We found 28112 price guide item(s) matching your search

Charles Frodsham, Maker to the Queen, a Victorian eight day clock movement in later mahogany case, the pendulum movement striking on a bell, the back plate stamped 298884 23-2 the gilt dial with foliate engraving central to the Roman chapter ring within cylindrical case supported on line inlaid down swept sides and brass stepped bracket feet, 42cm high

A Victorian and later ebonised bracket clock and bracket, the eight day triple fusée movement with anchor escapement, strike on one bell and carillon chime on eight bells operated by a cylinder inserted with needles, the silvered chapter ring with skeleton centre, the rectangular case with glazed sides, 37cm high

An early 20th century French brass cased mantel clock, the eight day movement countwheel striking on a bell, the enamel dial with blue Roman numerals below an urn and between foliate volutes, a bow and quiver on the pierced plinth above the spindle and bracket feet, 54.5cm high

A fine French 19th century ormolu carriage clock, the movement inscribed Jacot a Paris, the silvered face with Roman numerals and subsidiary dial with Arabic numerals and inscribed Bentley and Beck Makers, London, the case cast with anthemion borders, scroll handle, winged bracket feet, morocco leather travelling case, 17cm high, c.1870

A George III ebonised and ormolu mounted rectangular bracket clock, the lofty pagoda with gilt flame finials and applied with ribbon tied foliate swags, the arched dial with silvered chapter ring and three winding holes, chime/silent, slow/fast and 8-bells/chime dials, inscribed E T Depree, Exeter, striking on a gong and bell, gilt foliate spandrels, stiff acanthus leaf borders, the case with caryatids and fruiting tendrils to angles, plinth base, scroll and paw feet, carrying handles to sides

An early 20th century mahogany longcase clock, the 32cm silvered dial with gilt Arabic numerals, engraved and chased overall with scrolling foliage, subsidiary seconds dial, the arched with strike/silent dial, inscribed Mappin and Webb, Ltd., Oxford Street, London, three winding holes, eight day double fusee movement, striking on a gong, the hood with urn finials to angles, pierced gallery, blind fret work to angles, the shaped door with oval blind fret, plinth base, bracket feet, 233cm high

An early 20th century mahogany longcase clock, the 30cm gilt dial with silvered chapter ring and gilt Arabic numerals, subsidiary seconds dial, the arched with strike/silent dial, pierced gilt spandrels, inscribed Barry and Sons, Edinburgh, twin winding holes, eight day movement, striking on a gong, the hood with swan neck pediment terminating with bat wing patera, centred by a lofty fluted urnular finial, freestanding Corinthian pilasters, inlaid over all in coloured woods with urns and tendrils, bevelled glass shaped door to waist, flanked by fluted columns, bracket feet, 250cm high

A George III oak and mahogany crossbanded long case clock, the 25cm square enamelled with Roman and Arabic numerals, painted with scrolls to spandrels, twin winding holes, eight day movement, striking on a bell, subsidiary seconds dial and date aperture, inscribed E. Massey, Newcastle, the hood with square pediment, turned pilasters, shaped door to waist flanked by quarter fluted columns. plinth base, bracket feet, 188cm high **The maker is the well-regarded Edward Massey of Newcastle-under-Lyme born 1740 and was working from 1763 until 1813. Although bankrupted in 1778, he undertook work for Josiah Wedgwood - a Catholic, he belonged to a prolific Staffordshire clock making dynasty, and three of his sons - Edward II, Francis and John also became clockmakers

Regency mahogany Bracket Clock, circular silvered dial, inscribed, “Muston & Gath, Bristol”, with Roman numerals, with twin fusee movement, striking on a bell, the case with arched top with flower and leaf appliqués, brass fretwork panelled sides and on a rectangular base and bun feet, 45cms, (18”). Footnote: Muston & Gath are recorded as working 1796-1844.

18th Century Longcase Clock, square painted dial with date aperture, the spandrels painted with flowers, thirty-hour movement, contained within an oak case, with swan neck pediment, fluted columns supports, arched and crossbanded door, shaped apron and bracket feet, 206cms, (6’9”).

