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Oak long case clock banded in mahogany by (Thomas) Birchall, Nantwich, brass broken arch face with painted rolling moon, brass chapter ring, silvered field with subsidiary seconds and date aperture, two train movement striking the hour in swans neck hood with blind fret frieze and reeded columns on a trunk with reeded quarter columns set out canted base with raised panel and bracket feet. Height 221cm (pendulum, two weights, winding key and door key)

Pine long case clock, the 14 day, two train movement by William Massey, Nantwich striking the hour, painted square face with shell spandrels, gilt chapter ring, subsidiary seconds and date aperture in a swans neck hood with turned columns on cluster column trunk and set out base with bracket feet. Height 217cm

Mahogany long case clock, the swans neck hood with broken arch face, painted with the harvest and windmill spandrels, the dial with subsidiary seconds and pierced date aperture, two train movement on chequer banded trunk with fluted quarter columns on canted plinth and bracket feet. Height 225cm, 88 1/2 in.

Mahogany long case clock circa 1850, the painted broken arch face named Thomas Osmond, Tisbury, rolling moon, subsidiary seconds dial and date aperture, spandrels painted with shells, two train movement striking the hour in a swans neck hood with plain columns, the trunk and plinth with black line inlay raised on bracket feet. Height 210cm (pendulum, two weights, winding key and door key)

George III oak long case clock circa 1770 by Edward Barlow Oldham, broken arch brass face with painted rolling moon landscapes, silvered chapter ring, subsidiary second dial, date aperture and field painted with classical ruins, two train movement striking the hour in a swans neck hood with plain mahogany columns on fluted corner trunk, set out base with raised panel on ogee bracket feet. Height 230cm (pendulum, winding key, door key, two weights)

Faux tortoiseshell cased bracket clock by Whitehurst, Derby, circa 1790, the arched dial with cherub head spandrels and silvered chapter ring with Roman numerals, subsiduary strike/silent dial, the eight day twin fusee movement striking on a bell, in an inverted bell top case, 45cm high.

German ebonised bracket clock with striking movement, 34cm high.

An Edwardian Regency style mahogany cased, striking mantel clock, of bracket clock design, the silvered dial with black Roman numerals and detailed T. R. Walter & Son, 51 City Rd. London EC1, the case inlaid with brass stringing and with a brass artichoke shaped finial, with a pendulum and key.

An oak longcase clock, early 20th century, the three-train movement chiming and striking quarterly, the brass dial with silvered chapter ring and mask and scroll spandrels, the arched hood above a glazed door on a moulded panel base and bracket feet, 6'5" high.

A George III oak 8-day longcase clock, the 12 inch, silvered dial with two train movement inscribed 'John Price, Chichester', with silvered chapter ring, subsidiary seconds dial and date aperture, and strike/silent to the arch, the domed hood with three urn finials and fluted pillars, above an arched door on bracket feet, 218cm high.

"A George III mahogany longcase clock, the later 8-day movement striking on a bell to a painted arch dial with subsidiary seconds dial, the hood with a broken swan neck pediment and ball and eagle brass finials above Corinthian capital reeded pilasters, to a dentil moulding and a shaped top waist doors, flanked by fluted pilasters to a conforming panel base on ogee bracket feet, 95in (241.4cm) h."

"A George III mahogany longcase clock, the 8-day striking-movement to a painted arch dial, with subsidiary seconds dial and date aperture, inscribed ‘TORKINGTON NEWCASTLE’, the arched wood with later turned finials, above stop fluted columns, the shaped waist door flanked by stop fluted quarter pilasters, the base with a shaped panel to bracket feet, 97.5in (247.5cm) h."

"A George III mahogany longcase clock, the 8-day movement striking on a bell to an arch painted dial, with subsidiary seconds dial and date aperture, decorated a couple in a landscape, the spandrels representing the four seasons, the arch inscribed ‘JOHN BANKS, OLDHAM’, the case with marquetry and parquetry inlay and a double lancet topped door, flanked by cluster columns, the base on ogee bracket feet, 93in (236cm) h."

"A late 17th century brass lantern clock, the later anchor escapement striking on a bell to a circular brass chapter ring inscribed ‘Cutbufh Maidstone,’ to a floral and bird engraved centre with a single hand, to turned pillars and urn finials with pierced and engraved fret, on ball feet, 14.25in (36cm) h, on a later carved and pierced oak bracket. (2)"

"A 19th century mahogany bracket clock, the twin fusee movement striking on a bell to a circular dial inscribed ‘HENLEY’, the arch shaped case inlaid stringing and a floral motif, with brass floral ring handles, the sides with pierced brass lancet shaped panels, on brass bun feet, 14.75in (37.5cm) h, 10.5in (27cm) w. With bracket. (2)"

