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A circa 1900 oak cased bracket clock with presentation plaque to base.

An early 19c eight day longcase clock with a 13" arched painted dial signed Jas.Leithead, Galashiels and having floral corners and a painting in the arch entitled `Come Under My Plaidy`. It has seconds and date rings and matched brass hands. The oak case has swan neck pediments to the hood and fluted columns flanking the dial, the trunk has fluted quarter columns to the corners and a trunk door with a thick rectangular panel below. The base is plain with bracket feet, 84" tall overall.

A Channel Islands oak cased longcase clock late-18th century, the brass Roman dial signed `Naftels Guernsey`, with pierced steel hands, date aperture and gilt shell and scroll spandrels, the weight driven thirty hour movement striking on a bell, the case with a flared cornice over a square glazed door flanked by turned pilasters, the trunk with canted corners and inlaid with toothed banding and crossbanded in mahogany, on a plain base with bracket feet and shaped apron, 75.25in. (191cm.) high.

An ornate late Victorian German bracket clock in 18th century style with silvered chapter ring, the with a slow fast dial.

An early Victorian mahogany eight day longcase clock, the arched painted dial with ring of Roman numerals and centred subsidiary seconds and date dials, within classical ruin painted corner spandrels under a biblical 14 inch painted arch, the hood with swan-neck pediment over double baluster turned front corner hood pilasters, above an ogee arched short trunk door between canted front corners, on a box base with circular flame veneered panel raised on slender bracket feet, 234cm high (at fault)

A George III oak eight day longcase clock, the 13 inch arched brass dial signed `Samuel Liddell, Old Swinford` with inner ring of Roman numerals, outer ring of Arabic numerals, centred date aperture and subsidiary seconds dial the hood with pierced frieze over an arched glazed hood door flanked by three quarter front corner hood pilasters over a long ogee moulded trunk door with later carved lozenge and central rosette above a carved box base raised on ogee moulded short bracket feet, 226cm high (later carved trunk)

A 19th Century ebonised triple fusee Bracket Clock with bracket having gilt metal mounts, the arched dial inscribed Kemp & Wilcox, Wolverhampton with chime Silent & Whittington/ Cambridge chimes dials, 2ft 2in H

SCOTTISH GEORGE IV MAHOGANY LONGCASE CLOCK CIRCA 1825 the figural painted arched dial signed Whytock, Dundee, with a subsidiary second and date dials and an 8-day bell striking movement, surmounted by a broken swan neck pediment and flanked by turned pilasters, the panelled case with reeded quarter columns and raised on bracket feet 49cm wide, 207cm high, 24cm deep

REGENCY MAHOGANY AND BRASS INLAID MANTEL CLOCK CIRCA 1820 the white painted dial signed by Harris of Bath, with Roman numerals and a single train fusee movement, the domed case with lions mask and loop handles, raised on brass ogee bracket feet 24cm wide, 32cm high

Reproduction Mahogany Bracket Clock by Comitti, London, striking movement by Franz Hermle.

19th century oak longcase clock, with broken swan neck pediment, fluted supports, long door with three quarter pilasters, on bracket feet, circular painted dial with Roman numerals inscribed Jas. Hibbs, Hucklow, with eight day movement, striking on a bell.

A 20th century mahogany and gilt metal bracket clock with applied mounts, the pedestal with bevelled glass and visible weights and pendulum View on www.staceyauction.com

An early 20th Century Junghans bracket clock, with three train quarter chiming movement.

Dutton, Tutbury, an 18th Century and later oak longcase clock, having broken arched and urn pediment supporting bell striking movement above twin columns enclosing arched brass dial, the three quarter length door above box base on bracket feet. 234cm.

Joseph Saxton, Higham Ferrers, a late 18th/early 19th Century oak, ebony strung and crossbanded longcase clock, having swan neck and urn pediment above conch inlay, the twin train bell striking movement supported by silvered arched dial above a quarter length door inlaid with bee patera within reeded quarter turned pilasters above box base on bracket feet. 223cm.

