 34cm high.

A box containing a large quantity of clock parts, including a box full of new and old long case clock keys, bracket clock feet etc.

An early 19th century mahogany bracket clock by Henry Pace (Whitechapel), having an arched top with leaf and branch carving beneath flanked by Gothic inspired turrets in turn above a glazed door enclosing the arched silvered brass dial with Roman numerals, strike and silent to arch and two-train fusee movement with repeat mechanism, flanked by cluster columns with brass capitals, with moulding below and raised on short brass feet, complete with bracket. Height of clock 16 ins, width 10.75 ins, height of bracket 13 ins (see illustration).

A Winterhalder & Hofmeier oak cased bracket clock, with triangular pediment above a foliate carved frieze and glazed door enclosing the 7 inch square brass dial with Roman numerals and cherub spandrels and three-train clockwork movement striking on five gongs and flanked by fluted pilasters with Corinthian capitals and raised on a stepped base. Width 11.75 ins, height 17.25 ins (see illustration).

An 18th century oak eight day longcase clock, the square brass dial signed Redshaw, Newcastle, above a long door on bracket feet, height 212cm. This clock is believed to have been made by John and/or Thomas Redshaw of Newcastle under Lyme (Illustrated).

A late 18th/early 19th century oak and mahogany eight day longcase clock, the square dial with subsidiary seconds and date aperture above a long door, on bracket feet, height 202cm (Illustrated).

James Summer of Liverpool, a Regency mahogany arched topped cased bracket clock with fretwork sides, brass mounts, striking on a bell, 200-400

A late Victorian red boulle and ebonised bracket clock, 29.5cm

A JAEGER-LE COULTRE ‘ATMOS’ BRASS MANTEL CLOCK of rectangular form with glass panels to each side and top, the exposed brass movement and circular dial with Arabic hours to the quarters, the movement marked Jaeger-Le Coultre, Atmos along with number 415968, raised on a plinth base with short bracket feet. 22cm(h) x 18cm(w) x 13.5cm(d).

A 19TH CENTURY FRENCH EIGHT-DAY BRASS MANTEL CLOCK by J Marti, the moulded cornice type surmount over the four bevelled glass panels and moulded brass uprights, the enamelled dial with Roman hours to the chapter ring framing a recessed central section with two winding apertures and exposed anchor escapement, the twin train striking movement marked ‘Medaille de bronze J Marti,’ all over a suspended pendulum with two mercury filled vials, on a broad platform base with narrow bracket feet. 28cm(h) x 16.5cm(w) x 13cm(d).

A 19TH CENTURY OAK AND MAHOGANY 30-HOUR LONG CASE CLOCK by William Hutchinson of Sedbergh, having a moulded flat topped cornice and plain frieze over the square glazed hood door, flanked by turned columns, the arched and crossbanded trunk door above a small moulded panel and plain crossbanded base with short bracket feet, the chapter ring painted with Roman hours and framing a subsidiary date dial and maker’s name, all framed by painted floral spandrels, sold with weight and pendulum. 200cm(h).

AN EARLY 19TH CENTURY 30-HOUR OAK LONG CASE CLOCK, the flat-topped hood with moulded cornice and plain frieze over the square glazed hood door and turned columns, the long shaped trunk door between quarter columns, on a plain base with canted corners and short bracket feet, the painted dial with Roman hours and Arabic minutes to the chapter ring, enclosing a subsidiary seconds dial and maker’s name H Philipson of Ulverstone, all framed by foliate painted spandrels, sold with weight and pendulum. 208cm(h).

A WILLIAM AND MARY MINIATURE BRASS STRIKING LANTERN CLOCK PAUL BEAUVAIS, LONDON. CIRCA 1690 The 4 in. diameter silvered chapter ring with sword hilt half hour markers, engraved centre with silvered alarm disc (alarm work lacking) and signed 'Paul Beauvais/London', blued steel hand, the posted frame movement with verge escapement and countwheel strike on bell, restorations; weight, later bracket 9½ in. (24 cm.) high, excluding bracket View on Christie's.com

Oak grandmother clock, with a domed hood, long door, bracket feet, the arched dial with Roman numerals, subsidiary dial with Westminster, Winchester and Whittington, the movement striking on eleven gongs.

