We found 28112 price guide item(s) matching your search

A William IV mahogany cased eight day bracket clock, the double fusee movement striking on a bell, with 20cm circular enamelled dial painted with black Roman numerals, with applied carved front piece raised on four squashed circular bun feet, with arched top and flared corners, complete with wooden handle key, height 45cm, width 32cm (illustrated)

A 19th century brass and mahogany repeating lancet topped bracket clock with convex circular enamelled dial with Roman numerals, with eight day twin train fusee movement, the dial signed Banister, Colchester, with repeating bell striking movement, the case with inlaid brass and carved decoration raised on four bun feet, complete with pendulum, height 47cm, width 28cm, (illustrated)

A late 19th century carved oak cased architectural form bracket clock by Winterhalter & Hoffmeier, marked W & HSCH3 with eight day movement, striking on two spiral gongs, height 42cm, width 31.7cm

An 18th century oak cased striking eight day longcase clock by Andrews of Sheffield, the 11inch brass square dial featuring a central date aperture and twin winding holes, flanked by four applied figurative spandrels, the hood with moulded borders to the door flanked on either side by barley twist pilasters, above the corresponding trunk and base section applied with geometric moulding, raised on bracket feet, with pendulum, winder, key and twin weights, height 6ft 7in (illustrated)

A Victorian oak repeating architectural bracket clock with circular brass and steel Roman numeral dial, the chiming movement striking on four gongs, the case with lancet shaped side doors and spires, 64cm high together with its matching bracket (2)

A Jaeger-leCoultre Atmos VI clock with original case, wall bracket and instructions. (illustrated).

An American walnut cased rectangular wall clock with glazed panelled door decorated with a beehive and an oak cased bracket clock

A large 19th century French ebonized bracket clock mounted with ornate ormolu decoration, topped with a cherub over a glazed door in cast feet, circa 1850, 400-600

A Regency mahogany bracket clock with 8-day double fusee repeater movement, with white dial and Roman numerals, signed John Adkins, Longton in a figured arched mahogany case with brass grills to the side and on brass ball feet, 51cm high.

Victorian golden oak Gothic cased bracket clock by Morath Bros Liverpool triple fusee movement striking gong and chiming on eight bells 65cm

Waring and Gillow Regency style brass mounted mahogany bracket clock, B & C movement chiming on gongs, 38cm

Edwardian oak cased bracket clock, striking movement, 62cm high

A LATE 19TH/EARLY 20TH CENTURY MAHOGANY BRACKET CLOCK having double scroll pediment, marquetry front fretted sides, raised on four brass bracket feet, 8-day Japy type mechanism with gong strike, 33cm high (pendulum, key and adjusting key)

AN EARLY 20TH CENTURY OAK BRACKET CLOCK, having English case with arch top, flank chamfered sides, fluted decoration, on a moulded plinth, the eight day German mechanism with striking and chiming action faced by a silvered dial with Roman chapter, su bsidiary regulator and silent chime, 33cm x 26cm

"CLEMENTE AGUINAGA A 19TH CENTURY STYLE COMPTOISE WALL CLOCK having pressed floral brass front, Roman calibrated dial and grid iron style pendulum on oak bracket (with weights)"

American arch top mantel clock; bracket style mantel clock and a Bentima mantel clock (3).

An ebonised and Ormolu Bracket Clock with arched dial with silvered chapter ring and inscribed Howell & James, having triple fusee movement, 24in H

A mixed lot of items, comprising; an Old Sheffield plated two bottle inkstand of oval form, beaded border, on four bracket feet, four silver and enamel brush backs, (bristles missing) a pair of military brush backs and a plated clock engraved with the Spite of Ecstasy. (8)

William Jourdain, London. An ebony veneered striking verge bracket clock, 7 inch brass dial with mock pendulum and date aperture, within the matted centre, Strike/Not lever at 3 o`clock, the mock pendulum aperture signed W. Jourdain, London, winged cherub spandrels, the movement with five ringed pillars, signed on the scrolled foliate engraved backplate, wheatear engraved border, in a case with double gilt basket top repousse with warriors in battle, the door applied with embossed mounts, some sections lacking, circa 1700, 19in (48cm) h.

A mahogany repeating bracket clock, with an 8 day movement quarter repeating on six bells and hourly on a main bell, the verge escapement with a bob pendulum, with an engraved backplate to a silvered arched dial with chapter ring, mock pendulum and date aperture, signed Saml Cox, Long Acre, with subsidiary Strike/Silent dial to the arch, in an associated case with an inverted bell top, fabric backed pierced fret sides and brass carrying handles, 21.25in (54cm) h. later winding key.

