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George III style mahogany bracket clock, of small size, together with a Finnigans clock, (2)

A George III oak longcase clock, the hood having an arched top and turned columns, over a painted arch door, the box base raised on bracket feet; the 30 hour bell strike movement faced by a painted Roman dial 95.5''h BC

A late 19th century George III style gilt metal mounted quarter striking bracket clock, silvered dial with an 8 day movement, with Fast/Slow and Chime/Silent (Westminser) and the dial named Bracher & Sydenham, Reading, with Roman and outer Arabic numerals, the oak case with gilt brass spindle gallery to top with acorn finials, over four Corinthian style columns at each corner, bevelled glass side panels, raised on stepped plinth with gilt brass mask, with scrolling gilt brass bracket feet, 33cmW x 45cmH, (dial 17cm)

Good quality small reproduction bracket clock with silvered dial, 7.5" high, 6" wide

Edwardian Westminster chiming bracket clock in oak case with silver dial approx 16" high

A MAHOGANY BOXWOOD STRUNG LONGCASE CLOCK, arched brass dial, Roman and Arabic numerals to chapter ring, gilt spandrels, engraved Char Dunlop, Paisley, eight day movement over panel door, box base on bracket feet, approximately 212cm high (weights and pendulum)

A 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, with arched brass dial inscribed John Wyke Liverpool, silver chapter ring with Roman and Arabic numerals, gilt spandrels, swan neck cornice, urn and eagle brass finials, full pillaster hood supports, bracket feet, two weights and pendulum, approximately 240cm high (a/f)

A BRASS CARRIAGE CLOCK, circular chapter ring with Roman numerals, swing loop handle, bracket foot base, case approximately 11cm high, with fitted box

A MAHOGANY EIGHT DAY LONG CASE CLOCK, with arched painted dial, J Mear Dursley with Roman numeral chapter ring with old father time rolling movement under swan neck cornice, losses to inlaid and strung case, full pillaster supports to hood, bracket feet, approximately 231cm high (pendulum and two weights)

A OAK CASED JUNGHANS 'TING TANG' BRACKET CLOCK, carved oak case with arched top, square brass face with silvered dial, scrolling numerics and applied spandrels, eight day movement striking on two coiled gongs, H 37 cm

A mahogany 2-train bracket clock, height 9".

A 19th century rosewood cased bracket clock, having a silvered dial with single fusee movement, by Tree, Great Dover Street, London, height 10.5".

A Victorian mahogany dome-top 2-train bracket clock, decorated with ceramic dial and panels, dial reads "Imported by Howell James & Co., to the Queen, London," height 1.6".

A Regency carved mahogany Bracket Clock the shaped top above an enamelled dial and tablet frieze on turned feet, fitted with a two train fusee movement, 1ft 4in H, signed A. Thomas, Brecon

A 19th Century Bracket Clock by J & A Jump, 1 Old Bond St. London, 129, having arched brass dial having subsidiary strike/silent dial, silvered chapter ring, three train fusee, chiming (on 8 bells) movement, inscribed backplate in ebonised case having gilt-metal mask mounts, carrying handle, scroll feet, side panels with birds, cherubs, etc, 23in high

A Regency Bracket Clock with white enamel circular dial inscribed Spurge, Woolwich, twin train fusee movement, striking on single bell, in mahogany case with rosette and leafage carving, brass inlay on bun feet, gilt-metal pineapple finial, 22in

An 18th Century Bracket Clock with arched dial, brass corner spandrels, silvered chapter ring, date aperture, inscribed Samuel West, Royal Exchange, London, the arch painted figures playing tennis with the bob pendulum activating the ball, twin train fusee movement, leafage scroll engraved backplate, in stained wood case having pagoda top, brass carrying handles and turned finials, 24in H

A 20th Century Georgian style Bracket Clock inscribed Tempus Fugit, arched dial with silvered chapter ring, three train movement, backplate inscribed F.W Elliott Ltd, striking and chiming movement, brass carrying handles, 14in

A Regency mahogany cased bracket clock, by John Barwise, the ebony strung lancet shaped case enclosing a circular painted Roman numeral dial supporting an 8 day twin fusee movement with trip repeat, raised on four brass ball feet, 48cm high

An early 20th century mahogany bracket clock, the silvered dial with Arabic numerals and outer minute track, eight day movement, chiming gong, the architectural case with boxwood inlay with brass columns, raised on rectangular stepped base and bracket feet, W. 39cm, together with a late 20th century walnut bracket clock, the applied brass dial with Roman numerals, eight day cylinder movement, striking bell, the case painted with scrolling foliage, raised on bun feet. H. 42cm (2)

An early 20th century Black Forest cuckoo clock, the ornately carved case with scrolling foliage, the wooden dial with Roman numerals, eight day movement, chiming gong, raised on bracket supports. H. 63cm

A 20th century Smiths electric mantel clock, the Georgian style walnut case with chamfer-top and brass swing handle, the dial with Roman numerals and outer minute track, date aperture to six o'clock, raised on stepped base and bracket feet. H. 21cm

