Bracket Clock, England, um 1830/40, hochrechteckiges Mahagoni-Gehäuse, Zifferblatt bezeichnet Ralph Gout London 301, obere Schlagabstellung Strike oder Silent, Datumsanzeige, Carillon mit acht Glocken, Schlag auf weitere Glocke, 8-Tage-Werk mit Spindelgang, drei Schnecken mit Stahlseilen, 60 cm hoch, Werk ungeprüft, Altersspuren, Minutenzeiger ersetzt
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A 20th century brass corniche cased hourly striking alarm carriage clock, the white dial with black Roman numerals and subsidiary dial, strikes on a bell, raised on shaped bracket feet, with leather case, 17cm high. Key present.Condition report; the clock doesn’t appear to be in working order
English ebonised double fusee verge bracket clock, the 6" shaped brass dial signed Richard Templer, London, to the arch flanked by subsidiary strike/silent and seconds dials, over a silvered chapter ring enclosing a foliate engraved centre with calendar aperture, the movement with finely engraved foliate decoration, within a stepped case surmounted by a caddy top, four acorn finials and a carrying handle, 18.5" high (pendulum and key)
Good and unusual English mahogany triple pad top double fusee bracket clock with calendar, the 9" silvered dial signed Robert Green, Edinburgh, the movement back plate engraved with scrolling foliage and flowerheads striking on a bell, the wide stepped case with triple pad top brass branded arched cornice, 14.5" high (pendulum and keys)
English mahogany double fusee calendar bracket clock, the 7" silvered arched dial signed Le Grave, London to the centre and with strike/silent to the arch, the movement with pull repeat and foliate engraved back plate, within a rounded arched stepped case surmounted by a brass carrying handle, 17.25" high, with pendulum (escapement converted from verge to anchor)
Good small oak double fusee bracket clock, the 3.5" silvered pointed arched dial plate signed Turner, Fenchurch St, London, the movement with locking pendulum and striking on a bell, within a stepped case surmounted by a foliate cornice carved with fluting over a rope twist swag united by flowerheads, 1.5" high (pendulum and keys)
Good English rosewood double fusee bracket clock, the 8" cream dial and movement back plate both signed Tho's Smith, London, with strike/silent lever above twelve o'clock, the movement with locking pendulum and pull repeat, within a rounded arched panelled case inlaid with brass lines, 16" high (pendulum and keys)
A mid 19th Century French Raingo Freres ormolu and gilt brass mantel clock, relief moulded Rococo form, the gilt embossed 3” dial with enamelled Roman numerals within a floral wreath, surmounted by a floral garlands, on four scrolled foliate bracket feet, with pendulum and key, signed to the movement, 31cm high, within a domed glass case
A fine quality William IV Irish mahogany cased Longcase Clock, the circular painted dial signed Sharp, Dublin (Richard Sharp, Wicklow Street, Dublin) with Roman numerals, the arched hood over a body with panelled door on box base with bracket feet, (with pendulum and weights) approx. 198cms (78") high. (1)
A 19th century Regency period double fusee mahogany bracket clock striking on single bell, the painted dial signed 'Geo Hodgkinson London', height 50cm, with pendulum, no key. Condition - winding fine but does not come with key, ticking and repeat function working correctly, appears in working order however sold without guarantee, wear to case including but not limited to slight play in hinge, repainted dial, crack to veneer on front, inlay missing to front bottom left, not sure what the metal bits are off.
A George III mahogany cased mantle clock, the caddy top with brass handle and pineapple finials, the arched glazed door with pierced brass spandrels flanked by fretwork carved side panels, on squat bracket feet, the eight-day twin fusée movement with cord pull repeat action and chinoiserie engraved brass back plate inscribed "William Turner London", the brass arch dial with silvered chapter ring set with Arabic and Roman numerals enclosing a date aperture and silvered panel inscribed "William Turner London" and a further aperture showing pendulum movement, surmounted by a silvered "strike/silent" dial within pierced brass spandrels 30.5 cm wide x 19 cm deep x 53.5 cm high including handle CONDITION REPORTS Overall condition looks good. There is some cracking / shrinkage to the veneers and mouldings throughout. Some requiring attention / re-gluing, arguably. Face and dial appear to be in overall good condition though with some wear and tear conducive with age and use, particularly to the silvering of the chapter ring at 2/3 o'clock and 6/7 o'clock. The brass handle has wear and tear to the surface, again conducive with age and use. The finials are slightly different in colour, being more gold than the bronze / yellow of the handle. The spandrels again slightly different in colour, possibly later than those on the face. The movement all appears to be intact and seemingly in working order, thought this is not guaranteed. See images for further detail.