An ebonised clock bracket, the front inlaid with brass stringings, 12ins wide x 10ins deep x 7ins high, an oak adjustable bookstand with arched and fretted cresting, 16ins wide, and a Chinese hardwood rectangular photograph frame, fretted and carved with waterlilies and lily pads, to hold photograph 6.75ins x 4.5ins

A late 19th Century German walnut cased mantel clock, the brass dial with silvered chapter ring and leaf scroll pattern spandrels to the eight day two train movement quarter striking on two gongs, contained in figured walnut veneered case with arched and moulded top and rounded front corners, on bracket feet, 16ins high

An 18th Century brass cased wall clock with alarum by Ralph Glover of London, the whole of small proportions, the 6ins arched brass dial with silvered chapter ring and Roman and Arabic numerals to the enclosed brass framed movement with verge escapement striking on a bell, 8.75ins high, mounted on later bracket, with brass cased weights for same. Note: Ralph Glover recorded working Hanover Square, London 1773 and Pimlico 1799

A late 18th Century mahogany longcase clock by Levy & Godfrey of Kidderminster, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture showing phases of the moon, landscape and shipping scene to arch to the eight day two train movement striking on a bell, contained in associated case with moulded scroll pediment, turned and fluted pillars to hood, shaped trunk door inlaid with oval shell motifs and crossbanded in satinwood, fluted quarter columns, the rebuilt plinth similarly inlaid and on ogee bracket feet, 84ins high. Note: Levy & Godfrey dissolved partnership in 1795

A late 18th Century mahogany longcase clock by Jacob Swaby of Deal, the 12ins arched silvered dial with subsidiary seconds dial and date aperture with engraved spandrels to the eight day two train five pillar movement striking on a bell, contained in associated case with deep arched moulded cornice with shaped cresting, turned, fluted and brass stopped columns to hood, figured veneered trunk door of shaped outline, with fluted and brass stopped quarter columns, astragal panelled plinth, on bracket feet, 93ins high. Note: Israel Swaby recorded working Dover 1775-1785 and Jacob Swaby recorded working Romney 1795

A George III mahogany longcase clock by John Wilkins of Islington, London, the 12ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in case with moulded cornice and shaped cresting, with turned, fluted and brass stopped columns to hood, the arched trunk door veneered in figured mahogany with moulded edge, fluted and brass stopped quarter columns to sides, the plinth with astragal panel and double plinth on bracket feet, 91ins high. , and on Back Cover. John Wilkins recorded working Islington, London 1773

A Regency mahogany 8-day bracket clock, with convex enamelled dial signed Moore, Ipswich and twin-fusee movement striking on a bell, the case with pineapple and pagoda cresting, brass inlay and brass ball toes, 16.5in.

An Edwardian inlaid mahogany mantel clock, with silvered dial and brass columns to sides, Japy et Cie. movement striking on a gong, on brass bracket toes, 11.5in.

Inlaid mahogany longcase clock, the fretwork swan neck pediment over blind fretwork frieze above an arched painted dial named for Gibson of Saltcoats with portrait panel of George III to the arch and symbols representing the continents to the spandrels, the face with subsidiary seconds dial and calendar ring, the hood flanked by later reeded columns over trunk with side spiral pilasters and inlaid central patera and all over detail, all raised on bracket feet, 88in (223.5 cm) high

Edwardian oak bracket clock, the architectural pediment over silvered dial with gilt pierced metal ornament with speed adjusting ring and chime/silent ring on stepped base section, 15 1/2in (39.3cm) high

Victorian oak bracket clock, with acorn finial over arched dial above silvered dial with gilt pierced metal decoration flanked by pilasters and raised on plinth base, 17 3/4in (45cm)

Edwardian mahogany mantel clock, the arched pediment over a white enamel dial with inlays of floral and urn ornament, with brass pilasters and bracket feet, 12 1/2in (31.7cm) high

A late 18th century small bracket clock, the 8 day twin fusee movement striking on a bell with a verge escapement, the back plate engraved foliage and ho ho birds, the pendulum bob engraved a sunburst, the arched silvered dial with strike, silent regulation to the lunette, the centre inscribed "Kenneth MacLennan, London" above calendar aperture, the ebonized pear wood veneered case with a brass carrying handle and brass corner mouldings, the sides glazed, the plinth on brass ogee bracket feet. 14in. (36cm) high. * "Britain's Old Clocks, Watches and their Makers" states Kenneth MacLennan at Mary's Buildings, St. Martins, London, 1778-1825. He made a Planetarium for the Royal Institution in 1801.

