We found 28112 price guide item(s) matching your search

A traditional bracket clock having 18cm German movement with Westminster chime in stained case, height approx. 48cm

An early 19thC Scottish brasss inlaid mahogany cased bracket clock by Ritchie & Son, Edinburgh, the triangular pediment over a convexed silvered dial, a pair of gilt metal ring handles to sides above brass sound grilles, a glazed door to reverse, on gilt metal ball feet, Height 18.5".

An Edwardian bracket style mahogany mantle clock by Sir John Bennett Ltd, Cheapside, London, complete with pendulum, key etc. with glazed panel sides and change of movement on brass feet (side panel missing) (h.23cm x 17cm x 13cm)

An Art Deco walnut square clock with arabic numerals and twin key apertures, raised on bracket feet, complete with pendulum and key, striking on a gong (h.22cm x 20cm)

19th century mahogany longcase clock, swan neck pediment over a painted arched dial, (the face crudely repainted) by Coats & Son of Wakefield, trunk with canted corners terminating in a plinth base with bracket feet, 220cm high

19th century oak longcase clock, broken arch pediment with urn finials, circular re-painted dial, plain trunk, plinth base with bracket feet, 213cm high

Late 19th century bracket clock of lancet shape, silvered Roman chapter ring, applied on either side with brass handles, 93cm high

19th century oak longcase clock, white enamel dial with Arabic chapter ring, date aperture and subsidiary seconds hand, the hood with swan neck pediment and dentil work over plain arched trunk door, raised on shaped bracket feet, 30 hour movement no weight or pendulum, H210cm Condition Report & Further Details Click here for further images, condition, auction times & delivery costs

REGENCY MAHOGANY BRACKET CLOCK, the 7 3/4" dial inscribed Jno Holnden/London on a brass, eight day, twin fusee movement, half hourly striking with repeater mechanism, the arched case with ebony line inlay, lion head handles and scale side panels, height 42cm

REGENCY MAHOGANY BRACKET CLOCK AND BRACKET, the 7 1/2" silvered dial inscribed Widenham/13 Lombard Street/London, inside a foliate cast frame, on a brass, eight day, chain driven twin fusee movement hourly striking to a bell, the repeater mechanism with pull chord, the back plate inscribed Widenham/London, in a circular body supported by scrolls on a plinth base, with pendulum, height 45cm

EDWARDIAN MAHOGANY AND INLAID BRACKET CLOCK, the brass dial with 8" silvered chapter ring, chime silent and Westminster Eight bells dials on a brass, eight day, twin fusee movement chiming to a nest of eight bells and striking to a gong, in a domed case, height 46cm

GEORGE III EBONISED BRACKET CLOCK, the brass dial with a 6 1/2" silvered chapter ring and plaque inscribed Robt Holland/London above a date aperture and beneath a Strike Silent dial to the arch, on a brass, twin fusee, eight day movement with pull quarter repeat chiming to a nest of six bells and striking to a single bell, with bob pendulum, the back plate inscribed Robt Holland/London and surrounded by profuse scroll work, the case with caddy top, silk lined fretwork and glazed side panels, with winder, height excluding brass handle 44cm

A George III Oak Longcase Clock, the brass inscribed Thomas Bean, Hayling, with Roman numerals and date aperture, the square hood above an arched door, the base with bracket feet, the dial 30cm diameter, 205cm tall

A Mahogany Cased Wall Clock, together with two 20th century bracket clocks

Charles Noke for Royal Doulton, a Kingsware Jester clock case, with verse, relief moulded of ogee pedestal bracket form, raised quote from Shakespeare's As You Like It, 'Thus may we see how the world wags', 14cm high

Hamburg American Clock Company, a Jugendstil oak bracket clock, of tapered plinth form with silvered strap decoration, the 6 inch dial embossed with Arabic numerals below an open arched pediment with galleried sides, encasing a bell, a marbled glass pane below, 36.5cm high, 24.5cm wide

19th century mahogany and chequered banded eight-day longcase clock, painted arched dial with second and date aperture, by R Fox, Pontypool, the trunk door flanked by Corinthian columns, on bracket feet, H.223cm

Amended Description Late 18th century mahogany longcase clock, the painted arched dial signed Thurston Sharrock, Preston, having Roman and Arabic numerals, seconds subsidiary dial at 12 and date aperture at 6, the hood with swan neck pediment above Corinthian columns, the case with blind fretwork frieze, the moulded trunk door flanked by reeded pilasters, on panelled plinth base and bracket feet, H.225cm, with two weights and pendulum, later case

