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A mahogany bracket clock, circa 1900, the arched brass dial with subsidiary strike/silent, fast/slow and chime dials with arabic numerals, the eight-day movement striking on five gongs and chiming on a rack of eight bells, in carved rococo style case with floral pinnacle, 74cm (29) high/see illustration Condition Report: This clock is 74cm (29) high; The carving overall is in good condition the finial is showing signs of glue and has probably been re-positioned; eight bells and Westminster chimes continuous , at present clock in working order.

A mahogany inlaid bracket clock with a domed top and 8 day chain driven fusee movement. 36cm tall.

A William IV Mahogany bracket clock, the dial signed Marriott, Islington with twin train twin fusee movement 1/4 striking on gong and bell, height 17 1/2"

A Georgian ebonised bracket clock with silvered dial and gilt spandrels, the dial signed Nath French, Westminster with twin train fusee movement, striking on two bells, height 20"

A French Striking Bracket Clock, early 20th century, tortoiseshell and brass inlaid case with applied gilt metal mounts, 4-1/4-inch cast dial with Roman numerals, twin barrel movement with outside countwheel striking on a bell, 38cm high, with matching tortoiseshell and brass inlaid wall bracket 22cm high 29.01.13, Case and wall bracket with some small chips to tortoiseshell and rubbing to the surfaces and scratches, gilt metal mounts have faded in parts, dial with rubbing to the Roman numerals, dial centre with some small pin prick marks and a small hairline at 1, movement looks complete and striking.

A Brass Striking Lantern Clock, 20th century, with pierced dolphin frets, top mounted bell and side opening doors, 6-inch Roman chapter ring, dial bearing inscription William Gray, London, single hand, two train weight driven movement with countwheel striking on a bell, verge escapement, bob pendulum, 38cm high, with wall bracket and weight 11.12.12, Brass surfaces have tarnished, chapter ring has tarnished and the Roman numerals need re-waxing, movement looks complete but needs cleaning.

A Late 18th Century Hooded Oak Wall Clock Case, with slide-off hood, pagoda shaped top, shaped apron to the base, 50cm high; and A Late 18th/Early 19th Century Pine Wall Bracket, with plain backboard and shaped apron, 45cm high (2) 11.12.12, The hooded case is distressed and needs attention, some mouldings are missing, padoga top portion is missing, oak veneer is missing to the top side of the pagoda, side glass panel is missing, front door is missing, bottom side of the case with a piece of the apron missing, back left hand side of the case is chipped, the second, the pine wall bracket with some cracks to the backboard, chips to the wooden seatboard, distressed and needs attention.

A Rare 17th Century Striking Lantern Clock, signed and dated Tho Tue de L`inn Fecit Dece`br ye 5th 1663, (made in King`s Lynn), four posted movement with verge escapement and balance wheel control (re-instated ?), outside countwheel striking on a top mounted bell, pierced galleried frets depicting sea creatures, 6-1/2 inch silvered Roman numeral chapter ring with star-on-a-stalk half hour markers, lacking alarm disc, dial plate centre with engraved scroll decoration and signed and dated, single iron hand, alarm work now lacking, 42cm high, with a later oak wall bracket Thomas Tue (1613-1710) is recorded as working in King`s Lynn. He was one of the first clockmakers to work in Norfolk and by 1646 he purchased his freedom to trade in King`s Lynn in 1662, though he worked there before 1662 as at least three of his clocks are dated before that year (1646, 1649, 1655). He dated most of his clocks conveniently in a visible place on the dial. This clock is illustrated in two books. See Loomes (Brian) Lantern Clocks & Their Makers, pg.247 and Loomes (Brian) Complete British Clocks, pg..22 & 23. 01.02.13, Brass surfaces are faded and look dirty, silvering faded to the chapter ring, top mounted bell has been cracked at some time and has been restored and this can be seen when looking inside the bell, bell support and top finial are later added, movement top plate with five small vacant holes and a small plugged hole next to the balance wheel cock, balance wheel control possibly re-instated and converted back from anchor?, movement now lacking all the alarm work, alarm disc is now missing for the centre of the dial, crown wheel arbor appears to have been replaced, spike pulleys look to have been replaced, bottom movement plate with a crack, iron back sheet is missing, top plate with three small vacant holes to the backside, bottom movement plate backside with two vacant holes, back iron loop is missing, chains/ropes are missing, later weight.

