We found 28112 price guide item(s) matching your search

A LATE VICTORIAN EBONISED BRACKET CLOCK the bell top case with urn finials and gilt metal mounts, the arched brass dial with silvered chapter ring, Roman numerals and subsidiary regulating and chime/ silent dials, 29" high.

Satinwood and mahogany longcased clock case, circa 1810, (the case only), with black line inlay, the swan neck hood with fluted columns on a canted corner trunk, set-out base and bracket feet with shaped apron. Height 217cm, 88.5in.

A late 19th century French onyx and ormolu mounted mantel clock, the three quarter balustraded gallery above canted corners with winged cherub monopodia supports, on a stepped apron and stepped bracket feet, the circular dial with engine turned gilt metal centre, visible Brocot escapement, within an electric blue chapter ring with gilt Roman hour numerals, the French brass drum movement with outside count wheel, striking half hourly on a bell, 41.5cm high, 30.5cm wide

A Victorian brass mounted, oak cased, bracket clock, the movement striking on a coiled spring, the case profusely decorated with cast and pierced brass mounts, the dial with black Arabic numerals and detailed Manoah Rhodes & Sons Ld, Bradford, raised on brass feet, with a pendulum.

AN EDWARDIAN MANTEL CLOCK, the French eight day movement with white enamel dial inscribed R Stewart, Glasgow, in balloon shaped mahogany case with stringing and inlaid batwing patera, on brass ogee bracket feet, 12" high

A LONGCASE CLOCK by G Patison, Halifax, the eight day movement with arched brass dial, the silvered centre chased with flowers, secondary dial, painted moonphase with sail ship, in oak and parquetry banded case, scrolled pediment on fluted corinthian columns, arched door flanked by fluted quarter columns, canted panel base with inlaid star and batwing paterae, on bracket feet, later Victorian carving, 91 1/2" high

A LONGCASE CLOCK, the eight day movement with arched brass dial painted with a river scene and flowers, secondary dial, in mahogany case with ebony and boxwood stringing and parquetry banding, scrolled pediment with finials on fluted columns, canted trunk with arched door, panelled base and shaped apron, on bracket feet, early 19th century, 73 1/2" high

A Walnut cased, bracket clock, late 19thc & later. 8 day movement, striking on a gong. 38cms high.

A 20th Century German mahogany cased mantel clock, the arched silvered dial with raised chapter ring with Roman numerals and two regulation dials to the eight day three train movement striking and chiming on four gongs, contained in arched top case with moulded cornice and turned and fluted columns to sides, on ogee bracket feet, 15.75ins high

An early 19th Century mahogany longcase clock, the 12ins arched brass dial with Arabic numerals to the arch and spandrels decorated with fruit and gilt leaf scroll ornament, with subsidiary seconds dial to the eight day two train movement striking on a bell, contained in figured mahogany case, probably by Goulden of Canterbury, with shaped cresting above moulded cornice, with turned, fluted and Corinthian capped columns to hood, shaped and arched trunk door and plinth with applied astragal mouldings, on bracket feet, 8ins high (dial partly repainted and with second hand missing - case with twisted trunk door and split to cornice, and generally in need of restoration)

A 19th Century mahogany longcase clock by Pollard of Canterbury, the 12ins arched painted dial decorated with a romantic landscape to the arch and shells to the spandrels, with subsidiary seconds dial and date dial to the eight day two train movement striking on a bell, contained in mahogany case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted columns to hood, arched trunk door, plain plinth and with shaped bracket feet, 81ins high (plinth altered and case generally in need of restoration - glass panel lacking to hood door)

An 18th Century walnut longcase clock by Samuel Holbin of Bitton, the 12ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial, the arch showing phases of the moon and silvered scale worded "High Water at Bristol Key" to the eight day two train movement striking on a bell, contained in figured walnut case, the hood with later shaped and moulded pediment above moulded cornice and blind fret ornament, arched trunk door inlaid with chequered bandings and crossbanded, and with conforming plinth, on bracket feet, 95ins high (lacking pendulum and weights and in need of some restoration)

A 19th century bracket clock with a painted 7" dial signed DENT London with a twin fusee movement striking on a bell with original key, contained in a good quality mahogany case with arched top 16" tall"

An eight day lantern clock with passing strike and bracket

A rosewood and inlaid dome top three train bracket clock with Junghans movement the arch dial having fast - slow and chime - silent sibsidiary dials height 17 1 - 2""

Ornate Walnut Veneered Clock With Decorative Applied Gilt Detail Complete With Bracket Shelf

AN 18TH CENTURY RED LACQUER BRACKET CLOCK by E. SMITH, LONDON. 181/2ins high.

A SMALL 18TH CENTURY FRENCH BRACKET CLOCK by GOSSELIN, PARIS. 12ins high.