A longcase clock, the 30 cm arched square brass dial signed Wm Threlkeld, London to a silvered arch on the centre, the silvered chapter ring with Roman numerals, the matt centre with subsidiary seconds dial and calendar aperture, and with Strike/Silent dial to the arch, fitted an eight day five pillar movement striking on a bell, in a case veneered in walnut, on a plinth base with bracket feet, 270 cm high, removal cost CReport by RBClearly not run for a long time, top ball finial is loose, movement full of cobwebs, lacks seconds dial hands and I cannot see anything connecting behind it, so this has probably been removed, trunk door warped, some slight and occasional loss, feet knocked, probably by a vacuum cleaner, on the hood on the back left hand section there is the brass capital missing to the column, needing some repair and restoration

A Victorian Gothic bracket clock, the 14 cm silvered dial with a ogee shaped top, signed Frodsham, Green Church Street, London, with Roman numerals and subsidiary Strike/Silent dial to the top, in a mahogany case with barley twist columns, 49 cm high, removal cost AReport by JSCase some small losses but overall condition good, possible slight loss of colour, dial scratched most noticeable by the strike and silent dial, see images, probably has a repeat mechanism but the string is missing, small hole to one side, movement appears to be in good order. We do not guarantee this or that it keeps good time, we have not had this clock running

Victorian eight day mantel or bracket clock by James Berry, Aberdeen, fusee anchor, with brass dial in mahogany case with carved waved cresting c1850, 43cm.

A George III style oak cased 'bracket' clock, 16cm arched dial with moonphase, silvered chapter ring, Roman numerals, 50cm high over handle

A Franz Hermle burr walnut bracket clock, the arched dial with sun moon phase, silvered chapter ring, Roman and Arabic numerals, brass handle, 30cm, key

SIMPSON YEATES, PENRITH, A MID 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, arched painted dial with 30 hour movement, swan neck hood, short door on a stepped base and bracket feet, 88 ins high. £120-£180

LORMIER, WOOD STREET, CHEAPSIDE, AN EARLY 19TH CENTURY ROSEWOOD BRACKET CLOCK, square silvered dial supporting a twin train movement, side frets, the bombe base raised on brass ball feet, 16 1/2 ins high. SEE ILLUSTRATION. £3000-£4000

A Victorian walnut cased bracket clock the circular dial signed Wymark & Son, London, the case of Gothic design with bud finials, pierced sides and glazed door to the back, fitted a twin-fusee striking movement and with pull repeat, clock 58.5cm high, bracket 37.5cm wide CONDITION REPORT: Arch top with lifting veneer. Both finials loose. Gothic fret work silk at sides in poor condition. Otherwise case is sound. Dial rather dull, pitted in places and scratched. At present, in intermittent working order. Case and movement original.

An ormolu mounted tulipwood(?) bracket clock/timepiece on bracket,19th century, the dial inscribed 'Payne 163 New Bond Street London' and with individual white porcelain numerals and a single fusee movement, the door with dragon mount, on a matching wall bracket with presentation inscription: 'To The Rev. John Garbett A.M. Vicar of Harborne, Hon'y Canon of Worcester and Chaplain to the Lord Bishop of Manchester, lately Rector of St Georges, Birmingham and Rural Dean, From the Clergy of Birmingham 1858', the case with cherub surmount,55cm highCondition report: Tarnishing to original gilding in many places. Clock ticks. Veneer/carcass split in places, particularly on sides.

Thwaites and Reed, a falling-ball globe clock: the silvered chapter ring with black Roman numerals set within an etched brass globe which falls from a gilded brass bracket suspended from a mahogany backboard, the bracket signed Thwaites & Reed, No 156, with a plaque to the base signed George Hall 1972, height 65cm.

A. Cockburn, Haddington, an unusual Scottish bracket clock with windmill automata: the eight-day duration timepiece single-fusee movement with 'A' shaped plates and having an anchor escapement, with a subsidiary alarm train sounding on a bell, the painted break-arch dial having black Roman hour numerals, decorative fruit and floral corner spandrels and with further floral decoration within the arch, the centre showing a windmill within a field with sails turning as the movement runs, with brass hands and an alarm setting disc to the centre, signed for the maker A. Cockburn, Haddington, Scotland, the mahogany break-arch case having quarter-round corner moulding, brass inlaid decoration to the base and brass fishscale fretwork to the sides with cast-brass carrying handles above, on cast-brass lion's-paw feet, the wall bracket in the form of a cast-brass winged bird, height 34cm clock, 54cm inc. bracket.*Biography Adam Cockburn is recorded working at Haddington, East Lothian, circa 1810 and was also known as a minor poet. He emigrated to Canada in 1843. *Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland, Pub. Mayfield Books 2005. An oak longcase clock with painted dial is illustrated on page 74, fig. 71.