A Dutch Stoelklok Polychrome Painted Striking Alarm Wall Clock, unsigned, polychrome painted dial depicting winged figures and central painted landscape scene, Roman and Arabic chapter ring, moonphase aperture, painted side winged lead figures, cast metal top shield and lion cresting, four post movement with verge escapement, striking on a top mounted ball and on another smaller bell for the alarm, side opening doors, 52cm high, with polychrome painted oak wall bracket with unusual painted side figural ears, 74cm high 31.01.13, Dial with flaking to painted surfaces, wall bracket with paint flaking to the surfaces, side door with glass missing, movement needs cleaning, overall this item needs restoration.

A Mahogany Striking Table Clock, signed Bethel Jacobs, Hull, circa 1830, arched top case with side carrying handles and pierced sound frets, applied wooden carved mounts and brass inlaid front, 8-inch convex painted dial with Roman numerals, strike/silent selection lever above 12, twin fusee movement with anchor escapement and striking on a bell, backplate signed Bethel Jacobs 7 Whitefriargate, Hull, secured by brackets, 44cm high 28.01.13, Case with cracking in parts and some chips places, back door possibly has been replaced, a piece of moulding has been placed inside the case back surround which the left movement securing bracket locates onto, some new pieces of moulding and veneers have been replaced in parts, front glass is missing front the bezel, dial has been totally re-painted at some time to a high standard, dial surface with somen dirt marks and small scratches, movement looks clean.

A Mahogany Chiming Table Clock, signed Webster, established 1711, Queen Victoria St, London, circa 1880, inverted bell top with carrying handle and ball finials, scroll and floral pierced side sound frets, bracket feet, 4-3/4-inch dial with Roman numeral chapter ring, dial centre signed, silent/chime and 8 bells/5 gong selection levers, above with fast/slow regulation dial, triple fusee movement with eight hammers chiming onto eight bells and four hammers striking four gongs and a further hammer striking a larger gong for the hours, movement secured with brackets, 43cm high over handle 16.01.13, Case metal mounts are all discoloured to the surfaces with the gilding rubbed, case with some small cracks to the sides and to the top side between the finials, front door is slightly bowed and the lock is missing, back door edge has split and has been repaired but not very well and needs attention, some edges around the inner part of the back door with chips and dents to the door edges, dial has discoloured in parts, movement is dirty and needs cleaning.

A Rare Mahogany Quarter Striking Table Clock, signed Eardley Norton, London, No.2723, circa 1770, inverted bell top with pineapple finial, pierced side sound frets, raised on bracket feet, 8-inch arched brass dial with Roman and Arabic chapter ring, inner date ring with corresponding central date hand, signed and numbered to the centre, arch with strike/silent selection, twin fusee movement with verge escapement and quarter striking with two hammers striking onto two bells, backplate engraved with floral and scroll decoration and numbered 2723 to the top right, movement secured with brackets, 65cm high 29.01.13, Case with damage around sound frets and pieces of veneer replaced, veneer to back door is lighter in colour to the rest of the case and could be later added veneer or door, Front door has been restored in parts to the veneers and some small cracks, finials to the inverted top look later added, case surface has been polished, dial with small scratches and the silvering has faded, movement looks complete and striking at present.

A George III Walnut Striking Table Clock, signed Thos Husband, Hull, circa 1780, inverted bell top with carrying handle, side glazed viewing windows, raised on bracket feet, 7-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and silvered plaque signed, arch with strike/silent selection, twin fusee movement with verge escapement and striking on a bell, backplate engraved with scroll and floral decoration throughout, secured by brackets, 52cm high over handle 28.01.13, Case has faded due to sunlight damage, sides of the case with chips and moulding missing around the glazed viewing windows, dial is faded to the silvered chapter ring, wooden dial surround with chips and pieces of wood missing, movement needs cleaning, movement looks complete and strike work is functioning.

