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George III oak longcase clock by Henry Bunyan, Lincoln, the hood with swan neck pediment, flowerhead carved roundels surmounted by three brass urns, the broken arch brass dial with strike/silent in the arch and subsidiary seconds dial, rococo flowerhead embossed spandrels, the trunk with wavy top door, all on bracket feet, 200cm high Condition ReportOne of the decorations on the top of the clock is loose. There a few wood worm holes on the hood. There are some splits in the wood on one side and the front. There are lot of normal wood holes in the back. See attached images.
A large French carved (dull) giltwood bracket clock, 19th century, the twin train movement with star-burst pendulum striking the hours and half hours on a bell, the white enamelled convex dial with Roman numerals and secondary arabic five minutes, the case with ram's head decoration to/with a conforming wall bracket, clock 89 cm h, overall 125 cm h
A rosewood bracket clock, c.1840, by John Walker, London, the case with architectural pediment and pierced brass grilles to either side over a silvered dial, with black Roman numerals and strike/silent, the movement with five-pillar anchor escapement and rack strike, on an ogee to stepped base, signed and numbered '1001', 32cm wide 19cm deep 42cm high
AN IRISH GEORGE III MAHOGANY LONG CASE CLOCK by Alex Gordon of Dublin, the detachable hood with broken pediment terminating in rosettes and enclosing the arched dial with lunar phase, with silvered chapter ring, inked with Roman numerals over a waisted trunk section and outset plinth base ending on bracket feet
A Rare Gilt Metal Pair Cased Verge Pocket Watch, signed Henry Hindley, York, No.959, circa 1750, gilt fusee verge movement signed and numbered, square baluster pillars, enamel dial with Roman and Arabic numerals, beetle and poker hands, gilt metal cases, 47mm wide, with a later wooden pocket watch fitted box see illustration Henry Hindley (1701-1771), born near Wigan and moved to work in Petergate, York in 1731. A very fine and talented clockmaker of his time who excelled in making complicated clockwork year duration, complex calendarwork, bracket and turret clocks. In 1750 he made the clock for York Minster. 17.07.19 Outer case with many vacant small holes, the small holes appear to have been for holding a leather cover of the case or tortoiseshell, thumb piece is worn, inner case with gilding rubbed, inner case with dents and surface scratches, dial with small scratches, end of the hour hand is very slightly damaged and very slightly bent, winding smoothly, movement in going order.
A Regency rosewood Bracket Clock, the white painted dial with Roman numerals, signed Warren of Canterbury, with an 8-day twin fusee movement striking on a bell, the case with brass inlays, fluted pediment, gilded ring handles and pineapple finial, dial door lacks glass, some losses to mouldings, 19in (48cm) high.
An early 20thC walnut cased striking Bracket Clock, by Elliott and retailed by Sir John Bennett Ltd, London, the square brass dial with silvered chapter ring, black Roman numerals and spandrels, the eight-day movement marked "J.J.E. England", striking on a gong, 15in (38cm) high, together with a scrolled wall bracket (2)
A 19th Century and later ebonised bracket clock with later associated dial and movement, the 18cm broken arch brass dial with silvered chapter ring and subsidiary chime / silent dial, the twin fusee movement striking on a nest of eight bells, unsigned, with acanthus scroll detail to the back plate, restorations and repairs, height 42cm.
A late 19th to early 20th Century German ebonised bracket clock, the twin fusee movement with pull repeat, the case with glazed panel sides and brass caryatid mounts, frieze and finials over lions paw feet, the 17cm broken arch dial with silvered chapter ring and subsidiary fast / slow dial, the movement stamped W&H (Winterhalder & Hoffmeier) and numbered 1094, height 43cm and width 30.5cm.
A late 19c English double fusee wall clock in 'Boardroom' type case with built in wall bracket. The movement is chain driven and strikes on a bell and has an 8in diam flat white dial and cast bezel with flat glass. The mahogany case has a flat wooden outer bezel and carved corner decorations sitting on the flat wall shelf which is supported by two scrolling brackets. The clock is 16in tall overall.
