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A George II brass mounted ebonised fruitwood bracket clock, signed Geo Philp Strigel, London, the twin fusee bell stiking movement with verge escapement and foliate engraved backplate and 7 inch brass break-arch dial with false bob and calendar apertures and oval nameplate to the matted centre within silvered Roman numeral chapter ring and foliate cast spandrels to angles, the arch with subsidiary Strike/Silent 3 inch dial and conforming mounts, the inverted bell top case with brass carrying handle and finials above brass fillet inset front door, canted angles and shaped fretwork panels to sides, on moulded base with brass bracket feet, 48cm high excluding handle, with a later wall bracket. Provenance: Berry

Mappin & Webb, London, 8-Day Striking Mahogany Longcase Clock having brass arched dial with raised figurehead, fish and scroll spandrels, with seconds dial having silvered chapter ring with Arabic numerals, bevelled glass panelled door below, on bracket feet, 2m 16cm high

Vincent & Co Edwardian Mahogany 8 Day Striking Bracket Clock having arched top, white enamel dial with Roman numerals, inlaid butterfly motif and stringing, on splayed gilt metal ogee feet, 34cm high

An early 20th Century walnut-cased bracket clock in the Georgian taste, enclosing a German movement, 33cm wide by 47cm high.

A 20th Century brass carriage clock by the London clock Co, white painted enamelled dial on bracket plinth, 11.5cm high

A MID 19th Century GILT BRASS REPEATING CARRIAGE CLOCK BARWISE LONDON. The 2 1/4-inch dial, four pillar barrel movement, underslung ratchet tooth lever escapement signed Barwise London, white enamelled dial rectangular gilt case and face engraved with leaves and stylised flowers and scrolls, shaped handle, inset with bevelled glass top and sides on bracket plinth, 13cm high together with key ILLUSTRATED

A 19th Century French eight day strike brass carriage clock, white enamelled dial with Roman numerals raised on bracket feet below arched carrying handle, 13 cm high.

A George III mahogany long case clock, the eight-day movement with automata in the form of a warship at sail. With twin scroll pediment and three brass finials above the 13" broken arch dial with silvered chapter ring, subsidiary seconds dial and date aperture, signed D. Seddon, Frodsham. The trunk of the case with pilaster supports above bracket feet, 60cm wide by 240cm high (to top of finial). ILLUSTRATED

Kienzle 3 Train Striking, Chiming Oak Cased Bracket Clock with granulated silver central chapter ring, Arab numerals, slow-fast adjustment, chime silent, bevelled glass door on case with bracket feet, fluted & turned columns with quadrant shell mouldings to door approx. 17" H x 12" W

A Georgian Oak and Mahogany Long case Clock with swan pediment hood, painted face with farm scene and birds, eight day movement. The Mahogany and oak case having various plain inlaid detail and short door. Standing on bracket feet. 19`` wide x 83`` high x 10`` deep.

Munns, St. Albans : A high quality William IV cased bracket clock, the circular roman numeric dial with eight day movement fitted in silk lined wooden side frets with a substantial 8 day twin chain English fusee movement with anchor escapement and hourly rack striking on a single bell. Raised scrolls to the front, the whole on compressed bun feet. 43cms high.

A late 19th Century French Sienna marble and gilt metal mounted bracket clock, the circular enamel dial with Arabic numerals with eight day movement striking a bell, housed in a case with applied laurel and ribboned spandrels surmounted by a winged eagle, gilt brass scrolling handles on circular feet (ILLUSTRATED)

An Edwardian mahogany boxwood line and fan inlaid lancet shaped bracket clock, the circular dial with Arabic numerals, eight day movement striking on a gong on a plinth base

An early 20th Century American Brewster & Co bracket clock, the painted dial with Roman numerals, single wind hole, housed in a glazed and mirrored walnut and parcel gilt case on plinth base and an early 20th Century brass timepiece carriage clock (PART ILLUSTRATED)

A late 19th Century French black slate and agate bracket clock, circular dial with Roman numerals and visible brocot eight day striking movement on a bell within a drum shaped and waisted case on a plinth base (ILLUSTRATED)

An early 19th century oak long case clock, the circular dial with Roman numerals inscribed "Steyning", with 30 hour movement striking on a bell, housed in a pillared hood over a trunk door to bracket feet

