A 19thC and later oak long case clock with mahogany cross banding and reeded pillar hood, full length trunk door with moulded framing, plain base with applied with OG bracket feet, the brass dial inscribed Rich Rubins GRANTHAM, having sun dial to arch, silvered chapter ring with Roman hour and Arabic minute numerals, the centre field bearing the maker`s name having subsidiary second rings and date crescent, 8 day movement striking a bell, 230cm high.
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A late 19th Century walnut and green veined marble bracket clock with eight day movement striking on a bell, the case with broken arch pediment above a pair of ionic pilasters and inset marble panels on an inverted break front base, height approx 58cm, together with pendulum (lacking finial).
A late 19th Century walnut mantel clock with eight day movement striking on a gong, the brass back plate inscribed `Ansonia Clock Co, New York, USA`, the circular brass dial with Arabic numerals, the rectangular case with carved surmount above applied moulded decoration, on a stepped base and bracket feet, with a pendulum and key.
A George V mahogany cased mantel clock with eight day movement striking on a gong, the circular silvered dial with Roman numerals and inscribed `Fillans & Sons Ltd Huddersfield`, the break arch case with two columns above beaded and foliate decoration, on bracket feet, together with an oak cased mantel clock with eight day chiming movement, the arched silvered dial with Arabic numerals and subsidiary dials, with two pendulums and two keys.
A late Victorian gilt brass carriage clock with eight day repeating movement, the cream dial with Roman numerals framing a gilt brass relief scroll centre above a pair of similarly centred subsidiary day and month dials, the case with swing handle above glazed back and front and panelled sides, on bracket feet, height approx 11.3cm, with a key.
An early 20th Century gilt brass cased carriage clock with eight day movement repeating on a gong, the ivory dial with Arabic numerals, within a pierced and engraved gilt metal scrollwork frame, the glazed case with swing handle above four fluted and turned pillars, the side panels inset with oval head and shoulders portrait miniatures of ladies, within an engraved gilt metal surround, on a plinth base and bracket feet, height approx 13.5cm.
A George III figured mahogany longcase clock with eight day movement striking on a bell, the silvered chapter ring with Roman numerals and inscribed `Foden, Congleton` framing a matt gilt centre with date aperture, cornered with pierced gilt scroll spandrels, the hood with broken arch pediment above a blind fretwork frieze, glazed door and fluted columns, the trunk with fluted corner columns flanking a door with shaped top, on a panelled base and ogee bracket feet, height approx 210.5cm, together with a pendulum and two weights (faults).
A 20th Century mahogany longcase clock with eight day movement striking and chiming on gongs, the matt gilt centre within a silvered chapter ring beneath a `Westminster`, `Winchester` and `Whittington` chime selector, the break arch hood with glazed door above an arched trunk door, on bracket feet, height approx 176cm, with pendulum (missing circular panel to base).
A 20th Century mahogany cased bracket clock, fitted with an eight day ships bell strike movement striking hour and half hours including dog watches, the silvered dial with Arabic numerals, dog watch aperture and inscribed `F.W. Elliott London`, the case with bell top and brass carrying handle, on a plinth base and brass bun feet, height approx 32.5cm, together with key.
A George III Longcase Clock, the square brass dial inscribed "Thomas Lister, Halifax" and with engraved decoration and ormolu spandrels, with date and "Halifax" moon apertures, painted with stars and building within Lunar calendar track, with 30 hour movement in oak case, with a stepped flat hood, the trunk with quarter round pilasters and on bracket feet. 6` 9" (206cms) high.
