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A VICTORIAN OAK CASED MANTLE CLOCK WITH 3 TRAIN CHIMING MOVEMENT TOGETHER WITH A SMALL BRACKET CLOCK BY ELLIOTT FOR GARRARD & CO. (2)

An XVIII Century Oak and Mahogany Eight-Day Longcase Clock, the arched moonface white dial with Roman numerals and two subsidiary dials, signed "Geo Ellis Oaken Bates?" to arched hood with swan neck pediment, the trunk with shaped and crossbanded door, reeded half pilasters with brass capitals, the base crossbanded and with shell inlay, on bracket feet, 223cm high.

A XX Century Chinoiserie Grandmother Clock, the circular dial signed "W. Greenwood and Sons, Leeds and Huddersfield", with pagoda top and turned finial, the black lacquered case decorated with pagodas and figures, on bracket feet, 153cm high.

A Late XVIII Century Mahogany Eight-Day Longcase Clock, the circular scroll engraved brass dial signed John Steel, with Roman numerals and steel pointers, the hood with swan neck pediment and knulled frieze with brass 'Strong/Silent' plaque (not working), the trunk with half round pilasters, base with bracket feet, 205cm high.

A late 19th Century French lyre-shaped bracket clock, alabaster with ormolu mounts, 10cm white enamel dial with arabic numeral and floral swags, bell striking mechanism on oval plinth, surmounted with sun burst motif and paste bezel, 46 cm high

A George III mahogany bracket clock by Rolfe, Clerkenwell, arched case with brass swing handle, white painted arched dial with strike/silent subsidiary dial in the arch, side sound grilles, brass bracket feet, double fusee movement striking on a bell, height 38cm (pendulum)Provenance: By family repute purchased from the estate of Florence Nightingale

An early 20th Century French gilt metal four glass bracket clock, white enamel Roman dial with retailer's mark for Goldsmiths & Silversmiths, London, the movement marked 'Pendule 400 Jour, No.A.6-140-2', presentation inscription dated 1909, height 27cm, (pendulum and two keys)

An 18th century mahogany eight day longcase clock by William Flint of Charing, Kent, the twin train movement striking on a bell, the arched brass dial signed to the roundel 'Willm. Flint Charing' (1733-1793), the matted gold dial with chamfered date aperture at six and silvered subsidiary seconds dial at twelve, pierced gilt hands, brass Roman numeral chapter ring with foliate scroll spandrels, the strung mahogany case with barbed arched top with barleytwist columns, over a trunk with canted corners, raised on bracket feet, 82¼in. (209cm.) high.

A 19th century ebonised bracket clock, with gilt brass caryatid mounts, finials and feet, carrying handle to top of case, the brass arched dial with silvered Roman chapter ring and 'Tempus Fugit' roundel, gilt brass mask spandrels, unsigned, with eight day twin train movement, 18in. (45.75cm.) high.

A William IV mahogany cased double fusee bracket clock, eight day double fusee movement, silvered dial with Roman numerals and signed 'Thistle & Leversham, Stogursey', striking the hour and half hour on a bell, the case with pierced windows to either side, floral & foliate decoration to top and corners, on plinth base and bun feet, 17½in. (44.5cm.) high.

A mahogany double fusee bracket clock, 19th century, the 20cm painted dial signed Allport, Birmingham, height 37.5cm, width 26cm, depth 15cm.

A George III mahogany eight day longcase clock, the 30.5cm diameter painted dial flanked by a pair of turned columns on bracket feet, with two weights and a pendulum, height 210cm.

A mahogany eight day longcase clock signed R.Sampson St Columbe, early 19th century, the arched brass dial decorated with a bird of prey and a river scene with a sailing ship, the arched door flanked by a pair of spiral twist columns on bracket feet, winder, two weights and a pendulum, height 201.5cm, width 50.3cm.

