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A mid 18th century oak cased thirty hour long case clock by W Edmunds, Madeley, ShropshireThe clock with a twelve inch brass dial and a silvered bezel painted with Roman and Arabic numerals flanked by applied scrolling foliate openwork spandrels, the centre of the dial signed with the maker's name, the case with a moulded cornice above a pair of tapering cylindrical columns above a well patinated and slender case with a shaped crossbanded door centred with an oval inlaid fan and flanked by quarter fluted columns above a conforming crossbanded lower panel, raised on bracket feet, with weight and pendulum. Height 193cm. Provenance the Robinson collection with receipt from Adams Antiques, Nantwich, dated February 2003.

^ An Edwardian mahogany mantel timepiece inlaid with apatara, 17.5 cm; an Art Deco mantel timepiece 16cm high; a Japanned mantel timepiece, 18cm high; another mantel timepiece; a miniature bracket timepiece; four various travelling timepieces; and reproduction perural mantel clock

Mahogany Brass Mounted Bracket Clock, Movement reads: DRGM 113027, includes key and pendulum

Late Victorian carved mahogany bracket clock, 37cm

A LARGE 8-DAY EDWARDIAN BRACKET CLOCK with pull repeat mechanism, the silvered chapter ring with Roman hour markers and Arabic minutes, beneath 'Strike/Silent' and 'Westminster Chime/Chime on Eight Bells' dials, the case with brass Corinthian columns and fitted to the side with handles above fish scale grilles, 44cm wide 29cm deep 46cm high

An early 19th century provincial oak, mahogany and marquetry eight day longcase clock, the painted arched dial with Roman and Arabic numerals, subsidiary seconds dial at noon and crescent date dial at six, the spandrels painted with scenes emblematic of the abolition of slavery, in a mahogany cross banded oak case with swan neck pediment, fluted columns and pilasters and marquetry paterae inlaid to the trunk door and base, on shaped bracket feet, movement restored in the mid-1990s.

An 18th century Channel Islands eight day mahogany longcase clock by Nicolas Blondel, the four turned pillar movement striking the hours on a bell, the arched brass Roman dial with Arabic outer minute track, engraved sunburst subsidiary seconds dial at noon and date aperture at six, with gilt rocaille spandrels and signed roundel to arch, 'Nicolas Blondel à Guernesey', the mahogany case with cut card and fluted stile arched top on fluted pillars, the trunk with flame mahogany arched door, raised on a fielded panelled base with bracket feet, 88in. (223.5cm.) high.

A mid 20th century brass carriage clock, time piece with a folding top handle, visible cylinder escapement, over four glass panels, on bracket feet. The movement having a white enamelled dial with Roman numerals, 4 7/8 h

A late 20th century mahogany, chiming bracket clock by Elliott of London, the arched topped, stepped case, three train movement chiming on the quarters, with a brass dial with silvered chapter ring, Roman numerals and chime/silent lever at three, 14 3/4 high

A 19th century French gilt metal and tortoiseshell 8 day bracket clock by Marti et Cie, the two train movement, with lever platform escapement, striking on a gong, 11 1/2 high, the dial, 4 1/2 dia

A GERMAN ARCHITECTURAL CARVED WALNUT BRACKET CLOCK WITH TRIANGULAR PEDIMENT AND BRASS DIAL, THE SUBSIDIARY STRIKE/SILENT AND REGULATION DIALS ABOVE, THE WINTERHALDER & HOFMEIER MOVEMENT STRIKING ON A COILED WIRE GONG, 41CM H, CIRCA 1900

A SMALL EBONISED TABLE CLOCK by Robert Roskell, Liverpool, the single fusee movement with signature to back plate and stamped 55299, 3 1/2" brass dial with Roman numerals and chased all over with foliate scrolls, the pagoda topped case surmounted by a brass loop carrying handle, glazed sides, moulded base with gadrooned banding and bracket feet, 7" wide, 9 1/2" high to tip of handle (Est. plus 18% premium inc. VAT) (Illustrated)

A FRUITWOOD LONGCASE CLOCK, signed Jas Hawke, Bury, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels, Roman and Arabic numerals, two secondary dials, rolling moon phase in the arch, the case with scrolled pediment and turned fan finials, on turned columns, arched door, and bracket feet, 93 1/2" high (Est. plus 18% premium inc. VAT)

A FRENCH CASED CARRIAGE CLOCK, the twin barrel repeater movement with platform escapement striking on a gong, back plate stamped E.M. & Co., silvered dial mildly concave with Arabic numeral roundels within a plain silvered surround, the brass case with reeded square loop handle, on bracket feet, 7" high to tip of handle, with maroon leather carrying case (Est. plus 18% premium inc. VAT) (Illustrated)

A MAHOGANY CASED TRIPLE CHIME TABLE CLOCK by Kieninger Germany, modern, the three train movement striking on a nest of nine bells, arched 7 1/2" enamel dial signed Lonsdale with Roman numerals, seconds dial, strike/silent and chime dials, the canted oblong case with arched moulded cornice and fluted angles, arched brass sound frets, moulded base and bracket feet, 12" x 15 1/2" (Est. plus 18% premium inc. VAT)