A 19th century Boulle clock bracket, ormolu mounted, with cut brass inlay to the ‘shell ground, 38cm wide, 24cm high

Aldham 1840, a mahogany bracket clock, the stepped pediment above 8inch circular painted and signed dial, brass mounted spandrels, pierced brass side frets and ring handles, glazed rear door, the brass twin fusee movement with anchor escapement, the lacquered backplate also marked ‘Aldham 1840’, upon ball feet, all in need of some restoration, 39.5cm high

W Harwick, Eton, a George III ebonised bracket clock, the inverted bell top case with glazed side panels, the signed breakarch enamel dial (rubbed) with strike/silent to the arch, twin fusee 5 pillar movement with anchor escapement, upon ogee brass feet, 47cm high

A mahogany bracket clock with engraved silvered dial, 8 day movement, the movement is stamped Gustav Becker, number 2287159. 42cm high

A gilt metal bracket clock with ornate case, decorated with sea serpents and masks, supported on bracket feet. 37cm high

A reproduction London Clock Co bracket clock of traditional form with domed case, gilt dial, steel chapter ring and quartz movement

A French bracket clock, with painted decoration and gilt metal mounts

19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by Joseph Kern & Company Swansea, hood with eagle and ball brass finals above arched aperture flanked by twist turned pilasters, the waist with similar pilasters flanking inlaid and moulded rectangular door, panel base with bracket feet. Arch brass face with seconds and date dials, marked Josh Kern & Co Swansea. Eight day two train movement striking on one bell. The face 18” x 12.5”. 88” High overall.

AN EARLY 18TH CENTURY ENGLISH FLORAL MARQUETRY EIGHT DAY LONGCASE CLOCK, by Thomas Hickson, London, the hood with moulded cornice above foliate strapwork freize, square aperture flanked by plain turned columns, rectangular moulded waist door with vase and floral inlaid decoration and lenticle, panelled base with foliate and bird inlaid decoration on later skirted bracket base. 12” Square brass face with foliate mask spandrels within a chevron engraved frame, silvered chapter ring with Roman numerals marked “Thos Hickson, London”, seconds dial and date aperture. Two train movement with five baluster pillars C1700. 86” High overall. Note:- See Baillie Watch and Clock Makers of the World-Thos Hickson, London 1690-1706.

19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK, by William Jones, Tredegar, having arched hood above arch aperture flanked by reeded pilasters, the waist with plain banded door flanked by canted angles on a panel base with bracket feet. Arch painted face with coastal scene to the arch and floral spandrels, and seconds dial and date aperture. Eight day two train movement striking on one bell. Face 18” x 13”.

A LATE 18TH CENTURY WELSH OAK THIRTY HOUR LONGCASE CLOCK, by G Evans, Pontypool having moulded cornice with later pediment above square aperture flanked by turned columns, moulded arch waist door above panel base with bracket feet. painted face with Roman numerals, seconds dial and date aperture, single finger and thirty hour movement striking on one bell. Dial 10” x 10”. 82” High overall.

A Mahogany Cased Bracket Clock with Ormolu Mounts, Finials and Claw Feet Having Brass Dial with Spandrels, Silvered Chapter Ring and Chime/Silent and Fast/Slow Indicators, 50 cm High.

A 19th Century Walnut Bracket Clock with Eight Bell Movement Signed Edn Bird Bristol, Arched Brass Dial with Gilt Spandrels and Roman Numerals to Chapter Ring and Chime/Silent Indicator Above. Brass Carrying Handle 43 cm High Max x 28 cm Wide Max x 19 cm Deep Max.

D Lloyd, Leominster, mid-19th century, a mahogany bracket clock with an eight-day twin fusee repeating movement, 37cm high

A French Boulle bracket clock, 19th century, the case with ornate gilt bronze mounts, with white porcelain dial and a drum movement, striking on a gong, 53cm high

An impressive three train mahogany bracket clock, 19th century, the silvered dial inscribed ‘French, Royal Exchange, London’, the fusee movement similarly struck, chiming on a gong and eight bells, with matching carved mahogany bracket, 55 cm high

A 19th Century longcase clock, the eight day movement with arched painted dial depicting a mother and child, having floral spandrels and secondary seconds dial in mahogany case with satinwood stringing, swan neck pediment on wrythen turned columns, shaped trunk door and bracket feet, 85” high

A 19th Century longcase clock, by Anthony Smith, Wellingboro’, the eight day movement with arched painted dial depicting a vignette with a castle beside a river, gilded floral spandrels with anchors and having date aperture, in oak and mahogany case with swan neck pediment on reeded columns, the shaped trunk door with shell inlay on panelled base and bracket feet, 87” high

An 18th Century longcase clock, by Thomas Lister, the thirty hour movement with square brass dial having moon phase with date and seconds apertures and scrolled spandrels, in oak case with blind fretwork frieze on turned columns, shaped trunk door and panelled base with bracket feet, 79” high

A JOHN WARMINK GEORGIAN STYLE BRACKET CLOCK with gilt metal mounts, 12 1/2" high.