A George III mahogany and brass mounted striking bracket clock by John Blake, circa.1780, the case with break arch top, with pierced panels to the sides edged with brass, the glazed door with arched top, the dial with silvered Roman and Arabic numeral chapter ring, the matted centre with false pendulum and date apertures, with pierced hands and pierced brass foliate spandrels, the domed top with subsidiary dials for strike/silent and 24/48 hour indicators, engraved with signature Jon Blake, Fulham, the brass movement with engraved foliate back plate, with rack and pinion striking and pull repeat with quarter strike mechanism on two bells and multiple hammers, with pendulum, 35cm high cracks noted to top and one side panel, brass wear has some marks in places, repeat mechanism seems to work, although there is no guarantee to accuracy of time keeping etc,

VICTORIAN WELSH OAK AND MAHOGANY EIGHT DAY LONG CASE CLOCK marked: T. Evans, Lampeter, the hood having broken swan neck pediment with foliate inlaid panels above arched aperture flanked by baluster turned pillars, the waist with pointed arch cross banded door with foliate inlaid medallion, flanked by inset baluster turned pilasters on a cross banded and panelled base with bracket feet. 20"x 14" painted face having Roman numerals with cowhand and watering cattle to the arch and ruined church spandrels, seconds dial and date aperture, eight day two train movement striking on one bell, overall 230cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in fair condition, some scuffs and marks but no noted serious damage. includes pendulum and two weights.

19TH CENTURY OAK EIGHT DAY LONG CASE CLOCK marked: T.O.S. Wilson, London, having broken swan neck pediment above arched aperture, flanked by reeded columns, the waist with strap work frieze, pointed arch cross banded door flanked by quarter pilasters, panelled base on tall bracket feet. Arched brass face, 20" x 14", having gilded spandrels and silvered Roman chapter ring, particularly having sweep seconds hand, two train, eight day movement with four baluster columns, striking on one bell. Overall 2.33m.(B.P. 24% incl. VAT) CONDITION REPORT: May be a marriage, case appears to have later additions, although appearing originally late Geogian, face movement probably Victorian, overall a little dry, the glazed door is cracked and will also need relocating, feet are later replacements. Has two weighs and a pendulum and also a key.

LATE 19TH/EARLY 20TH CENTURY MAHOGANY THREE TRAIN GEORGIAN STYLE BRACKET CLOCK, having stepped pediment with applied gilt metal foliate mount and acorn finials above arched aperture flanked by reeded Corinthian columns on a gilt metal mounted, moulded and stepped base on fluted gilt metal feet. Gilt brass arched face with silvered Roman chapter ring on chime/silent advance and strike indicators, with gilt metal spandrels. Three train movement striking on eight bells and five gongs. Movement back plate stamped: 1176 but unnamed. 65cm high.(B.P. 24% incl. VAT) CONDITION REPORT: Good overall condition, a little grubby but no noted damage or losses, minor wear and tear, particularly to angles, commensurate with age. Includes adjustable pendulum and key. Double fussee movement.

18TH CENTURY OAK CASED, EIGHT DAY, LONG CASE CLOCK, having later added broken swan neck pediment with ball and spike finials over an original moulded cornice with square aperture flanked by gilt metal mounted columns, plain waist door with oval shell inlay, vertically boarded base on later bracket skirt. 10.5" brass face with gilded spandrels and Roman silvered chapter ring, seconds dial and date aperture, 10.5" sq., eight day, two train movement with five baluster pillars, striking on one bell. Originally 195cm high, now 218 including finial.(B.P. 24% incl. VAT) CONDITION REPORT: Good clean condition, appears to have been recently restored, the movement being very polished, pediment to hood with brass finials is an addition, as is the skirted base, chip to top left hand corner and bottom left hand corner of waist door, includes weights and pendulum. Four weights, including two replacements. dial plate dimensions: 27.5cm x 27.5cm approx.

A Swiss Neuchatel type Eluxa mantel clock and bracket, painted with flowers on a gilt ground, sold with some original packaging and key

Walnut cased bracket clock with barrel twin train movement, subsidiary seconds dial, chime/silent dial, the silvered chapter ring with Roman numerals, striking on a gong, 40cm high, with key and pendulum,.