A Queen Anne ebonised bracket clock, with silvered chapter ring, matted centre with date and pendulum apertures and mask spandrels, signed on a tablet above Fra Robinson London, the verge movement with a bell and three further bells with pull repeat, the backplate engraved with foliate scrolls and having bob pendulum, the pedimented case with lacquered brass handle, 35cm h excluding handle

A mahogany bracket clock, the silvered dial with German striking movement in line inlaid and arched case with turned pillars, 40cm h, early 20th c In fine condition

A George IV mahogany and line inlaid bracket clock, the painted dial signed Wieland WALWORTH, the movement with arched and engraved plates, pull repeat, secured pendulum and striking on a bell, in arched case with flared pediment, gilt brass pineapple finials and side frets, on ball feet, 60cm h Some restoration to the dial but in overall good condition, small chip to the back of the pediment, the case sensitively cleaned, of attractive colour and patina, the movement/dial original to the case

An oak longcase clock, the 10.5 inch brass dial signed on the chapter ring John Boot Sutton Ashfield, with engraved centre, date sector and ringed winding holes, having masked spandrels and thirty hour movement in crossbanded case with swan neck pediment, fluted pillars and short door to the trunk, on panelled base and bracket feet, 220cm h The works and dial associated to the case, the case being early Victorian in date. In good condition externally, the movement in need of attention

An oak longcase clock, with painted dial, signed Brindley Mansfield, having eight day movement, the trunk with fluted pillasters and an bracket feet, 215cm h

A 19th century oak longcase clock, the break arch hood with swanneck pediment and turned columns, the trunk with quarter pilasters upon a rectangular plinth and bracket feet, the 12 inch dial painted with a shooting scene to the arch, seconds and calendar dials, eight day four pillar movement, with decorative cast slab weights marked 'R R 12' and transfer decorated pendulum bob, 225cm high

An early 20th century walnut bracket clock, the arched gilt metal mounted case of typical design, the German W & H movement chiming on two gongs, 41cm high

Maple & Co. Ltd., London, an early 20th century mahogany bracket clock, the eight day fusée movement within a brass mounted round arched case, 39cm high

A late 19th century German walnut bracket clock, with reeded and moulded case, silvered dial, with silent / chime and slow / fast subsidiary dials, eight-day chiming movements by Junghens, 15" high.

A late George III domed mahogany bracket clock with a circular face, by John Brumhead, Stamford, with urn shaped finials and pierced gilt metal inserts, on ogee bracket feet, on later bracket, 35.5cm

A George I style walnut dressing stool, with needlepoint upholstered drop in seat, raised on cabriole legs, together with a polished birch wall clock bracket and other items

A thirty-hour clock movement and the bracket for the same

A Black Forest wall clock with pressed metal frame and white enamel dial and the bracket for the same

AN 18TH CENTURY MAHOGANY LONGCASE CLOCK, by Thomas French of Wenvoe, having broken swan neck pediment above arched aperture flanked by reeded metal mounted Corinthian columns, ogee arched door to the waist, panelled base with bracket feet. 8 Day movement striking on one bell with arched brass face having armorial swan device within arch flanked by Dolphin spandrels, brass chapter ring with date and seconds dial and pierced vase spandrels. 85'' High. Dial 12'' x 16''.

A VICTORIAN OAK AND MAHOGANY LONGCASE CLOCK, by Bartle of Caistor, broken swan neck pediment above arched Aperture flanked by baluster turned columns, the waist with arch panelled door flanked by canted angles above arch panelled base on bracket feet with shaped freize. Eight day movement striking on one bell, arch painted face decorated with shooting scenes and having seconds dial. 82'' High. Dial 19'' x 12.5''

A LATE VICTORIAN AMERICAN PICTURE WALL CLOCK, the rectangular moulded case crossbanded in walnut and having square painted face above printed glass panel ''Capital at Albany, N.Y''. 29'' x 16.5''. Also fitted plinth and wall bracket.

AN 18TH CENTURY 30 HOUR LONGCASE CLOCK MOVEMENT, having 11'' brass dial with single finger, by Humfry Morgan, with hood and later wall bracket. (no case).

Mahogany longcase clock with swan neck pediment over arched painted dial marked for C. Stonhouse of Newcastle, flanked by later turned columns over trunk with side corner pilasters and on bracket feet

A reproduction inlaid kingwood bracket clock.

An early Victorian mahogany bracket clock, with double fusee movement striking on a bell, painted dial with Arabic numerals and inscribed Joyce Whitchurch, in arched ebony string case on brass ball feet, 16ins

A George III mahogany 8 day longcase clock, the dial inscribed Will Dobbie, Falkirk, with roman numeral chapter ring and gilt metal foliate spandrels, the hood with blind fret carved broken swan neck pediment and fluted columns over trunk with quarter columns on plinth base and ogee bracket feet, 7 ft 1 ins

An Inlaid Mahogany Mantel Clock, a papier mache wall bracket, a Japanese table cabinet, a metal hat box, and a group of textiles (box)

An Edwardian bracket clock, the brass dial with silvered chapter ring supporting a 3 train movement in an ebonised case, 37cm high.

George Webber of Evedon, A George III oak and crossbanded longcase clock, the painted face with secondary dial and date aperture supporting a twin train striking movement under an arched hood, the trunk with arched door and plain base on bracket feet.

