A George/William IV Gothic Revival rosewood bracket clock, of small almost carriage proportions, 8cm gilt engine turned dial inscribed with a chapter of Roman numerals, Strike/Silent to arch, twin-winding holes, English fusee movement striking on a bell, the pointed arched case flanked by cluster columns, knop feet, 25cm high, c.1830
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A GROUP OF CLOCKS AND LANTERNS, comprising a leather bound lead cosh, both ends bear a horse's head logo, length 30cm, a tin lantern, a brass plated oil lamp with an acid etched shade, a Hac oak cased mantel clock, two Edwardian bracket clocks, a brass W. Jones 25 clockwork roasting jack (7) (Condition report: clocks not tested, three keys and three pendulums, both bracket clocks have damaged case, and missing parts)
A GEORGIAN MAHOGANY AND CROSSBANDED EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, eagle pediment, turned pillars flanking a glazed doors that's enclosing a painted 12 inch dial, Roman numerals, seconds dial, subsidiary date aperture, signed Richard Sulley of Nottingham, on a trunk with a shaped doors, panelled base, and bracket feet, height 226cm (condition:- missing one brass caps to pediment, replacement eagle pediment, broken pendulum, missing both back bracket feet) (no weights, pendulum and winding key, trunk key)
A collectable, early brass faced bracket clock having Roman numerals, the well-engineered two-train rope-driven mechanism having a brass single hand, one weight, the bell and part pendulum are present. Maker's name engraved to the face "H. Baker, Malling", the dial 9 1/4" diameter approx. Believed to be early to mid 18th century.
A circa 1900 pierced brass cased long case mantel clock, the eight day movement by S Marti of Paris, with circular dial and silvered chapter ring with Roman numerals, housed in a pierced case with Classical style putti decoration on a bracket foot base, 18 cm wide x 47 cm high CONDITION REPORTS Case appears basically sound though with some signs of wear and tear and surface dirt conducive with age and use. The bezel has particularly some signs of discolouration. The base has a split emanating form the rear left screw and scratch marks front left and the letter "F" front centre. The movement appears intact and appears to be working though the clock is sold as seen. See images for further detail.
THOMAS EAMES; a Georgian mahogany eight-day longcase clock, the painted dial set with Roman numerals, secondary dial and date aperture, below broken swan neck pediment hood, base on bracket feet, height 212cm.Condition Report: There are pieces missing from the hood veneer missing, the dial is crazed and discoloured, various knocks, back feet missing, paint marks,
An inlaid mahogany grandmother clock, the silvered chapter ring set with Roman and Arabic numerals, inscribed 'Tempus Fugit', hood with broken swan neck pediment, trunk with quarter reeded pilasters, on ogee bracket feet, height 171cm.Condition Report: No key to wind the clockcase generally good, two pin hole sized holes above the columns and some scratch marks where the glazed door has rubbed as its opened
T. BLAKEWAY WELLINGTON: a Georgian mahogany and oak inlaid eight-day longcase clock, the painted arched dial depicting Britannia-like figure above dial set with Arabic numerals, secondary dial and date aperture, hood with broken swan neck pediment, on ogee bracket feet, height 228cm.Condition Report: Case has extensive repairs and some splitting, veneers missing from the bottom section, paint to the right side of the hood, paint loss and crackling to the dial
An early 20th century Liverpool-style longcase clock of small proportions, the arched dial set with silvered chapter ring and Roman numerals, with five-minute outer track, inscribed 'Tempus Fugit' to the top of the dome, swan neck pediment with glazed front door, slender body on brickwork-style base, raised on short bracket feet, 157 x 24 x 18cm.Condition Report: Appears to be in going order, however this is no guarantee of working order.case generally good with a few dents and scratches
A George III oak cased longcase clock, by Farrington of Ludlow, the brass break arch dial with gilt spandrels of sea creatures and cherub's heads, silvered chapter ring bearing Arabic and Roman numerals, subsidiary seconds dial and date aperture, two train eight day movement with bell strike, the pediment of domed form, with carved blind fret work, raised on a pair of brass capped columns, the trunk of plain form, raised on bracket feet, with pendulum and weights, 229cm high.
