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George III bracket clock by Thomas Delasalle, London, with signed, painted dial, twin fusee movement striking on a bell, engraved backplate, signed by maker and engraved pendulum, repeat pull, in dome-top mahogany case with pierced gilt brass grilles and red cloth ground, swing top handle, on bracket feet, 43cm high (key and pendulum present)

Late Regency bracket clock with painted dial, the twin fusee movement striking on a gong, signed - Kleyser & Co. 66 Hunt Street, Southwark, in mahogany arched top case with scrollwork decoration, ebony ring handles and Gothic pierced brass side grilles, on bun feet, 41cm high (key and pendulum present)

Impressive late 19th century Louis XIV revival ormolu and red tortoiseshell cased bracket clock complete with bracket, with cherub surmount and ornate scrollwork decoration, enamelled and gilt metal dial with French movement striking on a gong with sunburst pendulum, the clock 71cm high, the bracket 36cm high (key present) CONDITION REPORT General overall condition of clock and bracket is good. Movement is dirty and although we have not had it going, it does appear to be in working order. Dial is good, no major damage to enamelled figures, small chip to twelve. Case and bracket bolt generally good, some cracking/splitting in places to veneer. Gilt metal mounts are dirty and there is some surface wear in places, some securing pins missing or replaced.

An early 19th century brass inlaid mahogany table clock, William North, York, the pagoda case with brass foliate inlay over ripple moulding and raised on four ball feet, the 8 inch repainted Roman dial with blued steel moon hands, the two train fusee movement with anchor escapement and rack strike to a bell, the shaped plates united by knopped pillars, height 18.5in. together with an associated mahogany wall bracket

A Regency mahogany bracket clock, Chater, Goswell Road, London, the case with sarcophagus caddy over reticulated brass sound frets and moulding, the 8 inch white painted Roman dial with blued steel moon hands, the two train fusee movement with anchor escapement and rack strike to a bell, the shaped plates united by five knopped pillars and fitted with a stirrup pattern pendulum, 21in.

A silver mounted mahogany quarter chiming table clock, by J.W. Elliott Ltd for Garrard, the break arch case with applied hallmark and silver handle to the pad top, raised on four silver bracket feet, the three train quarter chiming fusee movement with lever platform escapement, a rack of eight bells and chime select for Westminster / Whittington and Winchester chimes, the backplate engraved with flowers and foliage and inscribed 'Specially commissioned by Garrard The Crown Jewellers from J.W. Elliott Ltd', the clock numbered 26/250, 15in.

An early 19th century mahogany brass inlaid single pad topped bracket clock, with 8 inch repainted Roman dial and blued steel hands, the two train fusee movement with anchor escapement and rack strike on a bell, the shaped plates with foliate engraved borders united by five turned pillars, height 19.5in.

A second quarter of the 18th century and later quarter chiming table clock, the ebonised inverted bell top case with shaped side frets raised on brass bracket feet, the 10 inch brass dial with foliate mask spandrels and mock pendulum aperture to the centre, the silvered Roman and Arabic chapter ring with fleur de lys half hour markers below a strike silent lever, signed 'Ephraim How, London' to an applied silvered plaque to the arch, over engraved ho ho birds and scrolled foliage, the late 19th century three train chain fusee movement with anchor escapement chiming the quarters on a rack of eight bells and the hour on a separate bell, the plates united by four tapered pillars, the backplate engraved with foliate scrolls within a wheat-ear border, height 25.5in.

A 19th century rosewood bracket clock, Barraud & Laud, 14 Bishopsgate, the gothic architectural case with pierced sound frets, the signed painted 6.25 inch Roman dial with gilt hands, the two train fusee movement with anchor escapement and rack strike on a gong, height 21.5in.

A late 17thC brass lantern clock by Roger Lee of Leicester (active 1689-1711), countwheel striking on a bell, converted to anchor escapement, accompanied by a description of extensive restoration carried out by Dennis Sheldon of Southampton in 2006, 15” together with a later oak wall bracket – pendulum missing..

Collection of clock parts and tools including; approx 40 finials, single fusee movement, clock makers tools, pendulums, two wall bracket, cased clock with aneroid barometer etc... in three boxes Condition Report Click here for further images, condition, auction times & delivery costs

A Regency rosewood bracket clock with engraved silvered dial and single fusee movement.

A George III mahogany cased bracket clock with a circular dial, brass pierced grill sides and a twin fusee movement.

A Regency mahogany bracket clock with acanthus carved decoration and satinwood fan inlay, surrounding a circular dial marked Jas. Condliff Liverpool, enclosing a single fusee movement.

