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19TH CENTURY MAHOGANY LONGCASE CLOCK,by John Carmichael of Greenock, with two train eight day movement, the silvered dial with Roman and Arabic numerals, subsidiary seconds dial, the lunette with moonphase and calendar aperture, moulded swan neck pediment, bracket feet, 216cm high

LATE 19TH CENTURY SCOTTISH SEMI-REGULATOR LONGCASE CLOCK,By R. Stewart of Glasgow, with twin train eight day movement, deadbeat escapement, striking on a coil, the engraved brass dial with silvered Roman and Arabic numeral chaptering, subsidiary seconds dial, gilt metal cherub, scroll and grotesque dolphin spandrel mounts, the hood with moulded swan neck pediment over spiral fluted Corinthian columns, the trunk with spiral fluted quarter columns and panelled lock base, on bracket feet, 223cm high

LUND & BLOCKLEY OF LONDON - a 19th century ebonised 8-day bracket clock, square 8" brass dial with Roman numeral hour markers, blued steel hands and movement striking on a gong, backplate no. 202 46013 82, case height 43cm, working order, with pendulum, no keyMovement - currently workingDial - slightly tarnished with some light wearGlass - no chips or cracksHands - light rustingCase - a few minor chips on edges and corners

A large brass-mounted faux tortoiseshell chiming bracket clock, gilt-brass dome-top dial with silvered chapter ring, Roman numeral hour markers, gilt-brass spandrels, movement striking on 5 gongs and 8 bells, with Westminster chime pattern, main case height 75cm, width 40cm, working order, with pendulum and original bracket

An 18th century brass inlaid arched case mahogany bracket clock with striking and repeat movement (No pendulum or key) H. 40cm.

A Bracket Clock Circa 1920. Together with bracket.

A Gothic Bracket Clock. Late 19th century

A Miniature Longcase Clock on bracket.

A Miniature Longcase Clock. On bracket.

Edwardes (Ernest L.) WEIGHT-DRIVEN CHAMBER CLOCKS 1965 § Loomes (Brian) YORKSHIRE CLOCKMAKERS 1985 § Roberts (Deryck) THE BRACKET CLOCK 1982 § Loomes (Brian) THE WHITE DIAL CLOCK 1974, publisher's cloth, dust-jackets; and another trade catalogue, 4to (5)

Junghans Art Deco bracket clock with silvered dial and Westminster chime, H: 34 cm. Working at lotting. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Various metalware to include Victorian brass mantle, Tudric pewter condiment set and toast rack (both af), Victorian oil lamp bracket and lamp, an early 20th century mantel clock in wood case and a cut glass and brass chandelier

A George III mahogany, satinwood and ebonised strung 8-day longcase clock by Joseph Plowman, Cawood (Selby, North Yorkshire), circa 1820, brass globe finial on scrolling pediment, above an arch shape glazed panel door opening to a 33.5cm wide painted dial, landscape scene on the arch above Arabic hour and outer quarter of an hour minutes numerals, subsidiary dial and date aperture, twin wind up key holes, above a serpentine panel door with ivory escutcheon revealing weights and pendulum, moulded base, raised on carved bracket feet. 

19th century three train ebonised bracket clock, the case with urn finials and term mounts, loop handles on scrolled feet. Arch brass face with silvered Roman chapter ring and strike silent and chime dials. Three train movement, striking on eight bells and a gong. 52cm high approximately.(B.P. 21% + VAT) Complete with key and pendulum.

An Edwardian mahogany cased bracket clock, the arched case with a brass swing handle and sphere finials over pillars flanking the 15cm silvered dial, applied with Arabic numerals, and enclosing the two train movement stamped Medaille D?Argent striking on a gong, raised upon brass bracket feet, 39cm high, with pendulum

A LATE GEORGE III BRASS INLAID EBONISED BRACKET CLOCK, by James McCabe (1748 - 1811), Royal Exchange, London, the case surmounted with an ormolu pineapple, the sides with brass fish-scale panels and carrying handles, the front with inlaid brass floral motifs within fielded panels and raised on brass ball feet, signed and numbered (2923) on dial and also engraved on the back plate. 29 x 17.5 x 51.5cm high