An early 20th century mahogany lancet shaped bracket clock, the enamel dial with Roman numerals and outer minute track, eight day movement, chiming gong, the case with brass stringing and brass lancet side frets, raised on stepped base and bun feet. H. 40cm

An early 20th century French gilt metal bracket clock, by A. D. Mougin, the dial with Arabic numerals and outer minute track, painted with bird by a lake, flanked by similarly painted porcelain panels, eight day movement, having five brass finials to top, raised on toupee feet, chiming gong. H. 37cm

An early 20th century French marble and gilt metal bracket clock, the enamel dial painted with Arabic numerals, eight day cylinder movement, striking bell, the case with cast model of a reclining maiden amongst flowers, raised on foliate feet, together with two urn shaped gilt metal garnitures, raised on marble plinths and foliate feet. H. 34cm (3)

A WALNUT CASED BRACKET STYLE CLOCK with silvered dial and French movement striking on a gong

Black forest style carved dark wood wall bracket with single shelf, the apex canopy with foliate carving, the back with mirror within inverted horseshoe framed and similar pierced carving (probably intended for a clock), overall height 66cm, width 39cm (as found)

Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell

Modern reproduction mahogany three train bracket clock with moon phase dial

George III mahogany shell and line inlaid longcase clock, the arched hood with swan neck pediment above a shaped door and conforming base raised on low bracket supports, with a silvered and gilt dial with moonphase, inscribed Jo Simpson, Wigton, the two train eight day movement striking on a bell

George III mahogany bracket clock, having circular painted dial with Roman numerals and inscribed W.J. Carroll, London Street City, with two train movement striking on a bell

Late 18th or early 19th Century kingwood and ormolu mounted bracket clock, the shaped case with rococo style mounts, the silvered dial with Arabic and Roman numerals and central alarm dial, the two train movement striking and chiming on three bells

An Edwardian mahogany cased domed bracket clock, the silvered dial with subsidiary dial, 30cm high

A late Victorian mahogany bracket clock, with glazed door enclosing dial with Roman numerals, decorated with gilt metal mask spandrels, two train movement, 43cm high

Edwardian Mahogany Inlaid Bracket Clock with brass handle to domed top and raised on four brass feet

MID/LATE 20TH CENTURY GERMAN OAK BRACKET CLOCK polished brass dial marked 'Kieninger' with four mask details to the corners, silvered chapter with black Roman numerals, Westminster chimes, 35cm high

OAK AND MAHOGANY 30 HOUR LONG CASE CLOCK with a swan neck pediment above an arched hood with turned pillars, the painted dial signed Rich ͩ Myers, Darlington, above a shaped door to the trunk, standing on bracket feet, 226cm high

A FRENCH VICTORIAN BOULLE-CASED BRACKET CLOCK, the enamelled dial with Roman and Arabic numerals, with eight day striking movement stamped, the case with gilt metal detail and fruit finial, H 31 cm A/F Condition Report:The finial is loose.

A late Victorian oak bracket clock with ting tang movement by Winterhalder & Hoffmeir, the case with carved pillar supports and turned finials, 41cm high

An 18th century brass lantern clock, with Roman numerals to the chapter ring, engraved with tulips and having an alarm dial, with single steel finger hand, surmounted by a strapped bell and three leaf scroll frets, raised on turned feet, height 13.5ins, together with oak wall shelf bracket Condition report: fret cut panels are loose, hole to top right above chapter ring, has holes for side panels/wings which are not present, where you attach pendulum is bent

A George III oak longcase clock, the hood having an arched top and turned columns, over a painted arch door, the box base raised on bracket feet; the 30 hour bell strike movement faced by a painted Roman dial 95.5''h LSB

A Regency ebonised bracket clock, by James McCabe, Royal Exchange, London, with three-train movement striking on a bell and with ten further musical bells, also inscribed on the backplate "McCabe, London", with brass carrying handles to either side and raised on brass bracket feet. Width 36 cm, height 46 cm (see illustration). CONDITION REPORT: This clock is in generally very good order. The movement is currently ticking nicely and striking and chiming as it should. It sounds on the full, quarter, half and three-quarter. The repeat mechanism works also. The case is in basically very good order as is all of the brasswork. The feet are original. There are some old stress fractures across the top of the arched hood but no significant case issues. The dial is a little dirty with scuffs around the winding apertures but again no significant issues.

An early 19th century longcase clock, with painted dial, eight day striking movement, rectangular trunk door and raised on bracket feet. Height 202 cm.

An Arts & Crafts ebonised bracket clock, with triangular pediment and carved case, with circular silvered brass dial, Roman numerals and two-train spring driven striking movement. Height 58 cm, width 35 cm.

A mahogany Grandmother clock, circa 1930, with arched hood, circular brass dial inscribed "William Martin, Bristol", two-train fusee movement striking on a gong, in figured mahogany case raised on bracket feet. Height 161 cm (see illustration).

A Regency mahogany bracket clock, in the Gothic style, with crossbanded case, silvered dial and two-train fusee movement by W. Briggs, Guildford. Height 56 cm, width 39 cm (see illustration).

