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Good English mahogany single fusee verge bracket clock, the 7.5" square dial plate signed Wm. Bird, Seagrave on the silvered chapter ring enclosing a matted centre engraved with a bird amidst foliage, the movement with pull repeat and striking on two bells, within a stepped case surmounted by a caddy top and brass carrying handle, 18.5" high (pendulum and keys)

Good English ebonised double fusee bracket clock and bracket, the 7" brass arched dial signed J. Green on the silvered chapter ring enclosing a matted centre with calendar aperture, with strike/silent dial to the arch, the foliate engraved back plate also signed J. Green, London, within a stepped case surmounted by a caddy top and brass carrying handle, 20.5" high (pendulum and winding key)

Oak single fusee bank clock and bracket, the 10" circular dial signed Jas Pinnock, Portsmouth, within a turned surround upon a carved scrolled stepped base, 17" high; together with a matching oak bracket, 22" wide

Mahogany double fusee bracket clock, the 7" convex white dial signed Goldsmith Company, 112 Regent St, London, within a brass bound panelled rounded arched case, 14" high (pendulum and key)

Early French Boulle balloon single train bracket clock, the 6.5" gilt metal dial with Roman cartouche enamel numerals enclosing a foliate repousse centre, over an ornate base applied with an eagle with outstretched wings and pierced foliate mounts, surmounted by a detachable top with eagle finial, 22.5" high (pendulum)

Fine Lenzkirch walnut ting-tang bracket clock, the movement back plate bearing the maker's name and stamped One Million, 72342 (circa 1895), the 5.5" brass arched dial signed with the retailer's name James King, Devizes on the silvered chapter ring enclosing a matted centre, with subsidiary slow/fast dial to the arch, within an attractive canted stepped gilt metal mounted case, surmounted by four flame finials and a carved caddy top, 15.5" high (pendulum and keys)

English ebonised triple fusee original verge bracket clock, the 6.5" white enamel dial signed Stephen Rimbault, London under a shaped arched dial plate decorated in relief with painted flowers and foliage with strike/silent and chime/not chime subsidiary dials to the arch under six tune selections, the foliate engraved movement back plate also signed Stephen Rimbault, London and striking on a single bell, within a stepped case surmounted by a caddy top with five pineapple brass finials, 25.5" high (pendulum and door key) (alterations) *This clock has had the musical train removed

English ebonised double fusee verge bracket clock, the 7" brass arched dial signed John Taylor, London on a silver shaped recessed plate to the matted centre with calendar aperture, enclosed by a 6" silvered chapter ring and surmounted by a strike/silent dial to the arch, the movement with fine foliate engraved back plate, within a stepped case surmounted by four pineapple finials, caddy top and brass carrying handle, 21.5" high

English mahogany double fusee pad top bracket clock, the 8" convex cream dial signed Haddack, Bath, within a rounded arched stepped case surmounted by a pad top and brass carrying handle, 18" high (pendulum)

Good English mahogany double fusee five pillar triple pad bracket clock, the movement back plate signed Thos Reynolds, London, with pull repeat striking on a bell, the 7" brass arched dial with strike/silent dial to the arch, within a stepped rounded arched case surmounted by a foliate bronze handle, 18.5" high (pendulum and door keys)

English ebonised double fusee verge bracket clock, the 7.25" brass arched dial signed Jon. Pittman, London on an oval plate to the matted centre with false pendulum bob aperture, with a calendar dial and pointer to the arch, also signed Jon Pittman, London to the foliate engraved movement back plate, within a stepped case surmounted by a caddy top and brass carrying handle, 21.5" high (pendulum and keys)

Small English brass lantern clock movement with alarm and wall bracket, the 5" brass arched dial signed John May Southampton on a silvered circular boss to the arch over a silvered chapter ring enclosing a foliate engraved centre with central alarm dial and single iron hand, striking on a bell behind the arch, 7.5" high overall (pendulum, two weights and oak wall bracket)

English mahogany double fusee bracket clock, the 7" brass arched dial signed Chas Blanchard, London on the foliate engraved silvered dial centre with false bob aperture, enclosed by a silvered chapter ring and surmounted by a moon phase to the arch, the five pillar movement with anchor escapement converted from verge with foliate engraved back plate and striking on a bell, within a stepped case surmounted by a caddy top, four ball and spike finials and a carrying handle, 18.5" high (pendulum and keys)

English ebonised double fusee verge musical bracket clock, the 8" silvered arched dial signed William Johnson, London, the movement playing on a nest of six bells, within a stepped case surmounted by a caddy top, four brass ball finials and a carrying handle, 21.5" high (at fault and with alterations)