Early 19th Century ebonised three train fusee bracket clock, the case with gilt metal mounts, gilt metal dial with silvered chapter ring, strike silent dial and chime dial, the movement striking on 10 chimes, 62 cm high with bracket. Corner Frieze pieces off or coming away - we do have the pieces.Dial in good order. It has been running but we do not guarantee this that it keeps good time. Condition see image.

18th century ebonised bracket clock, the silvered chapter with Roman and Arabic numerals, and date aperture, signed Jo's Peters, Atherstone, with non-original single fusee movement, 52cm high,.

The Garrard Silver Jubilee Clock`, the three train movement inscribed Specially Commissioned by Garrard The Crown Jewellers from F.W. Elliot Ltd, 141/250, the 7 solid silver arched dial bearing the sterling silver special 1977 Silver Jubilee hallmarks and signed Garrards over a Tudor rose to the centre, within a mahogany bracket case surmounted by a pad top and silver handle, 15 high * This clock is sold with a framed certificate signed by the Managing Director of Garrards stating this is no. 141 of an edition limited to 250; also sold with the clock is an original purchase receipt, insurance valuation, guarantee and other paperwork, boxed . overall condition of clock is very good, we do not guarantee that its running or that it keeps good time, box appears to be original

An Edwardian walnut bracket clock, with three-train spring driven movement striking on five gongs. Width 34 cm, height 43 cm.

Easton of Petworth, thirty hour wall clock with alarm, 18th century, the 15 cm square brass dial with Roman numerals and floral engraved spandrels chiming on a bell and supported on a stained beech bracket with matching glazed hood. CONDITION REPORT: In our opinion the case has been made to accommodate the movement. It is probably circa 1920. There is damage to the front left hand corner of the cornice where there are losses. There is a further detached section of moulding at the rear left hand corner of the cornice. Other than this the case is in generally good condition. The movement appears to be complete. Whilst we have not had the clock running when weight is applied to both trains the clock seems to operate and strike. We have the pendulum.

A large triple fusee ebonised bracket clock, with silvered brass dial and striking and chiming on eight bells and a gong. Width 39 cm, height including handle 69 cm (see illustration). CONDITION REPORT: The movement winds on all three trains. It is currently ticking away and appears to be striking as it should. All metalwork is present and other than being very dirty and dusty is in good condition. The ebonised cased is in generally good order with only minor losses to the ebonised surface. There is a small crushed area on the right hand canted angle to the right of the numeral 2. The movement itself whilst operating is fairly dusty and a little dirty. The dial is in generally good order with minor rubbing to the silvering. We have a door key and winding key.

A George III mahogany bracket clock by Thomas Shippard of Portsmouth, with silvered dial, two-train fusee movement and with verge escapement. Height including finial 52 cm, width 30 cm (see illustration).

A mahogany mitre top mantle clock, with an enamel dial with Roman numerals, eight day movement, inlaid bats wing decoration and stringing, raised on four brass feet, height 19.5 cm, and another mahogany inlaid mantle clock, with eight-day movement, turned brass finials, raised on brass ogee bracket feet, width 22 cm, height 198 cm.

A BRASS CASED FRENCH MANTEL CLOCK, late 19th century, the twin barrel movement with anchor escapement and outside count wheel striking on a bell, the back plate stamped Hy Marc Paris 14489/286, 3 1/2" white enamel dial with signature and Roman numerals in blue, the open Gothic arched case on ebonised oval base with bracket feet, under a glass dome, 19 1/2" high (Est. plus 21% premium inc. VAT)

AN EBONISED BRACKET CLOCK by Edward Wicksteed, London, 18th century, the twin fusee movement with verge escapement striking on a bell, and with strike/silent lever, plain backplate with signature and secured with brackets, 8" enamel on copper dial with Roman and Arabic numerals and sweep calendar hand, signed, the shallow oblong case with caddy top and gilded pineapple finials, glazed sides, moulded base and bracket feet, 11 3/4" x 17 1/4" (Est. plus 21% premium inc. VAT) (Illustrated)