A Mahogany Quarter Striking Table Clock, triple pad top pediment with a carrying handle, fish scale pierced side sound frets, bracket shaped feet, 8-inch arched dial painted in the corners with biblical figures of St Matthew, St Mark, St Luke and St John, silvered Roman and Arabic numeral dial with a later inscription John Thwaites, London, the arch with strike/silent selection dial, twin fusee movement with an anchor escapement, quarter and hour striking on two bells, movement backplate with engraved borders and with a central later inscription, secured in by movement brackets, later dial, 49cm high over handle 24.08.18, Case with small cracks to the veneers in parts, small pieces of veneer have been replaced in parts, veneers are slightly lifting and missing in parts and with small chips, case sides with small vacant holes, brass surfaces are discoloured, side frets with back silks worn and damaged, side of the brass door with brass lifting, back door with chips and losses to the veneers, movement is dirty, later dial, dial back plate with vacant holes, painted dial sheet is lifting and is bent in parts, later dial and movement signatures, strike/silent selection is not working, strike is working, movement in going order.

A Mahogany Striking Table Clock, triple pad pediment, side carrying handles and pierced sound frets, brass ball feet, 9-inch silvered dial with Roman numerals and inscribed Green, Edinr, strike/silent selection above 12, twin fusee movement with an anchor escapement and rack striking on a bell, movement backplate inscribed Robert Green, Edinburgh, later case, 43.5cm high, with a mahogany brass inlaid wall bracket, 26cm high31.08.18, Case is faded in parts, surfaces with small scratches and rubbed in parts, back silks to the side frets are worn, wooden dial surround overlaps the brass bezel, dial is discoloured, movement is dirty, movement back plate with scratches, later anchor escapement, later back bridge, case is later, strike is working, in going order, with pendulum, wall bracket with scratches and a small piece of stringing is missing from the side, small chips.

GEORGE III BRACKET CLOCK WITH WHITE CONVEX CIRCULAR ENAMEL DIAL APPROX. 20 cm DIA. SIGNED G.LOW, GLOUCESTER, TWIN TRAIN FUSEE MOVEMENT STRIKING ON A BELL, BREAK ARCH CASE, BRASS RING HANDLES, FISH SCALE FRETS, APPROX. 40 cm H.

GOTHIC REVIVAL 'CATHEDRAL' STYLE BRACKET CLOCK, 8 DAY TWIN FUSEE REPEATER MOVEMENT STRIKING ON A BELL, OAK CASE WITH FRETWORK PANELS TO SIDES AND REAR, APPROX. 62cm H. OVERALL

A late 19th century French gilt brass and champlevé enamel detailed mantel clock with gadrooned top above circular dial set with Arabic numerals, with column to each corner, on plinth base with bracket feet, with Vincenti movement, number 182648, height 34.5cm, on gilt wooden base, with key and pendulum. CONDITION REPORT: Not tested so can't guarantee working order, rubbing and losses to dial numbers and decoration, similar wear to coloured frieze below dial, general surface wear with some scratches.

H PIDDUCK & SONS OF HANLEY; an Edwardian chiming mantel clock, the circular silvered dial set with Arabic numerals above carved floral garland, with glazed sides and top, on brass bracket feet, height 27cm.

A George III oak and mahogany longcase clock, the rolling moon painted dial signed Bauison, Halifax, above a patera inlaid door flanked by inset columns, all on bracket feet, two weights, one pendulum, two winders, height 238cm, width 53cm.

An eight day mahogany longcase clock, 19th century, the white painted arched dial with subsidiary seconds dial, signed Henry Dodd, Helston, flanked by a pair of turned pillars above a shaped rectangular door flanked by inlaid canted columns on bracket feet, with a winder, two weights and a pendulum, height 196cm, width 48cm.

A George III mahogany eight day longcase clock, the brass arched dial with a silvered chapter ring and subsidiary seconds dial, date aperture, signed Edward Giubufh Junior, London, flanked by reeded columns above an arched rectangular door and chamfered inset fluted columns on bracket feet, a winder, two weights and a pendulum, height 211cm, width 47.5cm. Condition report: Not in cherished condition but honest.

An 18th century eight day longcase clock, the arched brass dial with seconds subsidiary dial and engraved with a galleon at sea, signed John Pollard, PLYM:DOCK, above an arched rectangular door, flanked by chamfered columns on bracket feet, a winder, two weights and a pendulum, height 214cm, width 48.5cm.

A George III oak and mahogany eight day longcase clock, the square brass dial with silvered chapter ring and subsidiary dials, signed W.W. Kemp, Bristol, above a rectangular door on bracket feet, a winder, two weights and a pendulum, height 195cm, width 45cm.

