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An Edwardian inlaid mahogany eight-day precision longcase clock with moonphase, the four-pillar movement with deadbeat escapement and maintaining power, striking the hours on a tubular gong and with wood rod pendulum, the 13 inch brass Arabic numeral break-arch dial with arched calendar aperture and subsidiary seconds dial to the foliate engraved centre signed 'T. Pear & Son, Stafford' within gilt numeral applied silvered chapter ring and female mask and scroll pattern spandrel applied angles, with moonphase to arch, the swan neck pedimented case with Corinthian pilasters to hood over oval fan cartouche centred trunk door and conforming plinth base with bracket feet, 234cm high. The inside is pasted with a presentation certificate from Tom Pear Senior to his son, Thomas William Pear, on the event of his marriage in 1910, it has remained in the same family since.

A George II figured mahogany small bracket clock circa 1750, the eight-day twin fusee rack and bell striking movement with verge escapement and foliate engraved backplate, the 6 inch brass break-arch dial with calendar and false bob apertures to the matted centre applied with shaped silvered plaque signed 'Ar. Dobson, London' and a silvered Roman numeral chapter ring with Arabic minutes, with Indian head pattern spandrels to angles and Strike/Silent subsidiary dial flanked by foliate mounts to arch, the inverted bell-top case with brass carrying handle and break-arch side windows, on bracket feet, 41cm high excluding handle.

An early 20c continental walnut cased mantel clock of architectural bracket clock style with brass eight-day striking movement, 33 cms.

A large walnut cased Napoleon hat shaped mantel clock with carved frieze on bracket supports; the silvered dial with Arabic numerals enclosing a sprung wound eight-day movement, striking on a single gong, 29 cms.

An early 20th century mahogany cased German bracket or mantel clock with plain arched case on a stepped base and bun feet, enclosing silvered dial with Roman numerals, slow - fast and chime - silent dials enclosing a Gustav Becker eight-day Westminster chiming movement, striking on five gongs, 31 cms. high.

A Victorian flamed mahogany bracket clock, with 14" painted dial having Roman numerals and marked "D. Spencer, COVENTRY" over a carved floral and scroll support, moulded plinth with block feet, fusee movement , 22" wide, 23" high.

A CARVED OAK BRACKET CLOCK dial: 4 1/2inch silver chapter ring, subsidiary fast/slow ring, movement: striking on two gongs, case: Jacobethan architectural form, carved with foliage and masks, 17in. (43cm.) high

A ROSEWOOD BRACKET CLOCK dial: cream painted, signed Wallis, London, movement: chain fusee, pull repeat, striking on a bell, case: inlaid with brass lines, the sides with fishscale panels, 12in. (31cm.) high

A SWISS BRACKET CLOCK dial: cream painted, signed Priqueler a Lure, movement: with pull repeat, striking on a bell, case and bracket: of cartouche shape, the pale chocolate ground painted with floral sprays and applied with gilt metal mounts, 34in. (86cm.) high overall

AN OAK BRACKET CLOCK dial: silvered, signed R. Foote, movement: striking on a bell, shouldered back plate, case: Gothic, flanked by quadruple cluster columns, 25 1/2in. (65cm.) high

AN OAK LONGCASE CLOCK dial: cream painted, subsidiary seconds and calendar rings, phases of the moon to the arch, signed J Ivison, Carlisle, case: the hood flanked by turned pillars beneath a swan neck pediment, the waist door with mahogany crossbanding, on ogee bracket feet, 92in. (234cm.) high

AN EDWARDIAN MAHOGANY LONGCASE CLOCK, in 18th Century style, the hood with broken swan neck pediment above strapwork freize and arched apeture, the waist having arch moulded door flanked by quarier reesed pillasters above a panelled base on ogee bracket feet. Arched brass face with silvered chapter rings, eight day movement striking on various quarter gongs, reeded strike/ silent, seconds dial, marked "Pearce & Sons Ltd Leicester. C1900, 94" high.

A FRENCH OAK CASED BRACKET CLOCK, having brass loop handle, white enamel dial and brass drum movement.7.5" high. 20th Century.

An early 20th century French brass repeating carriage clock, with white enamel Roman numeral dial, the movement striking on a gong, on bracket feet, 13.5cm high

A 19th century Le Roy & Fils ebonised and ormolu-mounted portico calendar dial clock, circa 1840, the five inch circular engine turned dial with Roman numerals and subsidiary moon phase and calendar dials, month and day apertures, the half hour striking movement with pin wheel escapement and exposed count wheel, striking on a gong with gridiron pendulum and back plate, marked Leroy & Fils Hors de Roi, a Paris No439, the bronze capped columns on stepped plinth base applied with ormolu palmette collar, on corresponding rosette bracket feet, 59cm high, 30cm wide, 15.5cm diameter

**A VICTORIAN OAK BRACKET CLOCK with architectural arched case, having striking movement with brass and silvered dial, 16 1/2" high

**AN EARLY 19TH CENTURY EBONISED AND BRASS BRACKET CLOCK, with silvered dial and seconds dial by R. & C Goodhugh of Wellbeck Street, London, the arched case with flame finial, fret sides with ring handles, 12 1/2" high.