A BOUDOIR BRACKET CLOCK, c.1860-1870, ormolu rococo case, cushion Roman dial 8cm, 8 day movement, bell strike on the half hour and hour (pendulum)

A BELLE EPOQUE BRACKET CLOCK, patinated bronzed case, enamelled ceramic chinoiserie panel, Chinese numerals 8cm, 8 day movement, 'Rand, C. 1510', bell strike, height 40cm (pendulum)

A REGENCE STYLE BRACKET CLOCK, c.1860-1900, red tortoiseshell and boulle, cushion, Roman numerals 10cm, gong strike, sunburst pendulum, height 38cm

A LOUIS PHILLIPE BRACKET CLOCK, c.1840-1850 in Regence style, red tortoiseshell and boulle case, ormolu mounts, Roman cushion numerals, bell strike, movement signed 'Japy', height 44cm

A MAHOGANY BRACKET CLOCK, late 19th Century, arched caddy top, 15cm silvered Roman dial, strung case with fluted pilasters, (frets and grilles s.d.), double fusee movement with retaining power, striking on the hour and half hour, deadbeat escapement, height 48cm, (pendulum)

AN ART NOUVEAU BRACKET CLOCK, early 20th Century, bronzed alloy case, 10cm Arabic dial, gong strike, grid iron pendulum, movement signed 'Mougin', height 36cm

A TOMPION STYLE BRACKET CLOCK, English, second half of the 19th Century, ebonised case with gilt metal mounts, brass dial with silvered Roman chapter, arched with two subsidiary dials, eight day movement, four pillar double fusee striking the hours on a gong and the quarters at will on a set of eight-bells, height 70cm, (key and pendulum).

A BRACKET CLOCK, c.1870-1880, red and black marble case, wolverine side handles, tazza top 12cm Roman dial 'Elkington and Co. Liverpool', 8 day French movement, bellstrike

A BRACKET CLOCK, late 19th Century, 20cm silvered Roman dial, arched ebonised case, brass stringing and feet, repeat mechanism, Westminster chime on a gong, height 36cm, (pendulum)

AN ENGLISH BRACKET CLOCK, late 19th Century, carved oak caddy top, arched dial, two subsidiary dials, (chime/silent and speed), foliate spandrels, 16cm Roman chapter (formerly signed Mappin & Webb), chimes hours on a gong, pull repeat mechanism, height 56cm, (pendulum and three keys)

A MAHOGANY BRACKET CLOCK, late 19th Century, arched case, 20cm silvered Lombardic numeral dial signed 'Edwards, Glasgow', metal sound grilles, gong strike, height 37cm

AN OAK BRACKET CLOCK, mid 19th Century, architectural arched case with pilasters, 20cm silvered Roman dial signed ' C.J Klaftenberger, 157 Regent Sreet, London', (1795-1874, Vice President British Horological Institute), signed musical movement on gong and bells, metal sound grilles, height 50cm, (pendulum).

A MAHOGANY BRACKET CLOCK, arched inlaid case, silvered Roman dial with chime/silent subsidiary dial, movement playing Westminster chimes, signed 'Gustav Becker', height 40cm, (key and pendulum)

A WALNUT BRACKET CLOCK, late Victorian, arched inlaid case, brass dial with silvered chapter and two subsidiary dials, movement playing Westminster chimes, sound griles, height 45cm, (pendulum)

AN ART NOUVEAU BLACK SLATE MANTLE CLOCK with bronze gallery, circular dial and gilt numerals, classical relief decoration, fluted columns and on bracket feet with striking French movement, 17" high.

A FRENCH CHAMPLEVE MANTEL CLOCK with striking mechanism, circular dial and polychrome foliate decoration on bracket feet, 7 1/2" high.

A REGENCY MAHOGANY BRACKET CLOCK, with white enamel dial, striking mechanism, the arch and case with ebony and brass inlay, having blind fret sides and engraved back plate (no glass and in need of restoration) maker's name rubbed, probably C Lacey of Bristol, 16" high

A MAHOGANY CLOCK BRACKET, a small oval swing toilet mirror and a few 1930s table top boards in the form of a child hunting with hounds

An ebonised cased bracket clock, with a fusee movement, the silvered chapter ring with black Roman numerals to the hour and with a slow/fast dial.

DAVID PENNEY, SIGNED IN PENCIL TO IMAGE, THREE LIMITED EDITION COLOURED PRINTS, (94/250), THREE COLOURED ARTISTS PROOFS 'John Arnold and Son Marine Timekeeper', 'Joseph Knibb Bracket Clock', 'George Daniels Remontoire Tourbillon Watch', 14" x 20", (3)

A FRENCH MANTEL CLOCK with eight day movement, the black dial with chased brass centre and numerals in arched black slate oblong case with bronzed metal mounts and figural panels, flanked on either side by crouching male figure, moulded base and bracket feet, late 19th century, 27 1/4" wide, 11 1/4" high