"An early Victorian mahogany and brass inlaid bracket clock, the twin fusee movement striking on a bell to a painted dial inscribed ‘S. Simson, Southampton,’ the ribbed top with a pinapple finial, pierced brass panel sides, on ball feet, 20in (50.8cm) h, with bracket. (2)"

"A George III mahogany bracket clock, with pull repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the brass arched dial with a silvered chapter ring and a shaped aperture inscribed ‘William Carter, Southwark,’ and a date aperture, the arch with a Strike/Silent dial, the veneered case with an inverted bell top and a lacquered brass carrying handle and fir cone finials, the sides with trellis panels, on bracket feet, 20.5in (52cm) h, 11.25in (28.5cm) w, 7.75in (19.6cm) d."

"A George III mahogany bracket clock, with repeat, the twin fusee movement with a verge escapement and striking on a bell, to an engraved backplate, the arched 'Battersea' enamel dial inscribed 'Marmke Storr, LONDON,' with subsidiary Strike/Silent dial, to painted decoration, the bell top case with a brass carrying handle, pierced fret sides, the base base moulding on pads, 20in (50.8cm) h, 11.5in (29.2cm) w,7.5in (19cm) d. Baillie states; Marmaduke Storr, Lombard Street, London, was active from 1724 - 1775. See Barder, Richard C.R. The Georgian Bracket Clock 1714 - 1830, for a similar example by James Upjohn. This rare enamel dial is thought to be the work of a former Battersea enamel worker, Anthony Tregent. Who on leaving the enamel factory set up his own business in Denmark Street. There are a handful of both longcase and bracket clocks with these type of dials. Anthony's brother, James was a well known London clockmaker."

A good Regency pad top mahogany repeating bracket clock by Whitehurst & Son Derby the double fusee eight-day movement with five knopped and ringed pillars anchor escapement striking on a bell signed on the back plate the 17cm arched one piece silvered brass dial with Roman numerals pierced blued steel hands subsidiary strike/silent dial to arch inscribed Whitehurst & Sons Derby to centre the arched case with acanthus clad brass carrying handle brass edged door and corners on a moulded skirted base brass ball feet brass fish scale frets to side apertures 43.5cm high c.1815

A burr walnut-cased bracket clock late 19th century Lenzkirch the eight-day movement having floral-engraved silvered dial with Roman chapter ring; the case of architectural form on plinth base H 37cm W 29cm

A Regency mahogany bracket clock Bowman Ltd 68. & 70. Goswell Road London the eight-day twin-fusee movement having 8ins silvered Roman dial the case with three glazed panels and cut-brass door on plinth base H 43cm W 29cm

A George IV mahogany bracket clock Noakes Burwash the eight-day fusee movement probably by Thwaites & Reed having 8ins circular enamelled Roman dial; the brass-inlaid case having stepped top with gilt-bronze pineapple finial ebony inlay brass handles and pierced scale sound frets on brass-bound base and ball feet H 49.5cm W 29cm

An Edwardian Sheraton Revival mahogany longcase clock the eight-day Westminster chiming movement striking on five tubular brass bells and having 12.25ins broken-arch brass dial with silvered Roman chapter ring and subsidiary seconds dial decorated with dolphin and shell pierced spandrels the satinwood-banded case having broken swan-neck pediment and urn finial over fluted quarter pilasters and glazed trunk door on plinth base and bracket feet H 245cm W 55cm

A George III Scottish mahogany longcase clock John Coles Alloa the eight-day movement having 14ins broken-arch painted dial with subsidiary seconds and date dials decorated with a painted scene of 'The Lady of the Lake' and figured painted spandrels; the case with a broken swan-neck pediment over cross-banded trunk flanked by quarter pilasters on plinth base and bracket feet (modified) H 223cm W 51cm

A Victorian mahogany longcase clock the eight-day movement having 14ins broken-arch painted Roman dial indistinctly signed with subsidiary moonphase seconds and date dials and with painted spandrels decorated with shell motifs; the cross-banded case having a broken swan-neck pediment over turned columns the shaped trunk door flanked by turned quarter columns on plinth base and ogee bracket feet H 233cm W 65.5cm

A George III oak and mahogany cross-banded longcase clock the eight-day movement having 12ins broken-arch painted Roman dial with subsidiary seconds dial decorated with gilt-painted game bird spandrels the case having ropetwist columns and pilasters flanking a cross-banded trunk door with oval shell paterae on plinth base and bracket feet H 207cm W 49cm

A 19TH CENTURY OAK EIGHT DAY LONGCASE CLOCK with painted square face and crossbeaded case with half pillasters panelled base on bracket feet. Strikes on one bell. 86" High.

