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Late 19th Century mantel or bracket clock in architectural case with applied metal mounts fitted with a brass movement, 50cm high

A late 19th Century bracket clock with ebonised case with applied metal mounts, the dial signed 'Parkinson & Frodsham, Royal Exchange, London'

Late 19th Century bracket or mantel clock, the architectural hardwood case with extensive applied metal mounts, pierced grills to the sides and a white enamel dial to a brass movement striking on a coiled gong, 43cm high

A Walnut Musical Bracket Clock (Made for Comitti of London by Kienger JO240), with a brass carrying handle domed top, silver chapter ring, Roman numerals on gilded brass bracket feet 31cm high.

the 6 1/2" brass dial with enamelled Roman and Arabic numerals signed Berton a Paris, on a brass single train movement similarly signed striking to a bell, the case with scrolling floral ormolu mounts and floral inlay, with urn surmount and similarly decorated wooden bracket, with pendulum, clock height 56cm. ** Untested, not currently working, hairlines to dial, case mounts tarnished and dark in colour, losses to inlay, loose metalwork and general wear throughout.

An early 20th century mahogany and brass cased bracket clock, with a silver dial and twin train movement, 35cm high

West Germany mahogany cased bracket clock, the 7.5" brass dial with silvered chapter ring and Roman numerals, the back plate with the FHS logo 340-020, 18" high

A Regency Walnut Double Fusee Bracket Clock, painted dial with Roman numerals, marked for Birmingham. Walnut cased, with glass sides and back, unmarked back plate, striking on a bell. Complete with pendulum and keys. Height 17", width 12".

A 19th century gilt metal mounted oak bracket clock, 16cm square brass dial with silvered chapter ring inscribed Camerer Kuss & Co, 56 New Oxford St [London], Roman and subsidiary Arabic numerals, eight day movement striking on a gong, architectural case with incise carving in the Aesthetic taste, 38.5cm high, c.1880

A 19th century lacquered brass repeater carriage clock, 4.5cm enamel chapter ring inscribed with Arabic numerals, repeating movement striking on a gong, the five glass casewith twisted Corinthian columns, swing carrying handles, bracket feet, 14cm high, c.1890

A Chinese hardwood bracket clock, 20cm enamel dial inscribed with Roman and subsidiary Arabic numerals, on a gilt ground chased with chrysanthemums within a border of trellis, twin fusee movement, the table screen form case pierced and carved with scrolling fruiting foliage, the base with scroll feet, 74cm high, c.1900

A 19th century rosewood musical repeating bracket clock, 18cm arched brass dial with silvered chapter ring, inscribed S. Tree, Great Dover Street, London, Strike/Silent to arch, three-winding holes, 8-day movement chiming on an arrangement of gongs, the arched case with brass carrying handle, brass bracket feet, 45cm high, c. 1880

A French porcelain mounted lacquered brass carriage clock, 7cm dial inscribed with Roman numerals, the movement with platform escapement striking on a gong, painted in the manner of Sevres on a Bleu Celeste ground, swing carrying handle, bracket feet, 16cm high, c.1900

A large French lacquered brass carriage timepiece, 6cm circular enamel clock dial inscribed with Arabic numerals, on a silvered engine turned ground, key-wound movement with platform escapement, five-glass gorge case with fluted borders and swing carrying handle, bracket feet, 15.5cm high, c.1900

A late 19th century oak caddy top bracket clock, 16cm chapter ring with Roman and subsidiary Arabic numerals, Chime on eight gongs/Chime on four gongs selector, three winding holes, eight day movement striking on gongs, the movement stamped W&H (Winterhalder and Hofmeier), SCh, the case carved with Green Man masks, flowers and leaves, 57cm high, 35cm wide, 25.5cm deep, c.1890

A Regency rosewood and brass marquetry bracket clock, 15cm arched silvered dial inscribed Goodhugh, Regent Street, London, Roman numerals, Strike/Silent and subsidiary seconds dials to arch, twin-winding holes, eight-day fusee movement striking on a bell, the arched canted case inlaid with scrolling leaves and tracery, ring handles to sides, ball feet, 36.5cm high, c.1820

A William IV/early Victorian Gothic Revival pollard oak repeating musical bracket clock, 17cm lancet arched painted dial inscribed Barnard, London, Roman numerals, Strike/Silent, triple-winding holes, eight-day fusee movement striking on a gong and chiming on a nest of eight bells, the case with acanthus pinnacles, blind tracery and pendant swags, flanked by pillars, bun feet, 69cm high, c.1840

