We found 28112 price guide item(s) matching your search

French convex enamel dial bracket clock

William Bull, Stratford Essex, a George III verge bracket clock movement, with engraved signed backplate, in a later mahogany arched case and later brass dial, (adapted), 40cm high

A late 19th century gilt spelter and alabaster mantel clock, a gilt spelter clock case, a gold coloured clock bracket, a gilt metal table lamp and six gilt metal and porcelain garniture vases and candelabra

AN EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, marked E.Evans Cribin, having arched hood with broken swan neck pediment above glazed door flanked by spirally turned columns, the waist with panelled and inlaid door flanked by spirally turned pilasters on a panelled base with bracket feet. Painted face with milk maid to the arch. Roman numerals and arched date aperture. 30 hour single train movement striking on one bell. 84" High. Dial 14" Wide x 20.5" High

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK BY WILLIAM WILLIAMS OF ABERYSTWYTH, the case with broken swan neck pediment above arch aperture flanked by turned pillars, the waist with pointed arch door flanked by quarter pilasters on a panelled base with original bracket feet. Painted face with rural scene, foliate spandrels, seconds dial and date aperture. C1840. The face 19" x 13.5". The case overall 90" High

AN 18TH CENTURY THIRTY HOUR LONGCASE CLOCK BY HARPER OF SALOP, the later embellished and altered case now comprising flat hood over pierced and moulded freize, square aperture flanked by half turned pilasters, the waist with molded arch panel door above a plain base on bracket feet. Brass face with pierced foliate spandrels and Roman numerals, single finger and date aperture strikes on one bell. The face 11" Square x 82" High overall

A REGENCY MAHOGANY BRACKET CLOCK, the domed case inlaid with brass scroll work and stringing, having circular white enamel face with Roman numerals, yellow metal loop handles and mesh panels to the sides and standing on gilded ball feet. Brass two train drum movement with rectangular brass plates, striking on one bell. C1825. 17.25" High x 11" Wide

A 20TH CENTURY FRENCH BRASS CARRIAGE CLOCK, having swan neck swing handle above full depth enamel face with Roman numerals, on a bracket base. Oval top glass. 5.75" High

An Edwardian inlaid mahogany mantel clock, with enamelled dial and Swiss timepiece movement, with brass carrying handle, brass finials and brass bracket toes, 9in. - with key

A late 19th/early 20th Century German oak cased bracket clock of 18th Century English design retailed by Jno. Walker Ltd, 63 New Bond Street, London, the 5.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and with chime/silent dial and regulation dial to arch to the eight day three train movement striking and chiming on five gongs, contained in oak and gilt metal mounted case with arched and moulded top, and with gilt metal caryatids to front, and on leaf scroll feet, 13.75ins high

An early 19th Century oak and mahogany banded longcase clock by W. Hepton of Northallerton, the 13ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture, the arch painted with a shepherdess and the spandrels with flowers to the eight day two train movement striking on a bell, contained in oak and mahogany banded case inlaid with ebony stringings, the upper part with moulded scroll pediment and plain turned pillars to hood, shaped trunk door flanked by half round quarter columns, on bracket feet, 90ins high Note : William Hepton (and Sons), Northallerton, recorded working 1822-1840

An early 19th Century oak longcase clock, the 12ins painted arched dial with Roman numerals and showing face of the moon to the arch, subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in oak and mahogany banded case with moulded scroll pediment and turned pillars to hood, crossbanded doors framed by quarter fluted columns, on bracket feet, 88ins high

A mahogany longcase clock, the 18th Century movement with 12ins arched brass dial by Giles Coates of Chedworth, the wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial and date aperture, the arch with automaton "Father Time" and inscribed "Tempus Fugit" to the eight day two train movement striking on a bell, contained in figured mahogany case with moulded cornice and plain turned pillars to hood, the shaped trunk door inlaid with boxwood stringings and with cant corners, on bracket feet, 84ins high (case and movement associated)

