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An oak cased bracket style clock turned columns silver dial with Arabic numerals below. Slow part and chime operator. .

A fine regency brass inlaid mahogany cased bracket clock having painted dial stamped John Sharp corner house London Bridge all raised on brass bun supports

An early 20th century arched top bracket clock

Jos Foster, London, A late 17th century English ebonised and brass mounted striking bracket clock, circa 1690-1700, the domed repoussé cover with cherubs and foliage before acorn knop finials, the pierced brass mounted sides, enclosing a 17cm square brass dial with winged cherubs. Spandrels to silvered Roman and Arabic chapter ring, sword hilt half hour markers, matted centre with ringed winding apertures, square date aperture at six, signed Jos Foster, steel hands, twin band movement, back elaborately engraved, raised on brass bun feet, 143cm high. Footnote: Whilst Bishop Jonathan Trelawny was imprisoned in the Tower of London, his brother Major Charles Trelawny was back in Portsmouth having fought political insurgents in Tangier, Morrocco. Incentivised with the potential release of his brother, Charles was one of few with very good reason to ensure that William and Mary were escorted back to London from Torbay. Thus, he sailed his army quickly back to the UK in order to escort the future King and Queen up to London, securing their arrival so that they could ascertain their monarchy. In return for this good deed, this clock was given to Charles Trelawny and the Bishop Sir Jonathan Trelawny by Mary in thanks for their efforts in helping her and her husband return home upon the occasion of their accession to the throne of England.

A George III mahogany longcase clock, scroll pediment, brass eagle finials, 30cm arched brass dial, Roman and Arabic numerals, subsidiary seconds and date aperture, twin winding holes, pierced spandrels, inscribed John Carne Penzance, shaped door, skirted base, bracket feel, 212cm high

A Parcel lot to include an inlaid mahogany dome topped mantle clock with circular brass dial, movement marked Empire, made in England, together with a mahogany wall clock bracket, a wooden cutlery box containing a set of EPNS fish knives, forks and servers with ivorine handles and a George III eight sided twin division tea caddy with satinwood stringing.

The Regal Century Bracket Clock by Sewills of Liverpool, produced in 2000 to commemmorate Queen Elizabeth The Queen Mother`s birthday, the arched gilt brass case with bevelled glass panels and a mirrored rear door enclosing a silvered and enamelled dial with centre day hand, subsidiary rings for seconds, day, moon phase, month, chiming the quarter and hour on an eight-plus-one bell carillon triple barrel movement, the backplate signed and numbered RWU04 0500 305408, height 34cm (ticks, winds, chimes, strikes, adjusts; pendulum bob, winding key, owner`s handbook numbered 064/100).*See clock and watches proviso.

Swedish 18th century style quarter striking alarm bracket clock and wall bracket, circa 1900, the ebonised wooden case with painted gilt decoration, white enamel Roman dial, blued and star gilt hands, centre sweep alarm set, eight day movement with anchor escapement, pull chord alarm on a top bell, striking on two coils, clock height 67cm (ticks readily, winds, strike and alarm need attention; pendulum, T-bar winding key).*See clocks and watches proviso.

William IV mahogany bracket clock signed Hammond, Hoddesdon , the arched top case applied with leaf scrolls, white painted Roman dial, spade hands, brass bezel on bun feet, eight day single fusee movement with an anchor escapement, height 30.5cm, (ticks readily, winds; keys and pendulum).*See clocks and watches proviso.

Ebonised repeating bracket clock, C Edmonds, London, circa 1775, the bell-topped case with carrying handle and pineapple finials, the door with pierced brass quadrants and moulded edges, on moulded set out skirt and brass bracket feet, fitted with a break-arch dial with silvered strike/silent, Roman chapter ring, matte field, silvered name plate engraved C Edmonds, London , pendulum and date apertures, dial width 8", the five-pillar movement with twin fusees, verge escapement, six-bell quarter repeat carillon, hour strike bell, date advance and backplate engraved symmetrically with leaf scrolls and a basket of fruit, minimum height 47cm (ticks, winds, strikes the hour, repeats the quarters and hour; winding key). *See clocks and watches proviso.

