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VICTORIAN OAK EIGHT-DAY LONGCASE CLOCK maker James Black of Kirkcaldy, with arched enamel dial, and swan necked pediment on bracket feet, 210cm high

EARLY 20TH CENTURY MAHOGANY BRACKET CLOCK th silver dial with subsidiary rings and numbers in black, with a chiming movement and complete with pendulum, 35cm high

A late Victorian walnut mantle clock, having a glazed door enclosing gong striking movement and painted Roman dial flanked by turned pilasters over concave bracket, 86cm.

An early/mid-20th century mahogany longcase clock, the arched Roman dial supporting a three train Westminster striking movement over three quarter length glazed door, box base and bracket plinth, 196cm.

An early 19th century mahogany and crossbanded longcase clock, the painted arched dial decorated with natives of the Commonwealth around Arabic numerals, supporting an eight day four pillar bell striking movement over serpentine moulded door, flanked by quarter turned pilasters on a box base and bracket feet, 231cm.

A VICTORIAN OAK BRACKET CLOCK the gilt brass rectangular dial with silvered chapter ring, engraved on a tablet GOLDSMITHS COMPANY 112 REGENT ST LONDON, the three subsidiary dials above including WESTMINSTER CHIMES/CHIME ON EIGHT BELLS selector and with floral spandrels, the substantial brass fusee movement with carillon and five coiled wire gongs, the carved breakfront case with swept pediment, finials and pilasters, the side frets of strapwork, 55.4cm h A good quality clock in fine original condition

A REGENCY MAHOGANY BRACKET CLOCK signed on the painted dial BUDGEN CROYDON and with pierced steel hands, the twin fusee movement with engraved and shouldered backplate and striking on a bell, in brass mounted, breakarched and pad topped case with ball finial, ebony stringing and inlaid beneath the dial with a satinwood oval, flanked by stop fluted pilasters with lion mask and ring handles, scale side frets and ball feet, 50cm h William Budgen (1750-1824), clockmaker of Croydon and London. Glass in back door broken, the case of attractive dry appearance. Ball finial repaired, two shrinkage cracks on the curved part of the top of the case. Wear to the paint on the dial but not repainted, minor vertical veneer shrinkage crack across the satin wood oval

A CORNISH LONGCASE CLOCK MOVEMENT AND DIAL signed and dated on the brass breakarched dial Roger Wearn ST ERTH 1805, with subsidiary seconds dial, date sector, eagle disc and dolphins to the arch and mask spandrels, brass eight day movement, an iron false plate marked F[IN]NEMORE & SON, in associated oak and crossbanded case with brass mounted swan neck pediment and reeded pilasters, on bracket feet, 207cm h False plate fractured, lack seconds hand, movement complete but requires cleaning etc, small old repairs/damage to the case

A GEORGE III GREEN JAPANNED LONGCASE CLOCK the brass breakarched dial signed on a tablet to the centre John Jones BURY, with matted centre, date aperture, ringed winding holes and subsidiary seconds dial, pierced steel hands, mask spandrels and wheatear border, the arch engraved with two pairs of exotic birds and strapwork and with fan shaped aperture engraved with personifications of the days of the week, their astronomical symbols and names, having five pillar eight day movement with S[trike N[ot] Strike] selector and repeat lever, the case with flat topped hood, turned pilasters and break arched door decorated with figures, temples, trees, the Sun in splendour and birds, on bracket feet, 226cm h A good original example, the dial and movement on what could well be the original seat board, no evidence of having been associated to the case, ie the cheeks not altered, the decoration chipped and with some rubbing and loss but not the subject of any recent restoration. Sold with pendulum with brass bob and two brass sleeved lead weights all of which could be contemporary

A Regency oak and mahogany eight day longcase clock, the 12 inch painted arched dial signed 'J N. Jones, Newtown', with centred subsidiary seconds dial and date aperture within a ring of Roman numerals under an architectural ruin painted to the arch, the hood with swan neck pediment over the arched hood door between reeded front corner hood pilasters above an ogee arched mahogany crossbanded conche shell inlaid short trunk door between reeded front corner short trunk pilasters on an inlaid box base with canted front corners raised on short bracket feet, 222cm high

