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Waggitt, Richmond. A 18thC longcase clock, with an arched brass dial silvered chapter ring, subsidiary seconds calendar dial, a four pillar eight day movement, in a mahogany case, the cornice carved with Greek key motif, above turned and reeded columns to the hood, and with blind fret canted sections to the trunk, on ogee bracket feet, 233cm high.
Good antique ebonised three train bracket clock, in architectural arched case fitted with gilt coronation columns, the arched gilt dial with pierced overlay work fitted with a silvered chapter ring and two further subsidiary dials, the movement fitted with eight bell movement on a gong with engraved back plate, key and pendulum, 47cm high
Good quality George III mahogany longcase clock, the arched hood with brass finials above glazed door flanked by triple column corner pilasters, the arched door with similar triple corner pilasters and a plinth base, raised on moulded bracket feet, the brass and silvered dial inscribed John Lawson, Bradford, with Arabic and Roman numerals, subsidiary moonphase, seconds and calendar apertures, with a two train four pillar movement striking on a bell, overall height 106ins
18th Century walnut seaweed marquetry and crossbanded longcase clock, the square hood with moulded cornice above a square panelled door flanked by barley twist columns above a rectangular door with glazed pendulum window raised on bracket feet, the 10in gilded and silvered dial inscribed Phill Avenell, Farnham with Roman and Arabic numerals, with an eight day four pillar movement striking on a bell
18th Century ebonised fruitwood bracket clock, the engraved brass dial with a silvered chapter ring, Arabic and Roman numerals and pendulum window, engraved with the date 1730 in Roman numerals beneath a Phoenix, the single train movement with verge escapement and bob pendulum striking on two bells, 18.5ins high
Regency mahogany and brass inlaid bracket clock, the pagoda case with a shaped pediment and flanking cluster columns above a moulded plinth and fluted bun feet, the painted dial with strike silent selector to the arch and Roman numerals, signed Mason, Canterbury, the three train triple fusée musical movement striking and chiming on bells, signed again to the back plate, 24ins high
An early 19th Century oak and mahogany crossbanded longcase clock by Royle & Rawson, WiganThe case with a twin swan neck pediment above a pair of ring turned columns flanking the 14" break arch painted dial, the rolling break arch painted with a wind mill landscape above the dial enclosed by spandrels painted with female figures, the dial painted with Roman numerals and central subsidiary second and date dials with an eight day movement striking on a saucer bell, the case with a crossbanded frieze above a shaped door flanked by quarter cluster columns above a conforming lower panel raised on bracket feet, complete with two weights and a pendulum, 220cm high.
A George III/IV oak and mahogany crossbanded longcase clock, by Thomas Slater LichfieldHaving a twin swan neck pediment above tapering fluted columns enclosing a 13" painted break arch dial, the break arch painted with a gilt lozenge and roses above conforming painted spandrels, the dial painted with Roman numerals and enclosing a subsidiary second dial and date aperture, signed with the makers name, the case with a mahogany frieze above a shaped door centred with an inlaid conch shell and flanked by quarter fluted columns, above a lower panel similarly inlaid, raised on a plinth base and bracket feet, 224cm high, complete with two weights and pendulum.
REGENCY STYLE MAHOGANY BRACKET CLOCK, the silvered 6" dial on a brass, eight day, twin chain driven fusee movement with maintaining power, half hourly striking to a gong, the brass mounted case with boxwood line inlay and butterfly motif, the purpose made brass key for winding and pendulum rise/fall adjustment at 12 o'clock on the dial, height 49cm
A George III mahogany and inlaid long case clock, the 8 day movement with moonphase and brass band marked "George White Bristol", the brass dial with Roman numerals, subsidiary seconds dial and date aperture with engraved flowers to the spandrels, the body door inlaid with shell medallion raised on bracket feet CONDITION REPORTS Unknown if clock is working - we are not clock specialists. The phase movement at the back is very dirty and in need of considerabale restoration. The dial is 30 cm wide. Clock comes with a key, pendulum and two weights. Missing section to the arch - see images. Case with various scratches, scuffs and marks, some splits to the veneers. Some impressed marks - general small signs of wear and tear throughout
Hermle Boulle Style Inlaid Wood and Bronze Mounted Clock with Wall Bracket. Has key and pendulum. Signed and Numbered on the movement. Appears to be in good running condition. Rubbing to wood, wear to veneer. Measures 22-7/8" H x 11-1/2" W x 5" Depth, bracket measures 8" H x 14" W x 7-1/2" Depth. The gallery does not warranty the running condition of clocks. Shipping: Third party. (estimate $300-$400)
A 19th century mahogany cased bracket clock with pineapple form finial above a gadrooned plinth and domed acanthus leaf carved top, the panelled front with brass inlay. The dial with roman numerals and makers name R.B. Haynes Stamford, on squat bun feet. 12ins wide by 22ins high. The movement striking on a bell. Est £400-600
A Victorian rosewood repeater bracket clock, Bevan of Birkenhead, enamel dial bearing Roman numerals, two train double chain fusee eight day movement, hour strike on a bell, the case with foliate and floral carving, silk backed fret work sides, raised on scroll feet, 34.5cm x 18.5cm x 50.5cm, with key.

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28112 item(s)/page