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A NEAT MAHOGANY EARLY 20th CENTURY GRANDMOTHER CLOCK, the single door hood with Greek Key and blind fretwork decoration, the door with flanking turned pillars before a brass and silvered dial set with Roman numerals and a twin weight bell striking movement (pendulum and weights absent), long trunk door with shaped decoration, repeated to the trunk base, on corner bracket feet, 178.5 cms high overall, 40 cms wide maximum

JOHN STEWART, EDINBURGH, A SCOTTISH GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 12-inch break-arch brass dial with silvered Roman chapter, aperture and subsidiary seconds, the hood with fluted columns with Corinthian capitals and swan-neck pediment, the trunk with fluted quarter columns with Corinthian capitals, raised on bracket feet. 220cm.

An Edwardian mahogany two train lancet bracket style clock, with 6" two train silvered dial upon cast brass paw feet, 33cm high

Good Georgian mahogany double fusee bracket clock by Thomas Jackson of London, the arched silvered dial with Arabic and Roman numerals to the chapter ring, date aperture and stike/silent dial, engraved back plate, upon gilt bracket feet, 41cms high

A Mahogany Cased Bracket Clock with Westminster Chime Movement by Junghans. Silvered Chapter Ring to Brass Face, Subsidiary Dials for Chime/Silent and Slow/Fast. 42cms High

AN IRISH EBONISED AND ORMOLU MOUNTED BRACKET CLOCK, signed Johnston of Dublin, the domed top with raised flambeau finial and matching mounts set to each corner, above an arched glazed panel door, enclosing silvered dial with Roman numeral chapter ring, blued steel hands and seconds subsidiary dial, with pierced grill side panels, bracket handles and figural mounts on outset plinth base. 42cm high

A mahogany and ormolu bracket clock case

MAHOGANY BRACKET CLOCK

A circa 1900 biscuit-fired wall bracket with cherubic decoration, a Victorian Bohemian overlaid glass table lustre, Grimwade's Royal Winton pink ground vase, a collection of Coalport and Crown Staffordshire floral decorated name place / menu holders, Smith's wall clock with face as a nursery rhyme decorated plate, Copelands "Japan" pattern fruit bowl and servers, Persian vase, etc and a pair of gilt metal table lamps

Mahogany double fusee bracket clock in need of restoration, the 8" silvered dial within a stepped case surmounted by a wavy foliate pediment, 20" high (pendulum)

English mahogany two train ting-tang bracket clock striking on two gongs, the 8" silver convex dial signed Butcher & Swann, 9 Market St. Nottingham, within a rounded arched case inlaid with boxwood lines, 15.25" high (pendulum and key)

Contemporary German mahogany three train bracket clock, the movement playing on five rods, 11" high; also an oak three train Napoleon hat mantel clock and a Hermle quartz torsion clock (3)

Good Scottish mahogany double fusee bracket clock with bracket, the 8" silvered dial with engine turned centre signed Harvey, Stirling, the movement no. D311 3, striking on a large gong, within a stepped case applied with carved flowering foliage and surmounted by a wavy cornice, 19" high (pendulum and keys) *This clock has been in the same Ballantyne family of Edinburgh by descent

Good English ebonised double fusee bracket clock, the 7" silvered arched dial signed James McCabe, Royal Exchange, London no. 3209, the movement back plate also signed and numbered and with locking pendulum, within a rounded arched case inlaid with stylised foliate brass motifs, surmounted by a square caddy top and ormolu pineapple finial, 22.5" high (pendulum and door key)

Good English mahogany double fusee bracket clock, the 8" convex cream dial signed Thwaites & Reed, London, within a rounded arched stepped case inlaid with geometric brass lines, surmounted by a brass handle, 17.5" high (pendulum and keys)

English mahogany double fusee bracket clock, the 7" convex cream dial signed Richard Heap, Covent Garden, London, the movement back plate also signed within a floral engraved garland, with strike/silent lever, arched plates and locking pendulum, within a rounded arched moulded case, surmounted by a pad top and ormolu handle, 15.75" high (pendulum and keys)

English ebonised triple fusee musical bracket clock, the 8" gilt brass arched dial with silvered chapter ring signed Barrie, Edinburgh enclosing a matted centre and surmounted by a subsidiary slow/fast and Westminster chimes/chime on eight bells dials, the substantial movement playing on nine bells and striking on a large gong, also with locking pendulum, within a stepped case surmounted by a caddy top and brass carrying handle, 23" high (pendulum)

English ebonised double fusee bracket clock and bracket, the 7" silvered arched dial signed Stedman & Vardon, New Bond Street, with subsidiary seconds dial and strike/silent dial to the arch, the movement with locking pendulum, within a stepped case surmounted by a bell top, four brass acorn finials and a carrying handle, 20.5" high (pendulum and keys)

Good English mahogany double fusee verge bracket clock, the 9" brass arched dial signed Thomas Lumpkin, London on a silvered arched plate to the matted centre with faux pendulum bob and calendar apertures, enclosed by a silvered chapter ring and surmounted by two silent/strike subsidiary dials under a seconds dial to the arch, the five pillar verge movement also signed Thomas Lumpkin, London in an oval cartouche to the foliate engraved back plate, within a flamed stepped case surmounted by a caddy top, four flame finials and a brass carrying handle, 23.5" high (pendulum and keys)