Gothic oak double fusee bracket clock and bracket, the 8" silvered dial signed Carter, 64, Cornhill, London, also signed on the back plate, with locking pendulum and striking on a gong, within a foliate carved breakfront stepped case surmounted by a wavy pediment, 22" high (pendulum)

English oak drumhead double fusee bracket clock, the 8" cream dial signed Barwise, London, within a drumhead casing over a scrolling panelled stepped plinth, 17.5" high (pendulum and keys)

English mahogany and ebonised double fusee bracket clock, the 7" brass arched dial signed Bartholomew Davis, London on an oval silvered raised plate to the matted centre, with calendar aperture, movement on a nest of six bells and striking the hours on a larger bell, the back plate with detailed foliate engraved decoration allover, within a stepped case surmounted by four arrow finials and a brass carrying handle, 21" high (pendulum and keys) (changes and conversions to the movement)

A GOOD FRENCH KINGWOOD CASE CARRIAGE/BRACKET CLOCK with brass carrying handle. 6ins high.

An early 19th century oak and mahogany cased eight-day longcase clock; the 13.15" broken-arch dial with silvered chapter ring with Roman numerals and central foliate style engraving and the arch with a silvered roundel signed J. Davison, Perth; shaped crossbanded trunk door flanked by quadrant fluted pilasters with gilt-metal capitals and raised on short ogee-style bracket feet (approx. 220cm high) 

A late 19th century oak cased bracket clock with applied brass filigree decoration, the circular dial with Arabic numerals, height 43cm (af).Additional InformationTop is loose and needs to be reglued, one piece of cornice missing, the remaining cornice loose and needs to be reattached, wear to brass throughout.

GEORGE GOODALL OF ABERFORD; a George III mahogany longcase clock, the moulded cornice above domed brass moon phase dial set with Roman numerals and date aperture, inscribed with maker's name and number 549, above single slender door, plinth base and bracket feet, height 232cm.Additional InformationCrude and poor restoration to hood and door. Movement plate is modern. Repainted moonphase. Spandrels are crude replacements. Vertical splits to door. Large vertical split to plinth base. Some mouldings reapplied. Movement, case and dial associated.

A 19th century mahogany cased longcase clock of architectural form, the square silvered dial with Arabic and Roman numerals with subsidiary seconds dial above plain case with glazed central door, raised on bracket feet, height 219cm.Additional InformationUnfortunately we are unable to provide an image of the movement for this lot.

A good quality early 19th Century English double fusee Bracket Clock, in ebonised case, the circular silvered dial and brass backplate signed Payne, 163 New Bond Street, c. 1830, 34.5cms (13 1/2") high. (1) * Payne later commissioned musical clocks.

A large 19th Century framed Grandfather Clock, with swan neck pediment over arched hand painted dial by Samuel Shortman, Newnham, with Roman numerals, flanked by reeded columns, the plain body terminating on bracket feet, approx. 214cms (7') high. (1)

A fine quality Regency mahogany inlaid and brass inset Grandfather Clock, the arched top housing an enamelled dial with Roman numerals and signed Rob. T. Shaw, Belfast, over a body with attractive brass inlay on a plinth base, with bracket feet, approx. 197cms (77 1/2") high. (1)

A 19th century bracket clock in carved walnut architectural case, spindle turned decoration, brass dial and striking movement

An 18th century Scottish mahogany longcase clock, the hood with swan neck pediment, carved flower head decoration and reeded columns, similar quarter turned columns and full length door tot he trunk, on bracket feet, arched brass dial with silvered chapter ring and 'compass point' seconds dial, 8 day movement by Matt Wylie, Paisley No 369, height 211 cm

An early 19th century oak longcase clock, the later case with mahogany crossbanding, the hood with broken arch pediment and reeded side columns, quarter reeded columns and full length arched door to the trunk, on ogee bracket feet, square painted dial and 8 day striking movement by Thos Holmes, Cheadle, height 215 cm

EDWARDIAN MARQUETRY BRACKET CLOCK, inlaid mahogany cased bracket clock with presentation plaque and coiled bar strike, 13" height

VICTORIAN FRENCH BRACKET CLOCK, an ornate brass square cased bracket clock on stand with coil bar striking movement, 12" high

Oak bracket clock with strike action, eight day movement

A late 18th/early 19thC mahogany longcase clock, the silvered dial with moon face, engraved with Roman numerals etc., eight day four pillar movement, the reverse of the dial stamped Wright, the mahogany case with three brass finials, shaped crest and reeded pilasters, the door with moulded edge and base with similar mouldings, on bracket feet, 224cm H.