An early 19th Century rosewood bracket clock, the silvered dial with an offset winding hole and single fusee movement, 23.5cm high

Payne & Sons, Bath, An early 19th Century mahogany and brass strung bracket clock, the painted dial signed Payne & Sons, Bath, the twin fusee movement with an anchor escapement and four strikes on two bells, the back plate signed, together with a later mahogany bracket

A Regency mahogany bracket clock with a pineapple finial, inlaid brasswork and a pair of ring handles, the arched painted dial inscribed `Sautier (?) Bath` with a twin fusee movement and pull repeat, 69cm high

A fret cut mantel clock, with etched glass panel, on bracket feet, 38cm.

A George II style mahogany bracket clock, by Elliott of London, 15.5cm square brass dial, Reynolds angels to spandrels, silvered chapter ring, Roman and Arabic numerals, three winding holes, eight-day movement striking on four gongs, the case with brass axe-head handle, stepped base, bun feet, 33cm high, c.1955

A 19th century mahogany long case clock, of slender proportions, the 15cm arched brass dial inscribed George Womsley, Roman and Arabic numerals, twin winding holes, eight day movement the hood with swan neck cresting terminating with flowerheads, brass ball and spire finals, long arched door to waist, centred with a batwing patera, ogee bracket feet, 213cm high, c.1800 George Womersley the younger was born at Huddersfield in 1735, son of William and successor of his uncle, George, senior, who set up as a clockmaker in Huddersfield in 1722, having been born at Hartshead in 1700. George, junior, was apprenticed to his uncle in 1749 and worked with him from 1756. His son, Jonathan, was born in Huddersfield in 1775, succeeded him in 1814 and was still active in Huddersfield eight years later. George Womersley the younger was born at Huddersfield in 1735, son of William and successor of his uncle, George, senior, who set up as a clockmaker in Huddersfield in 1722, having been born at Hartshead in 1700. George, junior, was apprenticed to his uncle in 1749 and worked with him from 1756. His son, Jonathan, was born in Huddersfield in 1775, succeeded him in 1814 and was still active in Huddersfield eight years later.

A George III oak and mahogany long case clock, the 32cm arched painted dial with Arabic numerals, floral spandrels, painted ship to arch, subsidiary date aperture, thirty hour movement striking on a bell, the hood with swan neck cresting terminating with brass stamped roundels turned columns, arched door to wast centred by an urn patera, plinth base bracket feet, 221cm high, c.1800

A George III oak and mahogany long case clock, the square 30cm enamelled dial inscribed William Jones, Ludlow, gilt spandrels, Roman numerals, subsidiary seconds dial and date apertures, twin winding holes eight day movement striking on bell, the hood with swan neck cresting terminating with brass roundels, fluted columns, rectangular door to waist flanked by brass capped fluted quarter columns, plinth base bracket feet, 209cm high, c.1800

A George III Scottish mahogany long case clock, 32cm circular dial , inscribed George Edward, Glasgow, Roman numerals, subsidiary seconds and dates, twin winding holes eight day movement striking on a bell, the domed hood centred and flanked with gilt brass ball and spire finials, fluted Corinthian columns, shaped door to waist, bracket feet, 211cm high, c.1820 George Edward was a member of a family that had begun clockmaking in Edinburgh in 1732, although he himself was born c. 1768, set up in Glasgow c. 1790 and was still working in the City when he married a second time in 1814.

A large George III mahogany long case clock, the 35cm arched brass dial inscribed William Boot, Sutton, pierced spandrels and fret work to arch, Roman and Arabic numerals, subsidiary date dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting terminating with flowerheads, turned columns, shaped door to waist, centred with a shell patera, canted angles, bracket feet, 240cm high, c.1790 William Boot of Sutton-in-Ashfield, was a member of an extensive dynasty of clockmakers in the town founded by his father John and which included James Foxton. William was born 1735, apprenticed to his father 1749-1755, married Elizabeth Hufton in the latter year and worked until his death in 1792, when he was succeeded by his sons John and William.