AN EBONISED CHIMING BRACKET CLOCK by James Tregent, London, the two train repeater movement striking on a nest of eight bells, engraved back plate with signature, 7 1/2" white enamel dial with Roman and Arabic numerals and signature, within an arched brass surround with seconds and strike/silent dials to arch, arched brass mounted case with moulded cornice, the sides with brass handles over brass sound frets, moulded base and ogee bracket feet, 16 1/2" high, on an ogee wall bracket, the lower section as a drawer, 8 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)

A FRENCH BRASS AND CHAMPLEVE ENAMEL CARRIAGE CLOCK, c.1900, the twin barrel repeater movement striking on a gong, cream enamel dial with blue Roman numerals, the pale green ground case with scrolled loop handle and bracket feet, 6 1/2" to tip of handle, in red leather carrying case (Est. plus 18% premium inc. VAT) (Illustrated)

A MAHOGANY LONGCASE CLOCK by Samuel Hirst, Leeds, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched brass dial with silver centre chased with foliate scrolls, Roman and Arabic numerals and two secondary dials, signature roundel to the arch, the later case with blind fret panels, arched key moulded cornice on fluted Corinthian columns surmounted with urn finials, canted trunk with arched door, panelled base and ogee bracket feet, 102 1/2" high (Est. plus 18% premium inc. VAT) (Illustrated)

Gulland (W.G.). Chinese Porcelain, volumes 1 & 2, 2nd edition, 1902, 485 black and white illustrations, some light spotting, uniform original gilt decorated green cloth, spines slightly rubbed to head, 8vo, together with Wood (Christopher), The Dictionary of Victorian Painters, 2nd edition, 1985, numerous black and white illustrations, original blue cloth in dust jacket, spine slightly faded, 4to, and Barder (Richard C.R.), The Georgian Bracket Clock 1714-1830, 1st edition, 1993, numerous colour and black and white illustrations, original blue cloth in dust jacket, 4to, plus other modern art and antiques reference and related, mostly original cloth in dust jackets, G/VG, 8vo/4to (5 shelves)

A late 19th/early 20thC brass carriage clock, of square outline, the 5cm dia. dial on a plate back, in a four part glazed case with visible key wind movement, on stylised bracket feet with swing handle, (when lowered) 13cm high, 9cm wide, 6cm deep.

Oak longcase clock, swan neck pediment centred by a brass finial, turned and fluted columns, long door with mahogany cross-banding, bracket feet, 12" arched painted dial the arch inscribed 'Sic est vita hominis', painted sub dial with a ship in harbour, scrolled spandrels, the chapter ring with Roman numerals, subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 212cm.

MAHOGANY BRACKET CLOCK WITH SILVER COLOURED DIAL

Regency mahogany and brass mounted bracket clock with a painted concave dial, Roman numerals and two train movement with engraved back plate striking on a gong (later alterations)

19th Century carved oak longcase clock, the brass broken arch dial with silvered chapter ring having Roman and Arabic numerals with subsidiary seconds, with eight day movement, the hood with brass capped turned reeded pilasters and flush panelled door on conforming base raised on bracket feet, 87ins high

William IV mahogany bracket clock, the shaped case with applied carved floral decoration, the circular silvered dial with Roman numerals, the two train fusée movement striking on a bell

George III mahogany longcase clock, the arched hood above an arched panelled door and a rectangular plinth with bracket feet, the gilded and silvered dial with Arabic and Roman numerals, subsidiary seconds and calendar aperture with strike / silent dial, inscribed James Brogden of London with a two train movement striking on a bell

Small bracket clock by F W Elliott (overwound) (retailed by Pailthorp Grimsby)

A bracket clock Roman numerals on a white dial with pendulum and key, 35 cm (h)

A simulated Kingwood painted metal cased bracket clock housing an Ansonia movement, along with an assembled case housing a Victorian clock movement.

A vintage style bracket clock and barometer.

Vintage brass Smiths bracket type clock

An early 20th Century oak cased bracket clock, with garland cornice, foliate carved frieze panels and pilaster columns to the door, the dial with subsidiary chime dials, height 53cm, S/D.

A late 19c single fusee wall clock, the 12 flat iron dial signed Maple & Co Ltd, London and having Roman numerals and spade hands and a cast brass bezel. It is contained in an architectural case of stained hardwood with a pointed arched top and flat fluted pilasters flanking the dial and a concave shaped bracket base. The clock is 27 tall overall.

