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A late 19th Century French ormolu bracket clock, circa 1870, of Baroque design with an urn finial, inset blue Sevres style porcelain plaques, the movement striking on a bell, height 38cm (pendulum and two keys) (s.d)

A late 19th Century strung mahogany bracket clock, circa 1890, of balloon form with a caddy top with brass urn finial, silvered Roman dial, the movement striking on a gong, height 38cm, (pendulum)

A 19th century brass inlaid ebonised portico clock with purpose made wall bracket, H. 58cm overall.

A Rotherhams Mahogany Cased Miniature Bracket Clock, the bracket clock having Roman numerals to dial with brass face, approx 15 x 13 cms, together with an Elliott mantle clock. (2)

An Edwardian English Striking Bracket Clock, the clock having an oak break arch top case with brass corner finials. The finely hand engraved dial is gilded and has a silvered chapter ring Roman numerals. The 8 day clock engineered with a twin fusee movement that strikes the hours and half hours on a gong.

E. LOSEBY, LEICESTER A REGENCY EBONISED BRACKET CLOCK the chamfer top case with gilt brass pineapple finial and inset corner panels with brass moulded edges enclosing a signed 8” convex painted dial having Roman numerals and strike/silent above the twelve fronting an eight day double fusee striking movement signed and numbered on the backplate 48cm high to top of finial

A LATE REGENCY MAHOGANY BRACKET CLOCK the 7" painted convex dial with Roman numerals fronting an eight-day double fusee movement with engraved borders to the backplate, anchor escapement and bell strike 46cm high

JOHN CROSS, LONDON AN  EARLY 19TH CENTURY ROSEWOOD BRACKET CLOCK with pagoda top and scrolled moulded sides above a rectangular base with shaped viewing window and gadrooned moulded edge standing on floral brass bun feet. the 6" convex signed painted dial with roman numerals fronting an eight day fusee movement with engraved edge border and striking hours on a steel bell. 45cm high

RICHARD VICK, LONDON AN EARLY 18TH CENTURY EBONISED BRACKET CLOCK the bell top case with cast brass carrying handle and pierced cut sound frets enclosing a rectangular brass dial with silvered Roman chapter ring and matted centre having mock pendulum aperture and date dial signed to the top between strike silent lever with finely cast crown and spectre spandrels fronting an eight day five pillar double fusee movements with finely engraved signed and floral backplate having verge escapement striking hours on a bell 38cm high without handle.

AN EDWARDIAN DOME TOP OAK MANTEL CLOCK with panelled front and ogee bracket feet, silvered convex Roman dial and spring driven W & H 8 day movement quarter striking on two gongs 33cm high

PETER CANOVA HALESWORTH A LATE REGENCY FIGURED MAHOGANY BRACKET CLOCK with 8” painted convex Roman dial fronting an eight day double fusee movement with hour strike on a bell 46cm high

WEBSTER LONDON A LATE REGENCY BRASS INLAID ROSEWOOD DRUM-HEAD BRACKET CLOCK ON STAND with platform base, the 8” painted and signed Roman dial with subsidiary seconds fronting an eight day single fusee timepiece movement with anchor escapement 38cm wide 44cm high including bracket

JOSEPH SMITH CHESTER A GEORGE III FIGURED MAHOGANY GILLOWS EIGHT-DAY LONGCASE CLOCK the 13” arched brass dial with silvered chapter ring and engraved centre with seconds dial, date aperture and signed name cartouche below a rolling moon dial fronting an eight-day weight driven movement with shaped pillars and rack strike on a bell. The finely made case with swan-neck pediment having carved flower heads and floral inlaid panels above bamboo shaped pillars and cushion moulded door. The case with a floral inlaid frieze above an arched top trunk door and stop fluted columns standing on a canted corner panelled base and ogee bracket feet 241cm high

A GEORGE III MAHOGANY BRACKET CLOCK the break arch silvered dial with Roman chapter ring, Arabic five minutes, the centre signed Robert Wood, London with subsidiary date dial, gilded rococo spandrels and strike/silent ring to the arch, the twin train five knopped pillar movement with verge escapement and bell strike, the back plate with exotic bird and foliate engraved decoration, the break arch pad top case with gilt brass swing handle over brass fish scale side frets with moulded base and gilt brass ogee bracket feet, 38.5cm high (handle down)