Mahogany chiming bracket clock, late 19th century, the architectural case with pineapple finials, grille sides, side columns and gilt metal neo-classical friezes, on bracket feet, the silvered arched dial with Roman hours, chime/silent ring, signed E. White Haymarket London , triple fusee movement, anchor escapement, chiming the Westminster quarter and striking the hour on coils, the backplate signedE White, Haymarket, London , height 44cm (ticks, winds, chimes, strikes; with pendulum, keeper, winding and door keys).*See clocks and watches proviso.

German mahogany striking bracket clock by Winterhalter & Hofmeier , late 19th century, the break arch case with brass carrying handle, silvered Roman dial, and box stringing on ball feet, the twin barrel movement chiming the quarter on four rods and striking the hour on a coil, height 41cm (ticks, chimes, strikes, winds; with pendulum and winding key).*See clocks and watches proviso.

Ebony veneered striking and repeating bracket clock , late 17th century and later, the gilt metal open work repousse basket top, cast handle and finials, over a square door with gilt mounts, enclosing a 7" brass dial with cherub spandrels, matte field, turned winding holes, date aperture, strike/silent at 12 o`clock and silvered Roman chapter ring, five pillar twin fusee movement with verge escapement striking the hour on a top bell and pull quarter repeat on six bells, the square backplate symetrically engraved with sunflowers, minimum height 35cm (ticks, winds, strikes, repeats; winding key). *See clock and watches proviso .

Ebony veneered striking bracket clock , circa 1690 and later, the domed case with a brass carrying handle, glazed sides and fretted door, 17cm square brass dial with silvered chapter ring, S-N adjustment, grotesque mask spandrels, matte field with date aperture, mock pendulum and apochryphal name plate inscribedThos Tompion London , five pillar twin fusee movement with crown wheel escapement striking the hour on a top bell, backplate symmetrically engraved with leaf scrolls, minimum height 34cm. (ticks, winds, strikes; winding key). *See clocks and watches proviso.

Ebony veneered striking and quarter repeat bracket clock , the gilt brass pierced and repousse basket top decorated with neo-classical portrait medallions of Britannia, William and Mary, applied gilt panels to the doors and sides, the break arch brass dial with a silvered Roman dial and strike/silent ring, Nicholas Lambert, London, matt field, ringed winding holes, date aperture and mock pendulum, five pillar, twin fusee movement, anchor escapement, repeating the quarter by a pull chord on four bells and the hour on a top bell, the backplate engraved with an urn of scrolling foliage, minimum height 53cm (ticks, winds, strikes, repeats; pendulum, winding key).*See clocks and watches proviso.

George III mahogany bracket clock, signed T. Hunter, London , the break arch case with a top handle, fish scale grilles hinged door, circular brass bezel, gilt bottom quadrants on brass bracket feet, the painted circular dial with Roman hours, arabic minutes, and subsidiary date dial, five-pillar twin-fusee verge movement striking the hour on a top bell, the back plate engraved with foliage, minimum height 35cm (ticks readily, winds, strikes; winding key).*See clocks and watches proviso.

George III mahogany quarter repeat bedroom bracket clock by Thos. Green, Liverpool, the bell top case with a brass handle, hinged door with gilt top quadrants, glazed sides on brass bracket feet, the painted break arch face signed in the arch, with Roman hours, arabic minutes, date aperture, one true and one dummy winding holes, five-pillar single-fusee and verge movement repeating the hour on a bell and the quarters on ting tang bells by a pull string, bob pendulum, chinoiserie decoration and signature engraved on the back plate, minimum height 48cm (ticks readily, winds, repeats; winding and door keys). *See clocks and watches proviso.

Regency mahogany quarter striking bracket clock byJohn Bentley, London , the lancet shaped case with a square cupola and gilt pineapple, brass grille sides and ring handles, on ball feet, the signed white painted Roman dial with black moon and spade hands, five pillar, twin fusee movement striking the quarter on ting-tang top bells and the hour on a backplate bell, height 65cm (ticks, winds, strikes; with pendulum, keeper, key). *See clocks and watches proviso.