Shapland, Holborn a mahogany bracket clock: the eight-day duration, double fusee movement having shaped shoulders to the plates and striking the hours on a bell, the round convex dial painted with black Roman numerals and signed Shapland, Holborn, London, with blued steel decorative moon hands, the dome-topped mahogany case with boxwood stringing to the front and standing on cast-brass ball feet, height 42cm.*Biography Charles Shapland is recorded as working in High Holborn, London in the 19th Century.

William Frodsham, London a Georgian bell-top bracket clock: the eight-day duration five-pillar movement having a verge escapement and striking the hours on a bell, the backplate with engraved oriental decoration, the seven-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre with a date aperture and inset silvered cartouche engraved with the maker's name William Frodsham, Red Lion Sq., London, with cast c-scroll spandrels to the four corners and decorative blued-steel hands, with a strike/silent dial within the arch, the walnut bell-top case with curved canted corners, brass fishscale frets to both the sides and front, and with a brass carrying handle to the top, height 45cm (handle down).*Biography William Frodsham, born 1728, was the founder of this famous family of clockmakers and was made an honorary Freeman of the Worshipful Company of Clockmakers in 1781 before opening his own retail premises at 12, Kingsgate Street, Red Lion Square, London. He was an important maker who may well have acted as a journeyman for Justin Vuilliamy and was taught the art of jewelling by his friend the chronometer maker Thomas Earnshaw. This caused a problem for Frodsham when he was asked by the Board of Longitude to give evidence regarding a reward for Earnshaw following the latter's claim to have improved the detached escapement. William Frodsham died in 1807 having outlived his son, the clockmaker William the younger born 1755, by 18 months and with whom he formed the partnership William Frodsham & Son in 1779.

William Threlkeld, London a Georgian quarter-repeating bracket clock: the eight-day duration, five-pillar single-fusee timepiece movement having a verge escapement, a fully engraved backplate of floral and c-scroll decoration and with pull-repeat repeating the last hour and quarter-hour on two bells, with an engraved apron to the pallet arbor and engraved 'up and down' regulation lever, the break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute outer numerals and fleur-de-lys half-hour markings, the matted centre with an engraved 'false-pendulum' aperture with decorative blued steel hands and an applied brass plate engraved with the maker's name Wm. Threlkeld, London, the corners with cast-brass female-head spandrels and 'up and down' regulation dial to the arch, the ebonised bell-top case having glazed panels to the sides, fretwork to the front corners, a cast-brass handle to the top and standing on ebonised pad feet, height 40cms (handle down) 43cms (handle up). * Biography William Threlkeld, born in Brancepeth, County Durham, is recorded as working in the Strand, London from before 1701 until at least 1727. A fine seaweed marquetry longcase clock signed for Threlkeld is situated in the bathroom in the Sir John Soane's Museum, London, inventory XF92, within a purpose made niche as it has done from at least 1837. A watch signed for him was known to be in the James Arthur collection situated in New York University, at that point the largest collection of horological timekeepers in the Northern hemisphere, with the collection split in 1982 between the Smithsonian Museum and the museum of the National Association of Watch and Clock Collectors in Pennsylvania who have consequently taken on the full collection and where the watch is now on show.*Notes Reference. Baillie G.H. Watchmakers & Clockmakers of the World Methuen & Co 1929.*Notes Reference Sir John Soane's Museum, London

Richard Lloyd, Bridgnorth a Georgian alarm wall clock on bracket: the thirty-hour duration timepiece movement having an anchor escapement with a subsidiary alarm sounding on a bell, the seven-inch brass break-arch dial engraved with black Roman numerals, decorative corners and signed within the arch in scroll engraving Richard Lloyd, Bridgnorth, with a single blued steel hand and alarm setting disc to the centre, complete with a later wall bracket, height 54cm inc. bracket.*Biography Richard Lloyd is recorded as working in Bridgnorth, Shropshire from circa 1789 until at least 1809 when he advertised in the December addition of the Shropshire Journal, 'Clockmakers wanted. Two or three journeymen in that above line. Good workmen will receive good wages and constant Employ, by Applying to Mr. Lloyd, Bridgnorth, and all travelling expenses paid.'*Notes Reference Douglas J. Elliott, Shropshire Clock and Watchmakers, Pub. Phillimore 1979.