An 18th century Austrian mahogany bracket clock, by Johannes Seytz, Stadtamhof, 24cm enamel dial with Roman and Arabic numerals and calendar chapter, the movement with ting-tang chime, the architectural case with pierced galleries, 68cm high, c.1780

A George III mahogany longcase clock, 31cm arched silvered dial inscribed P Vigne, Bath, Roman numerals, Strike/Silent to arch, subsidiary seconds and calendar dial, eight day movement striking on a bell, the arched case with brass mounted stop-fluted pillars, arched rectangular door to waist, the base applied with reentrant angles, bracket-form base, 218cm high, c.1780

A George III mahogany longcase clock, 34cm arched brass dial inscribed Thos Ogden, Halifax, silvered chapter ring, Roman and subsidiary Arabic numerals, subsidiary seconds dial, date aperture, rolling moon phases to arch divided by HMS Victory and a ruin landscape, eight day movement striking on a bell, the pagoda top case with shaped rectangular door to waist flanked by inset fluted quarter-columns, skirted base, ogee bracket feet, 219cm high, 54.5cm wide, 27.5cm deep

RICHARD YOUNG, LONDON; an 18th century ebonised bracket clock with brass swan neck handle above the arched top and silvered dial with both Arabic and Roman numerals and with silent and strike dial, with verge movement, height 44cm.Height with the handle up is 43cm. We apcannot guarantee that it is in full working order.

A 19th century walnut cased four glass clock, the silvered dial set with Roman numerals and scrolling detail, with fusee movement, on bracket feet, height 29.5cm, width 22cm, depth 15.5cm, complete with key and pendulum.Minor knocks, light scratches and wear to the case, we offer no guarantee of working order.

EDWARD BIRD BRISTOL; a 19th century rosewood cased miniature bracket clock, the silvered dial set with Roman numerals and engine turned centre, on bun feet, height 22cm.

A 19th century brass bound mahogany bracket clock with swing handle to the arched top above the painted dial set with Roman numerals and inscribed 'London' on brass bracket feet, height 44cm.

A late 19th century French alabaster gilt metal mounted eight day mantel clock, the dial inscribed 'Anderton, Paris', and presented with a glass dome, also two modern wall clocks and three further bracket clocks.The alabaster clock has a pendulum and key. Small bruises and some scratches tone alabaster and dial with light wear. Cushion faded and ebonised base with general age wear. Dome grubby but ok. Clock is 38cm high not including the cushion.

ELUXA; a modern Swiss Louis XV style eight day mantel clock, the enamel dial with Roman numerals, signed Bucherer Trianon, the movement striking on two bells, the back of the case signed Liechti and numbered 58846, height 43cm, with a wall bracket (2).

JOHN GARTLEY; a George III eight day longcase clock, the brass face set with silvered chapter ring bearing Arabic and Roman numerals, with two subsidiary dials and strike and silent dial, in inlaid mahogany case with arched door, on bracket feet, height 214cm.The glass is cracked in the hood, the columns and the hood are loose, losses to the veneer, splitting to the corners and case throughout, we offer no guarantee of working order, complete with pendulum.

A late 19th Century George III style ebonised cased bracket clock, the arch dial incorporating a silvered chapter ring with Roman numerals, chiming movement with subsidiary chime/silent and Cambridge chime dials enclosed by a glazed door, with gilt metal mounts on scroll bracket feet. H.34 W.24 W.19cm.

A late 19thC beech cased miniature longcase clock, circular brass dial with enamel chapter ring bearing Arabic numerals, eight day movement with bell strike, the case with a shaped hood, glass fronted door and base with painted paterae, raised on bracket feet, with pendulum and key, 46cm high.

An early 20thC oak cased mantel clock, the circular enamel dial bearing Arabic numerals, French eight day movement with bell strike, the case of domed form, with plaque engraved 'Presented to Mr GE Ward by His Eastern Counties Division Colleagues June 1925', raised on ogee bracket feet, 29cm wide. (AF)

A George III oak longcase clock, with moulded cornice and inset pillared hood, full length moulded arched trunk door, and plain base with added bracket foot, the 28cm square dial having applied figures to the spandrels depicting the Four Seasons, the silvered chapter ring with Roman numerals, the matted centre field marked Woolley Codnor, and having silvered date crescent, thirty hour movement striking a bell, 196cm high. NB. James Woolley (c. 1695 - 1786) produced turret and longcase clocks including one in the Nottingham Exchange.

R Seaton. A Georgian oak longcase clock, circular brass dial with engraved floral and rococo scroll decoration, chapter ring bearing Roman and Arabic numerals, two train eight day movement with bell strike, the hood with swan neck pediment, raised on brass capped fluted columns, the trunk with fluted quarter pilasters, door with mahogany cross banding, raised on bracket feet, with pendulum and weights, 213cm high.