A GEORGE III OAK AND MAHOGANY 30 HOUR LONG CASE CLOCK BY JOHN WILSON, NUNEATON, the domed top painted dial decorated with a sporting scene of a hunter with dogs, with within a case with swan neck pediment, column sides, the body with cross-banded door and column sides, supported on bracket feet. 7ft 1ins high.

AN 18TH CENTURY SCOTTISH EIGHT DAY LONGCASE CLOCK by J. Michie of Brechin, the dome top brass dial with subsidiary seconds and date dial, black roman numerals engraved with flowers, set within an ornately carved case, swan neck pediment, column sides. The case carved with thistles and buildings, supported on bracket feet. 7ft high.

A GEORGE III MAHOGANY IRISH LONGCASE CLOCK BY HUGH CUNNINGHAM OF DUBLIN the hood with eagle pediment and floral roundels, the case with column sides and supported on bracket feet. 7ft high.

19th century carved clock bracket in the form of a young man`s head 13in. (33.02cm)

Early 19th century mahogany double fusee repeating bracket clock by Anderton of Huddersfield enamel dial to two train eight day movement striking on a bell 19 x 11 x 6in. (48.26 x 27.94 x 15.24cm)

A FRENCH GILT METAL AND BLUE PORCELAIN CLOCK GARNITURE, the twin barrel movement striking on a bell and stamped A D Mougin, G R 2428, 3" porcelain dial with Roman numerals and painted with flowers, the oblong case with Cupid surmount, scrolled side brackets, rounded base and bracket feet, 14" high, and a pair of ovoid urns to match, on gilt wood and velvet stands with bun feet, under domes with ebonised plinths and turned feet

A FRENCH CARRIAGE CLOCK, the twin barrel movement with platform lever escapement, white enamel dial with blue Roman numerals inscribed "Schultis Schwar & Co, London & Pretoria", secondary calendar dial, both set within a pierced ground chased with dragons and scrolling foliage, in brass Anglaise Riche type case with pierced foliate handle, corners chased with flower and insects, on bracket feet, the top with presentation inscription "From 2nd Battn Loyal North Lancashire. Rear .... 1906", 7 1/2" high to top of handle

AN OAK LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with anchor escapement and outside count wheel striking on a bell, the 13" square brass dial with silvered chapter ring having Roman and Arabic numerals, the silvered centre chased with foliate scrolls and with signature over half penny moonphase and calendar dial, the case with gilt ball finials and caddy top on turned columns, arched door flanked by quarter columns, panelled base and bracket feet, 86 3/4" high

A MAHOGANY LONGCASE CLOCK by T Tait, Felton, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with cottages in the spandrels and a figure in the landscape in the arch, Roman numerals and two secondary dials, the banded case with three brass finials and waved arch on baluster turned column, arched door flanked by quarter column, panel base, waved apron and bracket feet, 94" high

A MAHOGANY LONGCASE CLOCK by John Burges, Gosport, the eight day movement with anchor escapement striking on a bell, 11 3/4" arched brass dial with silvered chapter ring having Roman and Arabic numerals, matt centre with seconds dial and calendar aperture, the arch with signature boss, in modern case, the pagoda top with fret panel, turned finials on inlaid pilasters, moulded cornice on blind fluted columns, arched door flanked by quarter columns, the panel base with waved apron and bracket feet, 93 1/2" high

An early 19th Century Longcase Clock, the painted arch dial with seconds and date rings and inscribed "Malton" with eight day movement in an oak case with broken arch pediment, mahogany cross banded door and bracket feet. 7` (214cms) high.