A Victorian mahogany long case clock, the 34cm arched painted dial inscribed John Smith, Derby, painted with the four continents to spandrels, lunar phases to arch, Roman numerals, subsidiary second and date dial, twin winding holes, eight day movement striking on a bell, the hood with swan neck cresting terminating with draught turned roundels, turned columns, shaped door to waist, flanked by fluted angles, bracket feet, 220cm high, c.1840 John Smith (1813-1886) was born at Hognaston, where his father was a tenant farmer, but who sprang from a line of braziers in Derby. He was apprenticed to John Whitehurst II in 1827, becoming an employee with his son, John Whitehurst III in 1834. He resigned after a disagreement with the works manager, Thomas Wodward in 1846, and set up on his own at 126, Nun Street, Derby moving to 27, Queen Street as John Smith & Sons in 1850, and his posterity ran the firm from these premises until 1999 when Smiths, since the 1870s concentrating on turret clocks, moved to Alfreton Road, Derby. The present clock probably dates from the 1850s. The artist who painted the dial seems to have been a prolific local man; another clock (by a different maker) has been noted with the same country house in the breakarch. The artist probably had to hand engrave Basildon Park, from J. P. Neale, Views of Seats, etc., 2nd Series, (4 Vols., London 1825) II, although the rendition here is slightly simplified and impressionistic

An 18th century oak long case clock, 25cm square brass dial, inscribed Webster, Salop, Roman and Arabic numerals, subsidiary date aperture, pierced spandrels, thirty hour movement striking on bell, he rectangular hood with ogee cornice above a pierced frieze, turned columns, shaped rectangular door to waist centred by a seven pointed bog oak and sycamore star burst, plinth base, bracket feet, 197cm high (altered) James Webster of Shrewsbury was born at Sheriff Hales in 1707, married there in 1744 to Ann Liversage, having set up in Shrewsbury in 1730; he was working there 1750-1760 and was succeeded by his son Robert (born at Shrewsbury 1755), working at Madeley 1776-1787 and at Shrewsbury to 1805

An Edwardian arch top mahogany bracket clock with inlaid decoration, brass ball feet, silvered dial and 8 day movement, by W & H Sch, striking on 2 gongs, height 13.5"

An early 20th century arch top mahogany long case clock with bevelled glass panels to the door, raised panel and bracket feet to the base, arched brass dial with silvered chapter ring, 8 day triple weight driven movement chiming on steel rods, height 86"

An 18th century oak long case clock with extensive later carved decoration, the caddy top hood with turned side columns, the trunk with full length door, on bracket feet, with square brass dial and 30 hour lantern framed movement, by Reynolds, St Ives

An early 20th century oak cased arch top bracket clock with brass dial and 8 day ting tang movement, height 12"

A small walnut cased bracket clock `Tempus Fugit` by Elliott, supported on bracket feet 17.5cm high

A GEORGIAN OAK AND MAHOGANY LONG CASE CLOCK having a broken swan neck pediment, applied brass disks and finials with inlay below, the arched glazed door flanked by Corinthian type columns, the short arched trunk door between inlaid and canted corners over an ebony strung base with bracket feet, the arch of the dial painted with a scene depicting a lady attending to a grave, the chapter ring having Arabic hours and minute increments, winding holes and crescent form date aperture, all within painted conch shell spandrels. 224cm(h)

A 19th Century Mahogany 8-Day Striking Bracket Clock having arched top, silvered dial with Roman numerals, in walnut case, 44.5cm high, 34cm wide

GEORGE III MAHOGANY ARCHED DIAL 8 DAY LONG CASE CLOCK WITH SUBSIDIARY SECONDS MOON PHASE THE HOOD WITH SWAN NECK PEDIMENT ABOVE FLUTED COLUMNS THE TRUNK WITH QUARTER TURNED CORINTHIAN COLUMNS ON OGEE BRACKET FEET, HT 235 CM

An impressive Le Mans beche bracket clock in a carved case - the arched glass door revealing circular Roman numeric dial and strike/silent feature. On stepped base terminating in stylised squat bracket feet. 50 cms. high.

