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A Regency mahogany and brass mounted bracket clock Unsigned, early 19th century The five-pillar twin fusee bell-striking movement with anchor escapement and border engraved backplate, with 8 inch circular white painted Roman numeral convex dial, in a chamfer-top case with foliate brass ring handles above Gothic pierced frets to sides and recessed brass lined quarter panels around dial flanked by brass fillet inlaid canted angles to front, on moulded base with brass ball feet, 50cm high.

A German oak cased quarter chiming bracket clock Junghans, early 20th century The two-train movement chiming the quarters on four gongs and striking the hour on a further gong, the brass full-arch dial with matted centre within an applied silvered Arabic numeral chapter ring beneath regulation and chime/silent dials to arch within a foliate scroll etched gilt ground, the case with moulded caddy top above pilaster applied canted angles and moulded plinth base with pad feet, 44.5cm high.

A Victorian period Gothic Revival oak bracket clock By J.W. Benson, London 38cm wide, 60cm high, 19cm deep

A Regency period bracket clock By John Caney, London 29cm wide, 50cm high, 15cm deep

A George III period ebonised bracket clock By John Carter, London 29cm wide, 49cm high, 19cm deep

A rare late 18th century Chinese export padouk bracket clock 34cm wide, 69cm high, 22cm deep

A Regency period rosewood bracket clock By Payne, London 31cm wide, 61cm wide, 18cm deep

A George III oak and mahogany longcase clock, with swan's neck pediment above the arched glazed door flanked by simple pillars enclosing the 13.25ins. arched brass dial by Edward Barlow, Oldham with moon phase, foliate spandrels, silvered chapter ring and subsidiary seconds dial with eight day striking movement, the case with arched crossbanded trunk door flanked by fluted columns and with conforming base raised on bracket feet, height 93ins. This clock has had the movement recently restored at a cost of some £500 (receipt available). (see illustration)

A Georgian pine long case clock, having a moulded cornice above a glazed door flanked by half round pillars enclosing the 9.5ins. brass dial and 30 hour movement by John Coates, Cirencefter, with cottage scene to the centre and Roman numerals, with rectangular trunk door beneath and conforming base raised on bracket feet. Height 79ins. (see illustration)

A 19th century mahogany longcase clock, by Spittall Whitehaven having a swan's neck pediment and arched glazed door flanked by turned columns enclosing the 14inch arched painted dial decorated with hunting scenes and with Roman numerals subsidiary date and seconds dials and eight day striking movement with short shaped trunk door beneath flanked by turned pillars and with conforming base raised on ogee bracket feet. Height 90ins. (see illustration)

A George III mahogany longcase clock, with an arched painted dial and 8 day striking movement by J. Yon, Southampton, flanked by fluted columns with arched trunk door being crossbanded in ebony and with boxwood stringing flanked by canted angles and with conforming base raised on bracket feet. Height 83ins. (see illustration)

A VICTORIAN OAK BRACKET CLOCK having a silvered dial with Roman numerals, Westminster and Cambridge chimes, on eight bells and five gongs, the case with blind fret sides and back, carved fluted columns and with arched cornice, 23" high (see illustration)

A GEORGIAN BRACKET CLOCK by John Coates, London, the twin fusee full quarter repeat movement with verge escapement striking on six bells, and striking a further bell for the hours, bob pendulum, the 6 3/4" arched brass dial with silvered chapter ring and matted centre applied with name plaque, mock pendulum and date aperture, strike/silent dial to arch, the back plate engraved with foliate scrolls, in glazed ebonised case with brass drop handle on inverted bell top, pierced side panels and brass bun feet, 19 1/2" high to hilt of handle

A LONGCASE CLOCK by James Hayden, Edinburgh, the eight day movement with anchor escapement striking on a bell, 13" white enamel dial with secondary dial, in mahogany case with drum head top on waisted scrolled support, canted trunk with arched door, panel base and bracket feet, 79 1/2" high