A BRASS CASED CARRIAGE CLOCK, the twin barrel movement with platform escapement striking on a gong, the white enamel dial with Roman numerals and inscribed "Harrods Ltd.", the corniche style case with loop handle and bracket feet, 6" to top of handle, together with a maroon leather travelling case (Est. plus 21% premium inc. VAT)

AN OAK LONGCASE CLOCK signed Winstanley, Beaumarris, the eight day movement with anchor escapement striking on a bell, 13" square dial with Roman and Arabic numerals, secondary dial and calendar aperture, painted with birds on flowering branches and flowers in the spandrels, the mahogany banded and inlaid case with scrolled pediment on fluted columns, arched door flanked by fluted quarter columns, panelled base and bracket feet, 84 1/2" high (Est. plus 21% premium inc. VAT)

A MAHOGANY CASED BRACKET CLOCK by Chadwick, Liverpool, 19th century, the double fusee movement with anchor escapement striking on a bell, 8" enamel dial with Roman numerals and signature, the arched case with ebony stringing, leaf carved brackets and brass pineapple finial, pierced Gothic brass sound frets below ring handles, moulded base and flattened bun feet, 13" wide, 24" high (Est. plus 21% premium inc. VAT) (Illustrated)

A GERMAN MAHOGANY CASED BRACKET CLOCK by Winterhalder & Hofmeier, the twin barrel Ting Tang movement striking on a gong, 5" arched silvered dial with Roman numerals and seconds dial, the brass mounted case with pagoda top surmounted by turned finials, stop fluted angles, pierced sound frets, moulded base and bracket feet, 15 1/2" high (Est. plus 21% premium inc. VAT)

A MAHOGANY CASED MUSICAL TABLE CLOCK by Daniel Fenn, London, the triple fusee movement with verge escapement, chiming on eight bells for the musical train on the quarter hour followed by by a further striking of a single bell for the hours, back plate engraved with flowers centred by an urn and secured by brackets, repeat pull, 8" arched brass dial with Roman and Arabic numerals on silvered chapter ring, matted centre, recessed silvered signature panel to arch flanked by strike/silent and chime selector dials and surmounted by inscription "Gavot, Air, Minuet & Choral", the domed and gilt metal mounted case with turned finials, trellis pierced sound frets below ring handles, on bracket feet, 14" x 20 1/4" (Est. plus 21% premium inc. VAT) (Illustrated)

A George III oak longcase clock, William Glover, Worcester, with eight day striking movement, dial width 30.5 cm, the case with moulded cornice, blind fretwork frieze, long trunk door and raised on bracket feet. Height 216 cm (see illustration). CONDITION REPORT: The dial and movement are very clean. The movement winds on both trains and is ticking away and striking as it should. The date seems to operate when the movement is advanced manually. The case is in generally good condition with no significant issues. The hood is in generally good order. The left hand panel has an old vertical stress fracture. The door has a slight warp at the bottom left hand corner but in our opinion this is not problematic. The plinth panel has vertical stress fractures. The backboards are original.

A George III oak longcase clock, with silvered brass dial and thirty hour movement by D. Rollisson, Halton, and numbered "509", with date aperture and subsidiary seconds hand, with long arched trunk door, the base raised on bracket feet. Height 225 cm (see illustration). CONDITION REPORT: This is an 11 inch square dial.

An Art Deco walnut grandmother clock, with silvered dial and three-train striking movement. Height 153 cm. CONDITION REPORT: The front right hand section of the bracket foot is detached. We have the piece. Otherwise the case is in generally good structural condition with only minor surface marks and scratches as one would expect. The polish in places is a little tired. The silvered brass dial is in reasonable order. The movement only winds on two trains. The centre train appears to have a problem. We do not have the bob part of the pendulum and cannot tell if the clock is working.