A mid-19th century mahogany boxwood line strung eight day longcase clock, the 13 1/2 inch square painted dial signed 'J Collier, Cheadle', with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over Gothic arched trunk door, between reeded front corner short pilasters, on a crossbanded base with canted front corners, raised on ogee shaped short bracket feet, 234cm high

An 18th century oak 30 hour longcase clock, the 10 1/4 inch brass dial signed 'W Marston, Bishops Castle', within a ring of Roman numerals and pierced brass corner spandrels, the later carved case with reeded hood pilasters and quarter front corner trunk pilasters, on short bracket feet, 196cm high

An early 19th century oak crossbanded mahogany eight day long case clock, the 13 inch arched painted dial singed 'Owen Davis, Llanidloes', with centred subsidiary seconds dial and date aperture, under a rolling moon, the hood with swan-neck pediment, over fluted front corner hood pilasters, over a short crossbanded trunk door and crossbanded base, raised on short bracket feet, 218cm high

A MAHOGANY CASED GRANDMOTHER CLOCK by J Cox, London, the eight day movement with anchor escapement striking on a bell, 8 1/2" arched brass dial with Roman and Arabic numerals, chased foliate centre and signature boss to arch, the case with scrolled pediment and brass finial on Corinthian columns, canted trunk with arched door, panel base and bracket feet, 72 1/2" high (Illustrated)

A GILT BRASS CASED CARRIAGE CLOCK, the twin barrel repeater movement with platform cylinder escapement striking on a gong, white dial with Roman numerals, the case with reeded square loop handle and bracket feet, 7" to tip of handle, red leather carrying case

AN OAK AND GILDED BRASS TABLE CLOCK, the two train movement striking on a gong, the embossed 7" sunburst dial inset with silvered roundels with blue Arabic numerals, the case with wreath surmount on caddy top, pineapple finials on scrolled angle brackets, the finial applied with masks, cherubs and cherub heads, pierced sound panels and bracket feet, 14" wide, 24 1/2" high

A Regency rosewood brass inlaid clock bracket, 34 cm wide: A Regency mother of pearl inlaid work box, 29 cm wide: A walnut cased mantel clock with scroll engraved silvered dial and French movement, 22 cm high, (3)

A George III mahogany bracket clock case, circa 1800, with enamel dial signed Desbois and Wheeler, Grays Inn Passage (no movement), 43 cm high x 28cm wide

A George III style ebonised bracket clock by Payne & Co, 163 New Bond Street, London, No 3272, the break arch case with ormolu carrying handle, finials, leaf cast mounts and side frets, the dial with silver chapter ring and strike/silent dial in the arch, the eight day chain fusee movement with dead beat escapement and coiled steel gong, the backplate engraved with the makers name and number, 41 cm high x 27 cm wide, with later ebonised wall bracket on scroll supports.

A repeating gilt metal and glass carriage clock by Dent of London, 20th century, of rectangular form, the white enamel dial with additional hour aperture, enclosed by gilt metal and glass case with corners of column form, on stepped base and bracket feet, height 14 cm.

A George III mahogany long case clock, the hood with broken swan neck pediment and fluted column supports, the 14" broken arch topped painted Roman dial set moon phase and second subsidiary dial above marquetry paterae and shape door, flanked by quarter fluted pilasters, raised on a box base and bracket feet, 250cm high x 59cm wide.

Oak and mahogany longcase clock, with a moulded cornice, plain frieze, the hood with turned uprights, plain door, bracket feet and square brass dial with figural spandrels, Roman numerals, subsidiary date aperture, signed - Joseph Halifax, Barnsley, eight-day movement striking on a dial.

A FRENCH BRASS CASED CARRIAGE CLOCK, c.1900, surmounted with bracket swing handle above bevelled glazed panels enclosing a white enamel dial with Roman numerals on an outset base. 14cm high

A George III oak longcase clock with thirty hour movement striking on a bell, the square silvered dial with Roman hours and Arabic outer minutes, cornered with engraved foliate spandrels, inscribed `SamL Ollive, Tonbridge`, the hood with moulded pediment above glazed door and turned pilasters, the trunk with rectangular door on a plain base and bracket feet, height approx 187cm, together with weight and pendulum.