A German bracket clock with triple train movement and lunar arch, the dial signed Hernle.

A walnut cased bracket clock, the silver dial signed W.W.Kemp & Co. Stokes Croft, the chapter ring beneath a time regulator dial and a chimes silent dial.

A Victorian slate and pink veined marble bracket clock with incised gilt detailing (pendulum)

A 1930s Art Deco walnut and chrome bracket clock (key)

A late 18th century oak longcase clock with extensive mahogany crossbanding and central inlaid Britannia motif, having arched hood with swan neck pediment and vase finial, full length door and quarter turned reeded columns to the trunk, on bracket feet, the arched painted dial with 8-day movement by Levick, Derby, height 87" (hood door glass a.f.)

AN OAK BRACKET MANTLE CLOCK, ARCHED TOP WITH GILT METAL BALL FEET, SILVERED FACE WITH BRASS CHAPTER RING, C.1895, STRIKING ON WESTMINSTER CHIMES WITH PENDULUM MOVEMENT, SIGNED M.WINTER HALDER & HOFFMEIER, NEUSTADT BADEN, GERMANY, 28CM X 48CM

Robatham Hampstead; a Regency mahogany brass strung bracket clock, the moulded arched top with brass carrying handle, the re-painted enamel dial with Roman numerals, having pierced brass side grilles, a rippled lower frieze, on brass ball feet, the twin train fusee movement striking on a bell, 50cm high, with key (2).Illustrated

Charles Vincent & Cie; a George III style rosewood boxwood strung and ebonised case lancet top mantel clock, early 20th century, the white enamel dial with Arabic numerals above a fan paterae oval, silver lion mask ring side handles hallmarked for James Deakin & Sons, Sheffield 1908, on brass ogee bracket feet, the twin train movement striking on a gong, 30cm high.

A GERMAN OAK ARCHITECTURAL CASED BRACKET CLOCK, C1900 the gilt brass dial with CHIME/SILENT and regulation dials above, the Winterhalder & Hofmeier movement with five coiled wire gongs and pull repeat, 56cm h, backplate stamped W H and 2861++In good original condition save for the loss of one hinge from one of the fretted side doors

A Swiza miniature bracket clock, with Swiss movement, in original box, and a Japanese lacquer box containing various commemorative crowns and a Victorian pendant mounted silver crown.

A Bottomley, Boston. An early 19thC long case clock, the painted dial, decorated with huntsman and hounds, above four floral spandrels, eight day four pillar movement, in an oak and mahogany cross banded case, in laid with a central pattera, on bracket feet, 213cm high.

W Bower, Chesterfield. An early 19thC longcase clock, the arched dial painted with a rural scene with church and figures above four floral spandrels, eight day four pillar movement in an oak and mahogany cross banded case with ogee bracket feet, 231cm high.

EDWARDIAN BRACKET CLOCK, inlaid mahogany domed top bracket clock with coiled bar strike and brass drop side handles, 13" high

Bracket clock by James Haughton (please remember to check condition of lots before bidding at auction & absentee payments are requested by BANK transfer)

An early 19th century mahogany bracket clock, Essex maker, 30cm wide, 47cm high

An early English brass lantern clock, the counterwheel bell striking movement with in-frame pedulum swing, the roman numeral engraved brass dial centred with an alarm wheel and single hand, within turned brass posts beneath a dolphin engraved pierced fret and strapped bell, with rope drive and single lead weight, 38 cm h and to/w an oak wall bracket 38 cm h 

A German burr walnut bracket clock in the 18th century manner, with gilt metal mounts, gilt and silvered dial with moon-phase arch, inscribed for James Smith, London, the Lenzkirch eight-day movement striking on a bell, 42 cm high overallOriginal pendulum, appears to be keeping time, no wind key

Vict Oak Bracket Clock

Regency mahogany longcase clock by George Monro, Edinburgh, the moulded broken arched pediment with ball and Ho ho bird finial over closed fretwork arched face, applied spandrels, chapter ring, Roman and Arabic numerals, subsidiary second dial and date aperture, anchor escapement striking on a bell, flanked by Doric columns, shell inlaid trunk door, urn inlaid plinth and raised on bracket feet, 232cm high. Condition Report Nice, elegant Edinburgh clock. Minor losses and veneer peeling at base. Movement and dial belong and seem to fit the case nicely. No wheel to drive the calendar ring, otherwise movement is probably in working order.