A 19TH CENTURY SCOTTISH LONGCASE CLOCK, the 34cm diameter circular brass dial, unsigned, with calendar and seconds dials, above a door flanked by quarter columns, on bracket feet, hood re-constructed, 80.5in (205cm) high.

A GEORGE III OAK LONGCASE CLOCK, the arched painted dial with calendar and seconds subsidiary dials and signed 'Wright, Linton', above an arched panel door, on bracket feet, 77in (196cm) high.

A VICTORIAN BLACK SLATED MARBLE MANTEL CLOCK, of architectural form, the movement stamped 'Japy Freres', 13in (33cm) high and a modern bracket clock by Knight and Gibbins, Sudbury.

A VICTORIAN WALNUT BRACKET CLOCK OF 'GOTHICK' INFLUENCE, the arched engraved silvered dial signed 'Webster, Queen Victoria St, London' and numbered 17173, with slow/fast and chime/silent in the arch and bells/gongs beside the III, the three train movement striking on five gongs and eight bells, within a case flanked by columns and surmounted by corbels, bearing presentation plaque dated 1895, 82.5cm high (32.5in), 29cm deep (11in), 46.5cm wide (18.5in).

An early brass Lantern Clock with engraved dial inscribed Nicholas Coxiter, Londini, single hand, pierced coat of arms surmounts, striking on bell, with wall bracket

George III oak and mahogany Longcase Clock, with fruitwood and ebony banding and boxwood stringing, broken swan neck pediment with brass finials, short door with mahogany banding, fluted quarter columns, plinth base with canted corners, bracket feet, arched painted dial, inscribed, "High Water at Bristol Quay", surrounding moon phase lunette, with date aperture, the dial with a silvered chapter ring with cast rococo spandrels, subsidiary strike silent and date dials, with a segmented date chart, eight day movement, striking on a bell, 220cms overall.

A Louis XV-style boullework bracket clock, signed Andreas Lehner, Monachy, with brass champleve dial and spring-driven gong-striking movement (as viewed) 2ft high

A large Victorian mahogany cased bracket clock, with a twin fusee movement, the white dial with black Roman numerals and detailed G Nicholson, Wandsworth, with a mahogany bracket.

A FRENCH MANTEL CLOCK, the eight day movement striking on a bell and with silk suspension, white enamel dial inscribed Picherie Bouche a Saumur, in black marble and ormolu mounted canted oblong case surmounted by a seated figure of a female harvester, on bracket feet, 18 1/2" high

A FRENCH CLOCK GARNITURE, the eight day drum movement with enamel dial painted with floral festoons, in green onyx stepped oblong case with gilt metal mounts and surmounted by a spelter figure Chanson after Kossowski, on bracket feet, 24" high, flanked by a pair of similar cherubs

A LONGCASE CLOCK by Fabian Robins, the eight day movement with arched brass dial, secondary dial and calendar aperture, in later mahogany and marquetry case with classical figures and scrolling foliage, the scrolled pediment with brass finials on fluted columns, arched door flanked by wrythen pilasters, panel base and bracket feet, 90" high

A LONGCASE CLOCK by John Booth, Huddersfield, the thirty hour movement behind brass square dial, with pierced and moulded spandrels and calendar, in oak case with swan neck pediment, on tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 84" high

A LONGCASE CLOCK, the eight day movement behind arched brass dial with moonphase, chased with foliate scrolling, secondary dial and calendar, in oak case, the scroll pediment with ball finial on gilt metal columns, scroll top door inlaid with sun paterae, fluted quarter columns, panel base and bracket feet, 19th century, 89" high

A LONGCASE CLOCK, by Roberts, Otley, dated 1782, with thirty hour movement, arched dial with calendar, painted with flowers and cottages, in oak cross-banded case, scroll pediment with brass ball finial on fluted columns, the door flanked by fluted quarter columns, plank base and bracket feet, 85" high

A LONGCASE CLOCK by Jo Batty, Halifax, the eight day movement with arched brass dial, painted moonphase and secondary dials, in oak case, the scrolled pediment with gilt metal finials and rosettes, on tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 92" high

A SMALL LONGCASE CLOCK, the eight day movement with arched brass dial signed Jno Rigg, Gisbrough, in oak and mahogany crossbanded case, moulded and dentil cornice on turned columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 72" high

