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A mahogany grandmother clock, with silvered brass dial and two-train striking movement, with long trunk door and raised on bracket feet. Height 174 cm.

A 19th century oak and mahogany banded longcase clock, with painted dial and thirty hour movement, the case with quarter column corners and raised on bracket feet. Height 228 cm. CONDITION REPORT: The case is in generally good condition with no significant issues. There are no major splits or losses. The door is not warped. The hood is a little dirty. We have a weight but no pendulum. The seat board is original. As are the back boards.

A George III and later ebonised bracket clock, with two-train fusee movement striking on a bell. Height excluding carrying handle 37.5 cm, width 28.75 cm (see illustration). CONDITION REPORT: The clock is in generally extremely good condition. It is ticking away and striking as it should. The movement winds on both trains. The case is in generally very good order with no significant condition issues. The front door is not warped. All of the metalwork is present and in generally good condition. The feet have lost much of their original lacquered finish as have the flat sections to the caddy top. The dial is in generally good order. The hour hand is missing its tip. We have a key and the brass pendulum retainer is present.

An Edwardian mahogany bracket clock, with silvered dial and two-train spring driven movement. Height 26.5 cm (see illustration). CONDITION REPORT: The width across the base is 19 cm, depth 14 cm. The case condition is extremely good. The movement does wind on both trains and strikes when manually advanced. The suspension spring is bent but the movement is currently ticking away for approximately 1 minute at a time. We have the key.

A 19th century oak and mahogany longcase clock, with swans neck pediment above the arched painted dial with two-train striking movement, carved trunk door and raised on bracket feet. Height 210 cm.

A Georgian oak longcase clock, the 10.5 inch square dial signed "William Atkinson" and with thirty hour movement, the case with long crossbanded trunk door, quarter column corners and raised on bracket feet. Height 200 cm.

A 19th century boulle marquetry twin fusee bracket clock, by Green & Ward, Cockspur Street, London. Height 44.5 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It appears to be ticking away as it should. The movement is striking when advanced to the hour but does not cease striking. The clock face is a little dirty and has some surface scratches. There are hairline cracks around the numerals 2, 4 and 5. The gilding around the signature on the surround is rubbed. We are not sure if the tortoiseshell is simulated or not. Whatever the case there are numerous small losses to the marquetry to both the caddy top and the remainder of the body. The brasswork to the front of the caddy top is thin and worn in the centre. There may have been some form of plaque or other moulding. There are some small losses to the brass fretwork. The original finish to the brasswork is not present. All feet and corner brackets are original and present. The movement appears to be original to the case and is twin fusee.

A George III mahogany longcase clock, by George Felton, B. North (Bridgnorth ?), with two-train striking movement and centre date. Height 238 cm. CONDITION REPORT: The cornice has an old moulding repair to the front right hand corner of the top arch. Other than this the hood is in very good condition. The door is not warped. There is a repair to the top right hand corner by the hinge. The silvered brass dial is a little dirty. The case and movement are probably a marriage. The cheeks are built up. The mask around the dial does however fit. The trunk door is not warped. It is locked and we do not have a key. The reeded columns are in good condition generally with some minor crushes and scuffs. The sides of the clock and the base are all in good condition. The bracket feet are original. The clock is structurally sound. We have one weight and the pendulum.

EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, having flat hood over arched aperture flanked by spirally turned columns, the waist with moulded cross banded and shell inlaid door, within an inlaid trailing foliage frame on a panelled base with later bracket feet. Arch painted face with figural spandrels, the arch with 'Britannia' and Scottish, English and Irish figures, the spandrels with figures emblematic of foreign empires, Roman numerals and seconds dial. The face is 19" x 13.75". Two train movement striking on one bell.(B.P. 24% incl. VAT) CONDITION REPORT: Overall in good condition commensurate with age, the face is worn, with faded numerals and some crazing, a little grubby in places, the bracket base is appearing to be an addition. Includes pendulum and two weights.

RARE LATE 18TH CENTURY WELSH BRASS FACED, EIGHT DAY, LONG CASE CLOCK BY PRICE JACKS OF CARMARTHEN, the face and movement in a later Victorian mahogany rosewood cross banded case, having broken swan neck pediment over the arched aperture flanked by spirally turned, baluster columns. The waist with similar columns flanking a shaped and cross banded door, on a cross banded panel base with bracket feet. The brass face measuring 18" x 13" and having rolling moon to the arch which is marked: 'High Water at Green Castle' (Carmarthen). Roman and Arabic numerals with arched date aperture and foliate engraving to the centre field, with figural engraved spandrels emblematic of the seasons. Eight day movement striking on one bell. 225cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Face and movement do not originally belong with this case, the movement and face being second half 18th Century, the case being second half 19th Century. Fingers appear to be replacements. Includes two weights and pendulum. The case has general wear and is rather dirty but is in fair condition commensurate with its age.