A LONGCASE CLOCK by John Ramsbottom, Hallgreen, the eight day movement with anchor escapement, 12" square brass dial chased with foliate scrolls, seconds dial, in oak and mahogany banded case with stringing, moulded cornice on fluted columns, panelled door, similar base and bracket feet, 71 1/2" high

A BRACKET CLOCK by R.T.W. Wakefield, Tanfield, the four pillar single fusee movement with anchor escapement, arched silvered 4 1/2" dial chased with cherubs, in rosewood lancet case with stringing and foliate marquetry, inset brass inlaid panel below dial, beaded edging, brass ring handles and lion paw feet, 18 3/4" high, 7 1/2" wide

A FRENCH MANTEL CLOCK, the eight day drum movement stamped E. Flet, C.A.F., Pearce & Co, Paris, No.20184, 4" gilt metal dial with central sunburst and applied with enamelled Roman numerals, in arched and gilded brass oval case pierced and embossed with foliate scrolls, applied caryatid, urn surmount, moulded base and bracket feet, 20 1/2" high

A LONGCASE CLOCK by W Fletcher, Kirbymoorside, the thirty hour movement with anchor escapement and outside count wheel, 12 1/4" arched dial painted with allegorical figures and geometric patterns, calendar dial, in oak and mahogany banded case with scrolled pediment on fluted Corinthian columns, arched door flanked by fluted pilasters, panel base and bracket feet, 83 1/4" high

A FRENCH CLOCK GARNITURE, the eight day striking movement with mercury pendulum and brass dial, in glazed brass and green onyx case with turquoise champleve banding, arched top, canted corners with term figures, moulded base and bracket feet, 13 1/2" high, and two urns to match

A 20th century Dutch bracket clock.

A 19th century rosewood bracket clock, the unusual case with applied leaf carvings with ÒarrowÓ topped pilasters flanking white enamel dial with Roman numerals and signed Henry Tucker of Taunton, single winding hole for a wire driven brass fusee movement with anchor escapement and striking on a gong, the whole raised on bun feet, height 57cm

An Edwardian oak mantel clock, having architectural pediment, the square brass dial with silver chapter ring and Roman numerals, three winding holes for a three train musical chiming eight day movement, the whole raised upon a stepped base with bracket feet, height 43cm

A mahogany longcase clock, the domed hood with ring turned pilasters flanking painted arch dial, width 12Ó, signed; Vincent of Weymouth, having Roman numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight day four pillar weight driven movement (requires restoration), the case having arch panel door on a box base with bracket feet, height 222cm

A George III oak longcase clock, having a broken swan neck pediment above twin turned columns flanking square brass dial (width 12Ó), having cherub leaf scroll cast corner spandrels, brass chapter ring with Roman and Arabic numerals signed George Whitmore of Bristol, subsidiary seconds dial and date aperture, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the trunk with plain panelled door to a box base on bracket feet, height 207cm

a reproduction globe table clock with three mermaid bracket supports on a wooden base, 14 1/2 inches high

An ebonised wall clock the blue and white pottery dial with arabic numerals and fitted an eight day striking movement, complete with bracket, 35.5cm (14") high

A Regency ebonised balloon shaped bracket clock the bell top with vase finial and having brass carrying handles to the sides, the base with mask head sunburst panel with ribbon tied foliate garland beneath, on bracket feet, the plain white dial with Roman numerals enclosed by a circular brass bezzled door and fitted an eight day single train fussee movement, 50cm (19.75") high

A late 18th Century Longcase Clock, the silvered and brass dial engraved with birds and flowers and inscribed "Nathaniel Sanders, Manchester", with seconds and date rings, Ormolu spandrels and 8 day movement in mahogany case, the trunk with quarter round pilasters and on bracket feet. 6' 9" (206cms) high.

