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A Fine Quality Miniature English Bracket Clock of typical form, with an arched engraved brass dial 'Tempus Fugit'. The case decorated in ivory coloured lacquer with Chinese figures picked out in gilt work and coloured enamels, with brass carrying handle. Maker Canham, London, circa 1920's. Overall height 8.5". In perfect working order.
An early 19th century mahogany and ebony strung bracket clock of lancet form with twin fusee movement striking on a bell, the movement with repeat mechanism appears not to be functioning, back plate with border engraved decoration, Gothic style side view windows and raised on gilt brass ball feet, height 48cm.
An English mahogany bracket clock, Edward Pashler, London, c1775, the breakarched brass dial with matted centre, date and signature apertures, pierced hands and silvered chapter ring, subsidiary strike/silent ring to the arch, having rococo spandrels, the quarter chiming movement with eight bells, pull repeat and verge escapement, chinoiserie engraved backplate and brackets, in figured pagoda topped case with brass finials, handles and ogee feet, 59cm h Provenance: Derek Roberts, Tonbridge Kent, 20 September 1985, £4950. Sold with photocopy of the original receipt In the same professionally restored condition as at the time of acquisition in 1985
A mahogany eight day longcase clock, Robert Storer London, late 18th c, the 10½" breakarched brass dial with matted centre, oval silvered tablet inscribed Robt Storer London, subsidiary seconds dial and date aperture, silvered chapter ring, strike / silent ring to the arch, pierced hands and rococo spandrels, in pagoda topped case with fluted pillars and breakarched, flame figured moulded door to the trunk, on panelled base and bracket feet, pendulum and two brass sleeved weights, 229cm h Provenance: Hoffman, January 1976, £1425 Horizontal veneer crack across base panel, otherwise good restored condition as when supplied by the clock dealer concerned in 1976
A FINE GEORGE III LONGCASE CLOCK by (Thomas) “HELM, ORMSKIRK”, the 13” brass & silvered dial with moon phase to the arch, minutes, hours, & days of the month, with subsidiary seconds dial, eight-day striking movement, engraved decoration & embossed spandrels, in figured mahogany case with swan-neck pediment, quarter-round pilasters, boxwood inlay, & on bracket feet; 88½” high.
A Victorian golden oak Gothic design chiming bracket clock by Gillett & Bland, Steam Clock Factory, CroydenWith castellated case, silver Roman dial with slow fast adjuster and strike silent lever, and twin fusee movement striking on a gong and eight bells, with original bracketH 74cm. W 48cm. D 31cm.
John Green of London. A George III mahogany 8-day hour repeating bracket clockthe plain case with later frosted etched glass side panels and arched brass dial with strike/silent, false pendulum and date aperture, unsigned twin fusee movement, with associated oak bracketH 47cm. W 28cm. D 18cm.
An elegant bracket/Mantle Clock having a single train movement, the white face with Roman hour numerals and Arabic minutes with a regulation spindle above the 12 'o' clock position. An arched Oak case with lightwood stringing and a shaded inlaid oval, 10'' high x 7 1/2'' wide x 4 1/2'' deep, pendulum present but no key. **
An early 19th Century oak and mahogany eight day longcase clock, by 'Pratt, Nottingham', the hood with a swan neck pediment and fitted with turned columns, the glass door enclosing a 13 inch white enamelled painted dial with black Roman numerals, two winder holes and subsidiary dial, bearing inscription to arch, the case section with an oak door set between chamfered edges, projecting base and standing on bracket feet, measuring 225cm high; complete with two weights and pendulum
A George III mahogany bracket clock, the arched brass dial signed Edw. Smith Richmond c1780 with embossed spandrels, strike/silent, silvered chapter ring and roman numerals with engraved back plate and striking on a bell. The case with pineapple finials and brass carrying handle on bracket feet, 47cm high
Two train fusee (verge) bracket clock circa 1750 contained within a later ebonised case. The 6" brass arched dial (unsigned) with pull repeat striking on 6 bells and one larger hour bell, with false pendulum bob aperture, tinged winding holes and calendar aperture. The movement back plate is finely engraved with locking pendulum within a stepped case. Caddy top and brass carrying handle. 41cm high excluding brass handle by 24.5cm wide ## 2 keys ##
AN 18TH CENTURY EBONY BRACKET CLOCK BY CHRISTOPHER PINCHBECK LONDON the brass eight day movement with a verge escapement and a pull-quarter repeat, striking on six bells, the backplate engraved with scrolling leaves, birds and baskets of fruit, the brass seven inch arched dial with a silvered chapter ring, with Roman and Arabic numerals, with pierced blued steel handles, the matted centre with a faux bob pendulum and date aperture, with a signature cartouche, inscribed 'Chr Pinchbeck London', with gilt spandrels and strike/silent dial to the arch, the moulded case with a bell top and a brass handle, together with a first edition copy of 'Christopher Pinchbeck and his Family' by Rita Shenton, no.467 (2); 45.5cm high, 27.3cm wide Provenance Acquired by the current vendor's father from Henry Hall Antique Clocks, Westenham, Kent on 13th November 1985. Catalogue Note The Pinchbeck Family started as clockmakers under Christopher Pinchbeck (1670-1732). The family took their name from a small village in Lincolnshire. He was famous for his complicated astronomical-musical clocks and automata. He also invented a metal with the appearance of gold, known today as 'Pinchbeck metal'. His elder son, also called Christopher (d.1783), continued on his own and supplied George III with an astronomical clock, which is still in the Royal Collection.