A 20th Century George III style mahogany bracket clock with eight day chiming movement, the matt brass break arch dial and silvered chapter ring with Roman and Arabic numerals and inscribed `Arthur Saunders, London` `An Elliott Clock`, framed by winged mask spandrels, the break arch case with carrying handle above a glazed door, stepped base and bracket feet, height approx 33cm, together with a pendulum and key.

A 19th Century gilt brass four glass mantel clock with eight day movement striking on a bell, the circular white enamel dial with Roman numerals, the case with bevelled panels on bracket feet, height approx 23cm, together with a pendulum.

A 19th Century French brass cased carriage alarm clock with eight day movement striking on a bell, the backplate detailed `A.D`, the white enamel dial with Roman numerals and subsidiary alarm dial, the glazed one piece case with swing handle, on bracket feet, height approx 14cm.

A late 19th Century brass cased carriage clock with eight day movement repeating on a gong, the white enamel dial with Roman numerals, the glazed case with swing handle, on bracket feet, height approx 12.5cm, together with a key.

An early 20th Century brass cased carriage alarm clock, the enamel dial with Roman numerals and subsidiary alarm dial, the glazed case with swing handle, on bracket feet, height approx 11.5cm.

A late 19th Century brass cased carriage clock with eight day movement striking on a gong, the enamel dial with Roman numerals and inscribed `Henry Pidduck & Sons, Southport`, the glazed case with swing handle, on bracket feet, height approx 13.5cm (faults).

A late 19th Century brass cased carriage alarm clock, the white enamel dial with Roman numerals and subsidiary alarm dial, the glazed case with swing handle on bracket feet, together with a leather case (faults).

An early 20th Century French brass oval four glass mantel clock with eight day movement striking on a bell, the circular enamel dial and chapter ring with Roman numerals and visible escapement, above a compensated mercury pendulum, the oval case with bevelled glass panels, on bracket feet, height approx 36cm, with a key (minor faults).

An Art Deco oak longcase clock with Westminster chiming movement, the square chapter ring with Roman numerals, the case with moulded decoration, on a stepped base and bracket feet, height approx 152cm, together with a pendulum and key.

A lacquered brass ships clock with eight day movement, the circular white dial with Roman numerals and subsidiary seconds, mounted on a pine wall bracket.

A late Victorian brass cased mantel clock with eight day movement striking on a bell, the circular pottery dial polychrome painted with a stylized flowerhead and Arabic numerals, the rectangular stepped surmount cornered by ball finials, above turned columns and stepped base, on bracket feet, height approx 31cm, with a pendulum and key.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with rolling moon to arch above a silvered chapter ring with Roman hour numerals, framing a foliate engraved centre with subsidiary seconds and date aperture, inscribed `Wilkinson, Wigton`, the hood with moulded arch pediment and brass ball finials above a glazed door flanked by stop fluted Corinthian columns, the trunk with arched door flanked by fluted corner columns on a panelled base and bracket feet, height approx 233cm, together with pendulum and two weights (alterations and restoration).

An Edwardian Director`s Bracket Clock with 1/4 strike on eight bells and four gongs and with repeater action, with steel and brass dial in oak case, with gilt metal mounts, urn finials and claw feet. 29" (74cms) high.

A nineteenth century oak longcase clock the, movement by Thomas Hauxwel of Brompton, having swan-neck pediment carved with flowers above an arched door with painted dial and date aperture, the hood flanked by turned columns, the trunk with crossbanded shaped door above a moulded plinth, raised on bracket feet.

A late Victorian Mahogany inlaid Bracket Clock, K & P

An ornate Edwardian Oak Bracket Clock, K & P

German oak neo-gothic bracket clock , circa 1880, the upright case with a three-quarter gallery and bobbin turned columns, silvered roman dial, triple barrel movement chiming the quarter on an eight bell carillon and the hour on a coil, height 56cm. *See clocks and watches proviso.

German oak quarter repeating bracket clock dated 1899 on a presentation plaque, the bell topped case applied with gilt metal mounts, arched brass face with silvered chapter ring and slow/fast ring, triple barrel movement by Winterhalter & Hofmeier chiming the quarter on coils, height 43cm. (Pendulum, winding key, door key). *See clocks and watches proviso.