A circa 1900 mahogany and cut brass inlaid bracket clock, the lobed and flattened domed caddy top with moulded edge, flanked by arched and grilled panel sides, with carrying handles, on brass bracket feet, the circular silvered dial with Roman numerals inscribed "J.W. Benson, London" to a single fusée movement, the back plate inscribed "J.W. Benson, Ludgate Hill, London, No. 12037"
A 19th century figured mahogany longcase clock, the hood with blind swan neck pediment, gilt lacquer work to the frieze and double reeded side columns, similar single columns and three quarter door to the trunk, canted corners and ogee bracket feet, painted arched dial with moonphase to arch, Liverpool
A George III figured mahogany longcase clock in ornate Chippendale style case, the hood with blind fret frieze, swan neck pediment, 3 ball and spire finials and 2 rococo ormolu acanthus paterae, ormolu mounted and reeded Corinthian side columns, the trunk with blind fret frieze, triple cluster pillars, beaded full length double arch door, the base with canted and beaded corners and bracket feet, arched brass dial with raised chapter ring and moonphase to the arch, 8 day striking movement by John Livesey De Bolton, height 96" (hood door a.f.)
An early 19th century oak long case clock with Sheraton style inlaid decoration and mahogany crossbanding, swan neck pediment, 3 brass finials and turned column to the hood, canted corners and full length door to the trunk, on bracket feet, circular painted dial and 8 day weight driven striking movement
A superb quality Ebony cased Bracket Clock by ``Wightwick & Moss, London``. The 7`` diameter, white enamelled face having Roman numerals and with strike control above the 12 o`clock position. The glazed door to the back revealing the Brass fusee movement, engraved to the edge with trailing scrolls and the makers name ``Wightwick & Mofs, London``. Below the face are shaped fretwork screens decorated with scrolling foliage and to the sides `fish scale` pierced screens that have a Violet coloured fabric backing. The arched body case has a swing carrying handle and stands on elegant splayed bracket feet. 15 1/2`` high with handle up x 10 3/4`` wide x 7`` deep, weight 7.79 kgs. Complete with pendulum but no key.
A domed mahogany bracket clock, 19th century, with a foliate engraved brass dial, silvered chapter ring bearing Roman numerals, the case with paterae and line inlay, twin gilt lion`s head and ring handles, raised on lion`s paw front feet, eight day, twin barrel movement, bell striking, 44cm high.
A GEORGE II OAK LONGCASE CLOCK THE BRASS DIAL SIGNED ON A REVERSE TO THE ENGRAVED AND MATTED CENTRE BOOT JUN SUTTON [IN] ASHFIELD, HAVING DATE SECTOR, ROCOCO SPANDRELS AND THIRTY HOUR MOVEMENT, THE CASE MOULDED WITH MOULDED PEDIMENT, PILASTERS AND RECTANGULAR DOOR, ON BRACKET FEET, 198CM H. JOHN BOOT, JUNIOR OF KING STREET, SUTTON IN ASHFIELD, NOTTINGHAMSHIRE, B1730, W C1750-C1780. THE SON OF JOHN BOOT, SENIOR, CLOCKMAKER, JOHN JUNIOR`S BROTHER WILLIAM AND SISTER ELIZABETH ALSO PRODUCED CLOCKS. Movement and dial apparently original to the case with old seat board and no evidence of packing, some strengthening of the cheeks, backboard original with old amateur repairs to splits at the top. Hinges to the trunk door and brass keyplace original. Bracket feet old replacements. Movement cleaned and overhauled some years and now in need of a light clean but complete. No weight or pendulum
AN OAK AND MAHOGANY LONG CASE CLOCK ON BRACKET FEET, THE HAND PAINTED DIAL HAVING FLORAL MOTIFS, TEWKESBURY MAKER JOHN SPURRIE, THE DIAL WITH DATE APERTURE, REEDED COLUMN DESIGN TO THE FRONT WITH BRASS INSERTS, BRASS EAGLE FINIAL TO THE TOP, TURNED COLUMNS TO SIDES OF FACE, APPROX. 47 X 23 X 210cm
An attractive Oak and other woods old cased arched top Bracket Clock, the enamelled white face having Roman numerals in black surrounded by a perimeter in blue and white depicting gargoyles. Angels and Cherubs, depictions of Eros and trailing foliage. The dome with porcelain facade of similar design, complete with pendulum (needing new suspensory spring) and winding key. 16 7/8" high, 11 5/8" wide and 6 3/4" deep approx.