An early 19th century stained pine long case clock, the circular dial with Roman numerals inscribed "Major, Cheltenham", with 30 hour movement striking on a bell, housed in a glazed hood with swan neck pediment over a trunk door to bracket base

A 1930`s oak long case clock, the silvered dial with Arabic numerals, inscribed "Enfield", housing a triple weight driven movement striking gongs, the arched case fitted with an aneroid barometer over a glazed case on bracket feet

A BRAMELD BLUE PRINTED EARTHENWARE CASTLE OF ROCHEFORT PATTERN SOUP TUREEN AND COVER AND A MEAT DISH AND DRAINER the dish with moulded gravy tree and well, 53cm w, impressed BRAMELD+1 and/or printed mark or impressed floral wreath mark, c1825 Tureen with chip on the inner flange not visible when the lid is in position, star crack on the interior, cover two minor hairline cracks but not chipped, dish - the glaze and blue in the centre with some localised pitting, descending hairline crack at 12 o`clock on the underside, one of the bracket feet chipped. Drainer - insignificant feint hairline crack on the underside but in otherwise good condition

George III mahogany London longcase clock case, the pagoda hood with applied gilt paper decoration, arch shaped door flanked by tapered reeded pillars with brass inserts, trunk with arch shaped long door flanked by conforming split pillars and standing on bracket feet, 242cm high.

George III inlaid and crossbanded mahogany longcase clock, the hood with broken arch pediment and eagle finial, reeded pillars, the case with long door inlaid with musical instruments, ribbons and flowers flanked by reeded pilasters, standing on bracket feet, arch shaped brass dial with silvered chapter ring, second subsidiary dial and calendar aperture and with rocking figure of Father Time - eight day striking movement, 234cm high.

Edwardian Sheraton Revival inlaid and crossbanded mahogany longcase clock, hood with swan neck pediment, three brass finials and reeded pillars, case with bevelled glass door, standing on bracket feet, arch shaped brass dial with silvered chapter ring and subsidiary dials - eight day movement with Whittington and Westminster chimes, 254cm high.

Large 19th Century carved mahogany cased bracket clock, tapered pagoda top with scallop shell finial, glazed door flanked by tapered ring turned columns with Corinthian capitals, oval pierced side panels, standing on scroll feet, the arch shaped brass dial with decorative gilt metal embellishments, three subsidiary dials, silvered chapter ring with Roman numerals, brass movement, striking and chiming on eight bells and a gong, 70cm high.

19th Century walnut cased bracket clock, the pagoda top with brass handle, glazed side panels and standing on brass ogee bracket feet, the brass dial with subsidiary strike/silent dial and engraved F.R. William, London, the engraved brass back plate with similar inscription, twin train fusee movement, 49cm high.

A 19TH CENTURY MAHOGANY BRACKET CLOCK, the twin barrelled eight day movement striking the hour on a bell, with a silvered dial signed Henry Pace, London, strike/silent dial to the arch and engraved with foliate scrolls and pull, the Gothic inspired case with a trefoil top applied with a leaf spray flanked by steeple finials and cluster side columns, the sides with pierced brass sound frets, platform base, repeat cord to the base, together with a shaped and moulded bracket, the clock 40.5cms high, overall 75.5cms. See illustration

A William IV rosewood bracket clock by Whitehead Market Harboro, the arched case with applied foliate and scroll carved mouldings, with glazed door enclosing the 7.5 inch white painted dial with Roman numerals and two-train fusee movement with repeat mechanism striking on a bell. Width 14.5 ins, height 17.5 ins.

A William IV/early Victorian bracket clock by Bryer Barbican London, with arched silvered brass dial with advance and retard subsidiary dial, chime and silent to arch, with Roman numerals and three-train fusee movement striking on 8 bells and a gong inscribed "Bryer Barbican, London ", in ebonised case being brass strung also inlaid with foliate scrolling brasswork and with canted angles and raised on four short brass feet. Width 14.75 ins, height 24 ins.