A Fine George III Musical Mahogany Striking Table Clock, signed Willm Mason, London, circa 1770, inverted bell top case, side carrying handles and pierced sound fret opening doors, applied gilt metal mask and floral mounts to the canted corners, raised on bracket feet, 8-inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre with date aperture and signed silvered recessed plaque Willm Mason London, arch with four tune selection dial God Save Ye King/Home Sweet Home/Vicar Of Bray/Tom Bowling, triple fusee movement with anchor escapement, the pinned comb controlling eleven hammers striking a nest of eleven bells for the musical train every hour and followed by a further hammer striking a single bell for the hours, movement backplate engraved with basket, scroll and bird decoration, secured with brackets, 58cm high 27.02.13, Case with some pieces of veneer missing to the door, case with some small dents and crack marks in places, some mouldings around the case with chips and are slightly lifting, some small pieces of veneer has been added later, back door very slightly bowed, dials need re-silvering and brass dial plate needs cleaning, movement needs cleaning, hour striking bell post has broken and not striking on a bell at present, front plate with a small hole which has been plugged next to the anchor arbor pivot, converted to anchor from verge, the musical tunes all appear to be working at present, The home sweet home tune appears to have been added in the early 19th century which the pins to the pinned comb would have had to be slightly re-positioned on the comb.

A Mahogany Eight Day Longcase Clock, Jno Oakes, Oldham, circa 1810, swan neck pediment, arched trunk door, canted plinth raised upon bracket feet, 14-inch arched painted dial with Arabic and Roman chapter ring, seconds and date dials, arch with rolling moonphase, four pillar movement with attached falseplate stamped William Whitaker, anchor escapement and rack striking on a bell, 232cm high 25.01.13, Case has been restored at some time throughout but to a high standard, all finials are missing to the hood, some edges with small chips and dents in places, bracket feet look replaced, dial has been totally re-painted at some time to a high standard, movement looks all complete.

An Oak Eight Day Longcase Clock, Geo Brown Beverly, circa 1820, pagoda pediment, arched trunk door, upon later bracket feet, 12-inch arched painted dial, centre with seconds and date, arch painted with floral decoration, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 222cm high 31.01.13, Case with some chips and scuff marks to the surfaces in parts, later seatboard, hood with finials missing, later added veneers in parts, later bracket feet, dial has been totally re-painted but to a high standard, dial with crazing marks, movement needs cleaning, pendulum and both weights are missing.

A Mahogany Eight Day Longcase Clock, signed Samuel Collings, Downing, swan neck pediment, trunk door with inlaid stringing, plinth raised upon bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, dial centre engraved with figures leaning against a clock, date aperture and signed, centre seconds, arch with rolling moonphase and engraved above with High Watch At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1770, case later, 220cm high 01.02.13, Case is faded throughout to the surfaces, dial wooden surround is replaced, case sides with cracks, dial and movement look complete and clean, (dial and movement circa 1770, case of a later date).

An Oak Eight Day Longcase Clock, signed Jno Branson, Hull, circa 1790, swan neck pediment, arched moulded trunk door, plain rectangular plinth raised upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, scroll engraved centre with date aperture, seconds and signed, arch with strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, 231cm high 30.01.13, Case has been restored, case surfaces have been polished throughout, swan neck pediment possibly replaced, trunk door hinges are later, some chips and dents to edges in parts, plinth with later added bracket feet, dial is clean, movement looks complete.

An Oak Eight Day Longcase Clock, signed Wm Stumbels, Totnes, arched pediment, side viewing windows, arched trunk door, upon bracket feet, 12-inch arched brass dial, centre with date aperture, seconds and signed, strike/silent selection lever above 12, arch with unusual lunar dial, engraved borders, five pillar movement with anchor escapement and striking on a bell, later seatboard, case later, 223cm high 31.01.13, Case with chips to edges in parts, left hand side moulding missing below hood, dial and movement looks complete, later seatboard, later added finials to hood, some wood missing to the top side of the hood, movement with gathering pallet missing, case possibly of a later date to the dial and movement.