A mid 19c English double fusee bracket clock by Dent of 33 Cockspur St, London with chain driven movement, rack striking on a gong. It has a silver pointed arch dial engraved with foliage and having Roman numerals and bearing the makers name in the arch. It is contained in a Gothic design walnut case with pointed arch top and four tier fluted columns flanking the dial. A similar shorter column sits on the apex of the arch and is connected to the side columns by a Gothic fretwork. The case sides have arched panels of timber fretwork and the rear door gas a metal sound grille. It is complete with its original wall bracket in walnut with a scrolling and carved central support. Height of clock minus bracket 25.5in tall.
A late18c French boullework bracket clock which has suffered a catastrophic fall and is now in many pieces. These have been carefully retained by the owner and we show two photographs, one of the case as now and one as before. The clock is signed G.J. Champion, A Paris on the back plate and has countwheel strike on a gong and the 10in diam. dial has blue enamel numeral plaques on a gilt background. The movement and dial seem relatively undamaged, but the case will need long and painstaking restoration. Clock 30in tall without wall bracket.
A GEORGE II BLUE AND GILT LACQUER BRACKET CLOCK decorated overall with chinoiserie scenes, hatched panels and leafage, lacquered brass carrying handle, the arched brass dial with strike/silent dial, flanked by applied foliate scrolls with masks beneath feathered headdress, chapter ring with Roman and Arabic numerals, matted centre dial with visible pendulum, twin winding holes and calendar aperture, pierced blued steel hands, twin train fus?e movement with anchor escapement, striking on bell foliate engraved back plate, unsigned, adjustable pendulum foliate engraved, the arched fret cut sides gilt painted glazed doors to front and back, bracket feet, 49cm high, c.1740. See illustration Provenance: By order of Sir Andrew and Lady Buchanan and George Buchanan of Hodsock Priory, Nottinghamshire
A George IV Scottish mahogany library longcase clock, 33.5cm circular painted dial inscribed Liddell & Son, Edinburgh, Roman chapter, subsidiary seconds and calendar dials, Breguet style hands, eight day movement striking on a bell, the flame veneered case with arched hood, brass bezel, rectangular door to trunk, flanked by reeded quarter columns, skirted base, bracket feet, 80 in 205cm high overall William Liddell and his son James and William the younger were working together from 1819 up until 1824, after which the sons worked independently, James at Bathgate and William at Portobello.William Liddell worked from 449 High Street in Ediburgh from c. 1819, taking his sons James and William into partnership after their apprenticeships in 1822, the firm being then at 5, Bank street. In 1834 Liddell & sons announced in the press that they were moving to 449, High Street, where they continued until 1850. Condition Report: Dial repainted.
A 19th century Orientalist brass portico mantel clock, 10cm silvered dial inscribed with Roman numerals, twin-winding holes, French 8-day movement striking on a bell, the architectural case cast and chased in the Islamic taste, domed top centred by a finial, acanthus crenellated frieze above an archway and supported by four octagonal pillars, skirted plinth, the base cast in shallow relief with a deep frieze of stylized scrolling foliage, pointed apron, angular bracket feet, 42cm high, c. 1870
A George III gilt metal mounted mahogany bracket clock, 19.5cm arched brass dial inscribed [Samuel] Birley, Birmingham, Roman numerals, Strike/Silent to arch, twin winding holes, eight-day movement striking on a bell, signed to the backplate, the pagoda top case with canted angles, carrying handles to sides, ball and claw feet, 52cm high, c.1800
A George III oak longcase clock, 33cm circular brass dial with Roman chapter, Arabic minutes chapter, star engraved winding arbours pierced steel hands, signed Whitehurst, Derby, eight day movement striking on a bell, arched hood supported on turned Doric columns, shaped rectangular top to trunk door, flanked by reeded quarter-columns, skirted base with canted angles, bracket feet, 209cm high, 1760/1770John Whitehurst FRS was born 1713 son of a Congleton maker, who set up in Derby in 1736, and became a founding member of the Lunar Society, the father of modern geological science and an scientist of note. He moved to London in 1780 and died at Bolt Court, Fleet St in 1788. His nephew, John Whitehurst II (1761-1834) took over the business which survived until 1861. He introduced round brass dials on his clocks, much imitated subsequently, in 1760.