A RARE IRISH GEORGE II 'HUGUENOT' LONGCASE CLOCK, by Nicholas Lemaistre, Dublin (active c.1740), fitted with glazed architectural hood enclosing a brass dial with pierced cresting, inked with Roman and Arabic numerals, the mahogany case, with shaped trunk door, between fluted quadrants, on plinth base and bracket feet. 248cm high The history of the Huguenots in Ireland, particularly in Dublin is well established, and it is now recognised that they played an important role in the professional society of the time. Following the revoking of the Edict of Nantes in 1685 by Louis XIV, which decreed that the remaining Huguenot protestant population in France must convert to Catholicism in order to remain in country free from persecution, large numbers fled to neighbouring Protestant countries of Holland, Germany and further afield to Great Britain. It is thought that around 10,000 arrived in Ireland via Britain, with majority settling in Dublin, Cork, Portarlington as well as in counties Antrim and Down. From the early decades of the 18th century, Huguenots were actively living and working in Dublin with the population recorded as approximately 2,100 in 1701 and jumping up to 4,000 by the 1720s (Jessica Cunningham, ‘Dublin Huguenot goldsmiths, 1690 – 1750: assimilation and divergence’, IADS, Vol XII, 2009, Irish Georgian Society). With the arrival of these immigrants to Ireland, some who were merchants, artisans and craftsman, they needed to be able to participate and contribute to the economy of the city. Records from the Dublin Goldsmiths’ Company show a number of them active within the guild as free brothers, quarter brothers, journeymen and apprentices. As an organisation it oversaw not only the production and trade of silver and gold objects but also jewellery, timepieces, watch and clock cases. This longcase clock, signed by the maker Nicholas Lemaistre, is a clear example of the high level of craftsmanship in the early 18th century. G.H Baillie records in his seminal book Watchmakers and Clockmakers of the World a Nicholas Lemaistre in Paris in 1675 and then subsequently residing in Dublin in 1743 working as an established watchmaker. Surviving examples such as this are rarely seen at auction and it provides us with a greater understanding of the role the Huguenot population played during a very important period of production of decorative arts in Ireland.

A green painted Continental clock bracket: depicting a gentleman down on one knee in front of a lady within a garden, with applied gilt-brass pressed mounts, dimensions 40cm wide, 23cm high, 15cm deep.

A Victorian oak chiming bracket clock: the eight-day duration, triple-fusee movement striking the hours on a gong and the quarters on four further gongs, the curved-topped seven-inch silvered brass dial fully engraved with scroll decoration and black Roman hour numerals, with subsidiary dials to the top for 'Chime/Silent' and regulation, and with blued-steel hands, the oak case having fluted columns with carved Corinthian capitals and an architectural pediment, height 57cm.

Daniel Vauguion, London, a quarter-repeating ebonised Georgian bracket clock with bracket: the eight-day duration, double-fusee, five-pillar movement having an anchor escapement and fully engraved backplate, striking the hours on a bell with pull-quarter repeat sounding on a nest of six further bells, the seven-inch silvered brass break-arch dial engraved with black Roman hour numerals, Arabic five-minute outer numerals and makers name Danl. Vauguion, London, with a false pendulum aperture and decorative blued steel hands, the arch engraved with a 'Strike/Silent' dial, the bell-top ebonised case with glazed sides, canted corners, brass fretwork above the dial and surmounted by a brass carrying handle, all standing on brass bracket feet, height 53cm. Complete with a matching ebonised wall bracket, height 26cm.* Biography Daniel Vauguion is recorded as working in St James, Westminster, and is known to have taken Joseph Jacobs as an apprentice in 1756.

Walter Tucker, Exeter a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch silvered brass dial engraved with black Roman numerals, floral decoration to the four corners, Father Time to the arch, subsidiary seconds and date dials to the centre and engraved with the makers name Walter Tucker, Exeter, with a 'strike/silent' lever to the side, the mahogany case having canted corners to the trunk, crossbanding to the base and a swan-neck pediment with turned wooden centre finial and fluted columns to the hood, all standing on bracket feet, height 216cm.* Biography Walter Tucker, born circa 1801, was a member of the well-known Tucker watchmaking family being the son of John Tucker. He is recorded as working as a clock and watchmaker, silversmith and jeweller in the High Street from circa 1826 until 1848 before moving to 9, Belmont Terrace in circa 1850.* Notes Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub. David & Charles 1985.

CLOCKS (6) - a brass French style mantel clock with a Roman numeral dial, Acctim bracket style clock, glass dome clock and, ETC

Modern mahogany grandmother clock, arched hood with glazed door, splayed bracket feet, 25cm arched brass dial, German movement striking on three gongs, height 154cm.