Fine English ebonised triple fusee verge bracket clock striking the quarters on a nest of eight bells and the hours on another, the finely engraved back plate signed John Ellicott, London, the 7" brass arched dial with silvered chapter ring also signed John Ellicott, London, enclosing a matted centre with calendar aperture, also with a strike/silent dial to the arch, within an ebonised case with brass plinth and surmounted by a caddy top, 22" high (pendulum and keys)

Good English triple fusee five pillar verge bracket clock movement with associated French boulle case and dial, the highly decorated back plate engraved with birds masks, angels and scrolling foliage, signed John Constantin, London Fecit, playing on a nest of six bells and striking the hours on another, the 8" brass dial with Roman cartouche enamel numerals and embossed with scrolling foliage, over a gilt embellishment depicting a chariot scene with cherubs and semi-robed women, within a decorative case applied with gilded metal female torsos, rams heads and foliate mounts, surmounted by a detachable top and eight flaming vase finials, 28" high (pendulum and keys)

French boulle and ormolu two train balloon mantel clock and bracket, the 10" foliate engraved brass dial with Roman and Arabic cartouche enamel numerals signed Duchemin á Paris beneath and on the movement back plate, within a balloon shaped case applied with cherubs and foliate mounts, surmounted by a detachable top with winged cherub, 45" high including bracket (associated pendulum)

Rare and unusual oscillating globe torsion clock, the two train movement striking on a bell, the blue painted globe with applied Roman gilt metal numerals, suspended from an arm attached to a gilt metal and oak wall bracket, 22.5" high overall (key)

English mahogany three train bracket clock striking on five gongs, the 6" silvered convex dial signed Kirby, Beard & Co Limited, London, within a lancet shaped inlaid case, 13.5" high (pendulum)

English mahogany double fusee bracket clock, the 8" cream dial signed Simpson... Gosport, within a scrolling foliate carved stepped case, 19" high (pendulum and key)

Small English mahogany single fusee lancet bracket clock, the 5" silvered dial signed Inglis, 39 St John's Square, London, within a figured ebony banded case, 11.75" high (pendulum and door key)

English figured walnut single fusee bracket clock, the movement with pull repeat and passing strike on a bell, the 6" cream dial with centre alarm dial, within a foliate carved canted stepped case surmounted by a rounded arched pediment, 13" high (pendulum and key)

English mahogany double fusee bracket clock, the 8" convex cream dial signed Robinson, Sheffield, within a stepped case surmounted by a triangular pediment, 18" high (pendulum)

English walnut and seaweed marquetry single fusee verge bracket clock, the silvered chapter ring enclosing a matted centre, with foliate engraved back plate, within a stepped case decorated overall with foliate inlaid panels and surmounted by a caddy top with brass carrying handle, 14" high (pendulum) (movement at fault)

English mahogany double fusee bracket clock, the movement with shaped foliate engraved plates and locking pendulum, the 7.5" brass arched dial with silvered chapter ring enclosing a matted centre with calendar aperture, with strike/silent dial to the arch, within a stepped case surmounted by a caddy top and brass carrying handle, 19.5" high (pendulum and keys)

Good and unusual English satin walnut bracket clock, the 8" convex cream dial signed John Park, Inverury, within a pillared stepped striking pagoda style case, 24" high *The movement plates have been sympathetically cut at the top to reflect the style of the case

English ebonised double fusee bracket clock, the 7" cream arched dial signed Brockbank, Cornhill, within a stepped case with rounded arched cornice and carrying handle, 17.75" high (pendulum and door keys)

Mahogany two train ting-tang bracket clock, the W & H movement striking on two gongs, the 8" silvered convex dial signed Henry Wells, Shrewsbury, within a Georgian style panelled stepped case surmounted by a caddy top and brass pineapple finial, 20.5" high (pendulum and keys)

Good German golden oak and ormolu mounted two train ting-tang bracket clock, the Lenzkirch movement, no. 358171, striking on two gongs, the 6.5" square brass dial with silver chapter ring enclosing a matted centre, within a stepped case surmounted by a stepped caddy top and five finials, 16.5" high (pendulum and key)

Oak single fusee bracket wall clock, the 8" cream dial signed Hennessy, Swansea, within a pierced carved foliate surround, over a plinth and foliate carved drop, 25" high (pendulum and key)

17th century pierced and engraved brass bracket clock key, 3.5" long

Ebonised double fusee bracket clock, the 7.5" later dial within a panelled stepped case surmounted by a caddy top, 15.5" high (pendulum and keys)

A GEORGE III MAHOGANY BRACKET CLOCK, the case with ormolu finial and mounts, the circular dial indistinctly signed ............., LONDON. 1ft 6ins high.