A 19th century walnut bracket clock, with two-train Winterhalder & Hofmeier movement, the dial marked "Camerer Cuss & Co., Oxford Street, London". Width 32 cm, height 39 cm, depth 17 cm (see illustration).

A George III mahogany longcase clock, with eagle and ball finial above the swans neck pediment in turn above the glazed door enclosing the 30 cm arched painted dial and two-train striking movement, flanked by fluted columns with brass capitals, with rectangular trunk door flanked by canted angles and the whole raised on bracket feet. Height including finial 223 cm (see illustration).

A Victorian mahogany longcase clock by William Haworth of Blackburn, with moon phase, centre seconds, subsidiary date dial and Roman numerals to the chapter ring, with glazed trunk door flanked by fluted columns and raised on bracket feet (see illustration).

A George III oak and walnut banded longcase clock, with eight day striking movement by R. Deaves, Whitchurch, the arched brass dial with moon phase, subsidiary seconds dial and date aperture, the long trunk door flanked by quarter column corners and raised on a conforming base. Height 207 cm (see illustration). CONDITION REPORT: The clock case is generally in very good order. The hood has no issues and is of good colour. The crossbanded frieze beneath the bottom edge of the hood has minor veneer losses at the corners. The trunk door is not warped. The sides of the case and base are all in good condition and the bracket feet are original. The case is of good colour and requires very little work if any. The clock winds on both trains and appears to be ticking and striking however it is a little dirty. There do not appear to be any pieces missing and the moon phase mechanism is present. We do not think that the clock is a marriage as the fit around the dial is good,the seatboard original and the cheeks not built up.

A mahogany Granddaughter clock, with moulded Greek key cornice, blind fretwork frieze, two-train movement striking on a gong, with long trunk door and raised on bracket feet. Height 140 cm.

A George III oak and mahogany crossbanded longcase clock, by Timothy Graham of Workington, with two-train striking movement and moon phase to the arch. Height 223 cm. CONDITION REPORT: The left hand swans neck has been broken and re-attached. Other than this the hood is in very good order. The trunk door is not warped and shuts as it should. The sides of the case are in good condition as is the base. The bottom board is clearly later and the clock may well have had a deeper plinth and/or bracket feet. We have a pendulum but it does not appear to be the correct one for the clock, we have the weight. The movement is ticking away without the pendulum and also striking. The movement is however very dirty and requires an overhaul in our opinion. The case movement and dial are in our opinion not a marriage. Please note this a 30 hour clock not eight day.

A late 19th century German three-train bracket clock, with silvered brass dial, Roman numerals, striking and chiming on five gongs, maker Schlenker & Kienzle. Height 48 cm.

A George III longcase clock by Bancroft of Scarbro, with fretwork pediment, arched painted dial, two-train striking movement, subsidiary date and seconds dials, flanked by fluted columns, with long trunk door, crossbanded base and raised on bracket feet. Height including brass finial 231 cm (see illustration). CONDITION REPORT: The hood is in generally very good order. There is no significant damage, no losses and the door is not warped and operates as it should. The colour is good, the trunk and base are also in very good order and no cabinetwork is required. The door is not warped and locks and we have the key. The bracket feet are all present and appear to be original. The rear of the case is original. The dial is a little tired. The numerals are rubbed and worn and some have been badly overpainted. The clock is currently not operating. The movement is very dirty but appears to be all present. The pendulum is damaged although we have all of the pieces. We have a winding key. The seatboard is clearly original however it does not sit directly on top of the cheeks which appear to have been first reduced in height and then packed out back to the original height which is a little odd. The mask around the dial fits extremely well. In our opinion the clock is not a marriage however we cannot be certain. We have only one pulley and no weights.

An oak three-train grandmother clock, with silvered brass dial, applied mouldings to the case and raised on bracket feet. Height 170 cm.

A Regency/William IV mahogany twin fusee bracket clock by Brockbank & Atkins, in flame mahogany case. Width 33 cm, height 45 cm (see illustration).

An Edwardian mahogany three-train Grandmother clock, with long arched trunk door, the base raised on bracket feet. Height 163 cm.

An early 19th century mahogany cased longcase clock, by L.W. Banks of Leicester, dial width 38.5 cm, with moon phase and with three-train movement striking on a gong and with four further musical gongs, with moon phase to the arch and spandrels emblematic of the Continents, the case being ebony strung and raised on bracket feet. Height 243 cm (see illustration). CONDITION REPORT: The clock case is in extremely good order and does not require any repairs or restoration. There have been minor veneer repairs to some of the crossbanding but none of these are significant. The only minor issue is some vertical stress fractures to the base which should be visible from our images. The dial looks to have been fairly recently cleaned and is in very good order as is the movement which is currently ticking away and seems to be operating as it should. We have all keys, weights and pendulum.

A Louis XV style floral marquetry and walnut cased bracket clock, with gilt brass mounts. Height 60 cm, width 33 cm (see illustration).

A Regency mahogany longcase clock, with shaped pediment above a glazed door enclosing the painted dial and two-train striking movement by Hodges, with shaped trunk door flanked by canted angles and the whole raised on bracket feet. Height 210 cm.