A GEORGE III BRACKET CLOCK with white enamel Roman dial, signed Strowbridge, Dawlish, the twin train fusee movement with bell strike, the break arch case with brass ring handles over fish scale frets, panelled front, moulded skirt and brass ogee bracket feet, 46cm high (lacking pendulum)

AN EDWARDIAN STRIKING MANTLE CLOCK with circular steel dial in a chinoiserie red lacquered pagoda case, on bracket feet 34cm high

AN EBONISED BRACKET CLOCK the 7" brass break arch dial with silvered Roman chapter ring, Arabic five minutes, the matted centre with date and name apertures signed Thos. Beales, London with strike/silent ring to the arch and rococo spandrels. The twin train movement with verge escapement and bell strike, the parcel gilt bell top case with brass swing handle over glazed side apertures and brass feet, 48cm high handle down

A George III mahogany bracket clock, for the Spanish market, 17cm arched painted dial inscribed Diego Evans, Bolsa Real, Londres, Roman numerals, subsidiary Tocar/Silencio, calendar and alarm setting dials, the movement with verge escapement, signed to verso and striking on a bell, caddy top case with flaming urn and pine cone finials, bracket feet, 58cm high, c.1780

A 19th century Scottish mahogany longcase clock, 32cm arched painted dial inscribed Thomas Low, Dundee, the arch painted with the Farmer's Arms, the spandrels with allegories of the four seasons, subsidiary seconds and calendar dials, twin-winding holes, eight-day movement striking on a bell, the hood with swan neck pediment and brass ball and spire finials, shaped bowed rectangular door to waist, shaped apron, bracket feet, 221cm high, c.1835

A Victorian gilt-metal mounted burr walnut bracket clock, the 14.5cm rectangular gilt brass dial with silvered chapter ring inscribed with Roman and Arabic numerals, Slow/Fast dial to arch, Lenzkirch eight-day movement striking on a gong, caddy top case with carrying handle and flaming brazier finials, canted angles with composite pilasters, bracket feet, 46cm high, c. 1880

A George III mahogany longcase clock, 33cm arched painted dial inscribed Thos. Hallam, Nottingham, Arabic numerals, rolling moon phase to arch painted with a naval subject, the spandrels with figures allegorical of the Four Continents, subsidiary seconds dial, date aperture, twin-winding holes, eight-day movement striking on a bell, the hood with swan neck pediment and brass ball finial, reeded Doric columns, serpentine arched rectangular door to waist, flanked by canted angles, outlined throughout with boxwood stringing, bracket feet, 229cm high, c. 1800

A Chippendale Revival mahogany musical shortcase hall clock, 18cm arched silvered dial inscribed Coxon, Nottingham, Chime/Silent and Slow/Fast dials to arch, triple-winding holes, eight-day movement striking on a gong, the case with swan neck pediment, brass ball-and-spire finial, carved throughout with blind tracery, shaped rectangular door to waist, ogee bracket feet, 183cm high, c. 1925

An early 20th century French lacquered brass carriage clock, 6cm white enamel rectangular dial painted with Roman numerals and subsidiary batons, eight-day movement striking on a gong, fluted columns, swing carrying handle, ogee base, bracket feet, 16cm high, dated 1912

A mid-18th century oak and mahogany longcase clock, 27cm square brass dial inscribed Newark, W Barnard, Roman numerals, date aperture, thirty hour movement striking on a bell, the hood with chamfered pillars, canted arched rectangular door to waist, shaped apron, bracket feet, 210cm high, c.1760

An early Victorian oak and mahogany longcase clock, 30cm arched painted dial inscribed Wilson, Nuneaton, Roman numerals, painted architectural arch and spandrels, date aperture, thirty-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist, ogee bracket feet, 222cm high, c.1835John Wilson was working at Nuneaton from 1828 to 1856. [Clocks Magazine XXXIII (3/2010) 27f.].