An early 19th Century mahogany cased long case clock, the hood with fretwork carved pediment and three brass spheres, the centre with spreadeagle over a glazed door flanked by fluted side pillars, the figured main door flanked by quarter cut fluted columns, the base with plain panel on bracket feet, the eight day movement with square brass dial, the chapter ring with Roman and Arabic numerals enclosing a subsidiary seconds dial and date aperture inscribed "Salman, Nantwich" within pierced scrolling foliate spandrels with Birmingham false plate (normally associated with painted dials), 53 cm wide x 231 cm high (ILLUSTRATED)
A Black Forest carved wood cuckoo table clock, late 19th century, the skeletonised movement with fusee for the going train and barrel for the strike train operating the cuckoo automaton who announces the hour and half hour via a door to the gable of the case, the dial with white Roman numerals and pierced faux bone hands in a gabled case with pierced Gothic pendant decoration to pediment and conforming shaped gallery to the blind fret panel inset stepped base incorporating bracket feet with shaped apron between, 53cm (21ins) high
A Regency ebonised bracket clock, Edward Keat, London, early 19th century, the five pillar twin fusee bell striking movement with anchor escapement and pendulum holdfast to the shouldered backplate, the 8 inch single sheet brass break-arch Roman numeral dial with subsidiary seconds dial and and signed Edw`d Keat, London to centre, the arch with subsidiary STRIKE/SILENT dial, the distressed break-arch case with brass carrying handle above arched brass fishscale side frets and brass inset canted angles flanking dial, on moulded skirt base, 40.5cm (16ins) high excluding handle
An English Regency mahogany bracket clock with alarm, Milton, early 19th century, the five pillar twin fusee bell striking movement with alarm sounding on the same bell, anchor escapement and inscribed Milton, FECIT to the shouldered backplate, the 7 inch white painted Roman numeral break-arch dial with brass alarm disc and signed MILTON to centre, with gilt rosette decoration to spandrels and subsidiary STRIKE SILENT dial flanked by gilt laurel sprays to arch, the break-arch case with brass carrying handle and foliate carved twist mouldings, the sides with rectangular sound frets, on conforming carved moulded base with bun feet, 36cm (14ins) high excluding handle
A Winterharder & Hoffmeir beech cased bracket clock of architectural form, brass dial with silvered chapter ring bearing Roman numerals, subsidiary regulator and chime/silent dials, eight day movement, quarter striking on a coil, the case with broken arch pediment and Corinthian pilasters, break front base raised on block feet, 39.5 by 25 by 48.5cm.
A Lenzkirch mahogany cased bracket clock, the brass dial with foliate scroll and sunburst spandrels, silvered chapter ring bearing Roman numerals, subsidiary chime/silent and regulator dials, Lenzkirch triple barrel, eight day movement, striking on a coil, the domed case with acorn finials and fluted pilasters, raised on a rectangular base and brass bun feet, 33 by 25 by 41cm.
A Lenzkirch oak cased bracket clock, late 19th century, the brass dial with foliate and pomegranate spandrels, silvered chapter ring bearing Roman numerals, subsidiary chime/silent and regulator dials, triple barrel eight day movement, half hour striking on a coil, the domed case with leaf carving and carved pilasters to the front, raised on bracket feet, 35 by 25 by 49cm.
A late Georgian mahogany eight day long case clock, the shaped pediment over painted circular dial, with Arabic and Roman numerals, subsidiary date and second dials, anchor escapement, striking bell, flanked by reeded columns, over oval inlay trunk door, flanked by further square reeded column, similar plinth base, raised on bracket feet 219cm high
A Regency repeating mahogany bracket clock with brass pineapple finial above a pagoda top, the convex cream enamel dial within brass framed spandrels, the whole on brass ball feet, the sides with brass frets, the movement signed Henry Sleeman, Penzance, to the back plate. (See Illustration)

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28112 item(s)/page