FRENCH CLOCK. A French mahogany domed cased bracket clock, with French movement striking on a bell. The pendulum stamped BTE SGDG. Height 30cm. With key. All clocks in this auction are previously owned & are offered on behalf of private vendors. We cannot guarantee that any clock is in continuous working order or may not require attention. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.WE CANNOT SHIP THIS LOT due to fragility, size or weight. Our recommended carrier is MBE Plymouth on +44 (0) 1752 257224 or info@mbeplymouth.co.uk
GOOD SLENDER MAHOGANY LONGCASE GRANDMOTHER CLOCK - the hood with arched broken pediment and brass eagle and ball finial, turned pilasters flanking the arched glazed door enclosing a circular brass dial set with black Roman numerals, signed John Smith, York before a single weight chain pendulum driven bell strike movement (pendulum and weight included), the trunk having a long arched top door flanked by quarter reeded columns on ogee bracket feet, 204cms H, 28cms W, 19cms D
George III mahogany bell top bracket clock, by Thomas Hawkins, London circa 1740, the brass dial with silvered chapter ring, Arabic and Roman numerals, sweep date hand and twin subsidiaries to the arch, the verge movement with floral engraved backplate and pull repeat function, 52.5cms high including the loop handle
George III mahogany bracket clock by Christopher Harris, London, the broken arch case with painted dial, Arabic and Roman numerals, date aperture and strike silence selector to the arch, signed to the dial and to the engraved backplate, the two train movement with pull repeat function striking on a bell, 48cms high including the loop handle
Regency mahogany bracket clock by P. Upjohn, Red Lion Street London, the rectangular case with stepped surmount and pineapple finial, the circular painted dial with Roman numerals, signed to the dial, the two train movement with border engraved backplate and pull repeat function, striking on a bell, 49cms highIn good condition, just needs a polish. working but not guaranteed for any period of time.
Regency mahogany and cut glass inlaid bracket clock of flattened break arch design, the circular painted dial with Roman numerals signed Anderson London, with a two train quarter striking movement, 50cms highIn good condition, needs a polish. Has been restored, working but can not guarantee for any period of time.(Key does not open back door).
Holliwell & Son of Derby - mid-19th century oak and mahogany 8-day longcase clock, with a swans neck pediment and recessed break arch hood door, plain turned pilasters with brass capitals, trunk with quarter columns to the corners and a wavy topped trunk door, with a square plinth on bracket feet, painted break-arch dial with Roman numerals, minute track, five minute Arabic's and calendar aperture, floral spandrels and a painted oval to the arch, dial pinned via a false plate to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 215cm Length/Width: 48cm Depth/Diameter: 23cmCondition Report:Front and rear case feet missing at one side of the plinth.
A 19th Century Mahogany Cased Mantel Clock, the 5ins diameter slightly domed dial with Roman numerals, to the eight day single train movement contained in case surmounted by brass urn finial, the front inlaid with brass stringings and floral and leaf scroll ornament, ring handles to side and on brass bracket feet, 14ins high
A 19th Century Mahogony Cased Bracket Clock by Meritt of Canterbury, the 6ins diameter cream domed dial with Roman numerals to the eight day single train movement contained in case with leaf scroll pediment inlaid with brass stringings and leaf scrolls on plinth base with bun feet, 15.5ins high and rectangular bracket for same, 10.5ins wide x 6.75ins deep x 7.5ins high Note: William Meritt of Canterbury recorded working 1834-1874
A Late 18th Century Mahogany Musical Longcase Clock by John Porthouse of Penrith, the 14.5ins arched painted dial with Roman and Arabic numerals subsidiary seconds dial and date aperture, the spandrels decorated in gilt with floral and scroll ornament, the arch painted with a garden landscape with a gentleman serenading a lady, to the eight day four pillar movement striking on a bell and chiming on eight bells, contained in case with dentil moulded scroll pediment carved with flower head terminals above blind fret panel and cluster columns to hood, Gothic arched trunk door with carved edge, cluster columns to sides and on plinth base with cant corners and ogee bracket feet, 99ins high Note: John Porthouse of Penrith recorded working circa 1771