A George III oak and mahogany longcase clock by Brownbill Leeds, with steeple and ball brass finial between a swans neck pediment with punched brass terminals in turn above the arched glazed door being crossbanded and flanked by fluted columns enclosing the painted dial with girl and cat to arch and with Roman numerals with subsidiary Arabic numerals and seconds and date dials to centre and eight-day striking movement above the shaped trunk door flanked by fluted quarter column corners and with conforming base raised on bracket feet. Height excluding finial 94 ins.

A George III mahogany longcase clock by William Kelham Egremont, with swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and eight-day striking movement by William Kelham of Egremont and with pastoral scene to arch, the false plate stamped "William Whittaker" and flanked by fluted quarter columns, with conforming shaped trunk door being crossbanded and base raised on bracket feet. Height 87 ins.

A French brass eight day carriage clock, the dial signed BAYARD, the movement `Duverdren & Bloquel`, raised on bracket feet, 15 cm high.

A Regency mahogany bracket clock with eight day twin fusee movement striking on a bell, the painted dial with Roman numerals and inscribed `Brambles, Leeds`, the backplate inscribed `Bayles, London`, the Gothic arch case with applied mouldings flanked by gilt brass lion mask and ring handles and pierced fret panels, on a plinth base, height approx 42cm (faults).

A walnut cased mantel clock with eight day chiming movement, the gilt dial with silvered chapter ring and inscribed `Mappin & Webb Ltd, London`, the back plate stamped `Elliott London`, the case with arched surmount on bracket feet, together with winder and original purchasers receipt, dated 15th November 1961.

An Edwardian mahogany balloon cased mantel clock with eight day movement striking on a gong, the enamel dial with Roman numerals, the case with boxwood stringing and inlaid wreath, on brass bracket feet, together with pendulum.

A mid-19th Century and later oak diminutive longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring beneath a silvered boss to arch inscribed `Henry Moore`, the arched hood with turned columns and glazed door, above a glazed trunk door on a panelled base and bracket feet, height approx 168cm, together with two weights, pendulum and winder (alterations and restoration).

An early 19th Century Irish mahogany bracket clock with eight day twin fusee movement striking on a bell, the circular painted dial with Roman numerals and inscribed `Costigan, Dublin`, the domed case with brass inlay flanked by pierced fret panels, on brass bun feet, height approx 45cm, together with pendulum.

A George III figured mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator to arch above a silvered chapter ring with Roman hours and Arabic minutes, framing a matt centre with subsidiary seconds, date aperture and applied plaque inscribed `StepN. Ganeron, London` all cornered by pierced gilt dolphin, urn and scroll spandrels, the arched hood with three brass ball and spire finials above a pair of fluted columns and glazed door, the arched trunk door above a plain base and bracket feet, height approx 236cm, together with pendulum and two brass weights (faults).

A late 19th Century walnut mantel clock with eight day movement striking on a gong, the dial with silvered chapter ring and Arabic numerals cornered by foliate spandrels, the case with pagoda top above barley twist columns flanking a glazed door, on turned feet, together with a pendulum and a matching wall bracket (faults).

A modern mahogany longcase clock with eight day chiming movement, the brassed dial and silvered chapter ring with Roman numerals, the break arch hood with glazed door above a glazed trunk door, on a plain base and bracket feet.

A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Alex.r Duncan, Elgin`, the arched pediment above a glazed door, the trunk door with satinwood crossbanded borders flanked by fluted pilasters, on a crossbanded base with bracket feet, height approx 200cm, together with two weights and pendulum.

A Victorian ormolu mounted ebonised twin fusee musical bracket clock by Francis Rowley, Turnmill Street, London, slow/fast and chime selectors in an arched case with fluted corinthian columns, movement striking on eight bells and a gong, 18ins

George Pyke, London, A George III scarlet tortoiseshell and ormolu bracket clock, the broken arch topped case surmounted with a putti and pagoda top, the brass dial set chime - silence indicator above a Roman enamelled dial with Arabic outer minute track and foliate spandrels, flanked by a pair of corinthian columns, the quarter repeating triple fusee eight day movement striking eight bells, 26.5ins