A LONGCASE CLOCK, the eight day musical movement with chased square brass dial, secondary dial and calendar aperture, in oak case with inlaid paterae and parquetry banding, moulded cornice with carved surmount on turned columns, arched door, panel base and bracket feet, late 18th/19th century, with later carving, 91" high

A LONGCASE CLOCK by Nugent Booker, Dublin, the eight day movement with square brass dial, two secondary dials, in mahogany case, flower carved scroll pediment with brass finial, cushion frieze with carved mask and foliate scrolls on fluted columns, arched door, fluted quarter columns, panel base and bracket feet, 92" high

AN EDWARDIAN MAHOGANY BRACKET STYLE MANTEL CLOCK, the brass dial with silvered chapter ring, the case with raised top with gilt metal carrying handle, the eight-day movement chiming on a coiled gong, 14" high

A VERY GOOD MAHOGANY INLAID BRACKET CLOCK with domed top, brass finials and circular silvered dial, the movement by W. POTTS & SONS, LEEDS, the case inlaid with lines and butterflies, wooded fretwork sides and supported on brass bun feet. 19ins high.

James McCulloch, Auchterarder A George III mahogany cased 8-day long case clock, the twin train movement with anchor escapement, the painted arched dial with Roman numerals, subsidiary seconds and date dials, painted to the arch with a landscape and to the spandrels with floral sprays, the hood with swan neck pediment above twurned columns, the arched trunk door with boxwood stringing above plain panel base on bracket feet218cm high

William Barr, Hamilton An early 19th century mahogany cased 8-day longcase clock, the twin train movement with anchor escapement, the dial painted to the spandrels with allegories of the seasons and to the arch with a lovers tryst, and having subsidiary seconds and date dials, the swan-neck pediment above ebony lined hood and trunk and with panelled base below on cut bracket feet232cm high

Wignall, Ormskirk An early 19th century mahogany cased 8-day longcase clock, the twin train movement with anchor escapement, the square painted dial with subsidiary date dial and moon phase enclosing flower-painted spandrels, the hood with swan-neck pediment tole panel and turned columns, the shaped trunk door with flanking reeded pilasters above a panel base on ogee bracket feet233cm high

Wm. Harvey, Stirling An early 19th century mahogany cased 8-day longcase clock, the twin train movement with anchor escapement, the circular painted dial with subsidiary seconds and date dials, the hood with architectural pediment above semi-bowed trunk door and crossbanded base on bracket feet222cm high

A George III oak 8-day longcase clock, the twin train movement with anchor escapement, the falseplate marked 'Dalloway & Son', the painted arched dial with Roman chapters and subsidiary seconds and date dials, decorated to the arch with a bird and to the spandrels with thistles and roses, the hood with swan neck pediment above fluted columns, the shaped trunk door above panel base on bracket feet218cm high

Richards, Cheltenham A Regency mahogany and brass lined bracket clock, the twin train fusee movement with circular dial having Roman numerals, enclosed within case with serpentine cornice and applied foliate and pineapple motifs and brackets, the pierced brass gothic grilles to the sides surmounted by brass ring handles, the whole raised on brass bun feet45cm high

Marshall and Sons, Edinburgh An Edwardian three train bracket clock, the triple train movement with circular silvered dial having Roman numerals, and with subsidiary Chime/Silent, Slow/Fast, and Westminster/ Chime on Eight Bells dials, within ebonised case with caddy top surmounted by pineapple finials, above canted case with applied gilt metal mounts on moulded plinth with cast bracket feet62cm high

An ebonised longcase clock, the brass dial inscribed 'Arch Strachan', with roman numerals and date aperture, fitted thirty hour striking movement, the square-shaped hood with turned pilasters and arched panelled door below, raised on bracket feet, 17in. x 81in. high.

A 19th Century oak and mahogany crossbanded longcase clock, the arched dial inscribed 'Taylor, Morpeth', with roman numerals and subsidiary seconds and date dials, the arch painted with a highland figure, fitted eight day striking movement, the hood with turned finials and later fret carved brackets, flanked by turned pilasters, an arched panelled door to the trunk with crossbanded base, raised on bracket feet, 21 1/2in. x 92iin. high.

A small longcase clock with silvered dial and roman numerals, decorated with engraved floral scrolls, fitted an eight day movement striking on gongs, the mahogany case with a glazed panelled door, raised on ogee bracket feet, 11in. x 68in. high.