A GEORGE III MAHOGANY AND INLAID LONGCASE CLOCK, by Thomas Frigg, London, the brass dial with subsidiary seconds dial, date aperture and crowned angel spandrels, the eight day movement striking on a bell, the hood with an arched pediment and stop fluted pilasters, the feather banded case with a stepped base and bracket feet, 86" high x 19.5" wide

French gilt metal and boulle bracket clock, with seated female finial, the dial with twelve Roman numeral chapter vignettes with subsidiary day dial and "Retailed Viner, London" enamelled plaque. 93cm CONDITION REPORT: Overall 93cm tall. Figure mount re-painted and possible not original. Brass inlay lifting to right hand side in particular. Boulle work seems in good order.

A good-quality solid brass-cased bracket clock, the dial marked "J. DWERYHOUSE, PARIS". Hunting scene to front. Movement stamped "FRENCH MAKE 10067". Height 37cm approx. With key and pendulum.

TOPHAM OF DUBLIN; a George III mahogany cased eight day longcase clock, the circular dial set with Roman numerals and subsidiary seconds dial, inscribed Topham Dublin, with domed top, the body with chamfered front edges above a pedestal base with bracket feet, height 193cm.

WILLIAM FLATHER OF HALIFAX; a large George III mahogany cased longcase clock with broken swan neck pediment above domed face painted with biblical scene of Daniel amongst lions, above circular dial set with Roman numerals and with two subsidiary dials above short domed door, on plinth base with bracket feet, height 234cm.

JOHN PEAT OF CRIEFF; a late 18th century oak longcase clock with broken swan neck pediment above domed brass dial set with circular chapter ring with Roman numerals, subsidiary dial and date aperture, above single door on plinth base and bracket feet, height 202cm.The maker is listed as active circa 1782. CONDITION REPORT: Damage and repairs to fretwork, dial case and movement are associated. Case is polished.

A 19th century mahogany miniature longcase clock, the circular silvered dial with Roman numerals inscribed "Finigans Ltd, Manchester", above a baluster body and a shaped base with bracket feet, 43.5cm high

An early 19th century mahogany crossbanded oak longcase clock, the hood having a swan neck pediment, turned pillars over a door and box base, raised on bracket feet, with a 30hr bell strike movement, painted Roman dial and date aperture, 81h

An early 20th century mixed wooden cased, bracket style mantle clock with brass spandrel mounts, the gilt dial with pierced flowers in a basket design to centre, black Arabic numerals against a white enamelled ground, the movement marked AD Mougin, serial number 571246 and striking on a gong, 14 6/8h along with a gilt wood, sunburst wall clock with Japy Frères movement, 19 2/8 dia A/F

An Edwardian mahogany Queen Anne style mantle clock with inlaid boxwood on bracket feet, 6 high

An early 20th century mahogany arched top bracket clock, the movement marked Gustav Becker, 15 1/2h x 12w

A George IV oak and mahogany cross banded long case clock, the enamel break arch dial painted with a lady harvesting corn, and shells, bearing Roman numerals, subsidiary seconds dial, date aperture, eight day two train movement with bell strike, the hood with swan neck pediment supporting brass balls, on bobbin turned columns, the trunk with quarter pilasters raised on a later bracket base, 213cm high.

An Edwardian inlaid mahogany bracket clock, the arched cased enclosing a brass dial with silvered chapter, speed and strike/silent dials, the three train Junghans movement striking on gongs

MILITARY TYPE BLACK ENAMELLED GIMBAL COMPASS part liquid filled and marked type P8M No 146504 4 1/2" dia and a SMITHS SPRING DRIVEN BULKHEAD CLOCK with 'U' shaped fixing bracket, the silvered dial with No P200.010 marked faintly, 3 1/2" dia (2)

A LATE 19TH CENTURY AESTHETIC MOVEMENT BRACKET CLOCK, the oak case with ceramic panels decorated with blue and white holly with berries on a dark blue ground, 17.75" (examine)

Oak and mahogany longcase clock, swan-neck pediment, hood with turned supports, short door flanked by quarter columns, bracket feet, 12" square painted dial with floral spandrels, Arabic numerals, subsidiary seconds, no date aperture, signed Richard Barton, Coventry, 30-hour movement, striking on a bell, height 203cm.

Mahogany longcase clock, the hood with a swan neck pediment, turned and fluted columns, long door flanked by quarter fluted columns, the base on ogee bracket feet, 14" arched painted dial, arch with a moon phaze, chapter ring with Arabic numerals, subsidiary seconds and date dial, signed I. Baddeley, Pattingham, eight-day movement, striking on a bell, height 233cm.

2 wall clocks, a plate clock, shelf bracket etc

Late 19th century walnut bracket clock, scrolled pediment with shell motif, gilt metal dial with silvered chapter ring, twin train movement stamped for 'R M SCHNEKENBURGER', striking the quarters and the hours on two coils, W39cm Condition Report Click here for further images, condition, auction times & delivery costs

Oak cased key wind Bracket clock, the movement marked "W & H Sch" with a 1907 dated plaque to the Archdeacon of Taunton

Wooden cased key wind Bracket clock with Junghans movement

Large key wind Wooden cased Bracket clock with engraved Brass dial & Junghans movement