Brass turret clock by W Pellant & Son, Harpenden, 1925, the single weight movement with a deadbeat escapement, pendulum length 118cm, mounted on a wall bracket, together with its heavy weight and stout winding handle.

Weight driven eight day clock movement, the break arch dial named Thos Sharpe Leighton, width 6.5", silvered Roman chapter ring, hour strike on a top bell, on a scratch made wall bracket, with pendulum and two weights. *See clocks and watches proviso.

Unusually large and impressive regulator wall clock by Lenzkirch , circa 1901, the figured walnut case with a carved scroll crest and full length glazed door on a tapered bracket foot enclosing a white enamel Roman dial and copper bezel, diameter 27cm, with blued spade hands and moon centre seconds, the single weight movement with a deadbeat escapement, tapered plates signed Lenzkirch AUG, 1 million, 272411 , backboard mounted pendulum with ebonised shaft and brass lenticle, overall height 200cm (ticks, winds; with pendulum and winding key). *See clocks and watches proviso.

Austrian Biedermeier regulator wall clock, signedJosef Brandl in Wien , the mahogany and boxwood case with a pediment over three vertical glazed doors, on a bracket apron, the signed white enamel Roman dial with blued hands on a single weight deadbeat movement with tapering plates, steel pendulum shaft and brass lenticle, overall height 110cm (ticks, winds; pendulum, winding key). *See clocks and watches proviso.

A 19th century German wooden cased bracket clock with cream enamelled Roman dial.

A Eureka Clock Co patent electric mantel clock, with 5 inch circular enamel dial, and gilt metal movement No 14814, 1906, in four glazed rectangular case, on bracket base, 22cm.

A Bulle mahogany patent electric clock, with 6 inch steel dial in domed case, with presentation plaques, on bracket feet.

A Victorian mahogany bracket clock, with eight-inch circular dial, inscribed James Waring, Liverpool, in domed case with gilt metal carry handle, pierced panels to sides and front on bracket feet, 31cm.

A late 18thC oak cased long case clock by Joseph Hobbins, Fechenham, the hood with stepped pediment, the central brass dial flanked by plain columns and on bracket feet, 43cm wide, 102cm high.

A 19th century French mahogany cased mantel clock, the 8-day twin cylinder movement stamped 52036, Paris Ch Vche, by Mougin of Paris, the convex white enamelled dial with Arabic numerals within a cast brass hinged bezel, the sides with pierced brass fret panels, raised on brass bracket feet, 37 cm high

Two late 20th century reproduction cartouche shape mirrors in gilt finish (heights 74cm and 72cm), one with matching wall bracket; a resin table lamp with gilt-effect body moulded in relief with figures, landscape and patterning to resemble a vase (height excluding shade 32cm); a shaped narrow rectangular mirror and small circular mirror, a Comitti of London barometer, a History Craft of Cirencester clock and a Smiths battery wall clock, all in reproduction French and Rococo gilt frames

Reproduction mahogany bracket clock having brass and silvered dial with three train movement by Howard Miller

Good quality 19th Century mahogany line inlaid longcase clock having broken arch pediment with shell inlay, the brass dial with silvered chapter ring, subsidiary seconds and two train movement striking on a bell (with alterations), flanked by cluster pilasters over a flush panel triple arch door, and conforming plinth base with ogee bracket feet, the dial with applied plaque, T.H.O.S. Coote, Dublin, 98ins high

Good quality late 19th / early 20th Century walnut ormulu mounted bracket clock in Georgian style, the gilded dial with silvered chapter ring having Roman and Arabic numerals with three subsidiary dials, chime / silent, slow / fast and Whittington / Westminster, striking on the eight day three train fusee movement chiming on bells and a gong

Late 18th / early 19th Century bracket clock having fruitwood four glass case with brass handle, the embossed brass silvered dial with Arabic and Roman numerals and pendulum window, the two train movement striking on a bell with repeat function, (not working) the dial 6.25ins x 8.5ins, case 14ins high

Regency mahogany bracket clock with brass Gothic arch dial and a single train fusee movement

An Edwardian rosewood lancet bracket clock, with Vone of Paris eight day movement striking a gong, no. 57586, the white enamel dial having Roman numerals and marked for the retailer White of Paris, the case having string and shell satinwood inlays and brass handles and bracket feet, 30cm high.