A George III Oak and Mahogany Long Case Clock, the arched hood with swan neck pediment and with turned pilasters above a shaped door flanked by quarter pilasters, raised upon bracket feet, the painted dial with date aperture and Roman numerals

A 19th Century Oak Cased Large Bracket Clock, the brass dial with silvered chapter ring with Roman numerals and strike silent and fast slow aperture and with three train movement striking on gongs, 47 cms tall

A 19th Century Mahogany Bracket Clock, line inlaid with a brass carrying handle, the enamel dial with Roman numerals and two train movement, 23 cms tall

A George III Mahogany Long Case Clock by John Donald, Kilmarnock, the swan neck pediment with brass finial above an arched door flanked by reeded columns and a rectangular door, raised upon bracket feet, the brass dial with silvered chapter ring with Roman and Arabic numerals and with subsidiary seconds dial and date aperture and with two train movement striking on a bell

A 19th Century Mahogany and Marquetry Inlaid Long Case Clock, the arched hood with swan neck pediment above a shaped door flanked by turned columns and raised upon ogee bracket feet, the brass dial inscribed W Ballantyne, Edinburgh and with two train movement striking on a bell

MID-TWENTIETH CENTURY OAK MANTEL CLOCK with Smith's movement, the circular face with Roman numerals, the curved body with scroll decoration, on bracket feet, 24cm high

A Regency mahogany clock bracket, with scroll supports. Width 33 cm, depth 22 cm.

A Regency mahogany and brass bracket clock, with two-train fusee movement, the case marked "W. Blanchard, Hull". Width 28 cm, height including brass finial 51 cm (see illustration).

A 19th century boulle marquetry clock bracket, large form. Width 66 cm, depth 26 cm. CONDITION REPORT: The length of the bracket at the wall is 65.5 cm, the length at the front is 57 cm, depth 25.5 cm, length of each angled side 26 cm. c

An early 19th century oak and mahogany banded longcase clock by Carruthers of Langholm, with two-train striking movement and subsidiary date and second dials, the case raised on bracket feet. CONDITION REPORT: The clock movement is extremely dirty and dusty. The catgut to the going train is now snapped. It weight is applied to the going train the clock does tick. The movement strikes when advanced to the hour. The movement seems to be complete but definitely requires at least a clean if it to run correctly. We have both weights and pendulum. The case is in generally very good condition with no significant faults. Neither door is warped and the feet and plinth are original. The colour of the case is generally good. There will have been some form of pediment between the swans neck necks which is missing.

A late Victorian oak bracket clock, with three-train German movement striking on five gongs. Height 49 cm, width 32 cm.

A Regency ebonised lancet bracket clock by Handley & Moore of Clerkenwell London, with twin fusee movement. Height 34 cm, width 20 cm (see illustration).

An Edwardian miniature grandfather clock, with single-train movement and raised on bracket feet. Height 27 cm.

A Louis XV style bracket clock with bracket, simulated boulle marquetry, the clock with two-train striking movement. Height excluding bracket 55 cm, width 30 cm (see illustration). CONDITION REPORT: Mid 20th century. No obvious faults.

A Victorian belge noir and green marble flat top mantel clock, open skeleton movement, white enamelled outer ring, bold Roman numerals; a Lincoln 31 day bracket clock, chiming movement; a Smiths Oak mantel clock (3)

Contemporary bracket clock with German Whittington, St. Michael and Westminster chiming movement and cylinder escapement, circular white dial with Roman numerals, signed - Knight & Gibbins, London, in a mahogany architectural case with inlaid stringing and pineapple finial (key present)

Early 20th century Regency-style mantel clock with eight day French movement striking on a gong, signed - S. Marti 160648, white enamel dial with Roman numerals, signed - Mappin Brothers, 66 Cheapside, E.C., in a mahogany case with Egyptian Revival gilt metal mounts, on bracket feet (key and pendulum present)

Good quality Georgian-style Westminster chiming bracket clock in mahogany case, with brass feet (pendulum present)

Edwardian chiming bracket clock with brass and silver dial in a walnut case. 88" tall, 12.5" wide

A 17th century style American stained beechwood bracket clock, the dial marked Howard Miller, having an eight-day movement, chiming gongs, 46.5 cm (high) - Est £150 - £200

BRACKET CLOCK OF GEORGE III DESIGNthe square brass and silverised dial with Roman and Arabic numerals with 8 day chiming mechanism, contained in a mahogany case, on reeded brass bracket feet, 34 cm high

MAHOGANY CASED GRANDMOTHER CLOCK OF GEORGE III DESIGNwith arched brass and silverised dial, glazed trunk door below, on bracket feet, 172cm high

An oak and pine bracket clock with brass bezel and Roman numerals, surmounted with ribbon bows, swags and finial

A Regency flame mahogany and brass inlaid bracket clock, painted metal Roman dial signed Springall, Norwich, brass acorn finial, ring handles, side frets and ball feet, twin chain driven fusee movement striking on a bell, with keys,pendulum and original wall bracket, 58cm high

A New Haven Clock Co. USA bracket clock with Wilcock patent chime mechanism, ebonised case with ormulu mounts, silvered Roman chapter ring, three train movement for gong, strike and chime (arbor hidden beneath dial in hole), 45cm high

An early 19th Century mahogany bracket clock with brass inlay, bezel, finial, pierced side frets, handles and bun feet, painted metal Roman dial signed Jones, London, twin gut fusee movement striking on a bell with pull repeat mechanism, engraved and signed back plate, with a mahogany wall bracket, keys and pendulum, 53cm high

A 19th century mahogany striking bracket clock, H. 33cm.