18TH CENTURY the breakarch brass dial with silvered chapter ring with Roman numerals and pierced spandrels, signed on a silvered roundel to the arch ‘In Chapman, Sheerness’, with solid brass side doors, mounted on an oak bracket with breakarch backdoor, the twin train cord weight driven movement with verge escapement and fixed short bob pendulum, striking on a bell the clock 13cm wide, 23cm high, 12cm deep Provenance: Property from an East Lothian deceased estate
VICTORIAN CARVED OAK QUARTER CHIMING TABLE CLOCK, BY CLERKE, LONDON 19TH CENTURY the silvered arch dial with Roman numerals, signed ‘Clerke, 1 Royal Exchange, London’ and numbered ‘5030’, engraved foliate spandrels, the arch with subsidiary ‘Chime/Silent’ and ‘Westminster Chimes/Chime on Eight Gongs/Chime on Eight Bells’ dials, the large bell top case with carved female mask foliate pediment, the front flanked by carved acanthus caryatids, the sides with pierced foliate grills, on a breakfront plinth base with bracket feet, triple train chain fusee movement, striking the full hour to a large coiled blued steel gong, chiming the quarters to either a pin wheel activated nest of eight coiled blued steel gongs or nest of eight bells, the backplate also signed ‘Clerke, Royal Exchange, London’ and numbered ‘5030’ 44cm wide, 65cm high, 31cm deep The Estate of Sir John and Lady Clare Keswick at Portrack House, Dumfriesshire
VICTORIAN GOTHIC REVIVAL CARVED OAK QUARTER CHIMING BRACKET CLOCK BY WILLIAM ROSKELL & CO, LIVERPOOL, 19TH CENTURY the cream enamel dial with Gothic Roman numerals, signed ‘Wn. Roskell & Co., Liverpool’ and numbered ‘2684’, with a ‘Strike/Silent’ level to the top, the architectural case with Gothic spire surmounted with three trifid berry finials and Gothic tracery, flanked by quatrefoil columns on a plinth base with bracket feet, the triple-train chain fusee movement striking on a coiled steel gong and chiming on a nest of eight bells 38cm wide, 77cm high, 20cm deep
FRENCH LOUIS PHILIPPE GILT AND PATINATED BRONZE PORTICO CLOCK MID 19TH CENTURY the gilt Roman numeral dial with moon hands, the architectural case with a stepped pediment on Gothic arches frieze, supporting a cylinder case with foliate bezel flanked by Corinthian columns, raised on a rectangular plinth base cast with further Gothic arches panels, on gilt bracket feet, the twin-train movement with outside countwheel striking a bell 52cm high, 26cm wide, 15cm deep Provenance: Property from an East Lothian deceased estate
SCOTTISH LATE REGENCY MAHOGANY LONGCASE REGULATOR CLOCK, BY WILLIAM ANDERSON, ST ANDREWS EARLY 19TH CENTURY the breakarch hood surmounted by three turned urn finials, enclosing a 12 inch silvered circular dial with Roman numerals, subsidiary second and date dials, signed ‘Anderson, St. Andrews’, with moon hands, the trunk with glazed arched door and moulding, flanked by fluted quarter columns, on a panelled plinth base with bracket feet, the twin- train movement with anchor escapement, striking a bell 214cm high, 44cm wide, 23cm deep Note: William Anderson was born 1790 and died 1867. His place of business is listed as South Street, St Andrews. In trade listing he is mentioned as a watchmaker and dentist.
EIGHTEENTH CENTURY MAHOGANY AND OAK LONGCASE CLOCK, SIGNED BARNISH, ROCHDALE, the 14” painted Roman dial with peacock painted to the centre and floral spandrels, powered by a 30 hour movement, and housed in a case with turned finial to the swan neck pediment and brass capped free standing columns to the fore corners, set above a long, crossbanded trunk door with shaped top, and raised on a conforming base with shaped apron and tall bracket feet, 88 ½” (225cm) high
EIGHTEENTH CENTURY INLAID MAHOGANY LONGCASE CLOCK WITH ROLLING MOONPHASE, SIGNED MONKHOUSE, CARLISLE, the 13” brass dial with silvered chapter ring, centre seconds hand and subsidiary seconds dial to the foliate scroll engraved centre, enclosed by pierced spandrels and powered by an eight day movement striking on a bell, and housed in case with brass eagle and ball finial to the swan neck pediment and brass capped free standing fluted columns to the fore corners, set above a split turned border and satinwood crossbanded flame cut long trunk door with shaped top, flanked by fluted quarter columns to the fore corners, and raised on a conforming, line inlaid base with chamfered fore corners and ogee bracket feet, 94 ½” (240cm)
EIGHTEENTH CENTURY INLAID MAHOGANY LONGCASE CLOCK, SIGNED EDW(AR)D BARLOW, OLDHAM AND DATED 1793, the 14 ½” brass dial with silvered chapter ring and signed roundel and date plaque to the foliate scroll engraved centre, enclosed by pierced spandrels and powered by an eight day movement striking on a bell, housed in a case with urn shaped finial to the swan neck cornice, and brass capped free standing and fluted columns to the fore corners, set above a long trunk door with satinwood banding and oval shell inlay to the centre, flanked by fluted quarter columns to the fore corners, and raised on a conforming base with chamfered fore corners and ogee bracket feet, 87 ½” (222.2cm) high
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, SIGNED GEO(RGE) HOLDEN, LIVERPOOL, the 14” painted dial with subsidiary seconds dial and date aperture to the centre, enclosed by spandrels depicting birds and powered by an eight day movement striking on a bell, and housed in a case with an eagle and ball brass finial to the swan neck pediment, scroll painted frieze and free standing brass capped columns to the fore corners, set above a trunk a trunk door with shaped top and panel beneath, flanked by fluted fore corners, and raised on a crossbanded base with chamfered fore corners and ogee bracket feet, 93” (236cm) high
Edward Smith of Dublin - mahogany cased antique alarm bracket clock, the silvered arch dial engraved with the maker, original clock makers label to reverse - 25cms high CONDITION REPORT Our team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.

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28112 item(s)/page