An Edwardian mahogany bracket clock, the arched brass dial with a silvered chapter ring, with three subsidiary dials for Chime/Silent, Slow/Fast and Chime on Eight Bells/ Westminster, the three train movement striking the quarters on eight bells and striking the hour on a gong, in a gilt mounted case surmounted with pine cone finials, 65cm high

Thomas Wood, London, a George III mahogany bracket clock, the silvered arched dial with strike/silent enclosing a calendar dial, the twin fusee movement striking the hours, in a pagoda and brass mounted case, on ogee bracket feet, 46cm

D & W Morice, an ebonised bracket clock, early 19th century, with circular enamelled dial inscribed ‘D & W Morice, Cornhill, London’, the case with gilt decoration and pierced sides, with twin fusee movement, movement inscribed, 28cm high 21cm wide

An 8-Day Striking Westminster Chime Longcase Clock having brass arched dial with 3 weights, in 19th century mahogany case having inlaid stringing with fluted twist supports, on bracket feet, 2m 20cm high

A mid 20c English bracket clock by the British Clock Co, Perivale. The 17c style dome top case is in mahogany and has a 6" square brass dial with silver chapter ring and cast Turks head spandrels. The three train barrelled spring movement is quarter striking on four straight rods and the case bears a presentation plaque for 1949, 13" tall overall.

A mid 19c English bracket clock in a walnut case with outswept top, canted corners and carved floral decoration around the dial. The circular painted 8" dial is signed `Crouch, Clapham & Brixton` and the double fusee movement is chain driven and strikes on a coiled gong, 18" tall overall.

A FRENCH BOULLE BRACKET CLOCK in Louis XV style with gilt bronze mounts, the cast dial with enamel chapters, the movement with medallic backplate and espagnolette pendulum, the case crested by a two handled urn and with lentical, veneered in red stained shell and inlaid with engraved brass scrollwork, 48cm h, c1900 ++One or two small losses to the inlaid decoration on the rounded parts of the apron. Lacking the lower part of one of the two trellis inserts from the sides. Generally rather dirty but not regilded, the movement original and apparently complete

A FRENCH BOULLE BRACKET CLOCK with enamel dial and brass hands, the Japy Frères movement striking on a bell, in arched case with swept pediment, giltmetal mounts and flambeau finial, inlaid with brass scrollwork on a ground of red stained shell, 39cm h, c1880 ++The enamel dial slightly chipped around the right hand winding hole, the giltmetal mounts on the case with much accretion of dirt and grime, the inlaid decoration in generally good condition apart from the loss of a small piece on one side of the pediment. The mounts all present and not previously restored

A SCARLET JAPANNED BRACKET CLOCK the silvered dial signed Peter Dupont LONDON, with pendulum aperture, date and rise and fall sector, strike/not strike lever at right, the associated twin fusee movement with anchor escapement and bell, in redecorated case with basket pediment and brass swing handle, 49cm h excluding handle, the case 20th c Peter Dupont of Ivy Lane, London, w1754-1770. ++The silvering on the dial rather darkened and in need of cleaning; the movement reasonably clean and apparently complete. The case with a few minor surface cracks but in good condition and highly decorative

A NORTHERN EUROPEAN MAHOGANY BRACKET CLOCK the breakarched, engine turned brass dial with Dutch style silvered chapter ring and date and pendulum apertures, a medallion engraved FG flanked by twin subsidiary dials to the arch, the brass ting-tang movement with pull-repeat and striking on two bells, the case with giltmetal mounts including four flambeau finials and paw feet, 44cm h excluding handle, 18th/early 19th c ++Dusty but basically complete and original

AN OAK LONGCASE CLOCK the brass dial with subsidiary seconds dial, engraved centre inscribed "T Tompion Londini 1700" and mask spandrels, having eight-day movement, the George III oak case embellished and carved at later date with fluted pilasters, the DOOR WITHdate 1736 and initials TW, the base with two laying hens, on bracket feet, 238cm h ++A late 19th/early 20th c made-up clock, the movement and dial associated to the case, the movement late 18th c, the dial 19th c but of convincing appearance, the case with later pediment, the carved decoration of c1900, the top left corner of the door to the trunk chipped, the movement very dirty but apparently complete