18TH CENTURY THREE TRAIN OAK LONG CASE CLOCK, face marked: 'Thomas Lister of Halifax', the case with broken swan neck pediment above square aperture, flanked by reeded columns, similar quarter reeded columns to the waist, with an arched door, later carved with foliate and Man in the Moon mask, panelled base with similar later foliate carving, on bracket feet. Brass face with silvered Roman chapter ring, also having Arabic numerals around a foliate engraved field with phases of the moon aperture. The movement now three train, striking on ten bells and a single gong. Face measures 12" square, case overall 220cm approx. (B.P. 24% incl. VAT) CONDITION REPORT: It appears the movement has been altered, with later striking mechanisms and the original face drilled to accommodate the case, also later carved in the second half of the 19th Century. Very dry dusty and dirty, includes three brass cased weights and pendulum..

18TH CENTURY 30 HOUR BRASS FACED LONG CASE CLOCK, marked: Joseph Geller of Bath, in a later mahogany case with broken swan neck pediment over square aperture flanked by moulded columns, satinwood strung moulded waist door on a panel base with bracket feet. Square brass face with Roman and Arabic numerals, seconds dial and arch date aperture. 12" square. 30 hour movement strikes on one bell. (B.P. 24% incl. VAT) CONDITION REPORT: The case overall in good condition commensurate with its age and well usable, silvering from face is lost but otherwise appearing in fair condition, includes single weight and pendulum.

EARLY 19TH CENTURY WELSH OAK 30 HOUR LONG CASE CLOCK, marked: John Jones of Aberystwith [sic], case with broken swan neck pediment and centre vase finial over arched aperture flanked by baluster turned columns, waist with moulded arched door flanked by quarter pilasters on a panelled base with bracket feet. Well repainted face with Roman numerals, foliate spandrels and sporting scene to the arch. 17" x 12". 30 hour movement strikes on one bell.(B.P. 24% incl. VAT) CONDITION REPORT: Good clean condition overall, well repainted face. Includes single weight and pendulum.

A Biedermeier mahogany cased eight day fusee bracket clock. With enamel dial having Arabic numeral markers signed Le Cems est court. With a brass four pillar two train movement having anchor escapement and striking hourly on a bell with pull repeater, stamped R. Maurer, Eisenbach, clock 43cm, with bracket 67cm. Condition Report. To be used as a guide only. Running. With pendulum but no key. Some alterations inside the case where the movement sits. Hair cracks and slight filled repair to the dial.

A BLACK FOREST CUCKOO CLOCK of architectural form, with carved fruiting vine decoration to the front and balcony, 26cm wide x 37cm high, together with a wall mounting BRACKET

An oak wall clock bracket

A 19th Century Mahogany and Marquetry Inlaid Long Case Clock, the arched hood with swan neck pediment above a shaped door flanked by turned columns and raised upon ogee bracket feet, the brass dial inscribed W Ballantyne, Edinburgh and with two train movement striking on a bell

A 19th Century Mahogany Large Bracket Clock with gilt metal pineapple finials and brass paw feet, the dial with silvered chapter ring and Arabic numerals and with chime silent and fast slow aperture and three train movement with Westminster chime by Pleasance & Harper, Bristol, 53 cms tall

A 19th Century Oak Cased Large Bracket Clock, the brass dial with silvered chapter ring with Roman numerals and strike silent and fast slow aperture and with three train movement striking on gongs, 47 cms tall

A Group of Four Mahogany Wine Tables, together with two other side tables and a clock bracket

A London, Brighton & South Coast Railway turret clock, inscribed 'LB & SCR 761'. Condition Report: Weight and pendulum present. Wall bracket measures 117cm high x 53cm deep.

A circa 1900 French lacquered glass cased carriage clock with visible escapement, the dial with Roman numerals raised on bracket feet, together with leather covered carry case CONDITION REPORTS We cannot comment to say if the clock is working or not, we are not clock experts. One cog appears to be off vertical. Damage to the glass pane on the right hand side near the bottom, damage to the enamel at the front, no key. Various light scratches, various general signs of wear and tear throughout, the case is in a very worn condition

A LOUIS XV BOULLE BRACKET CLOCK AND BRACKET, the movement stamped H. & F. PARIS, No. 7582, the face with blue and white Roman numerals. Needs Restoring. Clock: 33ins. Bracket: 13ins.