Joseph Dudds, London a mid-18th Century walnut longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute markings, the matted dial centre having a subsidiary seconds dial and date aperture with cast-brass corner spandrels and decorative blued steel hands, the arch having a round convex boss engraved with the maker's name Joseph Dudds, London with cast-brass dolphin spandrels to either side, the walnut case having a burr walnut veneer to the trunk door with castellated inlaid stringing, the hood having a break-arch top with a deep concave moulding, cast brass capitals to the fluted pillars, arched wood frets to the sides and with matching stringing inlaid to the trunk door, the base with a shaped and raised panel set to the front and standing on bracket feet, height 228cms.*Biography Joseph Dudds is recorded as working in London having been apprenticed to Richard Haughtin on the 15th of January 1723 for 7 years becoming free on the 6th of July 1730 when he was admitted as a Freeman of The Clockmakers' Company and is recorded as still working in 1770.*Notes Reference The Company of Clockmakers' Register of Apprentices 1631-1931, pub. Privately for the Clockmakers' Company 1931.

A mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch break-arch painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture, decorative gilded-brass hands, painted cottage scenes to the four corners and phases of the moon disc within the arch, the mahogany case with barley-twist columns to the trunk, a short door with inlaid decoration and crossbanding above and below, the hood having barley-twist pillars and whales-tooth cresting surmounted with brass finials, the base with further inlaid crossbanding and stringing and standing on bracket feet, height 230cm.

William Lancaster, Plymouth Dock a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the centre having a subsidiary seconds dial, silvered date aperture and engraved with a scene depicting ships leaving a harbour and signed Willm. Lancaster, Plymo. Dock, with decorative blued steel hands, with cast-brass female-head spandrels to the four corners, the arch having a well-painted moonphase disc depicting a sailing boat within a rough sea, the moon appearing from behind two engraved brass discs engraved with further maritime scenes, with a silvered arch above showing both the moon phase dates and time and engraved with High Water at Plymo. Dock, the mahogany case having fluted canted corners to the trunk and a break-arch moulding to the door, the hood having full fluted columns with cast-brass capitals, all standing on bracket feet, height 210cm. *Biography William Lancaster is recorded as working in Queen Street, Plymouth Dock (now Devonport) having married Mary Pinhey at Stoke Damerel parish church in November 1771. Interestingly the watchmaker Richard Pinhey was both a witness to the marriage and to Lancaster's will dated Feb 1815 prior to his death in February 1820 in which he left an estate valued at under £800 including his workshop tools which he left to his son Thomas Lancaster. William Lancaster's name is to be found on many good quality clocks and watches and it is known he was supplied with movements by a number of top London makers including Thwaites. *Notes Reference Clive N. Ponsford Devon Clocks and Clockmakers Pub. David & Charles 1985.

Shaped mahogany mantel clock raised on bracket feet with enamelled and Roman numeral dial, 34cm by 25cm.

Victorian pale oak bracket clock of Gothic Revival design, the painted dial with Roman numerals, signed William Roskell and Co, number 2635, Liverpool, the three train fusee movement chiming on eight bells and striking on a gong, the case of architectural form with a lancet top and cluster side columns, 30ins high, together with a matching wall bracketMovement is original but not working, case quite tired and dirty, needs restoration as a whole

Edwardian mahogany brass mounted and line inlaid bracket clock, the broken arch case with a brass carrying handle, the circular enamel dial with Arabic numerals, the two train movement striking on a gong

Late Victorian walnut bracket clock, the arched dial with Arabic numerals with a two train movement striking on gongs, together with an early 20th Century two train mantel clockWalnut clock - pendulum damaged / incomplete. Not currently running. Movement is dirty and work is required.Mantel clock - appears to be complete. It runs but stops.

Early 20th Century oak bracket clock, the gilded and silvered dial with Roman numerals, the three train movement striking on gongs

Walnut Bracket Clock ( PWO)

Vict Oak Bracket Clock

A George III oak cased long case clock by John Hartley, Burnley, the twin swan neck pediment above tapering pilasters flanking the 29cm brass dial with silver bezel, applied with Roman and Arabic numerals, centred with a subsidiary second dial and date aperture, signed with the makers name, embraced by gilt metal open work spandrels, enclosing a two train movement striking on a saucer bell, above a shaped door flanked by quarter pilasters, and a plain lower board and bracket feet, 218cm high, with two weights and pendulum For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com