A William IV brass mounted ebonised bracket clock Arnold & Dent, London circa 1835 The five pillar twin fusee bell striking movement with anchor escapement and signed Arnold & Dent, Strand, London to backplate, the unusual wavy outline 6 inch arched silvered brass Roman numeral dial with repeat signature and numbered 432 to lower margin, the case with raised bell-top upstand to the break-arch cornice with brass urn finials above shaped brass fillet inset front door flanked by gilt foliate trail applied canted angles, the sides flaring towards the base and applied with ring handles above cast brass frets, on moulded base applied with repeating rosette decorated gilt moulding and substantial relief cast ball feet, 49cm (19.5ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. The partnership between the celebrated clock and chronometer makers John Roger Arnold and Edward Dent was formed on 30th September 1830. The partnership benefitted both parties as it allowed Arnold to concentrate on development work and provided Dent with the opportunity to raise his profile and broaden the scope of his work. Throughout the 1830`s the partnership built a reputation for producing clocks watches and marine chronometers of the highest quality. In 1837 they were granted the Royal Warrant, however by 1838 tensions between Arnold and Dent had begun to develop resulting in the partnership being dissolved in 1840.

A Victorian carved walnut quarter chiming bracket clock with wall bracket Unsigned, late 19th century The substantial four pillar triple fusee movement with rise/fall regulation and chiming the quarters on eight bells or four gongs and striking the hour on a further gong the 7 inch gilt brass full-arch dial with matted centre within applied silvered Roman numeral chapter ring and foliate cast spandrels to angles, the arch with subsidiary CHIME/SILENT, SLOW/FAST and CHIME ON 8 BELLS/WESTMINSTER CHIMES dials within conforming mounts, the break-arch pedimented case with foliate carved finials above Corinthian columns to the front angles and lozenge lattice pierced rectangular sound frets to sides, on foliate panel carved plinth base with reeded bun feet, 48cm (1ft 7ins) high; the bracket with moulded platform above two acanthus carved scroll shaped supports, 80cm (2ft 7.5ins) high overall. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A Victorian carved oak quarter chiming bracket clock Edward F. Ashley, London, late 19th century The substantial four pillar triple fusee movement with rise/fall regulation and chiming the quarters on eight bells or four gongs and striking the hour on a further gong, the 11 x 8 inch foliate scroll engraved silvered Roman numeral dial signed EDW`D F. ASHLEY, 2 GREEN TERRACE, CLERKENWELL, LONDON to centre and with CHIME/SILENT, FAST/SLOW and CHIME ON 8 BELLS/WESTMINSTER CHIME subsidiary dials to upper margin, the case with two tiers of ball finials to the mansard roof caddy upstand incorporating balustrade to lower level, above scroll outline pilasters flanking dial and foliate pierced rectangular frets to sides, on deep oval fan cartouche carved plinth base with bun feet, 69cm (2ft 3ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. An E.F. Ashley is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in London circa 1878.

A Victorian mahogany bracket clock J. W. Benson, London, late 19th century The twin fusee bell striking movement with anchor escapement and 7 inch brass break-arch dial applied with silvered plate signed J.W. Benson, Ludgate Hill, LONDON to the matted centre within silvered Roman numeral chapter ring and foliate cast spandrels to angles, the arch with subsidiary STRIKE/SILENT dial flanked by conforming mounts, the break-arch case with brass carrying handle to the single pad top above fluted canted angles flanking dial and arched sound frets to sides, on moulded plinth base with brass bracket feet, 44cm (17.25ins) high excluding handle. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A French Louis XV contra-parti boulle bracket clock with bracket The later movement by John Stanton, London The four pillar twin fusee bell striking movement with anchor escapement and signed John Stanton, London to backplate, the 9 inch blue on white Roman numeral cartouche dial with foliate cast gilt centre and conforming Arabic five minutes, now in a waisted case with figural surmount above chased rocaille mounts applied to the edges of the green and red shell foliate marquetry decorated case incorporating glazed front door applied with elaborate leafy spray beneath dial, the sides with recessed arched side windows, on scroll cast feet with shaped apron between, the tapered ogee shaped wall bracket applied with rocaille cast mounts to angles and with conforming marquetry decoration, the clock 81cm (2ft 8ins) high, 110cm (3ft 7.5ins) high overall including wall bracket. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A Black Forest carved oak `cuckoo` table clock Unsigned, late 19th century The two train outside countwheel gong striking movement with fusee for the going train, skeletonised plates and `cuckoo` automaton announcing the hour via a door beneath the gable of the case, the dial with turned wood centre within white on black Roman numeral chapter ring, the case with foliate crochet carved gable pediment above tracery decorated infill around dial and projecting scroll pierced frets to angles, on tall plinth base incorporating bracket feet and pierced apron, 50cm high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A Regency brass mounted rosewood bracket clock Jefferson, London, early 19th century The five pillar twin fusee bell striking movement with anchor escapement and shouldered plates, the 8 inch circular white painted Roman numeral convex dial signed Jefferson, Bruton Street, LONDON to centre, with brass bezel and in rectangular chamfer-top case with large brass pineapple finial above ring side handles and gothic pierced frets to sides, the front with recessed brass-fillet bordered quadrant panel infill and brass strip inlaid canted angles, on stepped base with fluted ebonised border decoration and brass ball feet, 42cm (16.5ins) high excluding finial, 49.5cm (19ins) high overall. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST.