λ A LATE REGENCY ROSEWOOD BRACKET CLOCK BY FRANKCOM & MOWAT BATH, EARLY 19TH CENTURY the brass eight day movement with an anchor escapement and striking on a bell, the circular painted dial with Roman numerals and signed 'Frankcom & Mowat Bath', the arched case with brass mounts, pierced fishscale panel sides and ring handles, on flattened bun feet 42.7cm high Catalogue Note Frankcom & Mowat are recorded as clockmakers working in Bath between 1810-1842.
A WILLIAM AND MARY EBONY BRACKET CLOCK BY CHARLES HALSTED LONDON, LATE 17TH CENTURY the brass eight day movement with five turned and finned pillars and a verge escapement, striking the quarters on three bells and the hours on a separate bell, with pull-repeat, the backplate finely engraved with scrolling leaves and with a signature panel, inscribed 'Charle Halsted London', the brass seven inch square dial with a silvered chapter ring, with Roman and Arabic numerals, signed 'Char Halsted London', with a matted centre, with a false pendulum and date apertures, with scroll blued steel hands and cherub spandrels, the case with a pad top with a brass handle, with fret panels, on flattened bun feet 37cm high, 26cm wideProvenancePurchased by the vendor from Richard Barder Antique Clocks in 1992.From a Private Cornish Country Estate.Catalogue Note Charles Halstead, active between 1656-1705. He was apprenticed to the Clockmaker's Company in 1670 and was free in September 1677. He died in 1705.
A mid 19th century mahogany cased eight day longcase clock by Thomas Leadbeater, Wrexham, the 36cm painted break arch dial with moon phase and subsidiary second dial, signed with the makers name, the two train movement striking on a saucer bell, the mahogany case applied with satinwood cross banding and wrythen pilasters, raised upon bracket feet, 232cm high, two weights and pendulum
An early 20th century walnut cased Winterhalder & Hofmeier eight day mantel clock, retailed by Kent of Shrewsbury, the 15cm silvered dial with silent/chime and slow/fast indicators, centred with the retailers name and enclosing the two train movement stamped 'W & H in SCH', striking on a pair of coiled gongs, raised upon a plinth base with integrated bracket feet, 26cm high, keys and pendulum
An early 19th century oak and mahogany cross banded eight day longcase clock by J Edwards Corwen, the 36cm painted break arch dial centred with a subsidiary second dial and signed with the makers name, the two train movement striking on a saucer bell, within an oak case applied with chevron banding and integrated quarter pilasters, upon a plinth base and bracket feet, 227cm high, two weights and pendulum
A Regency rosewood cased bracket clock, Litherland Davies & Co, Liverpool, fitted a twin fusee movement, 55cm high/see illustration CONDITION REPORT: - The case is in good condition. Some fret work missing to the grilles and a few minor splits. The white dial rubbed in places and chippings at key wind. Ball repeat in working order, complete with pendulum and keys. Currently in working order.
Hedge and Banister of Colchester, a rare George III ebony lancet shaped bracket clock. The plain painted dial with strike/silent slide at 12, twin fusee movement striking on bell, signed and engraved on back plate, ebonised case with gilt lions head handles on ball feet 44 cm high, keys and pendulum present
Oak longcase clock, the hood with cavetto cornice, plain frieze, turned columns, long door, fielded panel base, bracket feet, 10£ square brass dial with cast cherub spandrels. silvered chapter ring, signed Fran Robotham, Hampstead, 30 hours movement striking on a bell, height 192cm, with pendulum, weight and door key.
Oak and mahogany longcase clock, the hood with brass finial and swan neck pediment, half turned columns, short inlaid door flanked by half turned columns, box base, bracket feet, 12" arched painted dial signed James Northwood, Newport, 30 hour movement striking on a bell, height 223cm, with weight, pendulum and door key.

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28112 item(s)/page