Massive Georgian style ebonised bracket clock applied with gilt brass mounts, circa 1890, the bell topped case with urn finials over canted corners with satyr pilasters and gilt fret sides, on a set out base and claw feet, the arched brass face with a silvered chapter ring and chime/silent, slow/fast rings, double chain fusee movement by Winterhalter & Hofmeier chiming the quarter and striking the hour on coils. Overall height 71cm (pendulum, winding key). *See clocks and watches proviso.

American mahogany wall clock , mid 19th century, white painted roman dial, 19cm, and brass bezel in a leaf scroll frame on set out apron and bracket-effect base, fitted with a simple timepiece movement with pendulum bob, overall height 52cm. *See clocks and watches proviso.

Massive oak and gilt brass Georgian style repeating bracket clock and wall bracket, circa 1890, the neo-classical architectured case with a gilt frieze, balustrade and pineapple finials over canted corners with figural pilasters, fretwork sides and top spandrels, the brass arched face with a silvered chapter ring, retailer`s label Byrne, Liverpool , and subsidiary rings in the arch for chime/silent, slow/fast and chime on eight bells/chime on four coils, German triple fusee and chain movement chiming the quarter with a repeat cord on an eight bell carillon or four coils and hour strike on a coil (with pendulum and winding key). Overall height 60cm; together with its neo-classical parcel gilt oak wall bracket, width 46cm. *See clocks and watches proviso.

Mahogany longcased clock, Watkin Owen Llanrwst , break arch brass face with painted rolling moon, roman chapter ring, subsidiary seconds and date aperture, 8-day movement, in a break arch hood with dentil cornice, blind fret frieze and fluted columns on a quarter column trunk and set out plinth with ogee bracket feet, height 237cm overall (two weights, pendulum). *See clocks and watches proviso .

Mahogany long case clock , Brown, Liverpool , break arch brass face signed on a silvered dome in the arch, silvered chapter ring, subsidiary seconds, date aperture, ringed winding holes, 8-day movement, in a break arch hood with glass frieze and fluted columns on cavetto shoulders, quarter column trunk, canted corner plinth and ogee bracket feet, height 244cm. *See clocks and watches proviso .

Mahogany longcased clock , Winstanley, Ormskirk , painted square roman face with subsidiary seconds and date dials, 8-day striking movement on a Walker false plate, in a swan neck hood with pen work leaf frieze, plain column, on a reeded corner trunk and cut corner plinth and ogee bracket feet, height 225cm. *See clocks and watches proviso .

A 19TH CENTURY SCOTTISH MAHOGANY LONGCASE CLOCK, the circular dial with Roman numerals and subsidiary seconds dial, signed James Howden, Edinburgh, of eight day movement striking on a bell, the circular cushion moulded door with a gilt bezel, the trunk with canted corners, flanking a shallow arch door, on a deep plinth with bracket feet, 203cm high

AN EARLY 20TH CENTURY FRENCH FOUR GLASS MANTEL CLOCK, the cylinder movement with circular porcelain dial painted and gilt with a recumbent putto with tambourine and flowers, inscribed 'Aitchison, Ludgate Hill, London and Paris', Roman numerals champlevé enamel border, the pendulum with porcelain decorated bob, in a conforming lacquered bronze and glazed case, flanked by porcelain pillars and surmounted by a porcelain mounted urn, bracket feet, 42cm high. See illustration

A late 18thC mahogany longcase clock the hood with swan neck pediment, with enamel dial and Arabic numerals on bracket feet 210cm high

A French gilt brass carriage clock in elaborate scroll cast case. Bolviller, Paris, circa 1840. The eight-day two train outside countwheel bell striking movement with silvered platform lever escapement and stamped with oval BOLLVILLER, A PARIS trademark and numbered 362 LM to backplate, the rectangular white enamel Roman numeral dial with repeat signature beneath VI and fine blued steel Breguet style moon hands, the bevel glazed case with hinged mask and scroll cast carrying handle above large top glass and conforming frieze decorated with central reclining figure flanked by lion’s mask cast projecting corner panels, the uprights with further leafy trail infill to panels, on stepped base with female masks to corner panels and with integral bracket feet, the rear of the case with conforming symmetrical foliate scroll cast gilt brass door incorporating shutters for the winding and adjustment squares, 14.5cm (5.75ins) high excluding handle. Bolviller is recorded in Allix, Charles and Bonnert, Peter CARRIAGE CLOCKS, Their history and development (page 432) as working from several addresses in Paris from 1830 until after 1870. Bollviller are known for being relatively early and inventive makers of fine French carriage clocks. The case of the current lot demonstrates the transition from one-piece to early multi-piece and is decorated in the Louis XIII revival taste, a style which became fashionable during the reign of Louis Philippe (1830-48).