EDWARDIAN INLAID OAK DOMED TOP BRACKET CLOCK; COPPER FACE WITH WESTMINSTER COILED BAR STRIKE 14.5" HIGH

OAK VENEERED BRACKET CLOCK WITH WHITE ENAMELLED DIAL, ROMAN AND ARABIC NUMERALS ON BRASS BUN FEET, 8.5" WITH FAULTS

An early 20th Century Oak, Walnut and Boxwood line inlaid Bracket Clock, the domed case with overhanging side cornices and applied brass handles, over further pierced brass sound frets, centring an arched glazed door with bevelled glass to a plinth base, and raised on compressed bun feet, to a 6” arched brass dial with engraved detail, and applied and silvered Arabic chapter ring with outside minute track and blued steel fleur-de-lys hands, to a square brass movement signed Junghans with anchor escapement and strike on five rods, height 17”

An early 20th Century Mahogany cased 8 Day Bracket Clock, the arched case with overhanging cornice and centred with a cast brass carry handle, over quarter columns to a plinth base, and raised on compressed bun feet, to a plain arched brass door set with bevelled glass, to a 6 ½” arched and silvered dial with subsidiaries for regulation and chime/silent, over an engraved Roman chapter ring with outside minute track and blued steel spade hands, to a brass movement with rectangular plates and anchor escapement, strike on five rods, height 15”

An early 20th Century Mahogany cased Bracket Clock, the arched case surmounted by a cast carry handle, to a further glazed arched door and side panels, to a plinth base, with a 7” arched brass dial signed to a silvered boss “Tempus Fugit”, with further cast spandrels and silvered Roman and Arabic chapter ring, with outside minute track and matted centre with black painted hands, to a single fusee movement with plates united by four plain pillars and anchor escapement, height 16”

A Mahogany and Boxwood Strung Mantel Clock, the arched case with hinged carry handle and inlaid panels to a shaped plinth base, and raised on splayed bracket feet, to a concave cast brass bezel with convex glass enclosing a 4” Roman enamel dial with outside minute track and blued steel spade hands, to a late fitted French carriage clock movement, with platform escapement and strike on a backmounted bell, and numbered 1904, height 10 ½”

A late 19th Century Walnut Cased Mantel Clock, the arched case to a plinth base and raised on bracket feet, with lions mask and ring side handles, to a cast brass bezel with beaded rim and bevelled glass enclosing a 4 ¾” Roman enamel dial with outside minute track and blued steel fleur-de-lys hands, to a square Winterhalter and Hofmeier movement with back mounted count wheel and anchor escapement, strike on a blued steel coiled gong, height 11”

A mid-18th Century Associated Walnut Cased 8 Day Long Case Clock, Thomas Page of Norwich, the associated case with overhanging cornice surmounted by a swan neck pediment and three globe and spike finials over ¾ Corinthian columns, to an ogee throat and domed long trunk door, to a panelled plinth base and raised on bracket feet, to an 11”square brass dial with cast mask and foliate spandrels enclosing a Roman and Arabic chapter ring, with outside minute track to a matted centre with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement and rack strike on a bell (associated), height 95”

A late 19th Century Walnut cased Vienna type Wall Clock, the over hanging cornice surmounted by a shaped pediment with ring turned finials, over half ring turned columns, raised on a bracket base section with further inverted fields, to a 7” composite roman chapter ring with outside minute track and embossed centre with blued steel hands, to a spring driven movement with anchor escapement, strike on a coiled gong, height 49”

A first half of the 20th Century stained Oak Cased Long Case Clock, the stepped architectural case with a single panelled and glazed door to a plinth base with bracket feet, to a silvered 11 ½” Arabic dial, with outside minute track and strike/silent lever at 3, with blued steel hands, to a triple weight driven movement, with anchor escapement and strike on 8 rods, height 79”

Burr walnut bracket clock, by Elliott, London, the arched dial inscribed R E Port of Bournemouth, the movement striking on sixteen gongs, with Westminster and Whittington chimes.

A good Victorian gilt brass strut clock, probably by Thomas Cole, the silvered dial engraved with AHA monogram, blue steel hands, in oval case with swivel bracket, stamped C. F. Hancock, 39 Bruton St., London, with fitted leather travelling case, no.1128-115, 12 cm

A French gilt-metal-mounted and faux tortoishell veneered bracket clock in the manner of Andre Charles Boulle, 19th century, the two-train eight-day movement with outside countwheel strike on a coiled gong, movement and pendulum stamped 1572, the brass dial with enamel plaque Roman numerals and inscribed Passeral Paris, 59cm high.

A late Victorian mahogany grandmother clock, the weight driven eight-day bell striking movement with 8 inch brass break-arch dial in a case with swan neck pediment above shaped-top trunk door flanked by pilasters, on panelled base incorporating bracket feet, 177cm (5ft 9.5ins) high overall. Provenance: Cornwallis