A George III oak longcase clock by Sagar of Kirkby Stephen, with marriage dial to Anthony & Ruth Robinson, silvered brass dial with date aperture, with later carved trunk door and base raised on bracket feet. Height 214 cm including finial (see illustration).

A mahogany cased Smiths Enfield bracket clock with brass and silvered dial

A MAHOGANY CASED BRACKET CLOCK, with a brass face inset with enamel Roman numerals, 31 cm high

A VICTORIAN WALNUT BRACKET CLOCK with a brass and silvered face, 44 cm high

A 19TH CENTURY WALNUT CASED BRACKET CLOCK of architectural form, 46 cm high

A VICTORIAN WALNUT CASED BRACKET CLOCK, by "Winterhalder & Hofmeier" with square silvered dial and a double fusee movement, 19" high x 14" wide

A Victorian oak chiming bracket clock by Webber & Son, Swansea, 45cm tall

An Enfield oak mantle clock, the silvered chapter ring with Arabic numerals, the plain oak case raised on bracket feet, H. 21cm

An Art Deco oak mantle clock, eight day movement, the silver chapter ring with Arabic numerals, raised on bracket feet, chiming gong, H. 20cm

A mid 20th century Benting oak mantle clock, eight day movement, the silvered chapter ring with Roman numerals, raised on bracket feet, chiming gong, H. 22cm

An early to mid 18th century oak longcase clock, the arched brass dial with Roman numerals, the case with arched pediment, the slender trunk with bevelled glass door, raised on bracket feet, H. 180cm

Contemporary wall clock, the round case with wall bracket, H. 41cm

A Regency mahogany clock bracket

A French style bracket clock in Kingwood marquetry case with gilt mounts.

Mahogany longcase clock by Thomas Humphries, Barnard Castle, with anchor escapement striking on a bell, the swan neck pediment with Ho Ho bird finial over painted arched face depicting scenes, Roman and Arabic numerals, subsidiary date and second dial, flanked by baluster columns, crossbanded trunk door with canted corners, the stepped base raised on splayed bracket feet, 236cm high.

Georgian oak eight day longcase clock by David Brack, London, the anchor escapement striking on a bell, projected moulded cornice over brass face, Roman and Arabic numerals, subsidiary second dial, date aperture, applied spandrels, chapter ring flanked by Doric columns, plain trunk and stepped base on bracket feet.

Gustav Becker bracket clock of arched form with brass and silvered face, applied chapter ring and striking rods.

A Victorian oak cased bracket clock Westminster chime, silvered face

A George III inlaid mahogany eight day longcase clock, the painted Roman numeral dial signed 'Knight Birmingham', with date and seconds dials below a moon phase, with movement striking on a bell, the hood with broken swans neck, above a serpentine door, on bracket feet, 140cm H

A 19th century mantel clock, possibly French, with circular white enamel face and black Arabic dial within brass case surmounted with an urn finial, raised on a splayed walnut base on four bracket feet, 28cm high (as found)

A Brass Atmos Clock, signed Jaeger LeCoultre, model: Vendome, second half 20th century, case with fluted columns, 4-1/4-inch dial, large balance wheel below, stop/start lever, base with spirit level, 24cm high, with Jaeger LeCoultre wall bracket and instruction booklet see illustration 09.01.18, Brass surfaces with small scratches in parts, right hand side front foot is dented, front and left hand side glass panels are missing, dial is clean, movement is clean, movement has been on test, in going order, wall bracelet with small scratches in parts.

A Brass Atmos Clock, signed Jaeger LeCoultre, model: Vendome, second half 20th century, case with fluted columns, 4-1/4-inch dial, large balance wheel below, stop/start lever, base with spirit level, 24cm high, with Jaeger LeCoultre wall bracket see illustration 09.01.18, Brass surfaces are slightly discoloured, glass panels with minor scratches, dial with minor scratches to some of the numerals, movement has been on test, in going order.