A 19c. 4-sided glass and gilt brass mantel clock with mercury pendulum and circular Arabic dial with baton pointers on stepped base terminating in squat bracket feet. The whole 35 cms. high.

A long cased clock by Samuel Whalley, Manchester, 3rd quarter 18c. in a mahogany and boxwood case. The hood centred by an oval shell patera flanked by broken swan neck pediments above a painted fret, the 13 in. arched back plate with silvered dial with Arabic and Roman numerals and ship/moon rolling movement, subsidiary second hand and date aperture with eight day movement. The shaped case with plain mahogany wide cross band flanked by quarter columns. The whole raised on bracket feet, approx. 229 cms. high.

Late 19th Century burr walnut mitre cased bracket clock, the silvered dial with Roman and Arabic numerals and signed to the centre Hamilton & Inches, Edinburgh, brass chiming movement, 34cm high

Late 19th/early 20th Century mahogany cased bracket clock having a broken arch pediment, the arch shaped dial having applied cast gilt decoration, the silvered chapter ring with Roman numerals, flanked by tapered turned and fluted columns, brass movement striking on two gongs, 61.5cm high

A early 19th century oak, mahogany and inlaid eight day longcase clock, the arched painted face with rolling moon, subsidary seconds and date, signed by Nathaniel Dumvile, Stockport, the arched door flanked by fluted columns, on bracket feet (Illustrated).

A George III mahogany longcase clock by Muncaster of Whitehaven, circa 1805, having a swans neck pediment with gilt daffodil terminals and verre eglomise panels above the arched painted dial with shepherdess scene to the arch, with Arabic numerals to the dial, with rose spandrels and with subsidiary date dial, with false winding apertures and thirty hour movement in turn above the shaped trunk door, being crossbanded, boxwood strung and cockbeaded, flanked by fluted quarter column corners and with conforming base, with canted angles raised on bracket feet. Height 88 ins. NOTE - the clock case may be attributed to Gillows of Lancaster, see plate 506 page 409 of Susan E. Stuart`s book Gillows of Lancaster & London 1730-1840 for a similar clock case (see illustration).

German bracket clock , late 19th century, arched brass face with silvered chapter ring, fast/slow and chime/silent rings, twin barrel movement by Winterhalter and Hofmeier striking the quarter on coils, in a late 18th century style broken arch case. Height 36cm.

Mahogany inlaid bracket clock, late 19th century, the arched top case with silvered arabic dial, three train movement by Winterhalter and Hofmeier striking on coils, height 36cm, together with a wall bracket.

An early 20th Century brass cased carriage alarm clock, the dial with Roman numerals and subsidiary alarm dial, the glazed case with carrying handle, on bracket feet (lacking bell).

A George V oak diminutive longcase clock, with eight day movement striking on a gong, the silvered break arch dial with Arabic and Roman numerals and inscribed `Tempus Fugit` cornered by pierced gilded mask and scroll spandrels, the case with a moulded cornice above a glazed door flanked by pilasters, the plain arched trunk door on a plain base with ogee bracket feet, height approx 168cm.

An early 20th Century mahogany dome top mantel clock with eight day movement striking on a gong, the silvered dial with Arabic numerals, the case with inlaid floral and geometric decoration, on bracket feet.

A George V figured mahogany mantel clock with eight day movement striking on a gong, the circular dial with Arabic numerals, the arched case with urn and festoon moulding, on bracket feet.

A George V oak diminutive longcase clock, with eight day chiming movement, the circular silvered chapter ring with Arabic numerals, the case with geometric moulding , on a plain base and bracket feet.

A mid 20th Century brass cased carriage clock with eight day repeating movement, striking on a gong, the white enamel dial with black Roman numerals and inscribed `Matthew Norman, London`, within the glazed case with overhead swing carry handle on bracket feet, height approx 17cm, cased.