Brass ship bulkhead 8-day clock, (dimensions 7.5”), hanging bracket

19th century oak bracket clock

A VICTORIAN OAK CASED BRACKET CLOCK with silvered dial

JAEGER; A MINIATURE BRACKET CLOCK, with a black case and brass overlay, with matching bracket, 17cm high (plus bracket)

A GEORGIAN III FLAME MAHOGANY BANDED AND SATINWOOD INLAID EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, flanked by octagonal pillars, the painted dial with flower decoration, date aperture and seconds dial, dial diameter 28.5cm, indistinctly signed Chas Robertson, Cupar Angus, worn and some later paintwork, the trunk with quarter inlaid columns, ivory escutcheon to door on bracket feet, height 212cm (two weights and pendulum)

An Edwardian Oak Bracket Clock by Junghans with Silvered Chapter Ring and Gilt Spandrels, Acorn Finials and Quarter Reeded Pilasters. With Key but Movement in Need of Attention and Missing Gongs, 54cm High

Victorian bracket clock, chiming on a spring Height 50 cm

ROBERT MURRAY, WOOLWICH. A 19th CENTURY MINIATURE ENGLISH FUSEE BRACKET CLOCK the mahogany bell top pediment above a brass gadrooned mould and glazed door with brass fluted corners enclosing a 3.5" silvered engraved dial with Roman and Arabic numerals and offset winding hole fronting an eight-day fusee movement with knopped pillars and shaped plates 30cm high

GEORGE GORDON, LONDON. A SMALL EARLY 18TH CENTURY EBONISED BRACKET CLOCK the case with inverted bell top surmounted by a brass carrying handle above a glazed door with gilt brass pierced and engraved sound frets enclosing a 6" brass arched dial with silvered engraved chapter ring and matted centre having mock pendulum and calendar apertures, the arch with subsidiary strike/silent dial, fronting an eight-day double fusee six pillar movement with verge escapement and engraved backplate striking the hours on a bell 37cm high

THOMAS HUNTER, LONDON A FINE GEORGE III EBONISED AND ORMOLU MOUNTED BRACKET CLOCK the classic bell top case with urn and flame finials, side handles and arched mask head pierced silk-lined sound frets; on scrolled leaf cast feet. The arched 8” brass and silvered dial with gilt rococo spandrels, Roman and Arabic chapter ring and matted centre with date aperture and shaped signed recessed name plaque flanked by strike/silent and regulation dials to the arch, fronting an eight-day triple fusee repeating movement with five heavily knopped pillars, verge escapement, quarter strike on 8-bells and bell strike; fully engraved backplate 60cm high to top of finial.

CHARLES FRODSHAM, CLOCK MAKER TO THE QUEEN, 84. STRAND. 1305. A GOTHIC STYLE WALNUT CASED BRACKET CLOCK having a lancet top and applied gothic tracery enclosing an 8" silvered engraved dial with Roman numerals fronting a signed eight-day double fusee movement striking the hours on a gong 51.5cm high

RIEDER & CO, LONDON A GEORGE III FIGURED MAHOGANY BRACKET CLOCK the bell top pediment above a glazed door with brass pierced sound frets enclosing a 7" arched brass dial with silvered Roman and Arabic chapter ring surrounding a matted centre with calendar aperture and Strike/Silent dial in the arch fronting an eight-day double fusee movement with anchor escapement striking the hours on a bell 47cm high handle down

THOMAS NELSON, MARKET DEEPING A FINE REGENCY FIGURED MAHOGANY MUSICAL BRACKET CLOCK having a large arched case with a pagoda top above a glazed door flanked by reeded canted corners with brass inset bars on moulded base and brass lion head side handles, the 9" arched painted dial having a Roman chapter ring and subsidiary dials above for Chime/Not Chime and Tune selector fronting an eight-day triple chain driven fusee movement with engraved backplate chiming the hour on a large bell and playing one of seven tunes on a nest of 13 bells 80cm high

JOHN SMITH AND SON, 9 STRAND A GOOD QUALITY MID 19th CENTURY MAHOGANY REGULATOR LONGCASE CLOCK the arched hood above a glazed hinged trunk door with brass moulded frame on box base with applied panel, 12" engraved circular silvered dial with regulator layout showing outer minutes and inner seconds and hours fronting a large high quality thick plated eight-day weight driven movement with jewelled end stops and deadbeat escapement, six-spoke wheel work and Harrison's maintaining power, the rolling pin suspension bracket holding a mercury-filled pendulum 203cm high

ROBERT & COURVOISIER. No. 7557 A LATE 18th CENTURY SWISS GILT BRASS MOUNTED LACQUERED GRAND SONNERIE BRACKET CLOCK WITH BRACKET the waisted case mounted with gilt foliate mounts enclosing a 10" convex enamel dial with Roman and Arabic numerals fronting an eight-day spring-driven grand sonnerie movement with silk suspension and verge escapement having two bells and five hammers, strike mechanism mounted on the backplate, 56cm high - comes with original bracket