George III oak longcase clock by Thomas Williams of Chew Stoke, square moulded cornice with fluted columns, trunk with long door and standing on bracket feet, square brass and silvered dial with engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, 30 hour striking movement, 205cm high

George III mahogany longcase clock by Richard Trevor of Topsham, the hood with moulded pediment, reeded pillars with brass Corinthian capitals, case with arch shaped long door flanked by reeded split pillars and standing on bracket feet, brass arch shaped dial with engraved decoration, Roman numerals and subsidiary strike/silent and seconds dials, eight day striking movement, 225cm high

18th Century Irish mahogany longcase clock by Newman of Dublin, hood with broken arch pediment, case with long door having inlaid decoration depicting a sheet of music, ribbon and bell husk, standing on bracket feet, 12" brass dial with cast spandrels, engraved foliate decoration, Roman and Arabic numerals, subsidiary seconds dial and calendar aperture, signed Newman, Dublin, eight day striking movement, 210.5cm high

Early 20th Century mahogany cased bracket clock, arch shaped case with brass handle to the top, silvered dial with Roman numerals, French brass movement striking on gongs, 42cm high with handle raised

Early 20th Century inlaid mahogany cased mantel clock, the arch shaped case with a brass handle to the top and standing on brass bracket feet, white enamel dial with Roman numerals, French brass movement, 31cm high with handle raised

19th Century mahogany longcase clock by Bartley of Bristol, typical Bristol case, hood with broken arch pediment and reeded pillars, trunk with short door having ebonised stringing, standing on bracket feet, painted arch shaped dial with moon phase, subsidiary seconds and calendar dial, eight dial striking movement, 213cm high

An Edwardian walnut bracket clock

A burr walnut bracket clock, with a brass and silvered dial.

†† Minoche a Paris, a late 18th or early 19th century Boulle clock and bracket, the signed backplate to the timepiece movement with anchor escapement, the balloon shaped case surmounted by a putto and dolphin, the signed dial applied with blue enamel numerals, an eagle at the base of the glazed door, the clock 61cm (24in) high, with bracket (2)

†† Aubert & Klaftenberger Paris, a late 19th century red Boulle clock and bracket, the movement striking on a gong, the gilt dial with applied blue enamel numerals around a profile of Louis XV, grilles to the sides of the balloon case, upon four foliate bracket feet, the clock 34cm (13.5in) high, with bracket (2)

A GEORGIAN OAK EIGHT DAY LONG CASE CLOCK, the break arch painted dial with Roman numerals, Arabic five minutes, subsidiary seconds and date aperture, indistinctly signed Griffith, Denbigh, the arch decorated with a roundel depicting a seated lady with spaniel and with foliate and fruit spandrels. The hood with swan neck pediment and fluted pillars over a mahogany crossbanded door flanked by conforming quarter columns, plain base and bracket feet, 84" high.

AN OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK, the break arch painted dial decorated with a castle, thatch cottage spandrels, Roman numerals, subsidiary seconds and date aperture, indistinctly signed ....., Cheltenham, the hood with swan neck pediment and turned pillars, short trunk door with inset coromandel lozenge flanked by fluted quarter columns raised on ogee bracket feet, 88 ½" high.

A REGENCY STYLE MAHOGANY BRACKET CLOCK, the break arch case with boxwood stringing raised on ball feet, having a convex silvered Roman dial and twin train movement chiming the quarters and striking the hours on coiled gongs, 15" high.

A LATE VICTORIAN OAK TABLE/BRACKET CLOCK having an arched silvered dial with foliate scroll engraving around Roman chapters, the three train fusee movement chiming on a Carillon of eight bells and striking on a coiled gong, the break arch case with turned finials, carved foliate decoration, fluted pillars and side frets, raised on gadroon moulded feet, 25" high.

A GEORGE III EIGHT DAY LONG CASE CLOCK, the 12" arched brass dial signed to the arch Robt Clidsdale, Edinburgh, above a silvered chapter ring with Roman numerals and Arabic five minutes, the matted centre with subsidiary seconds and date aperture with rococo spandrels. The oak case with break arch hood, brass ball and spike finial, plain pilasters above a break arch trunk door, raised on bracket feet, 89" high.