A gilt brass petit sonnerie striking carriage clock with push-button repeat and alarm. Unsigned, probably late 20th century. The eight-day two train movement striking the quarters on a graduated pair of gongs and sounding the hour and alarm on the larger of the two, with platform lever escapement and rectangular gilt dial with rosette centre within chapter ring applied with Arabic enamel cartouche numerals, bearing a retailer’s signature CAMERDEN & FORSTER, NEW YORK and with alarm setting dial to lower margin, the gilt bevel glazed case with hinged carrying handle above cavetto cornice and repeating block and bead decorated angles to uprights, on conforming skirt base incorporating squat bracket supports, 16.5cm (6.5ins) high excluding handle.

A brass mounted mahogany bracket clock. Incorporating movement by James Humfrey, Leicester, early 19th and later. The five pillar twin fusee bell striking movement with anchor escapement, the shallow arch shaped backplate with herringbone engraved border, pendulum holdfast and signed Ja’s Humfrey, LEICESTER towards lower margin, the 7 inch circular convex white painted Roman numeral dial now bearing signature TH. HARRIS, BATH to centre and with decorative pierced blued steel moon hands within cast brass convex glazed bezel, now in a shallow break-arch top case with brass carrying handle above moulded brass uprights to front angles and fillet inset recessed quadrant panels beneath dial, on moulded skirt base with bun feet, 38cm (15ins) high excluding handle; with a purpose-made mahogany wall bracket of stepped ogee moulded outline 24.5cm (9.5ins) high, the clock and wall bracket 62.5cm (24.5ins) high overall.

A Victorian carved oak bracket clock. John Smith and Sons, London, late 19th century. The five pillar twin fusee gong striking movement with rise/fall regulation and pendulum holdfast to the backplate, the 6.5 by 5 inch rectangular single sheet silvered brass Roman numeral dial signed J. SMITH & SONS, CLERKENWELL, LONDON to centre and with floral engraved infill to lower spandrels and around the STRIKE/SILENT selection dial to the upper margin, the triangular pedimented case with carved tile decoration to upper surfaces and scallop shell centred scroll carved infill to the tympanum, the bevel glazed front door inset with an angled brass fillet and flanked by floral carved canted angles, the sides with pierced rectangular side frets, on repeating acanthus carved moulded skirt base incorporating short bracket feet, 35cm (13.75ins) high. The firm of John Smith and Sons is recorded in Loomes, Brian Watchmakers and Clockmakers of the World Volume 2 as working in London 1844-81.

A Victorian carved walnut Gothic Revival quarter chiming bracket clock. J.W. Benson, London, late 19th century. The substantial four pillar triple chain fusee movement with anchor escapement and Brocot type pendulum regulation, chiming the quarters on four graduated gongs and sounding the hour on a further larger gong, the 8 inch single sheet silvered brass shaped-top Roman numeral dial signed J.W. BENSON, LUDGATE HILL, LONDON to centre, with regulation square at 12 o’clock and subsidiary STRIKE/SILENT selection dial within foliate scroll engraved infill to arch, the gabled case with leaf-capped pyramid spire finials and stepped crenulations to ridge, the front with central hanging arch above the foliate carved shaped-top glazed front door inset with a shaped silvered brass fillet, flanked by projecting crenulated cluster columns capped with conforming hanging arches, the sides with pointed arch tracery frets, on repeating arch panel plinth base with moulded skirt and block feet, 75cm (29.5ins) high; complete with original wall bracket with conforming moulded platform above pierced and carved shaped side supports fronting shaped back panel, 34.5cm (13.5ins) high, the clock and wall bracket 110cm (43ins) high overall.