A Regency brass inlaid mahogany pad-top bracket clock Packers, Reading, early 19th century The five pillar twin fusee bell striking movement with anchor escapement and border engraved backplate, the 8 inch circular white painted Roman numeral convex dial signed PACKERS, READING to centre within cast brass bezel, the break-arch case with hinged carrying handle and brass edged single pad to top above arched fishscale frets to sides and brass lozenge centred line border inlaid panel with rosettes to junctions beneath dial, on moulded base with brass ball feet, 43cn (17ins) excluding handle. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. The current lot was probably made by Thomas or Charles Packer who are both recorded working in Reading from the middle of the last decade of the 18th century.

A Regency brass inlaid mahogany lancet shaped bracket clock Brockbank & Atkins, London, early 19th century The five pillar twin fusee bell striking movement with anchor escapement, shouldered plates, calibrated rating slide to pendulum and border engraved backplate, the 8 inch circular white painted Roman numeral convex dial signed Brockbank & Atkins, LONDON to centre with strike/silent switch at 12 o`clock and within cast brass bezel, the lancet shaped case with stylised thistle motif and shaped brass line panels surrounding dial within raised brass strung ebony mouldings, above finely engraved brass delicate foliate scroll inlay within conforming mouldings to apron panel, the sides with brass ring handles above arched Gothic tracery side frets, on ebony edged skirt base with further brass inlay to front rail, 50cm (20ins) high. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. The firm Brockbanks was established when the two brothers John and Myles Brockbank went into partnership in the early 1790`s. The business was continued by various members of the family until becoming Brockbanks & Grove when George Grove was taken into partnership in 1812, later becoming Brockbank and Atkins when George Atkins was taken into partnership after Grove`s death in 1814. The firm was well known for producing fine marine chronometers. The current lot retains its original dial finish but has had the numerals and signature retouched, however the general quality of the movement coupled with the design of the pillars suggests that this clock did originate from the workshops of Brockbank and Atkins.

A George III brass mounted mahogany table clock Thomas Langford, London, late 18th century The five pillar twin fusee bell striking movement with verge escapement and foliate engraved backplate, the 7 inch brass break-arch dial with calendar aperture and signed Thomas Langford, London to the foliate scroll engraved silvered centre, within an applied silvered Roman numeral chapter ring with Arabic five minutes, the angles with scroll cast spandrels beneath conforming centre-engraved STRIKE/SILENT dial flanked by further mounts to arch, the case of particularly fine colour with brass carrying handle, drapery mount and pineapple finials to the bell-top upstand above door with brass fillet edged glass beneath cast frets flanked by female caryatid applied angles to front door, the sides with circular window above concave-topped rectangular brass fishscale side frets, on moulded base with brass bracket feet, 48cm (1ft 7ins) high excluding handle. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Thomas Langford is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in London circa 1781.

A George III brass mounted figured mahogany bracket clock with pull quarter repeat John Page, Ipswich, circa 1760 The five pillar twin fusee movement with pull quarter repeat on six bells, the 8 inch brass break-arch dial with calendar aperture and silvered arched name plate inscribed `John Page, Ipswich` to the matted centre, within an applied Roman numeral silvered chapter ring with Arabic five minutes, with foliate scroll and female bust cast spandrels beneath strike/silent ring flanked by conforming mounts to arch, the bell top case with foliate scroll pierced cast side brackets to the central pineapple finial above brass stop fluted canted angles and substantial handles above concave topped glazed panels to sides, on a double moulded plinth base with brass feet, 62cm (2ft 0.5ins) high overall. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. John Page is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working circa 1740-73.