A RARE LATE 18th CENTURY CHINESE BRACKET CLOCK having a hardwood pagoda top case with ormolu mounts enclosing a 7" porcelain convex dial with Roman numerals surrounded by a painted town scene with European figures, the arch having two towers with apertures to the windows with rotating Chinese character marks, possible calendar work, fronting a large double chain driven fusee movement with engraved, signed backplate and verge escapement striking the hours on a bell 69cm high

F. FARMER. ROCHFORD A REGENCY EBONISED AND BRASS INLAID BRACKET CLOCK WITH BRACKET having a shaped pediment and inlaid scrollwork and lyre-shaped brass decoration enclosing an 8" convex painted dial with Roman numerals fronting a signed eight-day double fusee movement with engraved backplate and anchor escapement striking the hours on a bell 50cm high - comes with original matching bracket

J WATSON, LONDON A GEORGE II EBONISED BRACKET CLOCK the case with inverted bell top above a moulded glazed door enclosing an 8" arched brass dial with gilt spandrels and silvered chapter ring surrounding a matted centre with alarm dial, mock pendulum and calendar apertures, the arch having painted floral decoration and rolling moon phase fronting an eight-day double fusee movement with full engraved backplate and verge escapement striking the hours on a large bell and striking the hours at half-past on a smaller bell 50cm high

A MID 18TH CENTURY AUSTRIAN QUARTER CHIMING VERGE BRACKET CLOCK the ebonised case with inverted bell top pediment above a glazed arched door with engraved pierced brass sound frets enclosing a 6" arched brass dial with a silvered engraved chapter ring surrounding an engraved centre with concentric calendar and mock pendulum aperture, the arch having two subsidiary dials and a gadrooned brass plaque, the signed three train verge movement with two spring barrels and a chain-driven fusee going train chiming the quarters on two bells 53cm handle down

M. BEAL, SHEFFIELD A GOTHIC OAK CASED TRIPLE FUSEE BRACKET CLOCK the case with gothic carved panels and architectural pediment enclosing a 9" silvered engraved dial with Roman numerals and strike/silent lever above the twelve fronting an eight-day triple chain driven fusee movement chiming the quarters on a nest of eight bells and the hours on a large gong 82cm high

A LATE 19th CENTURY ENGLISH ORMOLU MOUNTED QUARTER CHIMING BRACKET CLOCK the bell top style case of small proportions embellished with gilt rococo style mounts enclosing a 6" arched brass dial with gilt spandrels and silvered chapter ring surrounding a matted centre, the arch having two subsidiary dials for regulation and tune selection fronting a substantial eight-day triple chain driven fusee movement chiming the quarters on a nest of eight bells and the hours on a gong 46cm high

JOHN ROSS, INVERARY A FINE GEORGE III SCOTTISH EBONISED BRACKET CLOCK the bell top case with gilt pineapple finials above a glazed arched door with moulded corners and pierced sound frets to the sides enclosing an unusual 7" brass arched dial with silvered engraved Roman chapter ring surrounding a matted center with calendar aperture above an arched silvered Strike/Silent dial signed to the center fronting an eight-day double fusee movement with anchor escapement and rolling pin suspension striking the hours on a bell 50cm high

LE PLASTRIER & YOUNG, LONDON A MID 19th CENTURY GOTHIC OAK BRACKET CLOCK the architectural oak case having a glazed door flanked by cluster columns enclosing a 7" silvered engraved dial with Roman numerals and subsidiary Strike/Silent dial fronting an eight-day double fusee movement with shaped plates striking the hours on a gong 54cm high

Mahogany brass inlaid bracket clock case together with a later (modern) face/movement etc, 42cm high

Early Victorian bracket clock, white enamel dial, inscribed 'Hurst, Leeds,' fusee movement, in Gothic design rosewood case, (H48cm) and an aneroid barometer in walnut case, D28cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

Early 19th century mahogany long case clock, swan neck pediment, plain pilasters and trunk door, raised on shaped bracket feet, the white painted enamel dial decorated with painted floral spandrels, with Roman numeral chapter ring, subsidiary seconds ring and date aperture, signed 'T. Gilbert, Beckley,' having a 30 hour single weight driven movement, H201cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

19th Century walnut marquetry inlaid twin fusee cuckoo clock, the white enamel 5in dial with Roman Numerals within a painted surround and within a bracket style case, the brass movement striking on a gong, height 46.5cm

Small mahogany case bracket style clock, the silvered 3.25in arched dial signed Carter, Hart Street, London, the caddy top with brass handle and raised on four brass feet, the side with brass grills, the two-train movement striking on a bell, height 27.5cm