An early 19th Century Longcase Clock, the painted arch dial with seconds dial and date aperture with eight day striking movement, in mahogany case with swans neck pediment, half round fluted pilasters and bracket feet. 7'9" (236cms) high.

A 19th Century French Mantel Clock inset with sevres type panels and in a gilt metal case with burr and garland finial. 14" (36cms) high, together with a gilt wood wall bracket.

An early 20th Century oak Bracket Clock, arched top and similar brass face with slow/fast and chime, silent dials and circular Arabic chapter ring, flanked on either side by twisted pilasters on a plinth base with compressed brass feet, 10 ?" wide

A George III bracket clock, the twin fusee movement striking on bell, white enamel dial contained in arched mahogany veneered case inset with brass fish-scale panels on brass ogee bracket feet, 44cm high.

A 19th Century Oak Long Case Clock Case, having gilt metal eagle motifs with swan neck top, having arched glass door with further arched panel door below, on bracket feet, 2m 22cm high (clock face 30.5cm)

AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK having an arched painted dial (30.5cms) Roman numerals, pierced hands, signed Riaftor, the arch painted with a country girl on the edge of a wheatfield and floral spandrels, 30 hour movement striking on a bell; the case having a swan neck pediment, turned pilasters, the trunk with a short door and on splayed bracket feet, 209cms

A GEORGE III EBONISED AND ORMOLU MOUNTED BRACKET CLOCK, with a white enamelled dial with Roman numerals above a similar strike/silent dial, mounted within a gilt metal surround, with a two-train fusee movement, striking on a bell, with repeating mechanism, and a foliate engraved backplate, the case with raised top with urn shaped finial, the sides with twin carrying handles and silk backed fretwork panels, the case resting on scrolling cast feet, 27" high.

A George III marquetry inlaid mahogany 8-day longcase clock, the arched 12-inch brass dial with silvered chapter rind and Roman/Arabic numerals and subsidiary seconds and date dials, the hood with eagle finial and broken swan neck pediment and fluted columns, the trunk with conch inlaid shaped door flanked by quarter columns on a pedestal plinth and bracket feet, 240cm high x 54cm wide

An early 19th century line inlaid mahogany eight-day longcase clock, hinmers of Edinburgh, the 13inch Arabic/Roman numeral steel dial with date aperture and chiming on a bell, the arched hood with circular glass door on a trunk with fluted quarter columns flanking a shaped door, on pedestal base and bracket feet, 203cm high x 43cm wide

An early 19th century oak 8-day longcase clock, the arched enamel 13-inch dial with Roman numerals, subsidiary spandrels, the hood with broken swan neck pediment and fluted columns above the trunk with quarter fluted columns on a pedestal base with bracket feet, 220cm high x 53cm wide

A George III mahogany and satinwood inlaid long case clock, the broken swan neck pediment above arched dial inscribed "George Paddon, Kingsbridge", with silvered chapter ring set with both Arabic and Roman numerals and subsidiary seconds hand and date aperture, flanked by writhen twisted pilasters, the shaped long door flanked by writhen twisted quarter cut pilasters on a plinth base to bracket feet, 230.5 cm high

An early 19th century oak and mahogany cross banded long case clock, the domed hood above arched painted dial inscribed "John Morse, Malmesbury", with convex painted circular dial set with Roman numerals and subsidiary seconds and date dials, with eight day movement, the short door flanked by fluted turned pilasters above a plinth base and bracket feet, 214 cm high

An early 19th century mahogany bracket clock

A 19th century French tortoiseshell and brass boulle marquetry bracket clock

A mid 19th century Scottish rosewood and mother-of-pearl inlaid bracket clock

An early 19th century mahogany and brass mounted bracket clock

An early 19th century Swedish giltwood bracket clock

Comtoise eight day bracket clock, the 9.5" cream enamel convex dial with Roman cartouche numerals within an arched casing repousse with scrolling foliage and flowerheads, 17" high, with ebonised wooden bracket, pendulum and two weights