Early 19th Century long case clock having scroll neck pediment with brass finial's, the arch painted dial with shepherdess and sheep, eight day movement, subsidiary second hands, trunk with arched panel door, flanked by columns on bracket feet, 207cm

French Boulle and tortoiseshell bracket clock, with cast brass figure finial, 16in (40.6cm) high

Mahogany longcase clock, the carved swan neck pediment over brass cased dial named for William Freeland and with seconds dial and calender ring, flanked by plain pilasters over a trunk flanked by Corinthian pilasters, all raised on bracket feet, 88in (203.5cm) high

Early 19th Century mahogany longcase clock, the West Country case with swan neck pediment and rope twist pillars, standing on bracket feet, the painted arch shaped dial with moon phase movement, painted foliate spandrels, subsidiary seconds dial and fan shaped calendar aperture - eight day striking movement, 222cm high

Late 19th Century walnut cased bracket clock with scroll shaped pediment having carved foliate decoration, arch shaped silvered dial inscribed J.W. Benson, London - eight day brass movement stamped Benson, 32cm high

An oak and mahogany crossbanded longcase clock, 19th century, the caddy top above an ogive cornice and blind fret carved frieze over a square glazed door enclosing a 12 inch square brass dial with roman numerals, subsidiary seconds dial and date aperture marked 'Joyce, Whitchurch', pierced foliate spandrels, thirty hour movement striking on a bell between brass capped fluted pilasters over shaped top crossbanded trunk door between fluted quarter columns over an ogive moulding, raised baseboard and on later ogee bracket feet, 80" high.

A French porcelain mantle clock, circa 1860, in arched cobalt, floral and gilt case, 3.5" engine turned silvered dial with roman numerals, eight day movement striking on a bell and raised on scroll gilt bracket feet, 16" high.

A George III oak and mahogany crossbanded longcase clock, late 18th century, the ogive cornice and plain frieze over a square glazed door flanked by reeded brass capped pilasters and enclosing a 13.5" white painted enamel dial with arabic numerals, subsidiary seconds and date dial and marked 'Thomas Haywood, Northwich', painted flowers in the corners, eight-day movement striking on a bell, above a full length trunk door with concave top corners flanked by fluted quarter pilasters over an ogive moulding and bevelled base board between canted angles and raised on shaped bracket feet, distressed, 84.5" high.

A George III oak longcase clock, circa 1760, the ogive cornice above a blind fret frieze and square glazed door flanked by turned pilasters enclosing an 11" square brass dial with matted centre, roman numerals and marked 'John Stokes, Bewdley', pierced floral spandrels, glazed side windows, 30 hour movement striking on bell above a full length bevelled trunk door and ogive moulding above a bevelled base board, shaped apron and on bracket feet, 83" high.

A George III oak and mahogany crossbanded long case clock, late 18th century, the broken scroll swan neck pediment above an arched glazed door flanked by brass capped turned pilasters enclosing a 12" white painted arched enamel dial with roman numerals and date aperture, late marked 'Roberts Ollerton', florally painted corners, painted with a song bird in the arch, 30-hour movement striking on a bell above a cushion moulding and pointed arch top cross banded trunk door between fluted quarter pilasters over an ogive moulding and bevelled base board and on shaped bracket feet, distressed, 88" high.

A mahogany and inlaid longcase clock, second quarter 19th century, the broken scroll pediment above an arched door flanked by brass capped baluster turned pilasters, enclosing a 13" white painted arched enamel dial with roman numerals, subsidiary seconds dial and marked 'John Stewart, Londonderry', painted with a huntsman and dog in the arch and florally painted corners, eight day movement striking on a bell above a crossbanded and boxwood strung frieze and three-quarter length shaped top trunk door flanked by rounded quarter pilasters over an ogive moulding and octagonal bevelled base board with floral corners over a shaped apron on bracket feet, restored, 88" high.

A George III oak longcase clock, mid 18th century, the dentil moulded ogive cornice above a square hood door flanked by turned pilasters enclosing a 10.5" square brass dial with roman numerals and engraved 'Isaac Court, Henley', and with florally engraved centre and corners, eight-day movement striking on a bell above a full length rectangular bevelled trunk door over an ogive moulding and square base board raised on a plinth and bracket feet, 80" high.

An oak walnut crossbanded and ebony strung longcase clock, second quarter 19th century, the broken scroll swan neck pediment above an arched glazed door flanked by turned pilasters enclosing a 14" white painted arched enamel dial with raised centre, roman numerals, subsidiary seconds dial and date dial marked 'Joss Lawley, Wellington', painted flowers to the corners and farmers and cart horses to the arch, eight day movement striking on a bell above a three quarter length crossbanded shaped top trunk door, centred by a boxwood and harewood conche shell motif between ring turned pilasters over an ogive moulding and conforming inlaid base board between canted angles and raised on a shaped apron and bracket feet, 91" high.