Oak and mahogany longcase clock, case with mahogany panels, shaped and cross-banded door, ogee bracket feet, square painted dial with Arabic numerals, subsidiary seconds dial and date aperture, signed W Massey, Nantwich, eight-day two-chain movement, 203cm.

Early 19th century bracket clock with twin fusee movement and circular painted dial in mahogany case, unsigned, 42cm high including the handle*Please note- the height has been amended (not 74cm as originally catalogued) Good running condition , key and pendulum present 

Victorian mahogany bracket clock, with white enamel dial in arched carved case, 32cm highKey and pendulum present

19th century mahogany bracket clock, painted dial reading ‘Examined by Dent, London’, 47cm high

1930s Georgian-style Elliot bracket clock with Westminister chimes in mahogany case with gilt and silvered dial, 35cm high

1930s Georgian-style Elliot bracket clock with Westminister chimes in mahogany case with arched gilt and silvered dial, 35cm high

18th century French boulle-work bracket clock with bracket, with enamel dial, movement striking on bell with sunburst pendulum, ornate ormolu mounts - in need of restoration, the clock 90cm highIn need of total restoration - seems to be complete - some inlaid brass work missing -see extra images The bracket 33 cm high, 49 cm wide, 24 cm deep, The clock approx 98 cm high, 42 cm wide, 15 cm deep

A 19th century French Ormolu Figural Bracket Clock of Baroque Design with Classical Maiden, Grapes and Child. The Enamelled Dial with Roman Numerals and Inscribed A.B Savory and Sons 41212, Inset Sevres Style Hand Painted Plaque Below, Movement requires Restoration, Complete with Pendulum, Key and Bell. 27cms High in the Manner of Jean-Baptiste Delettrez

A Victorian mahogany eight-day longcase clock, the painted dial with figural spandrels and a scene with boy, dog and farmer, inscribed 'C. Thompson, Belford', two-train eight-day movement, flamed mahogany door with moulded quadrants, rectangular base, tapered bracket feet and shaped apron, 45 x 208cms high approximately.

R. Crawford of Glasgow: a mahogany longcase clock, the arched brass dial with silvered roman chapter ring, with outer arabic numerals, subsidiary seconds dial to matted centre, tempest fugit plaque to arch, eight-day movement with anchor escapement, the case with swan neck pediment, the glazed door flanked by fluted columns, arched waist door, panel base, on bracket feet, with brass weights, pendulum, and winding key, 220cms high.

A Victorian French boulle clock on a bracket. Inlaid with tortoiseshell and elaborate brass work. With two-train sprung movement, striking on a bell. Serial number 146 on the backplate of the movement. Dial 8" with minute numbers around circumference. Case with glazed side panels, cast brass figures adorn the case with a man holding a hawk on the top.Condition report: All original condition. Some brass inlay lifting on bracket. Will need service and some restoration. Pendulum and keys. 39" high x 14" x 7" including the bracket.

Early Victorian mahogany bracket clock, the shaped case with carved decoration, the circular painted dial with Roman numerals, indistinctly signed and inscribed ' London ', with a single train fusee movement, 18ins high

Victorian oak Gothic revival bracket clock with bracket, the silvered dial inscribed Howell James & Company to the Queen, Regent Street, London, with Roman numerals, with a three train fusee movement striking on gongs, 36ins high with bracket

Good quality Edwardian mahogany marquetry inlaid large bracket clock, the silvered and gilt brass arched dial with Roman and Arabic numerals, with a three train quarter striking fusee movement striking on gongs, 23ins high

WILLIAM GLOVER OF WORCESTER, AN GEORGE III OAK 30 HOUR LONGCASE CLOCK, the hood with a swan neck pediment, twin pillars flanking a square glazed door, enclosing a brass 9 inch dial with foliate spandrels to each corner surrounding a date aperture, roman numerals, and signature to base of dial, above a plain trunk, on bracket, height 212cm (one weight, pendulum and bag containing a chain)

Junghans bracket clock with inlaid wood decoration

An Early 18th Century Thirty Hour Striking Wall Clock, signed John Sanderson, circa 1710, lantern style four posted movement with an anchor escapement and countwheel striking on a top mounted bell, 11-1/4-inch square brass dial with a silvered Roman and Arabic chapter ring and signed, dial centre with a religious engraved verse Remember man that Dye thou must And After that to Judgement Just, date aperture, 33cm highJohn Sanderson, a Quaker, was born at Tiffenthwaite near Wigton in Cumbria in 1671. He started his apprenticeship to John Ogden of Bowbridge in Yorkshire. In 1691 he moved back to Tiffenthwaite and started to make his first clocks, which have several distinctive features, such as religious dial verses.Dial plate is slightly faded, movement is dirty, date is not changing, back cock has been restored, in going order, with pendulum and weight, later wall bracket.