A George III oak dwarf longcase clock, 24cm square brass dial inscribed Jos. Robson, Chatham, Roman numerals, thirty hour movement striking on a bell, the hood with Greek key pediment and Doric columns, shaped arched rectangular door to waist, ogee bracket feet, 118.5cm high, c.1775

A contemporary Fox & Simpson oak cased bracket clock, silvered dial and spandrels, Roman numerals, bell chiming movement, folding handle, brass coloured bun feet, 33cm high

FRENCH RED TORTOISESHELL AND BOULLE MARQUETRY BRACKET CLOCK 19TH CENTURY the gilt metal dial with white enamel blue Roman numeral cartouches, in a red tortoiseshell and brass inlay case mounted with allegorical figures of Providence and Knowledge, with a domed pediment surmounted by the winged figure of Victory, raised on gilt metal scrolled dragon feet; the eight day movement striking a bell and stamped 'LaGarde a Paris', serial no. 3112 51cm wide, 79cm high, 26cm deep Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

LOUIS XV STYLE BOULLE BRACKET CLOCK AND BRACKET 19TH CENTURY the waisted case surmounted by a gilt metal figure of Perseus above a dial with enamel Roman numeral chapter plaques with Roman numerals, raised on scrolled feet, the eight day movement striking on a bell, raised on a shaped bracket with gilt metal mounts and a drop finial (2) 90cm high overall Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/

FRENCH LOUIS XV STYLE GREEN JAPANNED BRACKET CLOCK AND BRACKET 19TH CENTURY the gilt dial set with white enamel Roman numeral cartouches, in a green waisted case painted with flower sprays and outlined with gilt metal mounts; the arched pediment surmounted by a figural finial, the eight day movement striking a bell, serial no. 3747; the matching bracket painted with a pair of lovers Clock 67cm high; bracket 26cm high

REGENCY MAHOGANY BRACKET CLOCK, BY FINER & NOWLAND, LONDON EARLY 19TH CENTURY the domed top fitted with a single handle, above the signed cream enamelled dial with Roman numerals and brass inlaid case, the 8 day twin fusee movement striking a bell, with a signed back plate, stamped to the front plate HOLMDEN LONDON/ 353, all raised on brass ball feet 43cm high (handle down)

Regency double fusee bracket clock in brass inlaid rosewood case with 8" circular enamel dial by Josh Johnson. 17.5" high, 11.5" wide

Edwardian striking black bracket clock with brass and silver dial in brass mounted oak case

Georgian bracket clock by Jones 338 Strand London with fusee movement and pull-cord repeat, approx 21" high, 12" wide

Georgian ebonised bracket clock with double fusee movement, silver and brass arch dial. Approx 17" high, 11" wide

Edwardian chiming and striking bracket clock in walnut case with brass dial

Antique 1890s German bracket and clock with brass face and key by Lloyd Payne and Amie L CONDITION REPORT: This item is in need of restoration with no visible but worn and age related damage and is lacking hinges.

Winterhalder and Hofmeier Ting Tang 1/4 striking oak cased bracket clock with silvered dial CONDITION REPORT: The clock is working but would benefit from a service. Condition of case appears to be good with general age wear. No apparent losses or visible damage.

EDWARDIAN BRACKET CLOCK, coiled bar strike with architectural casing, 16" height

GUSTAV BECKER, oak arch cased bracket clock, with bar strike and barley twist column sides, 13.5" height

FRENCH BRACKET CLOCK, a fine ormolu and white marble cased bracket clock by H Rochat of Paris, amorini with goat cresting, bell strike, 14" width

VICTORIAN BRACKET CLOCK, attractive ormolu mounted oak domed cased bracket clock with 2 bar strike movement and break-arch clock face, 18" height

BRACKET CLOCK, Smiths Georgian design reproduction bracket clock, 11" height

VICTORIAN BRACKET CLOCK, ornate brass embellished oak domed case bracket clock with coiled bar strike and silvered clock face, movement stamped "Lenzkirch"

VICTORIAN BRACKET CLOCK, inlaid black marble architectural design mantle clock, coiled bar strike, 12.5" height

IMPRESSIVE BRACKET CLOCK, a fine carved case domed top bracket clock, 8 bell strike and 5 coiled bar strikes with Whittington & Westminster chimes with ornate floral and foliate engraved face, 24" height

An early 20th century Junghans triple train bracket clock. with strike/silent and advance/retard indicators to the silvered dial, 93cm high, together with a 19th century walnut drum headed Henri Mark of Paris mantel clock

A decorative red and gilt bracket clock with wall bracket together with an Oriental style table lamp with shade