A small brass lantern clock, with a posted frame and verge escapement and bob pendulum, striking on a bell, with a floral engraved dial and chapter ring, pierced frets and a turned urn finial, 8.25in (21cm) h, on an oak bracket, 16.75in (42.5cm) overall height. Two brass weights.

Scottish inlaid mahogany longcase clock, second quarter of the 19th century, the arched painted dial signed Peter Keir, Falkirk, subsidiary second dial and date dial, the refurbished painted lunette, with a named scene - "The Lady of the Lake", the spandrels emblematic of the union, eight-day movement, striking on a bell, the case with a broken swan-neck pediment and brass phoenix and sphere finial, short narrow door, parquetry banding over, bracket feet.

Mahogany grandmother clock, with an arched hood, three-quarter fluted supports, long door, on ogee bracket feet, the silvered dial engraved, "Tempus Fugit", the chapter ring with Roman numerals, the movement striking on five gongs.

Oak longcase clock, signed - Edwd. Stevens, Boston, arched brass dial with subsidiary second dial and strike silent dial to the lunette, cast rococo spandrels, dummy date aperture, oak case with a broken swan-neck and dentil pediment, terminating in rosettes, long shaped door with a blind fretwork band, plinth base, bracket feet.

An 18th century ebonised musical repeating bracket clock by John Ellicott, London, single-train movement with elaborately engraved brass back plate, verge escapement connected to three-wheel musical train striking and repeating the hours on three bells, arched brass dial with silvered chapter ring, matted dial centre with date aperture and mock pendulum, arch signed Ellicot, sic., London, five pillar movement with fusee, ebonised case with brass handle, circa 1770, 18.5in. high SEE FRONT COVER

A Victorian oak bracket clock, arched brass dial with silvered chapter ring, Junghans movement striking on a gong, in architectural case, 18in. high - hands missing

BRACKET CLOCK, Regency mahogany, with brass banded detail, the silvered dial and movement inscribed `Whitehurst & Son, Derby`, fusee movement, 48cm H overall. (keys in office)

WALNUT CASED BRACKET CLOCK the brass and silvered dial with Roman numerals and subsidiary seconds dial, set in decorative case, 37cm high

A French Brass Carriage Clock having fluted square corners, white enamel dial with Roman numerals "Examined by Mappin & Webb Ltd, London", on bracket feet, with leather carrying case, 12cm high

Munford Helmsley 8-Day Striking Longcase Clock having square brass dial with silvered chapter ring, in oak case with scalloped door, on bracket feet, 2m 16cm high

A late Victorian miniature long case clock, oak cased and mounted with pierced brass embellishments, circular Arabic dial over four Corinthian columns on ogee bracket feet, 44cm high

An early 20th century miniature mahogany longcase clock By Barrie & Son, Edinburgh the cylinder movement striking on a gong, the silvered dial with black Roman numerals, the case with broken arch hood and columns over a tall panelled body and base, on bracket feet 88cm high

A late 19th/ early 20th century American wall clock and bracket the movement striking on a gong, the square cream dial with black Roman numerals, the mahogany case of rectangular form with an inset verre églomisé panel decorated with a floral spray, 76cm high; and an acanthus carved scroll bracket, 40cm high (2)

A 19th century mahogany longcase clock the eight day movement with anchor escapement, painted arched dial depicting Mary Queen of Scots and the home nations as young ladies, Roman numerals, subsidiary date and second dials, the swan neck pediment with brass ball finials over arched hood door flanked by fluted Doric columns, boxwood and ebony inlaid panel, moulded crossbanded trunk door, another similar panel, crossbanded plinth base, raised on bracket feet 230cm high

An 18th century mahogany longcase clock the twin train movement striking on a bell, the painted arched dial depicting Mary Queen of Scots escaping Loch Leven Castle and portraits of Douglas, Seton, Herries, Fleming, Roman numerals, subsidiary date and second dials, the projected moulded cornice over an arched hood door, plinth base, shaped apron, raised on bracket feet 230cm high

A good quality Mahogany cased bracket/mantel Clock of pointed arch shape, having inlaid details to the front, the domed enamelled face with Arabic numerals, painted garlands and gilded pierced work hands, marked `Paris`, the movement with polished brass back plate stamped Vincent & Cie, ``Medaille D`argent``, striking the hours and half hours on a gong, 11 7/8`` tall approx.