A mahogany cased, striking and chiming bracket clock, with a twin fusee movement, striking on a bell, chiming on a row of graduated bells, the backplate signed JOHN CRAMPERN, NEWARK, the signed silvered dial with black inner Roman hour numerals and with outer Arabic minute numerals, date of the month aperture and with two subsidiary dials at the top to show strike/silent and chime/not chime.

AN EARLY 19TH CENTURY MAHOGANY LONG CASE CLOCK having an arched painted dial with moon phase, decorated the Continents, with Roman numerals, date and second hands, the case with break arch pediment, turned pillar supports, panel door and fluted pilasters with crossbanded panels and bracket feet, 95" high overall.

AN 18TH CENTURY OAK LONGCASE CLOCK having a square brass dial with Roman numerals, embossed spandrels, second hand and date aperture, signed Mic. Simmond, Chatham, the case with fluted cornice, crossbanded panel door and bracket feet, 79" high.

A GEORGE III MAHOGANY BRACKET CLOCK with circular white dial and Roman numerals, the case with carrying handles, piercd grills and bracket feet, signed on the dial and back plate J Collett Chelsea, 40 1/2" high.

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK, the arched painted dial with calendar and seconds subsidiary and signed indistinctly, above an arched panelled door, on bracket feet, 83.5in high. (Please see lot 354 for image)

A. MARTIN, CHICHESTER: AN 18TH CENTURY OAK LONGCASE CLOCK, the 11in square painted dial with calendar subsidiary and thirty hour movement, above a waisted panel door, on bracket feet, 78.5in high.

JAMES MACKIE, LONDON: A REGENCY MAHOGANY AND BRASS MOUNTED BRACKET CLOCK, the circular dial with strike/silent in the arch, the back plate signed 'James Mackie, Banner Street, London' and striking on a bell, on ball feet, 19in high. (Please see lot 362 for image)

A 19TH CENTURY BOULLE BRACKET CLOCK IN LOUIS XVI TASTE, the twin fuseé movement striking on a bell signed P. F. (?) Le Doux, Paris, the foliate cast and gilded dial with twin winding holes and inset with enamelled numerals, the balloon shaped case decorated with cast and gilded classical forms, on scrolling feet; together with the matching bracket, (lacking one numeral and with losses to the case), clock height 37in (94cm).

An oak and mahogany banded and parquetry inlaid longcase clock, the 8-day movement striking on a bell to a square silvered dial, with subsidiary seconds dial and date aperture, inscribed "Edmd Wills, Salisbury", the hood with an architectural pediment and baluster turned columns to a shaped top waist door, the panel base on ogee bracket feet, 6ft 11in (211cm) h. Edmund Wills was working from 1759 - 1774.

A late 17th century ebony bracket clock, with repeat, the twin fusee five pillar movement striking on four bells, the foliage engraved backplate inscribed "Nicolas Masey A Londres", to an 8in square brass dial with silvered chapter ring, the matt centre with date aperture to cast foliage silvered spandrels, the caddy top with carrying handle and embossed pierced panels to globe finials, the base moulding to claw and ball feet, 15.25in (38.8cm) h.

A George III mahogany and gilt brass mounted chiming bracket clock, the triple fusee quarter repeating on eight bells, to an engraved brass backplate inscribed "Spencer & Perkins London", to a circular enamel dial inscribed "Spencer & Perkins London" above a subsidiary calender dial, a floral painted surround, the bell top with urn finials above caryatids and hinged side panels and carrying handles on leafage scroll feet, 26in (66cm) h. Dial cracked and small chips, the surround part repainted.

AN EDWARDIAN ARCHED MANTEL CLOCK by I Keighley of Dewsbury, with striking mechanism, on three gongs, with brass carrying handle and fluted sides, on bracket feet, 14" high

Art & Craft oak cased bracket clock inset floral painted panels and face, column support design, 19" heigh

Carved oak game birds and fruit design bracket clock shelf

A VERY GOOD REGENCY MAHOGANY BRACKET CLOCK by STEPHEN MILES, LONDON. The silvered dome top dial with date aperture, within a case with sarcophagus shaped top, brass finials, grille sides and supported on small brass bracket feet ornately engraved brass back plate. # 20ins high.

A GOOD CHINOISSERIE AND BLACK LACQUER GRANDMOTHER CLOCK the pagoda top over a London movement, ornate gilt and lacquer decoration, narrow case and supported on a bombe base to bracket feet. 6ft 8ins high.

GEORGE III MAHOGANY LONGCASE CLOCK the domed hood with carved pediment, flanked by fluted columns, the painted enamel dial with moonphase, second and calendar dials, the longcase door flanked by fluted columns with gilt metal capitals, on a panel box base with bracket feet, 8-days movement, William Flint, Ashford, 87"high

An early 20c Georgian style mahogany bracket clock with arched top, silvered dial with chime - silent facility, brass bracket feet and carrying handle and brass eight-day[?] movement striking on two gongs, 39 cms.