A 19th Century Satinwood Four Glass Mantel Clock by Arnold, 84 Strand, London, No.417, the 3.25ins diameter white enamelled dial with Roman numerals within gilt surround, the spandrels engraved with leaf scroll ornament and with strike silent lever to the twin chain fusee movement with anchor escapement, striking and repeating on a bell, contained in a satinwood case with bevelled glass top and side panels on plinth base and bracket feet, 8.5ins high Note: John Roger Arnold (1783-1843), son of John Arnold
A 19th Century Oak Longcase Clock by Chalklen of Canterbury, the 12ins arched silvered dial with Roman and Arabic numerals, strike/silent dial to arch, to the eight day two train movement striking on a bell, contained in case with arched and moulded pediment with turned finials and turned columns to hood, arched trunk door on plinth base with bracket feet, 84ins high
A Late 19th/Early 20th Century White Flecked Marble and Bronzed Spelter Mounted Mantel Clock No.15472, the 3ins diameter enamel dial with Arabic numerals and painted with floral garland to the eight day two train movement striking on a bell contained in case surmounted by bronze spelter figure - "Ajonc" and on cast gilt metal bracket feet 21ins high
For restoration: French Louis XIV / XV transitional boulle bracket clock, the 9-inch cellular Roman dial with blue numerals and outer numbered Arabic minute track, over enamel cartouche inscribed 'BAR. BALTAZAR A PARIS' the later two-train movement striking on a coiled gong, the case with cast seated maiden finial, conforming relief to base of glazed front door, enclosing typical 'chequerboard' interior, the casework at fault, 71cm high (ex. finial)
William Scafe, (1674-1765) - Early Georgian ebonised twin fusee chiming bracket clock with pull repeat, the 7-inch break-arched brass dial; having a silvered chapter ring with Roman hours, Arabic minutes and minute track, framing a matted centre with mock pendulum aperture and calendar square, the arch with signed silvered strip framing seconds ring within scrollwork, the knopped five-pillar movement with verge and crownwheel escapement, chiming on a carillon of six bells and striking on a seventh, the backplate finely engraved with foliate scrollwork, the case with ogee caddy top having lacquered brass carry handle, over pine cone finials to the moulded roof, wooden tarcery to side frets, on swept bracket feet, 44.5cm high (ex. handle)William Scafe [also Scaife] was born in Bushley near Denton, Yorkshire in 1687, he initially served with his father as a blacksmith, then upon moving to London he worked 'At the Sign of the Clock' in King Street, near Guildhall. He was Free of the Clockmakers' Company from 1721, and in 1749 was made Master.He is best known for the distinctive layouts on his clock dials, commonly placing the seconds dial in the arch by means of an elongated contrate pinion arbor to the escapement.Britten quotes the Hon. B Fairfax as writing in 1727 of 'one William Scafe...now the most celebrated workman, perhaps in London and Europe'.
Early 19th Century inlaid mahogany cased 8-day brass dial longcase clock - Richard Hornby, Oldham, circa 1825, 13-inch break-arched dial, the silvered chapter ring with Roman hours, Arabic minutes, foliate half hour divisions and inner quarter hour track, framing an engraved diaperwork centre with subsidiary seconds ring and terrestrial calendar square, within baroque mask spandrels, the arch with signed silvered strip over rolling moon phase and engraved hemispheres, the knopped four-pillar movement rack-striking on a bell, the case with gilt ball and spire finials, reeded hood columns and trunk quarter columns, boxwood-strung trunk door and canted base, on ogee bracket feet, 251cm high, sold with two weights, pendulum and winder
GEORGE III MAHOGANY LONGCASE CLOCK NORMAND MACPHERSON OF EDINBURGH, CIRCA 1760 with two train eight day movement, the brass dial with Roman and Arabic numeral chapter ring, subsidiary seconds dial and calendar aperture, pierced brass spandrels and maker's plaque to lunette, the blind fretted hood with urn finial and broken pediment, moulded dentil cornice, bracket feet222cm highCondition generally good to fair. Wear as per use and age. Has been cleaned. Some splits to wood (I.e. right hand side of hood - also crack to pane here, and base). Presented with weights, pendulum and key, though have not tested mechanism. Additional images are however available.

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28112 item(s)/page