A George III mahogany bracket clock Margaret Green, London, circa 1770 The five pillar twin fusee bell striking movement with verge escapement and 7 inch brass break-arch dial with calendar aperture and applied signature plaque Green, St. Martins Court to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, the angles with foliate scroll cast spandrels beneath subsidiary STRIKE/SILENT dial flanked by conforming mounts to arch, the bell top case with pineapple finials above brass fillet inset front door flanked by stop fluted canted angles, the sides with concave topped rectangular side windows, on moulded plinth with elaborate scroll cut ogee shaped apron incorporating bracket feet, 48cm (19ins high) excluding top finial, 53cm (21ins) high overall. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Margaret Green is recorded in Britten, F.J. Old Clocks & Watches AND THEIR MAKERS as working from St. Martins Court, Leicester Square, London 1765-71, Baillie also records the sale of stock belonging to a Mrs. Green in St. Martins Lane in 1783. Due to the very small numbers of women entering the clockmaking trade at this time clocks made by female clockmakers are particularly rare.

A George II brass mounted ebonised table clock with pull quarter repeat and alarm Charles Clay, London, circa 1730 The substantial seven finned pillar twin fusee movement with verge escapement, rise/fall regulation, pull quarter repeat on six bells and alarm sounding with three small hammers on the hour bell, the backplate measuring 8.5 by 7 inches engraved with a figure in classical dress blowing a trumpet whilst holding a bow and quiver of arrows within ho-ho bird inhabited scrolling foliage and herringbone decorated border, the 8 inch brass break-arch herringbone border engraved dial with shaped false bob and calendar apertures and burnished signature cartouche Cha. Clay, LONDON to the matted centre within an applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to the outer track within female mask and scroll cast lower spandrels and with subsidiary star centred regulation and Strike/Silent dials to upper spandrel areas, the arch with silvered alarm setting ring (adjusted by rotating against a blued steel pointer) flanked by Indian mask and scroll cast mounts, in an inverted bell top case with hinged brass handle and pineapple finials above brass fillet inset glazed door and cast brass frets to the break-arch side apertures with further shaped frets above, on moulded base with foliate scroll cast bracket feet (some restoration), 49cm (19ins) high excluding handle. CATALOGUE ENTRY TO BE READ IN CONJUNCTION WITH IMPORTANT NOTES REGARDING THE CATALOGUING OF CLOCKS PRINTED IN THE SALE CATALOGUE OR AVAILABLE FROM THE SALEROOM ON REQUEST. Charles Clay, who originated from near Huddersfield, gained his Freedom of the Clockmakers Company prior to 1716. In 1723 he was appointed Clockmaker in His Majesty`s Board of Works and in 1731 supplied the turret clock for the gateway at St. James`s Palace. He specialised and experimented with musical mechanisms and is perhaps now best known for his organ clocks. One of which now resides at Windsor Castle which was acquired from his widow three years after Clay`s death in 1743. Another incomplete organ clock was also acquired around this time for Augusta wife of Frederick, Prince of Wales this clock was subsequently completed by George Pyke and now resides at Kensington Palace.

A 19th century line inlaid rosewood bracket clock, with floral carved pagoda shaped top, above a circular steel Roman numeral dial, with single fusee movement, 48cm high

A German walnut bracket clock, with arched steel Roman numeral dial on bun feet, 54cm high

A George III mahogany eight-day longcase clock, maker Robert Clidsdale of Edinburgh, the arched brass dial with silvered Roman / Arabic numerals, centre seconds dial and date aperture, with swan neck hood, shaped door, on bracket feet, 222cm high

An early XIX century mahogany longcase clock, the painted dial signed G Horst of Sittingbourne with floral spandrels, the case with an arched hood and door on bracket feet

A good quality Gothic style oak bracket clock, inscribed to back W.H. & Son, Presentation Plaque to front presented by Henry Mitchell & Company 1896.

A mahogany cased bracket clock, together with a gilt mantel clock, two other mantel clocks and a battery operated wall clock.