Double fusee bracket clock movement with shaped brass plate, chain drive and associated pendulum, 7.75" high

Nine various movements including five French striking movements with silk suspensions, nineteen clock bells ranging from lantern to a repeating set, small six drawer chest containing springs, platform escapements, tools etc; also an oak Gothic wall bracket

Robinson Tom - The Longcase Clock, published 1981; Allix Charles and Bonnert Peter - Carriage Clocks, Their History & Development, reprinted 1981 edition; Rose Ronald E. - English Dial Clocks, published 1978; Barder Richard C.R. - The Georgian Bracket Clock, 1714-1830, published 1993 and Barder Richard C.R. - English Country Grandfather Clocks, the Brass-Dial Longcase, published 1983 (5)

Jagger Cedric - The Artistry of the English Watch, first edition 1988; Barder Richard C.R. - The Georgian Bracket Clock, 1714-1830, 1993 first edition; Rose Ronald E. - English Dial Clocks 1978 first edition; also three other hardback horological books and three exhibition catalogues compiled by Derek Roberts (9)

Reproduction 17th century style lantern clock, with 6.5" dial, floral pierced frets, hoop, bell and spike, 14.5" high, with bracket, pendulum and weight

FRUITWOOD DOUBLE FUSEE BRACKET CLOCK, the five pillar movement striking on a bell (missing) with floral engraved back plate, the 7" arched dial with silvered chapter ring, visible pendulum bob and calendar aperture to the matted centre with strike/silent subsidiary dial to the arch, within a glazed case with pierced and engraved brass quarter spandrels and side grilles surmounted by a caddy top, 16" high, (handle missing)

DOUBLE FUSEE FIVE PILLAR BRACKET CLOCK MOVEMENT, striking on a bell, the back plate inscribed no. 5419, the 8.75" arched brass dial signed Barraud & Lund, London to the matted centre, with silver chapter ring and moon phase to the arch flanked by subsidiary calendar and days of the week dials

MAHOGANY DOUBLE FUSEE BRACKET CLOCK, the movement striking on a gong, the 8" cream convex dial signed H. Mapple, 69, Red Lion Street, London, within an arched panelled case fitted with brass grilles and a carrying handle, 17" high

Contemporary walnut two train bracket clock, the movement signed F.W. Elliot striking on a bell, the 5.25" arched dial signed Camerer Cuss & Co, London within an arched case with carrying handle, 7.5" high

Oak two train Gothic bracket clock, the W & H ting-tang movement on two gongs, the 5.5" silver chapter ring and subsidiary slow/fast dial with matted centres and within an arched glazed door flanked by cluster column pillars, 16.75" high

Walnut two train mantel clock, the Smiths movement striking on a gong, the 5" arched brass dial within a glazed door surmounted by a caddy top with brass handle, 13" high; also an H.A.C. ebonised two train bracket clock and a small American shelf clock (3)

Mahogany two train bracket clock, the French movement stamped G.B. & E. striking on a gong, the 4.5" white dial within an arched case inlaid with boxwood lines, 11.25" high and a similar two train bracket clock striking on a bell, 8.5" high (2)

ENGLISH MAHOGANY DOUBLE FUSEE DRUMHEAD BRACKET CLOCK, the movement striking on a bell, the 8" cream dial signed French, London, within a scrolled and foliate carved case, 16.75" high

ENGLISH TRIPLE FUSEE EBONISED AND ORMOLU BRACKET CLOCK, the movement playing on eight bells and striking on a gong, the 7" arched dial signed Davison Bros. 59 Cheapside, London, with silvered chapter ring and chime/silent, slow/fast and chime on eight bells/Westminster chimes subsidiary dials, the case with caryatid, foliate and egg and dart ormolu mounts, with pierced side grilles beneath carrying handles surmounted by four foliate finials and an arched top surmounted by a pineapple finial, 25" high. Illustrated on inside front cover.