A 20th Century mahogany cased mantel clock, with eight day movement striking on a bell, the gilt dial inscribed `An Elliott Clock`, within a silvered chapter ring, the bracket style case with gilt mounts and carry handle.

An early 20th Century German mahogany mantel clock, with eight day chiming movement, the back plate impressed `Junghans`, the silvered break arch dial with Arabic numerals, subsidiary `chime/silent` and `slow/fast` dials, the case surmounted with a brass carrying handle above a glazed door, on a rectangular stepped base and brass bracket feet, height approx 41cm.

A George V walnut diminutive longcase clock with eight day chiming movement, the silvered chapter ring with Roman numerals, the case with Art Deco motifs above a plain trunk and base on bracket feet (faults).

A George III mahogany bracket clock with eight day twin fusee movement striking on a bell, the brass break arch dial with strike/silent indicator above a chapter ring with Roman and Arabic numerals framing a matt centre with mock pendulum, date aperture and applied plaque inscribed `Jon. Hasler London`, all cornered with floral and scroll spandrels, the signed backplate engraved with scrolling foliage, the case with moulded bell top and brass carrying handle above pierced fret panels on a plinth base and bracket feet, height approx 52cm.

A 19th Century French brass cased carriage alarm clock with eight day movement striking on a bell, the circular enamel dial with Roman numerals and inscribed `2507 Breguet Paris` above a subsidiary alarm dial, within an engraved gilt surround, the four glass case with carry handle, on bracket feet, height approx 12.8cm.

A late 19th Century brass cased carriage clock with eight day movement striking on a gong, the enamel dial with Roman numerals and detailed `19914`, the backplate inscribed `Frodsham 19914 Made in Paris`, the four glass case with swing handle on bracket feet, height approx 16cm.

AN ARTS & CRAFTS TUDRIC CLOCK for Liberty & Co, No.0761, with spring driven French movement, 2 1/2" dial with blue enamel centre and copper chapter ring with navy blue enamelled Roman numerals, the spot hammered pewter oblong case with domed lid and tapering sides, on bracket feet, 8 3/4" high (Illustrated)

A JAPANESE SMALL CHAMBER CLOCK, 19th century, the revolving 2 3/4" dial with fixed hand, calendar aperture below, the weight driven posted iron movement with verge and foliate escapement, outside count wheel striking on the top mounted bell, in textured rectangular brass case, 10 1/4" high, later pine bracket (Illustrated)

A GEORGIAN EBONISED TABLE CLOCK, Provincial, 18th Century, unsigned, the movement with verge escapement striking on the hour, the back plate engraved with rococo style foliate scrolls centred by an urn, 7" white enamel dial with Roman and Arabic numerals, the moulded case with domed cresting and brass carrying handle and pineapple finials, glazed sides, on brass bracket feet, 19" high (Illustrated)

A FRENCH GILT METAL AND PINK PORCELAIN MANTEL CLOCK, c.1900, the twin barrel movement striking on a bell, the back plate stamped Japy Freres, No.1706, 3" porcelain dial painted with flowers and with Roman numerals, the case with urn surmount, applied masks to the sides, oblong base with bud finials and scrolled bracket feet, conforming gilt wood stand, 13 3/4" high, under glass dome with ebonised base

A FRENCH GILT METAL AND PORCELAIN MANTEL CLOCK, 19th century, the twin barrel movement striking on a bell and stamped P.R. 630352, 4" gilded porcelain dial painted with cherubs, in urn shaped porcelain vase flanked by cherubs and painted with lovers in a garden, pineapple finial on domed lid, female mask loop handles, moulded rounded oblong base with central cartouche, on bracket feet, 26" high (Illustrated)

A French green onyx and brass four-glass mantel clock. Unsigned, circa 1900. The eight-day gong-striking movement with mercury compensated pendulum and circular white enamel Roman numeral dial in a bevel-glazed case with shaped onyx top and base united by caddy moulded brass uprights, on integral bracket feet, 27cm high.