A mid 18th century oak and mahogany cross banded eight day long case clock signed Seddon of Frodsham, with a moulded flat top above a gilt decorated frieze and fluted pilasters flanking the gilt dial applied with Roman and Arabic numerals, centred with a subsidiary second dial and date aperture, signed with the makers name, embraced by gilt metal figural spandrels and enclosing the two train movement striking on a saucer bell, above a shaped and cross banded door flanked by conforming pilasters and a conforming lower board (detached), upon ogee bracket feet, 201cm high, two weights and pendulum For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com

A late 18th century mahogany cased eight day long case clock by Adam Travers, London, the pagoda shaped hood with brass finials and centred with a fretwork panel above tapering reeded columns, flanking the 30cm break arch brass dial, with a silent/strike indicator above a silvered bezel applied with Roman and Arabic numerals, enclosing the subsidiary second dial and date aperture along with the makers name within chased foliate decoration, embraced by gilt metal open work spandrels, the two train five pillar movement strikes upon a saucer dish, above the slender mahogany case with flame mahogany arched door, conforming lower panel with scalloped apron and bracket feet, with two brass coated weights and pendulum, 251cm high For condition information please view this lot on our website HERE. Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com or easyliveauction.com

A George III oak and mahogany cross banded eight day long case clock by J Calcott, Cotton, with tapering pilasters flanking the 32cm painted square dial, painted with Arabic numerals, centred with a subsidiary second dial, date aperture and signed with the makers name, the two train movement strikes upon a saucer bell, above a shaped and cross banded door, conforming lower panel, plinth base and bracket feet, 212cm high, with two weights and pendulum, reduced base

An early 20th century German oak cased bracket clock, by the Hamburg American Clock Co. the golden oak architectural case with turned finials above the 10cm white enamel dial, applied with Arabic numerals and enclosing a two train movement, 40cm high

A George III oak and mahogany cross banded eight day long case clock, by Richard Deaves, Whitchurch, with a moulded twin swan neck pediment above a blind fretwork frieze and fluted tapering pilasters, flanking the painted 31cm break arch dial, applied with Arabic and Roman numerals and centred with subsidiary date and second dials, below the makers name, the two train movement strikes upon a saucer bell, above the shaped and cross banded door flanked by conforming fluted quarter pilasters, and conforming lower panel, raised upon a plinth base with bracket feet, 236cm high, with two weights and a pendulum

An early 20th century mahogany-cased eight-day bracket clock; the gilded movement signed Gustav Becker and with Westminster chimes striking on five gongs, the arched dial with slow, fast and chime/silent dials, the silvered chapter ring with Roman numerals and blued-steel hands, raised on four gilded bun-style feet, together with pendulum and key (30cm high)

A large antique, mahogany-cased bracket clock,; brass swing-handle above nicely figured mahogany case and the seven-inch broken arch dial profusely engraved with scrolls and further scrolling tendrils etc. to the arch, silvered chapter ring with Roman numerals and cornered by ornately pierced gilt-metal spandrels, the gilded movement (probably adapted) with single fusee, and the clock raised upon short, square mahogany feet, together with a pendulum case key and clock key etc. 

A 19th Century mahogany bracket clock, the brass dial bearing Russells Ltd., 10 Exchange Street, Manchester inscription

An Art Deco Garrard oak mantel clock and a small oak bracket clock

An early 20th Century inlaid mahogany bracket clock

EARLY 20TH CENTURY OAK MANTEL CLOCK AND FURTHER WALL BRACKET

A late 19th Century Winterhalder & Hofmeier oak bracket clock with ormolu finials, mounts and feet, silvered Roman chapter ring with slow/fast subsidiary dial, 8 day movement striking on two gongs with two hammers, keys and pendulum, 42cm high

An Edwardian oak bracket clock, eight day movement, the dial inscribed 'F Butterfield, Liverpool', bearing presented to Col. Sergeant Harold Wyatt in 1903, silvered chapter dial, gilt metal spandrels, two winder holes, AF to some parts, 44 cms high x 32.5 cms wide x 20 cms deep approx

A George III Welsh oak 30 hour longcase clock by M.Evans of Llanernyw, circa 1810, swan neck cornice with floral carving, arch top painted of a hunting scene with Roman Numerals, above a single panel door, raised on carved bracket feet. 220cm high

A Kieninger eight day bracket clock, of recent manufacture, burr walnut veneered case with open skeleton movement, four columns supporting top, glazed door and glazed sides, having Westminster, Whittington & St Michael chimes, 34cm high approxCR: very minor surface scratches only

A late 19th Century Gothic Revival style ebonised bracket clock, square brass dial with silvered chapter ring, Roman numerals, twin winding holes, signed 'F.M. Moore Dublin-Belfast', 48cm high