A Continental light oak cased mantel clock, dial lacking, the eight day three train movement with Westminster chimes, the hood with arched pediment raised on turned columns, plain trunk with domed glass plate door, raised on bracket feet, with pendulum and weights, 204cm high.

Jonathan Pebrdy of Leicester. A Georgian oak and mahogany long case clock, the break arch dial painted with a farming landscape, dial bearing Arabic numerals, subsidiary seconds dial, date aperture, later single train eight day movement, the hood with swan neck pediment, raised on turned columns, the plain trunk with cross banded door and panelled base, raised on bracket feet, 206cm high.

A GEORGE III MAHOGANY BRACKET CLOCK c.1770-80 the brass twin fusee eight day movement striking on a bell, the backplate engraved with scrolling, flowering foliage held in place with similarly decorated brackets, with a cream painted dial with black Roman hours, beneath a strike / silent dial to the arch, the domed case with a pad top, with gilt brass mounts and fishscale side panels, with pendulum 45cm high, 33.3cm wide, 22.4cm deep

A REGENCY MAHOGANY BRACKET CLOCK AND BRACKET BIRCH, TENTERDEN, EARLY 19TH CENTURY the brass twin fusee eight day movement striking on a gong, with a cream dial with black Roman hours, the slightly domed case with scrolled sides with Gothic pierced panels, and applied foliate decoration, on bun feet, the bracket with a slightly raised edge and a scrolling support (2) 42.5cm high, 32cm wide, 17.5cm deep

A GEORGE III GREEN LACQUERED MUSICAL BRACKET CLOCK BY ROBERT WARD, LONDON, C.1760 the brass twin fusee movement with a verge escapement striking on a single bell and chiming on a nest of eight bells, with twin repeat mechanisms for hours and minutes, a bob pendulum and scrolling foliate engraved backplate, the 7 1/2inch brass dial with a chapter ring with black Roman hours and Arabic five minutes, the matted centre engraved 'Robt'. Ward/London' inside scrolling foliate spandrels and beneath 'Chime Not Chime' and 'Song Jigg' dials to the arch, the case with a caddy top and gilt floral decoration, with twin carry handles, urn finials and arched glazed doors and side panels, on brass bracket feet 59cm high, 36.5cm wide, 23.7cm deep

A VICTORIAN OAK CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train repeating movement chiming on eight bells and five gongs, the arched dial with a silvered chapter ring with Roman and Arabic numerals and three subsidiary dials, with gilt brass spandrels decorated with leaves and flowers, the case carved with Jacobean style foliage, flowerheads and masks, the caddy top with foliage and tiles, with key and pendulum 57.5cm high, 38cm wide, 26.2cm deep

A SHERATON REVIVAL MAHOGANY AND MARQUETRY MANTEL CLOCK EARLY 20TH CENTURY the French brass eight day movement striking the hours on a gong, with a silvered machine turned dial with black Arabic hours, the domed case with scrolling foliate inlaid decoration centred with an urn and with brass finials, columns and bracket feet, with pendulum and key 35cm high, 28cm wide, 17.3cm deep

Early 20th century German walnut cased two train bracket clock with brass dial having silvered Roman chapter ring, foliate carved decoration with fluted finials, brass movement complete with pendulum. 64cm high approx. (B.P. 21% + VAT) One finial is broken but extant otherwise in good condition overall.

Late 19th/early 20th century French brass/bronze two train mantle clock having cherub finial to the arch pierced cresting, silvered Roman dial and architectural design case with pillars and mask mounts on ogee bracket feet. 40cm high approx. together with an ebonised wooden two train architectural gilt metal mounted mantle clock. 28cm high approx. (2) (B.P. 21% + VAT)

A BRASS STRIKING LANTERN CLOCKSurmounted by a turned brass finial and bell with four-piece strap, above pierced frets, the 6 ½ in. brass chapter ring with half-hour chevrons, single steel hand, the two train movement with anchor escapement and countwheel strike on a bell, together with a bracket, 38cm highCondition Report:With associated wooden bracket, four weights, pendulum.  No side doors. No wall pins.Bell is replaced and too too small for clock.  No evidence of previous verge escapement.  Frets likely replacements.  Square-head screws modern replacements. Wear to pinions especially on the fly wheel.  Top and bottom plates and upright pillars are redder in colour than other elements.  Four small modern brass bolts to going train rope wheel. 