An Oak Eight Day Longcase Clock, pagoda pediment, arched trunk door, mahogany crossbanded plinth raised upon bracket feet, 12-inch brass dial, engraved centre with seconds and date, painted rocking ship scene to the arch and above signed Thomas Husband Hull, four pillar movement with anchor escapement and rack striking on a bell, dial and movement circa 1780, case later, 233cm high 31.01.13, Case has been polished throughout, hood with a later added front fret, dial surround later added, dial and movement looks complete, dial and movement circa 1780 and the case is later circa 1820.

A Mahogany Eight Day Longcase Clock, signed John Baker, Hull, circa 1780, pagoda pediment, wavy shaped trunk door, upon later bracket feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, centre with seconds and date aperture, arch with moonphase and signed on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 232cm high 31.01.13, Case has been polished throughout, hood with the pagoda re-built, scratches around the case, hood with the back right hand side bottom capital missing, later added wooden dial surround, left hand side moulding beneath hood has come loose, slight staining to chapter ring, movement looks complete.

A Mahogany Eight Day Longcase Clock, pagoda top with ball finials, arched trunk door, plinth on later bracket feet, silvered dial with Roman and Arabic numeral chapter ring, centre with seconds and later inscribed Agar Malton, four pillar movement with anchor escapement and rack striking on a bell, dial later, case also later, 239cm high 31.01.13, Case surfaces have been cleaned throughout, re-built pagoda, hood glass cracked, right hand side cheek is damaged and the seatboard is not sitting correctly, finials are later, trunk door, is bowed, dial is later inscribed, dial added later to the movement, case later, case has faded to the surfaces.

A Mahogany Eight Day Longcase Clock, signed Thos Husband, Hull, circa 1795, arched top pediment, side viewing windows, figured arched trunk door, raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic chapter, centre with seconds, date aperture, arch with rolling moonphase, five pillar movement with anchor escapement and rack striking on a bell, 233cm high 31.01.13, Case surfaces have been polished throughout, top cresting has been added later, top side of the hood has been restored, trunk door is bowed, bracket feet look later added, dial has been totally repainted at some time but to a high standard, some touching up in parts to the dial surface, movement looks complete and clean.

A Mahogany Regulator Longcase Clock, 19th century, pediment with carved gallery and flowerheads, bevelled glass trunk door, plinth with raised panel and upon bracket feet, 12-inch circular silvered dial with outer minute track and corresponding centre minute hand, two subsidiary dials for hours and seconds, large four pillar weight driven movement with deadbeat escapement and ``Harrisons`` maintaining power, mercury tubed pendulum, 205cm high 31.01.13, Case has been polished to the veneered surfaces, case with some small cracks, scratches and small dents in places, gilded surfaces have faded, silvering to the dial has discoloured slightly, movement looks complete, pendulum complete with mercury still present.

A French 19th century brass mantle clock shaped rectangular, arched top, circular dial, two train movement, flanked by six fluted columns surmounted by leaf chased urn on four bracket feet

A 1950's brass miniature bracket clock, Swiss made; a 20th century gents Seiko bracelet wristwatch; a 1977 Jubilee Crown. (3)

An Edwardian style bracket clock, with inlays of mother of pearl and boxwood.

An 18th Century walnut cased bracket clock, with later movement, the case with domed top surmounted by a handle and gilt finials, brass spandril dial and steel chapter ring, the 8 day movement striking on a gong, 48cm high - See illustration

An oak long case clock, by J. Knight of Halstead, having arched hood surmounted by brass bird finials and enclosing a painted dial, decorated with a scene of a child feeding chickens, having date and seconds subsidiary supporting an 8 day striking movement, full length trunk door raised on a box base and bracket feet, 84cm

An Edwardian mantle clock W Comyns London 1905, the case of plain form with arched pediment and on stepped base with bracket feet, with white enamel dial with blue Arabic numerals 21cm high

An Edwardian eight day striking oak cased mantle clock with circular dial Roman numerals of four bracket feet.