Property of a LadyA magnificent cased gold dressing set by Cartier and Goldsmiths and Silversmiths Co Ltd (later Garrard & Co Ltd), early 20th century, comprising; A pig skin dressing case stamped in gilt 'Cartier, Paris, Londres, New York', 'Brevete SGDG Made in France' with outer original dust cover, the hinged case opening to reveal two hinged compartments with fitted interior, containing twenty one gold pieces with reeded and foliate detail Comprising;A Cartier square clock with rose cut diamond set hands, silvered radiating dial with black Roman numerals, easel bracket support, stamped '9c', 8.5cm x 8.5cmAn 18ct gold oval hand mirror, Goldsmiths & Silversmiths Co Ltd London 1909, 27.5cm longTwo 18ct gold hairbrushes, Goldsmiths & Silversmiths Co Ltd London 1909, 23cm longAn 18ct gold clothes brush and hat brush, Goldsmiths & Silversmiths Co Ltd London 1909, 16.5cm longAn 18ct gold mounted glass brush tray, with engraved harebell garland and cartouche detail, Goldsmiths & Silversmiths Co Ltd London 1913, 27.5cm longA solid 18ct gold rectangular tray, Goldsmiths & Silversmiths Co Ltd London 1909, 23cm long, (weight 206.6gms)An 18ct gold mounted tortoiseshell tail comb, Charles Henry Dumenil, London 1914, 21.5cm longAn 18ct gold mounted tortoiseshell comb, Goldsmiths & Silversmiths Co Ltd, London 1909, 19cm longA pair of 18ct gold topped glass jars, each with cut garland detail, Goldsmiths & Silversmiths Co Ltd, London 1913, 11.5cm high (tops 39.9gms each)An 18ct gold topped perfume, scent bottle with spray atomiser top, Goldsmiths & Silversmiths Co Ltd, London 1913, 11.5cm high (top approx 56gms)A circular 18ct gold powder box and cover, Goldsmiths & Silversmiths Co Ltd, London 1913, 6cm high (base weighs 83.8gms)An 18ct gold rectangular hair pin box, Goldsmiths & Silversmiths Co Ltd, London 1909, 7.8cm wide (weight 82.3gms)A 9ct gold oval box, John Collard Vickery, London 1912, 7.8cm wide (weight 82.3gms)An 18ct gold nail buff or polisher, Goldsmiths & Silversmiths Co Ltd, London 1913, 12cm longAn 18ct gold nail file and manicure tool, Goldsmiths & Silversmiths Co Ltd, London 1913, 10cm longA pair of 18ct gold mounted scissorsAn 18ct gold nail buff or polisher, Goldsmiths & Silversmiths Co Ltd, London 1913, 9.7cm longAn 18ct gold handled button or boot hook, Goldsmiths & Silversmiths Co Ltd, London 1913, 27cm longand an 18ct gold handled shoe horn, Goldsmiths & Silversmiths Co Ltd, London 1913, 25cm longEach piece monogrammed with the initials of Louise Garland Emmet, daughter of James Albert Garland, co-founder of the First National Bank of New York. Provenance: By direct descent.

A George III carved mahogany eight day longcase clock with case in the manner of Gillows, the brass dial with Roman numeral chapter ring, engraved centre with pagodas and named 'Eden Liverpool', with subsidiary seconds dial and below a painted moon phase 'Time shews the way of lifes decay', with movement striking on a bell, the door verso stamped '1767 clock and cakes cost of this', the elaborate hood with broken swans neck pediment, central finial and blind fret detailing, above a trunk with fluted corner pilasters with elaborate Prince of Wales type capitals, the base with egg and dart detailing, on ogee bracket feet, 228cm H CONDITION REPORT: The lock and the hinges to the trunk door are not original and the handle to the hood door is. It has been suggested that the case may be a Manchester case with a Liverpool movement. The seat board for the movement appears original however, there does appear to be some none original timbers to the sides (under the sea board) which support the hood when sliding into condition. When looking at the inside of the hood and the back of the hood door, they appear very clean, as does the movement - this suggests that the clock may have been services / cleaned but not recently. The back board is not in one piece. The clock sits leaning backward and to one side a little. General light age wear throughout externally but overall of a good appearance and colour. Please see extra images uploaded. There are two weights and a pendulum. We can not guarantee that the clock is in full working order.