ANTIQUE BRACKET CLOCK WITH PENDULUM & KEY

Kienzle, Germany, a Victorian oak chiming bracket clock the eight-day duration movement chiming the quarters on four gongs with the backplate stamped with the Kienzle trademark depicting a winged wheel, the arched silvered dial having black Roman hour numerals with a subsidiary 'Chime/Silent' dial within the arch, the oak case with canted corners, a pediment top and standing on bun feet, height 40cm.

Winterhalder & Hoffmeier, Sch., an oak quarter chiming mantel clock, the eight-day duration movement striking the hours on a gong and the 'ting/tang' quarters on two gongs, the movement backplate stamped W&H Sch. being the trademark of Winterhalder & Hoffmeier of Schwaerzenbach, the arched silvered dial having a raised chapter ring engraved with black Roman numerals, with the arch having subsidiary dials for 'Chime/Silent' and regulation, with blued steel spade hands, the arched-top oak case with boxwood stringing and standing on brass bracket feet, height 23cm. Biography The origins of Winterhalder & Hofmeier stretch back to 1810 when Thomas Winterhalder established Winterhalder Uhrenfabrik. His grandson Anton Winterhalder (born 1838) was in charge of the business in Schwarzenbach in Germany when he entered into partnership with Johannes Hofmeier (1802-1876) in 1850 to form Winterhalder & Hofmeier.

Alliez & Berguen, Paris a French gilt mantel clock, the eight-day duration movement striking the hours and half-hours on a bell, the backplate stamped for the maker Alliez & Berguen, Paris, 78, the round white enamel dial having black Roman hour numerals and blued steel moon hands, the gilt-brass waisted case having applied floral mounts and decorative blue porcelain panel inset to the front, the rear of the case stamped H. Picard, standing on a giltwood base with glass dome, height 28cm inc. base, 22cm clock. Complete with a giltwood wall bracket with ormolu decoration and Ho-ho bird to the front.

A substantial mahogany bracket clock case and round silvered dial with brass bezel and glass, to take a Victorian-style fusee movement.

A Victorian ebonised bracket clock, the eight-day duration, double-fusee movement striking the hours on a gong, the five-inch silvered arched dial engraved with scroll decoration, black Roman hour numerals and a 'strike/silent' dial within the arch, with blued-steel hands, the ebonised bell-top case having canted corners with applied carytid mounts, brass fretwork to the sides, applied brass mounts to the front and top, cast brass finials and all standing on matching bracket feet, height 41cm.

Jackson, Bristol, a lancet arch-top bracket clock, the eight-day duration, double-fusee movement having an anchor escapement and striking the hours on a bell, the backplate engraved with scroll decoration and signed Jackson, Bristol, the round white painted dial having black Roman numerals, blued-steel hands and signed J. Jackson, Bristol, the mahogany lancet-shaped case inlaid with brass decoration and having ebonised edging, with brass fretwork to the sides below cast-brass handles, all standing on ball feet, height 45cm.With paperwork showing the various repair marks, the first dated 1821.Biography Joseph Jackson was a well-known clockmaker working at 17 St. Augustine's Parade, Bristol having been apprenticed to Thomas Palmer in 1813, and was the son of the maker Jacob Jackson. He was in partnership with Braham from 1826 until 1838.Reference A.J. Moore The Clockmakers of Bristol Pub: 1999.

Chas. Haines, Swindon, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell with the square painted dial having black Roman numerals, floral corner decoration and signed to the centre Chas. Haines, Swindon, with decorative brass hands, the oak case having a swan-neck pediment with brass centre finial and patrae, the hood with cast-brass capitals to the pillars, all standing on bracket feet, height 206cm inc. finial.Biography Charles Haines, born Antage, Berkshire in 1798, is recorded as working as a clockmaker in Wood Street, Swindon by 1829 and still listed in 1861 as a widower living with his daughter Louise and a servant.Reference John Young Wiltshitre Watch and Clockmakers Pub. Sedghill Publishing 2004, with a longcase clock by Haines illustrated p.82.