A Smiths striking Bracket clock

Mahogany clock bracket inlaid with foliate brass motifs, 16.5" wide

Rosewood clock bracket inlaid with brass lines, 12.5" wide

Large mahogany bombe clock bracket with fluted carved foot, 17.75" wide

Ebonised and gilt metal mounted clock bracket, 14.25" wide

Double fusee bracket clock movement, the back plate signed W. Barriscale Cork, striking on a bell, with 8" white circular dial

Mahogany clock bracket with C-scroll carved support, 14" wide; also a smaller oak clock bracket, 10.5" wide (2)

Small contemporary cuckoo clock within a chalet case, 7" high; also a small gilded clock bracket, 6.25" wide (2)

Good mahogany carved clock bracket, 14.75" wide; also five various other clock brackets (6)

Large ebonised clock bracket, 18.25" wide; also two smaller ebonised clock brackets (3)

Box of various clock movements, part movements, two stands and an ormolu and ebony bracket etc

Mahogany double fusee bracket clock, the movement with pull repeat striking on a bell, the 8" convex cream dial within a rounded arched case inlaid with geometric brass motifs and surmounted by a square stepped caddy top and brass pineapple finial, 21.5" high

Interesting Austrian small fruitwood two train verge bracket clock, with glazed sliding back door revealing the movement with pull repeat and striking on a bell, the 5 1/8" arched brass dial signed Moortin Wien Hardt a Gratz on the chapter ring, with strike/silent dial to the arch and false bob pendulum aperture, the dial engraved overall with meandering foliage, within a glazed stepped case surmounted by a caddy top and four flambeau brass finials, 12.75" high

Rare and impressive early Italian ebony and ebonised bracket clock, the 8.5" pierced arched dial inscribed Antonio Lanzoni Fece Anno 1771 on a plate below six o`clock; also inscribed... Quartiere Pala... Christino Dcuip on a plate to the arch over another plate inscribed Il Contadino, the silvered chapter ring enclosing a gilded foliate strapwork centre, within an architectural Pietra Dura ormolu mounted architectural case with two Sienna marble columns decorated overall with vases of flowers, foliate motifs, coloured marble panels and ormolu mounts, surmounted by an ormolu standing figure of a mother and her two children within a recess under a broken arch surmounted by an eagle with outstretched wings, 38" high *This clock does not retain its original movement*

Good ebonised and ormolu mounted three train bracket clock, the substantial W & H movement playing and striking on five gongs, the 9.5" x 7" brass dial plate with silver chapter ring enclosing a matted centre surmounted by a subsidiary slow/fast dial, within an ormolu mounted stepped case surmounted by a caddy top, 18.5" high

Good small English double fusee mahogany bracket clock, the back plate and 6" silvered dial signed James Rigby, London, within an arched case inlaid with boxwood lines, with pad top and brass carrying handle, 14" high

Good Irish mahogany single fusee bracket clock, the 7" brass arched dial signed Phil Glasco & Son, Dublin, on a circular plate to the arch, over a silvered chapter ring enclosing a foliate engraved centre with arched aperture inscribed Ro`cn Deane within a stepped case surmounted by a caddy top and carrying handle, 19" high

Good large ebonised English double fusee bracket clock, the six pillar movement chiming the quarters on four gongs signed Payne & Co, 163 New Bond Street, London, no. 2382, the 8.5" brass arched dial also signed and numbered on the silvered chapter ring, with silent/strike and slow/fast subsidiary dials to the arch over a matted centre, within a gilt-brass ormolu caryatid and foliate mounted case, surmounted by a stepped caddy top and cast handle, 25" high; also with the original ebonised and ormolu mounted wall bracket, 17" wide

Small English ebonised bracket clock case with aperture for a 6" square dial, the stepped case with pierced fretwork to the top of the door and surmounted by a caddy top and brass carrying handle, 12.5" high

Good English ebonised bracket clock case with aperture for a 5.5" arched dial, surmounted by a bell top, four brass urn finials and a carrying handle, 20" high

Good English double fusee bracket clock movement, the 7" silvered arched dial signed Thomas Bell, Lombard St. London, with strike/silent dial to the arch

Good English ebonised bracket clock case with aperture for a 7" arched dial, with caddy top and brass carrying handle, 20" high

Mahogany cased Bulle electric mantel clock, the 5.5" silvered dial inscribed Bulle Patent, Boodle & Dunthorne, Lord Street, Liverpool, over a glazed pendulum window and within an arched case supported upon ogee bracket feet, 12.5" high

English mahogany double fusee bracket clock striking on a bell, the 7.5" cream dial signed Stephen Henry, London, within a triangular arched case inlaid with brass lines, 17.5" high