Victorian gilt metal mounted golden oak cased arch top bracket clock, silvered Roman dial with subsidiary Slow/Fast & Chime/Silent dials, triple train Winterhalder & Hoffmeier movement Westminster striking the quarter hours, case with brass acorn finials handle and feet, H38cm Condition Report Click here for further images, condition, auction times & delivery costs

Edwardian aneroid barometer in inlaid mahogany miniature longcase clock case, with arched pediment, decorated with shells, ovals and stringing, on bracket feet, H44cm Condition Report Click here for further images, condition, auction times & delivery costs

Victorian gilt metal mounted Golden oak pagoda top bracket clock, silvered arched Roman dial with subsidiary Slow'Fast dial, twin train Winterhalder & Hoffmeier movement Ting Tang striking the quarter hours, case with gilt acorn finials, mounts and feet, H41cm Condition Report Click here for further images, condition, auction times & delivery costs

18th century mahogany crossbanded oak long case clock, square brass dial with silvered Roman chapter and subsidiary seconds and date dials inscribed 'Fearnly Wigan' 8-day movement striking the hours on a bell, case with swan neck pediment above glazed fretwork frieze, fluted acanted angles and shaped door on moulded base with shaped bracket feet, retains original 'Kick Back' repeater levers, H215cm Condition Report Click here for further images, condition, auction times & delivery costs

Victorian Ebonised Chiming Bracket Clock, Of Large Size, Silvered Chapter Dial, Double Fusee, Regulator And Chiming Subsidiary Dials, Ormolu Mounted, Raised On Paw Feet. Height 28 Inches, 17 Inches Wide, 11 Inches Deep

A George III mahogany striking longcase clock, the arched lantern with moulded cornice and arched glazed door within brass mounted stop fluted columns, the arched silvered Roman dial signed 'J.P. Milsome, Newbury', with Arabic outer minute track and subsidiary seconds and date dials, strike/silent dial to the arch, the trunk with arched panelled door, on a panelled base with bracket feet, the four pillar movement with anchor escapement, striking on a bell, 83in. (211cm.) high. * G. H. Baillie, in 'Watchmakers & Clockmakers of the World' records a Milson in Newbury, c.1808.

A French bronzed and gilt brass Empire style mantel clock with twist fountain by Laine of Paris, the eight day movement with silk suspension striking the hours and half hours on a bell via an outside countwheel, the back plate stamped 'LAINE A PARIS 7 7 M.J 6', the silvered sunburst dial similarly signed, with Roman numerals and beaded bezel, the the architectural case with gilt bronze Marley horse surmount over a flared foliate pediment on column supports, the front with spiralled glass 'water fountain' rod issuing from a dolphin mask, above a rectangular bronze patinated base with gilt anthemion and foliate lappet border and baroque apron with integral bracket feet, 19½in. (49.5cm.) high, with pendulum.

A 19th century German bracket clock with bracket. The oak case has black forest style carving; a crown of roses in a bower on the trefoil pediment sweep down to curlicue feet. Framing a brass dial with brass spandrels with the face of a German forest spirit. The chapter ring has both Roman and Arabic numerals and two subsidiary dials for fast/slow and chime/silent. Three-train movement striking on a quintuple gong. 70 x 34 cm. For a condition report on this lot visit www.peterwilson.co.uk

A Victorian walnut bracket clock. The pagoda top has three urn-shaped finials and tiling detail. A pair of brass figureheads of the goddess Athena flank the brass dial which has a silvered chapter ring with Arabic numerals and two subsidiary dials for strike/silent and slow/fast. Three-train movement striking on Westminster chime and single gong. 52 x 32cm. For a condition report on this lot visit www.peterwilson.co.uk

A Jaeger LeCoultre Atmos clock in presentation case and with brushed aluminium bracket (custom made for this clock). The brass framed case with four glass panels and chapter ring with brass Arabic numerals, encases the virtually perpetual motion movement, with the torsion pendulum driven by minute changes in either temperature or atmospheric pressure. 'Atmos, Swisse Made' on dial front and to verso 'LeCoultre & Cie, Swiss Made'. 22.5 x 18 x 13.5cm. For a condition report on this lot visit www.peterwilson.co.uk

A George III mahogany longcase clock, the hood with swanneck pediment above silvered dial signed 'James Lock, Bath', having strike/silent to the arch, seconds dial and inset calendar dial, scroll and swag engraved decoration to the flat dial, with 4 pillar 8 day movement, the trunk with shaped top door upon a crossbanded base and bracket feet 230cm (90in)

Regency style mahogany bracket clock with double fussee movement, brass inlay and flame finial and lions mask ring handles the whole resting on bracket feet. 50 cm high

Early 19th century mahogany double fusee bracket clock by James McCabe of the Royal Exchange, London No 2431, silvered dial with two train movement striking on a bell, 33cm x 24cm

Turner, Ludgate Hill, London double fusee clock movement with engine turned and engraved gilt Roman dial, signed movement striking on a gong, Cross Fleury style hands, pendulum and bob with brass bracket, dial diameter 14cm