A late Victorian brass mounted quarter chiming bracket clock. Unsigned, late 19th century. The four pillar triple chain fusee movement with rise/fall regulation, chiming a choice of two melodies for the quarters on a nest of eight graduated bells and striking the hour on a gong, the 7.5 inch brass break-arch dial with matted centre within applied silvered Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, the angles with foliate festoon and scroll cast spandrels beneath arch applied with subsidiary FAST/SLOW dial above further CHIME/SILENT and WESTMINSTER/CHIME ON EIGHT BELLS selection dials within conforming cast mounts, the bell-top case with basket of flowers and scroll cast mount to upstand and pineapple finials, conforming mounts to upper quadrants of the front door flanked by reeded Corinthian columns to front angles, the sides with rectangular cast brass sound frets decorated with foliate scrolls and Arabesques, on tall moulded base with leaf moulded upper border and lobed feet, 59cm (23ins) high excluding later top finial.

A Victorian carved oak quarter chiming bracket clock. Unsigned, late 19th century. The substantial four pillar triple chain fusee movement with anchor escapement and chiming a choice of two melodies on a nest of eight graduated bells every quarter and striking the hour on a gong, the 10.5 x 8 inch single sheet silvered brass Roman numeral dial with foliate scroll engraved infill to spandrels and upper margin with canted upper angles and incorporating subsidiary WHITTINGTON CHIMES/CAMBRIDGE CHIMES and CHIME/SILENT section dials, the case with scroll carved crest flanked by ball finials capping carved corbels with moulded cornice and panel frieze between, the front with brass fillet inset glazed door decorated with floral panel infill to upper quadrants and flanked by Corinthian pilasters, the sides with rectangular scroll pierced sound frets, the plinth base inset with carved panel flanked by rosettes beneath dial, on moulded skirt with disc feet, 65cm (25.5ins) high.

A Victorian walnut balloon-shaped bracket clock. Charles Cordeux, Clifton circa 1880. The five pillar twin chain fusee gong striking movement with fine beat adjustment to the deadbeat escapement, Harrison’s maintaining power and shouldered plates, the 10 inch circular silvered Roman numeral dial signed CHA’s. CORDEAUX, CLIFTON to centre and with steel spade hands within cast brass glazed bezel with canted inside edge, the waisted arch-top case terminating with acanthus carved outswept scrolls to sides and elaborate applied foliate decoration to centre flanked by integral curved supports with further foliate decoration and shaped apron between, 81cm (32ins) high; with a later walnut wall bracket with moulded platform over leafy-scroll applied shaped support, 23cm (9ins) high, the clock and bracket 94cm (41ins) high overall. Charles Cordeux is recorded in Moore, A.J. THE CLOCKMAKERS OF BRISTOL 1650-1900 as first working from Rodney Place, Clifton 1852-63, then Carlton Place 1863-80 and finally 12 Victoria Street 1881-99. The deadbeat escapement (with fine beat adjustment) and maintaining power suggests that the current lot was ordered by a client for whom good timekeeping was important, this coupled with the relatively large scale of the clock would also perhaps suggest semi-public or institutional use.

A French malachite inset Belge noir marble perpetual calendar mantel clock with moonphase. Henry Marc, Paris, Late 19th century. The eight-day bell striking movement stamped with oval trademark H’Y MARC, PARIS and numbered 50133 to backplate, the two piece white enamel Roman numeral dial with visible Brocot escapement to the recessed centre, regulation square at twelve o’clock and blued steel Breguet style moon hands within a bevel glazed cast brass bezel, set above a conforming two-piece calendar dial with day of the week and date of the month subsidiary dials flanking cloud painted moonphase aperture to the recessed centre, the outer ring annotated with the months and the equation of time to inner edge within conforming glazed bezel, the case with moulded shallow arch pediment and scroll shaped ears fronted with gilt incised stylised foliate decoration and moulded borders above break-arch waisted front with conforming gilt line infill around the malachite inset panels between the two dials and with sides terminating with scrolls at the base, on cavetto moulded shallow plinth with decorative shaped apron further inset with malachite panels and incorporating bracket feet, 46cm (18ins) high.