A Majolica-Cased Mantel Timepiece, circa 1870, of drum form with Dog of Fo finial and mask handles, decorated in cloisonne style with circular motifs on a foliate ground, on bracket feet, 28cm highDog of Fo with loss to the tip of his tail. Front-left and rear-left feet each with a chip. Glaze crazed allover. The hair spring is intact and the clock is ticking.

A small walnut cased bracket clock by Mappin & Webb.

A good walnut cased bracket clock.

A Thwaites and Reed burr walnut bracket clock a/f

An Ebonised Clock Bracket together with two printing press and a pair of Delft vases

An Oak Long Case Clock, the arched hood with turned pilasters above a carved door raised upon low bracket feet, the brass dial inscribed Benjamin Grey London with Roman and Arabic numerals, subsidiary seconds dial and date aperture with brass corner spandrels and two train movement

An early 20th Century Junghans Wurttemberg 8 day striking bracket clock, having arched top, silvered dial with two smaller dials, Arabic numerals, Barney Trust Supports - 34cm tall.

A collection of mid 20th century and later mantle clocks, carriage clocks, wall clocks and barometers, to include an Art Deco Smiths Enfield wall clock, a brass cased Rotherham bracket clock, a Smiths Bakelite electric clock and others (4).

A Regency mahogany and brass inlaid bracket clock the cream enamelled dial with Roman numerals, striking on a bell, the case with twin carrying handles, pierced side panels and brass inlay, on ball feet 45cm high, with pendulum and key

A 19th century flame mahogany crossbanded longcase clock with 12 1/2 inch painted arch top dial inscribed 'Griffith Owen, Llanrwst', Roman numerals with subsidiary seconds dial and date aperture and spandrels decorated with scenic views, the case with broken swan neck pediment, hood with turned columns above shaped panel door flanked by turned columns on bracket feet approx 235cm high, with pendulum and two weights

A large Victorian inlaid musical Westminster chime bracket clock with carved bracket stand, the brass dial with silvered chapter ring with Roman hours and Arabic minutes beneath three subsidiary rings for Chime/Silent, Slow/Fast and Chime on 8 bells/Westminster, the dome topped case with bevelled glass front, wooden fret cut side panels and metal grill panel back, on plinth base 50cm high, with pendulum and keys

A mahogany ormolu mounted fusee bracket clock the dial inscribed 'A & H Rowley, London', brass engraved dial with silvered chapter ring and Arabic numerals, striking on a gong, the case brass mounted with acorn finials, pierced scrolling decoration, wooden fretwork side panels and glazed rear door, 46cm high, with pendulum and keys

A modern 18th century style walnut cased bracket clock, the dial inscribed 'Tempus Fugit', with Roman numerals and brass carrying handle. No Key. H.31 W.17D.13 cm.

A Victorian mahogany bracket clock, the arched top with a turned and gadrooned finial above a painted dial, with 7 day movement and repeat, the figured case with a tapering plinth with lobed bun feet, 58cm high.

A 1920's oak cased grandmother clock, with cream coloured dial, Westminster chime, the case with spirally turned pillars on bracket feet, 147cm high.

Tickle, Newcastle. A mid 19thC longcase clock, the arch dial painted with figures emblematic of the continents, below a female figure with globe and letter indistinctly inscribed, thirty hour, four pillar movement in mahogany oak and inlaid case on ogee bracket feet, 230cm high.

A 19thC oak and mahogany crossbanded longcase clock case, with swan neck pediment, reeded pillars, on bracket feet, 221cm high.

A 19thC longcase clock, the square dial painted with flowers and spandrels, with subsidiary, day and seconds dials, indistinctly signed, with an eight day, four pillar movement in figured mahogany and boxwood strung case on bracket feet, 223cm high.

Mason, Kendal. An early 19thC longcase clock, the arched dial painted with a lady with a book, above floral spandrels, with eight day, four pillar movement, in mahogany case with bracket feet, 208cm high.

Two boxes of miscellaneous to include antique and later ceramics, Japanese tea ware and vase, battery operated bracket clock, plated teapot etc