A 19th century German bracket clock with barometer & thermometer

Oak cased bracket clock with brass detail and face with steel outer dial enclosed by beveled edged glazed door with two glazed side panels, rear door with glass fretwork detail with striking movement stamped W & HSCH on brass feet

Quality striking bracket clock with brass movement stamped WH & SOH with arched top and built acorn finials on stepped base with brass face and steel outer and secondary dial and pierced mesh gilt side panels

Edwardian mahogany inlaid arched top bracket clock with brass carry handle on stepped base and bun feet

Oak cased bracket clock with carved detail, stepped base and galley top with steel face enclosed by steel door with striking brass movement stamped Patint W & W

Oak bracket clock on stepped base with steel face with engraved detail and glazed door with brass carry handle and brass meshwork side panels and rear door panel with chiming movement stamped Kienzle patented in all countries No38122

Oak cased bracket clock with brass and steel face with glazed side panels, brass striking movement stamped W&H SCH

Oak cased bracket clock with brass and steel face with carved detail and fretwork side panels to the case, the brass striking movement marked W&H SCH

An early 20th Century oak cased bracket clock in the Georgian style, the arched case with reeded pillar supports and brass bracket feet and with a Gustav Becker movement striking on a gong, faded, 40cm high.

AN EARLY 19th CENTURY BRASS-MOUNTED MAHOGANY BRACKET CLOCK, of arched form, the white enamel dial signed Tunnell, Fleet Street London, with Roman numerals, eight day movement striking on a bell, the case with ring handles. 27cm

An 18th century oak eight day striking longcase clock with a 12 square brass dial having calendar and second dial signed Richard Boyfield Melton with a shaped trunk door standing on bracket feet - height 77"

An oak cased bracket clock with German eight day movement, silvered brass dial and striking on a gong, the movement has mark of Phillipp Haas and Son (1867 - 1920) height 33cm (complete with pendulum and key, needs oiling and setting up)

A Georgian mahogany longcase clock, the domed hood with reeded pillar support, the silvered dial with a strike and silent indicator, second dial and calendar window, flanked by foliate scrollwork of spandrels, with long trunk door to a panelled boxed space raised on bracket feet, eight day striking movement by Thomas Field, Bath, height 222cms

A mahogany grandmother clock, the swan-neck pediment over egg and dart Greek key moulded motifs, the enamel dial with chapter ring and seconds dial above a long trunk with long door over box base and shaped bracket feet

A REGENCY MAHOGANY AND BRASS-MOUNTED BRACKET CLOCK, the four pillar repeater movement striking on a bell, with circular white painted dial, Roman numerals, the rectangular section case decorated with cog bands, surmounted by a moulded and cushion fluted rectangular pediment with brass pineapple finial, twin brass ring handles with stamped backplates to the sides above pierced fabric backed rectangular fishscale panels, rectangular plinth, four ball feet, 51.5cm high. See illustration

A GEORGE III FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, the eight day movement striking on a bell, the painted square dial with calendar arch and phases of the moon secondary dial, signed Higginbotham, Macclesfield, the hood with a swan neck pediment, the glass door flanked by square section pilasters, over an inlaid frieze and shaped trunk door, on bracket feet, 226cm high. See illustration

A GEORGE III MAHOGANY LONGCASE CLOCK, BY DAVID PATERSON, Sunderland, the eight day movement striking on a bell, the brass dial with silvered chapter ring, Roman and Arabic numerals, centrally engraved and with secondary seconds dial and calendar aperture, further embellished with cast spandrels and with a painted phases of the the moon dial to the arch, the glazed hood surmounted by a swan neck pediment and flanked by brass capped pillars, the shaped trunk door flanked by a quadrant pillars and on a moulded box base, bracket feet, 247cm high. See illustration

An Edwardian mahogany bracket clock in Georgian style with brass bracket feet and a brass carrying handle. Condition Report: lot 2763 - dial diameter 14 cm. Full height including raised handle 32 cm. key and pendulum. hinge replaced. crooked dial. repairs to case. scratches to case.

A late 19th century ebonised quarter chiming bracket clock, the domed case with flaming torch finials above arched dial set with silvered chapter ring housing twin fusee eight day movement beneath chime/silent and Cambridge chimes/chime on eight bells dials, set with foliate scroll gilded spandrels and flanked by fluted brass freestanding columns to a stepped base and brass bracket feet, height 46.5cm.