An Edwardian walnut bracket clock of architectural form, with H.A.C. 14 day striking movement, the brass dial having silvered chapter ring with Roman numerals, the case having Corinthian columns and an anthemion stylized pediment, 40cm high.

A late 18c English bracket clock by Baker of London, the double fusee movement having anchor escapement and striking and hour repeating on a bell. The backplate has edge engraving and is signed and the arched brass dial has a strike/silent in the arch and a date ring below the dial centre. The dial has scroll spandrels and matched steel hands and the dial centre and strike/silent rings are silvered. It is contained in a round topped mahogany case with brass carrying handles, fish scale side frets and bracket feet, it stands 16.5" tall overall.

A late 19c French mantel clock in a flat topped oak case inlaid with Art Nouveau swirling floral designs and having lions head ring side handles and brass bracket feet. The single train movement has a two piece dial with gilt centre and cream enamel chapter ring with Arabic numerals, 10.5" tall overall.

A late 18c eight day longcase clock, the 12" arched brass dial signed James Rule, Portsmouth in the arch. The dial has a strike/silent lever in the arch, seconds and date indications, a silvered engraved dial centre, scroll spandrels and unmatched steel hands. The four pillar movement has been converted to strike on a gong in the back of the case. The mahogany case has a pagoda top with sound fret on the front and a dentil moulding around the top hood moulding. Fluted columns flank the dial and the trunk is plain with an arched door, the base has a rectangular applied panel and bracket feet, 84" tall overall.

An early 19c eight day longcase clock, the 12" arched brass dial signed John Isaacs, London and having vase spandrels and engraved floral dial centre and tempus fusee in the arch. It has seconds and date indicators and unmatched steel hands. The substantial three train movement quarter chimes on eight barrels and strikes on a ninth. It is contained in a mahogany case which has been extensively recarved, the hood has swan neck pediments with a central finial and plain columns flank the dial. The trunk has canted fluted corners and the pointed door has extensive floral carving. The base has large lunette carving with a central sheaf of corn and a deep bracket footed plinth also recarved, it stands 89" tall overall.

An early Victorian mahogany chiming bracket clock, triple fusee, eight bells with silvered dial and gothic style case by Kemp of Wolverhampton.

An Art Deco style mantle clock, circular dial with Roman numerals, on bracket feet.

Enoch Sibford, a late 18th century oak and mahogany crossbanded longcase clock, having urn and scrolled pediment over a painted square Roman dial, supporting a thirty hour movement, the quarter length door above a box base on bracket plinth.

A FINE MAHOGANY CASED CHIMING LONG CASE CLOCK BY JOSEPH CROSS OF BRADFORD, THE CLOCK HAVING A BRASS FACE WITH DOLPHINS AND CHERUBS IN RELIEF WITH MINUTE DIAL AND SILVER CHAPTER RING. THE FLAMED MAHOGANY CASE HAVING AN ARCHED INLAID PANEL DOOR, WITH COLUMNS TO SIDES AND TOP OF CASE AND THREE BRASS FINIALS TO THE TOP ON BRACKET FEET. THE CLOCK IS IN WORKING ORDER, APPROX. 240 X 48 X 26 cms

An early 19th century oak eight day longcase clock signed J Wignall Ormskirk, the case with swan neck pediment and turned columns to hood, plain trunk with crossbanded door, rectangular box plinth raised on bracket feet, 27.5cm square painted dial with Roman numerals, corners painted with flowers, centre seconds and twin winding apertures, four pillar movement striking on a bell, 199cm high.