Regency bracket clock with white painted dial, signed - James Graham, London, eight day double fusee movement with anchor escapement striking on a bell with repeat, in brass inlaid rosewood architectural case with side grilles and handles, on gilt ball feet, 43.5cm high (key and pendulum present) CONDITION REPORT General overall condition good. Movement is relatively clean and appears to be in working order although we have not had it going. Ovement was overhauled in 2008. Dial is worn and scratched, some minor damage around winding holes. Bezel around dial has been refitted. Face glass releasing lock is very stiff. Case is quite good. Metal work is dirty and surface worn in places. Some brass inlay is lifting. Woodwork is dirty and veneer has been repaired around dial

Impressive late Victorian bracket clock with gilt and silvered arched dial, with chime / silent and slow / fast subsidiary dials, sunburst and floral spandrels, eight day movement striking the quarters on two gongs, in ornate Georgian-style mahogany and gilt metal mounted case, 41cm high x 33cm wide (key and pendulum present) CONDITION REPORT General overall condition good, movement appears to be in working order. Dial is good, although silvering is worn and marked in places. Some screws appear to have been replacedCase is generally good, some of metal mounts are dirty but no damage. Woodwork is good, some minor cracking to veneer on domed top. Rear door securing system has been altered and door cut to fit. Interior material lining to door is damaged in several places. Side silks probable replacements

Early 18th century eight day marquetry longcase clock with 11 inch square brass and silvered dial, signed - Wm. Grimes, London, crown and cherub spandrels, subsidiary seconds and date aperture, ringed winding holes, eight day movement with pinned turned pillars, striking on a bell with repeat, in walnut marquetry inlaid case decorated with spiral-twist columns to hood, with vase of flowers and birds, lenticle glass to door, on bracket feet, 107cm high x 40cm wide (pendulum, key and weights present) CONDITION REPORT General overall condition is good. Movement is actually 6 pillar with latched front plate. Movements dirty but we believe it to be in working order, now wired 110 gut. Dial is clean and appears to be original to the movement, hands are worn, second hand maybe a replacementCase is in quite good condition, veneer is lifting on lower right side towards the back. Plinth has been altered and some of marquetry pattern lost. Backboard has been alteredHood was originally rising, now altered to slide on and off with hinged door. Top possibly repaired or replaced and now covered with material. Original cresting rail missingMovement fits but cheeks have either been repaired on the front or extended. Seat board corners have been cut out behind dial. Also face sits on two nailsIt is difficult to say whether or not the case and movement are original to each other. There is no dial mark, but face appears to fit properly behind the door

Richard Booth, London. A George III mahogany bracket clock, with arched cased, later enamelled dial and twin fusee movement with later anchor escapement, H.1ft 5in.

Rigby of Charing Cross. A William IV brass inset rosewood bracket clock, with pagoda shaped case, silvered dial and unsigned twin fusee movement, height 15in.James Rigby recorded at this address 1806-1832

Haley of London. A George III brass inset chiming bracket clock, the brass dial with inset enamel dial, subsidiary seconds and strike silent, twin fusee movement with anchor escapement and later? clarion, height 15.5in., with an associated wall bracket

THOMAS HUMPHREYS, BARNARD CASTLE, AN EARLY 19TH CENTURY OAK AND MAHOGANY THIRTY-HOUR LONGCASE CLOCK, 13-inch dial with date crescent and painted in the arch with ships, the hood with swan-neck pediment and columns, the case with bracket feet.

LAWSON, KEIGHLEY, AN 18TH CENTURY OAK 30 HOUR LONGCASE CLOCK, the 12-inch square brass dial with date crescent, the hood with caddy top and sphere finial, the case with star-inlaid and moulded door, the panelled base with bracket feet. 224cm

JOHN SMITH, CHESTER, A GEORGE III MAHOGANY EIGHT-DAY LONGCASE CLOCK, the 13¾ inch brass and silvered break-arch dial with rolling moon and date aperture, the centre with subsidiary seconds and engraved with scrolling foliage and double headed bird, the hood with swan-neck pediment and reeded columns, the case with quarter columns and long door with cross-banding and shaped top, the panelled base with bracket feet. 237cm

LARGE OAK GERMAN BRACKET CLOCK WITH SILVER FACE AND BARLEY TWIST COLUMNS

A 19th century mahogany cased eight-day twin fusee bracket clock, with white enamelled dial striking the hours on a bell, 43 cm high overall

An early 20th century bracket clock