Early Victorian Bracket Clock, Roman Numerals with gilt decoration to face. 12 inches in height.

A Winterhalder and Hoffmeier oak bracket clock, architectural pediment, silvered chapter ring, Roman numerals, gilt metal spandrels, flanked by reeded pilasters, stepped base, carved scrolling flora in relief throughout.

An 18th century mahogany cased longcase clock by Thomas Higgins of London, the hood with two brass orb finials and central marquetry inlay above an arched brass dial, subsidiary seconds dial and date aperture. The silvered chapter ring with arabic and roman numerals, the base with canted marquetry inlaid corners, arched shell marquetry inlaid cupboard door, on a marquetry inlaid plinth base and bracket feet. 93 by 19¼ins. Est £400-600

An 18th century mahogany cased longcase clock, the hood with scroll decorated pediment and arched glazed door flanked by two reeded columns, the painted dial with arched top section depicting a ruin with figures and sheep to the foreground above painted floral spandrels and roman numerals, the dial with subsidiary seconds and date aperture. Makers name George Braddock Martham. The case with arched door above a plinth base and bracket feet (af). 19ins wide by 82ins. Est £200-300

Synchronome electric 12" dial bracket clock, within a mahogany surround and plinth case, 20" high

Good English miniature ebony veneered single fusee bracket clock, the 3" silvered arched dial signed William Johnson, 50, Strand, London to the arch and the movement back plate, with locking pendulum, within a rounded arched stepped pad top case with brass carrying handle, 8.75" high (pendulum and keys)

Good English ebonised single fusee verge bracket clock with five pillar movement, the 6" square brass dial signed Massy to the false bob pendulum plate, over a calendar aperture, the matted centre enclosed by a silvered chapter ring, the foliate engraved back plate also signed Henry Massy, London and the movement with pull quarter repeat on two bells, within a stepped case surmounted by a caddy top with four acorn finials and an ornate brass carrying handle, 15" high (pendulum and keys)

Good mahogany double fusee verge bracket clock, the 5" brass arched dial signed Stephen Rimbault, London to an arched plate to the matted centre with false bob pendulum and calendar apertures, also with strike/silent subsidiary dial to the arch, with highly engraved foliate back plate, within a stepped case with high caddy top, four brass urn finials and a carrying handle, 16" high (pendulum and keys)

English ebonised double fusee verge bracket clock, the 6" brass arched dial signed Josiah Emery, London on a silvered arched plate over subsidiary strike/silent and slow/fast dials, the silvered chapter ring enclosing a matted centre with false bob and calendar apertures, the movement with pull repeat and highly engraved foliate back plate, within a stepped case surmounted by a caddy top and brass carrying handle, 18" high (pendulum and key)

Interesting early single fusee five pillar verge bracket clock movement with associated Continental 8" brass arched dial, signed Tomas Balosec, Wien and with three subsidiary dials to the arch

Antique red lacquer bracket clock case with aperture for an 8" arched dial, surmounted by a caddy top and ornate brass carrying handle, 21" high

English ebonised double fusee verge bracket clock, the 8" brass arched dial signed William Webster, Exchange Alley, London on a shaped silvered plate under twelve o'clock, the silvered chapter ring enclosing a matted centre with calendar aperture, also with moon phase to the arch, the two bell Dutch striking movement with engraved back plate also signed William Webster, Exchange Alley, London within a floral cartouche, the stepped case surmounted by a caddy top, four flaming finials and a turned ormolu handle, 19" high (pendulum, keys and later back cock apron) (at fault)

English ebonised triple fusee bracket clock, the 8" brass arched dial signed Wales & McCulloch, 22, Ludgate Hill on an arched plate to the matted centre enclosed by a silvered chapter ring and surmounted by subsidiary slow/fast and chime/silent dials, the movement playing on a nest of eight bells and striking the hours on a gong, within a rounded arched stepped case surmounted by an ormolu carrying handle, 21" high (pendulum)

English ebonised double fusee bracket clock, the 8" brass arched dial signed John Ingram, Spalding on a silvered engraved convex boss to the arch, the 7.25" silvered chapter ring enclosing a matted centre with false bob pendulum aperture, the movement with foliate engraved back plate and interesting bob pendulum engraved with a stork, within an earlier stepped case surmounted by a caddy top and ornate brass carrying handle, 20.5" high, pendulum and winding key (alterations)