Collection of Horological (clock) books: To include, The Grandfather clock by Edwardes, Old Clocks by Wenham, The Early Clock Makers of Great Britain by B Loomes, Clocks; an owners handbook by R Good, The Watch Collection by S H Burton, The British Jeweller and Watch Buyer 1974, Watch Collecting K Ullyett, English Country Grandfather Clocks by R C R Barder, Musical Boxes by A W J G Ord-Hume, English Bracket and Mantel Clocks by A Nicholls, Hobsons Choice, signed by the author, Clock Collecting by E Brunton, How Time is Measured by P Hood, How to make a simple 16th Century style clock by J Wilding, Skeleton Clock by H B Royer-Collard. (15)

A Regency mahogany and brass mounted bracket clock, backplate signed William Brooke, Westminster the altered case with stepped pediment and recessed spandrels around the 8inch enamel dial, indistinctly signed `... Brooke..`, with Roman numerals and twin fusee movement, adjustable pendulum, rectangular brass scale side frets below lion mask ring handles, all upon disc feet, losses and damage to case, possibly a marriage, 44cm high

Coates, Horncastle, a mahogany longcase clock of small proportions the moulded hood with swanneck pediment above signed 7¼ inch (18.5cm) brass dial, the twin weight 8 day movement probably associated, the trunk with lancet top door and mock stonework sides to the base, all on bracket feet, 19th century and adapted, 140cm high

A late George III flame mahogany cased bracket clock with inverted bell top over a break arch dial, cartouche reading James Fordham, London, striking movement, 7" dial, 19" high

A GEORGE III MAHOGANY MUSICAL BRACKET CLOCK signed on the painted dial Robert Wood London^ with subsidiary seconds dial and CHIME & STRIKE/SILENT and GOD SAVE YE KING/RULE BRITANNIA dials to the arch^ the triple fusee movement with anchor escapement and carillon of ten bells^ engraved backplate signed as the dial and adjustable pendulum in brass mounted^ arched case with concave sided pediment^ urn finials^ side handles and fishscale frets^ the glazed door flanked by stop fluted pilasters^ on moulded plinth and ogee feet^ 60cm h Robert Ward specialised in musical clocks^ supplying other makers such as Thomas Delaselle and Simeon Shole or^ as in this case^ fully signing them himself. A similar example^ with verge escapement and playing six tunes^ was sold Bonhams^ 7 July 2009^ lot 95. ++...the gilding on the brass mounts heavily discoloured but not regilt^ the fretwork on the back door damaged damaged and backed at later date with wood^ the thin projecting lip of the door chipped

A FINE EDWARD VII MAHOGANY LONGCASE CLOCK the breakarched gilt brass dial with pierced mask of engraved tracery and signed on a silvered tablet G & F COPE & CO NOTTINGHAM^ with arabic chapters^ subsidiary seconds dial and CHIME/SILENT and WHITTINGTON/ST MICHAEL/WESTMINSTER/ BOW BELLS dials to the arch^ strike/silent lever at 9^ the well engineered brass three train movement with substantial turned pillars chiming on tubular bells^ the case with fluted pillars and gilt brass corinthian capitals^ the trunk enclosed by a door with bevelled glass lights flanked by conforming pilasters^ on bracket feet^ 243cm h^ c1910 The leading Nottingham clock making firm was established by George & Francis Cope in premises off Alfreton Road Nottingham in 1845. ++Long in local private ownership and in fine condition^ not restored or repolished etc^ lacks one or two of the bells

An Edwardian mahogany and inlaid lancet shaped mantle clock, the arched dial with slivered chapter ring set with Roman numerals beneath slow/fast dial and raised on brass bracket feet with twin carrying handles, the movement by Winterhalder and Hofmeier, height 33cm.

A circa 1900 French gilt brass repeating carriage clock with swing loop handle and repeat push button above circular chapter ring set with Arabic numerals and subsidiary smaller dial with filigree decorated bands and raised on a bracket foot base, with two barrel movement, height 15cm.

A mahogany bracket clock with silver dial and 8 day movement, strike action, movement by Gustav Becker. 40 cm high

A large mahogany cased bracket clock with silvered dial and secondary slow fast dial and chiming movement.