A FRENCH MANTEL CLOCK by Japy Freres, the eight day movement with silvered dial, in mahogany balloon case with stringing, moulded base and brass bracket feet, late 19th/ 20th century, 13 3/4" high

A LONGCASE CLOCK by Michael Heaton, Bierley, the thirty hour movement with arched brass dial chased with scrolling foliage and with painted moonphase, secondary dial, in oak and crossbanded case with scrolled pediment on turned columns, arched door flanked by quarter columns, canted panel base and bracket feet, 85 1/2" high

A LONGCASE CLOCK by W Spark, Aberdeen, the eight day movement with arched dial painted with Prince of Wales feathers and flowers, secondary dials, in mahogany case with stringing, scrolled pediment on Corinthian pilasters, arched door flanked by fluted quarter columns, panel base and bracket feet, 84 1/4" high

A LONGCASE CLOCK by Thomas Lister, Halifax, the thirty hour movement with square brass dial chased with foliate scrolls, secondary dial and half penny moonphase, in oak and mahogany case with scrolled pediment on turned columns, arched door flanked by quarter columns, panel base and bracket feet, 87" high

A LONGCASE CLOCK by J Wood, Liverpool, the eight day movement with white enamel dial, in mahogany case with arched cornice on fluted pilasters, arched door flanked by fluted quarter columns, panel base and bracket feet, 80" high

A LONGCASE CLOCK with early birdcage thirty hour single hand movement, having square brass dial chased with scrolling foliage, in later carved oak case with moulded cornice on turned columns, panel door, similar base and bracket feet, 97 1/2" high

A LONGCASE CLOCK by Robert Wiggan, Colne, the thirty hour movement with arched dial painted with a landscape, the spandrels with figural emblems of empire, secondary dials and painted moonphase, in mahogany and crossbanded case with ebony stringing, scrolled pediment on fluted columns, arched door flanked by cluster column pilasters, canted panel base with inlaid roundel, on bracket feet, 91" high

A LONGCASE CLOCK by J Fletcher, Leeds, the eight day chiming movement with arched brass dial chased with scrolling foliage, in associated mahogany and crossbanded case with scrolled pediment on gilt metal mounted baluster turned columns, arched door flanked by similar columns, panel base and bracket feet, 97 1/2" high

A FRENCH FOUR GLASS MANTEL CLOCK the eight day movement with white enamel dial, in brass case with moulded cornice and bracket feet, 7 1/2" high

A Regency ebonised Bracket Clock having circular dial, 8-day double fusee movement, repeater mechanism, the case with brass mounts and carrying handles, 15inH

A George III oak longcase clock, pagoda top with blind fret frieze, square brass dial with black Roman numerals and Arabic five minute divisions, enclosed by cast spandrels, calendar aperture, inscribed 'Will. Snow, Otley, No. 334', mahogany crossbanded arched door enclosed by mahogany quarter columns, base with shaped bracket feet, 8 day movement striking on a bell, dial 28cm, 216cm high overall

A George III oak longcase clock with swan neck pediment on brass capped turned columns, arched brass dial, subsidiary seconds and calendar aperature, inscribed 'Robt. Higgs London', plain case with stepped angular arched door, panel base on shaped apron and bracket feet, dial 42cm high, 215cm high overall, 8 day movement striking on a bell

Jaeger Le Coultre Atmos clock, in brass case with corner columns and raised on bracket feet, 9 1/in (24.2cm) high

Mahogany loncase clock, the stepped and dentil cornice over inlaid ribbon motif above arched dial with painted scene of ship off Bass rock, the white circular dial with Scottish scenes in the spandrels and fitted with seconds dial and thirty one day calendar ring flanked by spiral pilasters and over trunk door with cross banding and flanked one quarter pilasters all raised on bracket feet, 801/in (204.5cm) high

An Edwardian Mahogany Chiming Table Clock, the break arch case with stepped pediment, pierced wood sound frets to the sides, applied gilt metal mounts with fluted decoration to the plinth, 8-inch arched brass dial with silvered chapter ring, the arch with subsidiary dials for fast/slow, chime/silent and chime on eight bells/Westminster chime, the massive three train movement with anchor escapement, quarter chiming on eight bells and striking the hour on a further gong, backplate numbered "3402", 76cm high, together with associated wall bracket

A Victorian Mahogany Striking Bracket Clock, with Pull Repeat, the mahogany veneered case with good colour and carved decoration to the front, pierced brass sound frets to the sides, 8-inch circular painted dial with Roman numerals, steel moon hands, twin fusee movement with anchor escapement and striking on a bell, movement secured by two brackets, 48cm high