A stained beechwood miniature Longcase Clock. Hamburg American Clock Co., German. The 48mm diam dial with Arabic numerals and brass bezel and with single train movement, the case with brass finial architectural pediment, applied decorative panel below the dial and plinth with bracket feet. 11.5in high

A walnut Mantel Clock. Hamburg American Clock Co. No 3147. The 4in diam dial with annular chapter ring, Roman numerals and brass bezel, the two train movement striking on a gong, the case with moulded pediment, turned finial, applied pierced brass spandrels, moulded plinth, ring handles and brass ogee bracket feet. 16.5in high (with pendulum and key)

An ebonised and brass inlaid small Bracket Clock. James Murray, Royal Exchange, London. The 3.25in diam enamelled dial with Roman numerals, blued steel hands, the hour hand with heart shaped terminal, signed as above in the centre and set in a gilt brass mask pierced overall with foliage and flower heads, the four pillar two train chain fusee movement with anchor escapement rack striking on a bell, and signed on the backplate 'James Murray, London', the case with pineapple finial sloping pagoda pediment, glazed side panels, apron inlaid with scrolling foliage, shallow plinth and brass bun feet. 10.75in high (with keys; pendulum with milled rating nut)

A mahogany striking and chiming Bracket Clock with Pull Repeat. Winterhalder & Hoffmeier The 6.5in rectangular brass dial with silvered chapter ring, Roman numerals, half hour markers, Arabic five minute intervals, signed on a plaque for the retailers, matt centre, regulation and Chime/Silent dials and pierced spandrels, the three train movement chiming on four gongs and striking on a larger gong and with pull repeat activating the last quarter and the last hour, the case with broken arch pediment, fluted pilasters, moulded plinth, bracket feet and pierced fret hinged side panels. 17.5in high (with pendulum and key)

A replica French Falling Ball Clock. Thwaites and Reed, Limited Edition, No 243 of 500. The silvered chapter ring with Roman numerals and Arabic fifteen minute intervals, the single train movement contained in a brass sphere etched with the continents and suspended from a brass bracket mounted upon a mahogany plaque. 4.75in diam, 26in high overall (with Numbered Certificate, Setting Up and Regulating Instructions)

An oak and mahogany Longcase Clock. Robert Simpson, Congleton. The 14in square painted dial signed in the centre 'Robt Simpson, Congleton', with Roman numerals, Arabic five minute intervals, seconds dial, calendar aperture and fan, foliage and flower head spandrels, the four pillar movement mounted upon a false dial plate, with anchor escapement rack striking on a bell, the case with broken swans neck pediment on fluted columns, long trunk door flanked by fluted pilasters, and panelled plinth with canted corners on ogee bracket feet. 85in high (with pendulum, weights and keys)

A modern bracket clock, and a Smith's lantern clock (2)

A late 19th Century bracket clock, the ebonised case with gilt metal mounts, shaped bell top and carrying handle, fitted a silvered chapter ring and eight-day striking movement, the dial inscribed Desbois, London, 62cm (24.5") high, complete with bracket.

A Victorian ebonised bracket clock the eight-day two-train fusee movement with anchor escapement and striking on a bell the back plate impressed FRODSHAM GRACECHURCH STREET LONDON with pull repeat the enamelled round dial with Roman numerals and inscribed J. FRODSHAM Gracechurch Street LONDON. in a pagoda case painted with a flower spray 39cm high (dial restored)

A George III ebonised bracket clock the eight-day two-train fusee movement with verge escapement and striking on a bell the arched and enamelled dial with Roman numerals and indistinctly inscribed WILLIAM BRAMBLE LONDON the arch with Ôstrike/ silentÕ dial in a plain domed case with carrying handle 45cm handle raised (back door of case missing dial crazed) See BrittenÕs Old Clocks and Watches William Bramble is listed at two addresses in Oxford St. 1784-1805

An 18th century style bracket clock, with matted dial and gothic hands, signed Thwait & Reed, striking on a gong, with glass panel sides and domed top 14.5ins

A 19th century oak, mahogany and inlaid eight day longcase clock, the painted arched white enamel dial signed by Robert Fletcher of Chester (c.1828-34), dial re-painted, later bracket feet

An early 19th century inlaid mahogany eight day longcase clock with swan neck pediment above arched painted white enamel dial with moon phase, subsidiary seconds dial and date aperture, the dial indistinctly signed by Noon of Ashby de la Zouche, (possibly Sarah Noon c.1828 to 1835), the dial flanked by turned columns above arched door, the whole on bracket feet

An early 20c mahogany cased bracket clock with moulded arched top, brass carrying handle, four bun feet, silvered circular dial inscribed "Walker & Hall, Ltd", enclosing a French brass eight-day chiming movement [lacking gongs], 37 cms.