An early 18th century mahogany longcase clock, the twin train striking movement associated to a 33cm square brass dial signed Saml Hill, the hood with broken swan neck pediment and finial, fluted side columns with cast brass capitals above a long trunk door flanked by fluted corner columns, set on an inlaid box base, raised on ogee bracket feet, 228cm high.

A mahogany bracket clock circa 1950's, Arthur Saunders of London

A modern three bottle tantalus; a Comitti London barometer; a bracket clock (3)

An early 20th century mahogany boxwood line strung arched 8 day bracket clock, the 8 inch silver dial signed 'The London Manufacturing Goldsmiths Co Ltd Nottingham', the repeat movement chiming on five coiled gongs, 38cm high

An Elliot bracket clock with key

An oak bracket clock, presented to Br Geo Wright, by members of Byron Lodge, 1902

Modern Hermie Georgian style three train bracket clock

A late 18th Century Bracket Clock, the brass dial with ormolu spandrels, silvered chapter ring and strike silent dial inscribed "R Philip, London" and with date aperture, the movement striking on nine bells and with quarter repeat pull and engraved back plate, in a domed ebonised case, with brass handle and bracket feet. 14 1/2" (37cms) high.

A Regency style Bracket Clock with arched dial having silvered chapter ring and Warmink moon movement, the case with pineapple style finials and scroll feet, 9 1/2in.

A late Victorian oak cased bracket clock decorated with ormolu mounts, the chapter ring inscribed Mandah Rhodes and Sons Limited, Bradford with presentation plaque to the case inscribed "Presented to Mr Percival R Denison" on the occasion of his marriage, April 19th, 1900

Chiming bracket clock by Gustav Becker

An inlaid mahogany eight-day longcase clock, the dial signed for Webb and Son, Newbury, early 19th century, the four pillar rack and bell striking movement with 12 inch white Roman numeral break-arch dial with subsidiary seconds and calendar dials and inscribed Webb & Son, Newbury to centre, the angles with polychrome and gilt painted conch shell spandrels beneath arch decorated with Ho-Ho birds perched on a branch beneath scroll canopy, the break-arch case with with keystone centred moulded cornice and fluted columns to hood above ebony and box line bordered break-arch door above conforming short panel and flanked by inlaid canted angles to trunk, on plinth base with moulded skirt incorporating bracket feet with shaped apron between, 205cm (80.75ins) high.

A French gilt brass mounted oak mantel clock retailed by Bushell, York, circa 1900, the eight-day gong striking movement with gilt rosette-centred convex Roman numeral dial inscribed BUSHELL, YORK within bevel glazed bezel, the rectangular case with cherub surmount and gilt fishscale cast mounts to the shallow caddy upstand within scroll pierced mounts to the cornice above lyre pierced cast oval blind frets to sides and foliate quadrant mounts around dial, the angles applied with conforming projecting mounts, on cavetto moulded base applied with scroll cartouche to front, on brass bracket feet, 36cm (14ins) high.

Early eighteenth century bracket clock with six-pillar triple fusee movement and verge escapement, striking quarters on six bells, engraved back plate with wheatsheaf border and bob pendulum, signed - W. Tomlinson, London, 7.25 x 8.75 inch brass dial with matted centre, false pendulum, calendar aperture, three winding holes and pierced hands, silvered chapter ring and cherub spandrels, the upper part of dial with applied cartouche, signed - W. Tomlinson, London, in an ebonised architectural-style case with inverted bell-top carrying handle and four turned brass finials, on four decorative brass scroll feet, 47cm overall height CONDITION REPORT Movement believed to be original but has been restored and is in running order. Some wear to gilding and silvering on dial, particularly around name plate. Case believed to be original but with some restoration. Door lock and hinges replaced and some mounts possible replacements

Edwardian bracket clock with eight day spring-driven movement striking on a gong, silvered dial with Roman numerals, signed - Dent, 61 Strand, London 59437, in a mahogany veneered case of architectural form, caddy top with central carrying handle, fluted corner columns with brass capitals and inlaid boxwood stringing, pierced fish-scale side frets with silk lining, on a stepped base with four ball feet, 41cm overall height