A substantial Victorian gilt bronze mounted mahogany bracket clock, in the mid-18th century taste, 22cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, Strike/Silent and Slow/Fast setting dials to arch, twin winding holes, eight-day movement striking and chiming on gongs, the caddy top case crested by urns, canted angles applied with masks, claw feet, 74cm high, c.1880
A Regency mahogany longcase clock, 33cm circular enamel dial inscribed Whitehurst & Son, Derby, Roman and subsidiary Arabic numerals, twin-winding holes, 8-day movement striking on a bell, the well-figured case with swan neck pediment with draught-turned roundels, shaped rectangular drawer to waist, flanked by canted angles, skirted base, bracket feet, 217cm high, 1809/1810 John Whitehurst II (1761-1834) succeeded to the business of his celebrated uncle John Whithurst FRS in 1788 and took into partnership his son John Whitehurst III in 1809, beginning to number clocks from shortly afterwards. The son took over from 1834 and died in 1855 after which the firm was run by Roskell of Liverpool until it closed in 1862. The lack of a number on the movement of this clock indicates a date of c. 1809/1810. Condition Report: Not currently set up in working order, the movement has been cleaned and has been working in the vendor's home for a couple of decades, all in good order.
A substantial 19th century rosewood and brass marquetry musical bracket clock, 18.5cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, the arch with setting dials for Chime/Silent, Slow/Fast and Chime on 8 Bells/Westminster, triple-winding holes, eight-day movement striking on a gong, the arched case with pine cone finials and flanked by Corinthian columns, acanthus scroll feet, 77cm high, c.1860
An early Victorian Scottish mahogany longcase clock, 36cm arched painted dial inscribed A & M Marshall, Wishaw, Roman numerals, the arch painted with the young Queen crowned, the spandrels with figures allegorical of the Countries of the Union, subsidiary seconds and calendar dials, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, domed rectangular door to waist flanked by turned pilasters, bracket feet, 223cm high, c.1838
A 19th century Louis XIV style Boulle marquetry and ebonised bracket clock, 13.5cm brass chapter ring engraved with Roman numerals, twin-winding holes, 8-day movement inscribed BR/765/94017/72 and striking on a gong, the whole surmounting a Baroque plaque, caddy top case with urnular finials to angles and with four further finials to the oversailing stepped frieze, skirted base, bun feet, 43cm high, c. 1860
A mid 18th century ebony triple fusee bracket clock by John Berry, London, chiming on eight bells. The ebony case with glazed side panels and arched door on small plinth bracket shaped feet. The 7 inch dial arched brass dial with silvered chapter ring and foliate spandrels surmounted by two subsidiary dials for strike/silent and regulation, signed above John Berry, London. The signed and engraved triple fusee movement with anchor escapement with rise and fall pendulum and chiming on eight bells. 19 1/4 high including handle
An Edwardian mahogany longcase clock, the dial inscribed Maple and Co Limited London, the swans neck pediment and arched silvered brass dial with three train movement striking on a large gong and four gongs. The long trunk door flanked by fluted quarter column corners with brass capitals and all raised on bracket feet. Height 234 cm.
A Regency mahogany brass strung lancet type bracket clock, by Grant, Fleet Street, London, with enamelled dial and two-train striking movement, both the dial and backplate marked with the maker's details. Height 46 cm, width excluding lions mask handles 25 cm, depth 14 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It is currently ticking away and strikes when advanced but at ten to the hour rather than on the full hour. The movement appears to be original to the case. The case itself is in generally good order with no significant issues. All brasswork is present. The dial which is enamelled is in very good condition. There is a small blemish around the right hand winding aperture. We have what appears to be an original key.

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28112 item(s)/page