An early 19c oak and mahogany longcase clock with swan-neck pediment, turned spindles to the side of the hood, shaped door, column type sides, panelled trunk on short bracket feet; the white dial with figure to the top and flowers as spandrels, inscribed "Thos.Wilson" and enclosing a thirty-hour movement, 225 cms.

A late 19th/early 20th century German eight day Westminster chiming bracket clock in domed mahogany case, with two keys

A large late 19th/early 20th century French ornate brass cased eight day mantel clock with white enamel dial (cracked) and floral decoration on bracket feet, height 42.5cm

French brass-cased bracket clock, white enamel face with Roman numerals; and mahogany-cased mantel clock by Elliot, Arthur Saunders, London mahogany case (two)

Mappin and Webb brass-cased bracket clock, Roman numerals, in leather-covered case

A George III oak and mahogany banded longcase clock the twin train movement with anchor escapement striking on a bell the twelve inch square brass dial with date arch foliate engraving and makerÕs name ÔStephenson CongletonÕ on a silvered ground within a silvered chapter ring with Roman hour and Arabic minute numerals within gilt foliate spandrels the hood with projecting columns above a shaped trunk door flanked by quarter fluted columns the canted box base on ogee shaped bracket feet 211cm high

Art Nouveau mahogany mantel clock, the domed top above a white enamel face with numerals in black within carved foliate details and on bracket feet, 14 1/4in (36.7cm) high

Early nineteenth century mahogany longcase clock, the swan neck pediment above an arched painted face depicting a highlander with bow and a hound above a white enamel dial with a thirty one day ring and subsidiary seconds marked for David Dewar, Doune 1882 and flanked by columns with Corinthian capitals over a trunk with spiral quarter pilasters and a door carved with a cockeral and inscribed 'Gloria Patri' on a plain base section with bracket feet, 84in (213.3cm) high

A LATE GEORGIAN EBONISED BRACKET CLOCK, white painted dial, Roman numerals, London, striking on a bell and with a repeat mechanism and arch brass grill door with stepped base with bracket feet, 15 1/2" high. (see illustration).

Early 19th Century Longcase Clock, with square painted dial, inscribed, "Rea, Walton" and with secondary seconds dial, eight-day movement and contained within an oak case, the hood with dentil cornice, inverted tapered fluted pilasters, the door with rosewood crossbanding and central star inlay in satinwood and ebony, on a an associated base and bracket feet, 219cms, (7’3").

Late 19th/early 20th Century Carriage Clock with circular enamel dial, plain movement, contained within the traditional brass and glazed case, with bevelled plates, on bracket feet, 12cms, (4½").

An Edwardian Mahogany Arched Bracket Clock, with satinwood shell and line inlays, the dial with Roman numerals and double fusee movement by Liberty & Co. Regent Street London, upon low bracket brass feet with side handles

A LONGCASE CLOCK by Lawrence Shakeshaft, Preston, the thirty hour movement with square dial painted with bird and flowers and with Arabic and Roman numerals, in oak case with mahogany and parquetry banding and stringing, broken pedimented top on turned columns, arched door with inlaid festoons over, and flanked by quarter columns with marquetry patera, canted panel base and bracket feet, 87" high (Illustrated).

A LONGCASE CLOCK by John Ellerby, Ashburn, the eight day movement with arched dial painted with flowers and with printed moonphase, in mahogany and crossbanded case, with stringing and parquetry banding, scrolled pediment with verre eglomise panels on fluted columns, arched door flanked by fluted pilasters, canted base with shell marquetry patera, on bracket feet, 93 1/2" high (Illustrated).

A LONGCASE CLOCK by Barlow, Oldham, the thirty hour movement with square brass dial chased with scrolling foliage and with Roman and Arabic numerals, penny moonphase and calendar aperture, on oak case with moulded cornice on turned columns, arched door, panel base and bracket feet, 83" high.

A FRENCH MANTEL CLOCK, the eight day movement with enamel dial having pierced brass centre, in square embossed brass case with turned finial on domed lid, pierced sides with mask roundels, moulded base with applied shield and bracket feet, 19th century, 16" high.

A FRENCH MANTEL CLOCK, the eight day movement with enamel dial having pierced brass centre, in embossed square brass case with bud finial on domed lid, the sides with lion mask handles and pierced scrolling brackets, on bracket feet, 19th century, 14" high.

A LONGCASE CLOCK by Robert Bunyan, Lincoln, the eight day movement with arched brass dial chased with scrolling foliage, seconds dial and calendar aperture, Roman and Arabic numerals, in oak and mahogany banded case with stringing, scrolled pediment on fluted columns, arched door with shell patera, arched trunk, panel base and bracket feet, 82 1/2" high.

A mahogany cased mantel clock, formed as a bracket clock, with a striking movement, the silvered dial with black Roman numerals, with a brass carrying handle and brass feet, with a pendulum and key.