Fletcher, Barnsley, an oak longcase clock, the thirty-hour duration movement striking the hours on a bell, with the thirteen-inch round painted dial having black Roman numerals, date aperture and signed Fletcher, Barnsley, with brass hands, the oak case having quartered columns, the hood with a swan-neck pediment and brass capitals to the pillars, the base with raised mouldings and standing on bracket feet, height 208cm.Biography There are three members of the well-known Fletcher family working in Barnsley, Yorkshire at this period with the maker of this clock quite probably one of the two clockmaking sons of Tobias Fletcher, either Charles born circa 1780 or Tobias II born 1782.Reference Brian Loomes Yorkshire Clockmakers Pub. Daleman Books 1972

James Christie, Perth a mahogany Georgian longcase clock, the eight-day duration movement striking the hours on a bell with the fourteen-inch round painted dial having black Roman numerals, subsidiary seconds and date dials and signed J. Christie, Perth, with decorative blued-steel hands, the mahogany curved-top case with inlaid stringing and having decorative floral inlay to the trunk and cast-brass capitals to the ebonised fluted pillars, the hood with a heavy cast-brass bezel and canted corners, the base standing on bracket feet, height 210cm.Biography There are two makers named James Christie known working in Perth. James Sr. at 62 High Street, and the probable maker of this clock, who married in 1818 whilst still working with his father and who died in 1859, and his son James Jr. working from circa 1840 in the High Street before moving to 52 St. John Street where he died in 1856.Reference Clockmakers & Watchmakers of Scotland Donald Whyte Pub. Mayfield Books 2005.

Alexander Stewart, Dublin, an Inlaid mahogany longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen-inch square brass dial having a raised chapter ring engraved with black Roman numerals and makers name Alexr. Stewart, Dublin, with subsidiary seconds dial and date aperture to the dial centre, cast-brass cherub-head spandrels to the four corners and decorative blued steel hands, the mahogany case having satinwood cross-banding to the trunk and base, with Sheraton-style inlaid decoration to the trunk, base and corners, surmounted by an architectural pediment and all standing on bracket feet, height 252cm.Alexander Stewart is recorded as working in Dublin from circa 1766 until at least 1774.

A GEORGIAN FLAME MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, glazed door that's enclosing a painted 13 inch dial, moonphase automaton movement to arch, Roman numerals, indistinctly singed cooper of *****pton, on a trunk with a shaped door, and bracket feet, with two weights and a pendulum, height 227cm (condition:-pendulum in two pieces, no winding key or trunk key, movement untested and dusty, case with losses)

English - Late 18th century 8-day oak longcase clock, with a swans neck pediment and dentil moulding beneath, break arch dial flanked by reeded pilasters with Corinthian capitals, long trunk door with a pointed arched top, trunk with canted corners on a rectangular plinth raised on bracket feet, dial with a silvered chapter ring, dial inscribed John Frost, London, with Roman numerals, five minute Arabic's, matted dial centre, silvered seconds dial and semi-circular date aperture, with non-matching serpentine hands and cast spandrels, 8-day rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 220cm  Length/Width: 48cm  Depth/Diameter: 26cmCondition Report:Seconds hand missing.

An early 20th century ebonised and gilt ormolu decorated bracket clock. With upper carrying handle and four corner finials above two glass side panels decorated with a cherub winged face, with white enamel dial and gilt hands, raised on four gilt toupie feet, L18cm x D12.5cm x H30.5cm.

An early 20th century oak cased bracket clock, the silvered chapter ring showing Roman numerals and surrounded by pierced mask spandrels, signed Arnold & Lewis Manchester, the eight-day movement striking on a gong, h.28cmClock has been overwound. Seems to be running. Case is ok. Dial is slightly tarnished.

A Scottish Mahogany Eight Day Longcase Clock, signed Joseph Durward, Edinburgh, late 18th Century, arched pediment, nicely figured trunk door flanked by fluted pilasters, bracket feet, 13-inch circular silvered dial signed, seconds dial and date aperture, four pillar movement with an anchor escapement and rack striking on a bell 203cm highCase colour is faded, hood side frets are later, hood left hand side with chips and some moulding missing, trunk door with a chip to the top left hand corner and scratches, trunk door is closing and has no door key to open the door, front of the base with moulding missing, wooden dial surround is later, later hour hand, seconds hand is missing, dial is dirty, movement is dirty and needs cleaning, with two weights and a pendulum.

A large early 19th century figured mahogany and boxwood-strung eight-day longcase clock: the broken swan-neck pediment surmounted by a stiff-leaf-style platform; painted 14-inch broken-arch painted dial with the top section depicting Daniel in the lion's den; Roman numerals and subsidiary seconds and date hands, signed 'Timing's - Dudley'. The four spandrels decorated with a prowling lion and flanked by two turned columns. Unusual triple arch figured door flanked by columns. Raised on short bracket feet. (To include pendulum, a pair of weights and a key.) (Approx. 230cm high)

A walnut and brass mounted bracket clock with silvered dial inscribed 'Hampton & Sons Ltd, Pall Mall East', with twin-train French movement c/w pendulum, key and bracket shelf, clock 42 cm h