Scottish mahogany double fusee bracket clock, the 8" cream dial signed J.H. Kelly, Glasgow, the case with applied foliate mounts and surmounted by a wavy cornice, 19.5" high (pendulum and winding key)

English mahogany double fusee bracket clock, the 7.75" cream dial signed Bentley, London, within a rounded arched case with barley twist pillars, 17" high (pendulum) *The inside base of this clock bears a label inscribed Wehrle Brothers...47, Warwick Street...London

English walnut two train bracket clock, the 6" silvered arched foliate engraved dial plate signed Barraud & Lunds Limited, 14, Bishopsgate, London E.C. no. 1338 to the centre, under a slow/fast subsidiary dial, the movement striking on a gong, within a rounded arched stepped case, 11.25" high (pendulum)

English mahogany double fusee bracket clock, the 8" silvered arched dial signed Yonge & Son, Strand, London, with subsidiary strike/silent dial to the arch, the movement with pull repeat, locking pendulum and engraved back plate, within a rounded arched stepped case surmounted by a brass carrying handle, 18.5" high (pendulum and keys)

Walnut single fusee bracket clock, the 6" silvered dial signed Jas Shoolbred & Co, London and fixed to a brass dial plate, the movement with locking pendulum, within a later stepped case surmounted by a caddy top and gilded brass handle, 17.5" high (pendulum and key)

Contemporary Dutch walnut two train bracket clock striking on a bell, the 6" brass arched dial signed Johnson to the centre and with moon phase to the arch, within a stepped case surmounted by a caddy top and brass carrying handle, 14.5" high (pendulum and keys)

Good English oak double fusee bracket clock, the 5.5" silvered dial signed Viner, 158, New Bond St, London, no. 239, the substantial movement also signed to the back plate, with locking pendulum and striking on a gong, within a foliate carved stepped case surmounted by a caddy top, 16.5" high (pendulum)

Large mahogany triple fusee musical bracket clock, the 8" silvered dial signed Edward, Glasgow, the substantial movement striking the quarters on four gongs and the hours on a larger gong, within a rounded arched stepped case inlaid with a central butterfly and boxwood lines, surmounted by three brass globe finials, 21" high (pendulum)

Good German ebonised two train bracket clock, the W & H movement striking the hours and quarters on five gongs, the 7" brass arched dial with silvered chapter ring enclosing a matted centre, under subsidiary fast/slow and chime/silent dials, within a stepped case with rounded top surmounted by a carrying handle, 17.5" high (pendulum)

Mahogany two train ting-tang bracket clock, the 8" cream dial signed Benson, London, within a rounded arched stepped case surmounted by a square caddy top and five brass ball finials, 19" high (pendulum)

Good contemporary burr walnut small bracket clock, the 6" brass arched dial signed Comitti, London to the foliate engraved centre, the movement with platform escapement striking on eight rods, within a rounded arched stepped case surmounted by a brass handle, 13" high (key)

Swiss two train verge bracket clock striking on a bell in the arch, the 9" white dial within a balloon shaped green painted wooden case decorated with birds and sprays of flowers, 25" high (pendulum and key)

English mahogany double fusee bracket clock, the 8" convex white dial within a stepped case with pierced brass fish scale front and side panels, surmounted by a rounded arched reeded pad top with brass carrying handle, 17" high (pendulum and key)

Mahogany single fusee double-sided public wall clock inscribed 'The Windmill' to both sides, within turned surrounds and with iron ceiling bracket

Early ebonised bracket clock case in need of restoration, with aperture for a 7" arched dial, with caddy top and brass carrying handle, 21.5" high

Single fusee movement with A-shaped plates, 8.25" high overall; also an early French bracket clock movement stamped Au. Tin Le Nou, Paris, with outside countwheel and striking on a bell; also an old ebonised clock bracket, 12.5" wide (3)

Boulle clock bracket, 16" wide

Long oak wall clock bracket board, applied to the shaped top and bottom with carved gilt flowerheads and fitted with 7" deep bracket feet, 70" high

Ansonia 'Bee' drumhead clock timepiece, 3.5" high; also a contemporary glass ball clock, contemporary Russian pocket watch and an oak clock wall bracket, 10.25" high (4)

Contemporary German mahogany three train bracket clock striking on five rods, 15.5" high

German walnut three train bracket clock striking the hours and quarters on five gongs, 18.5" high (pendulum)

Contemporary Elliott walnut three train bracket clock striking on eight rods, 13" high

Contemporary German mahogany two train bracket clock, with Lauris movement striking on two bells, 16.5" high