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AN INLAID ROSEWOOD BRACKET CLOCK, CIRCA 1890, the case with arch top and Art Nouveau inlaid frieze above a brass arch dial with silvered chime/silent, slow/fast and Arabic chapter ring, with Junghans three train movement. 44cm high, 32cm wide, 19.5cm deep

RICHARD ROUGHSEDGE, TWICKENHAM, A GEORGE III MAHOGANY EIGHT DAY LONGCASE CLOCK, the brass and silvered 12-inch dial with strike/silent, subsidiary seconds, Roman chapter and date aperture, the hood with fret carved crest, three brass sphere finials and free-standing columns with brass stop fluting, the case with moulded break arch trunk door flanked by quarter reeded columns, the base with fielded panel and bracket feet. 238cm

A collection of forty brass and steel mantel, bracket, carriage and longcase clock keys, 19th/20th century.

A Georgian style oak longcase clock with brass broken arch dial and eight-day striking movement, the silvered chapter ring inscribed "J Winter, Stockport", sun mark in the arch, the hood with swan neck pediment and having broken trunk door on bracket feet, 210cm high

LATE VICTORIAN LONGCASE CLOCK WITH A GILT BRASS DIAL, SILVERED CHAPTER RING WITH BLACK ROMAN NUMERALS AND A CHIME/STRIKE SILENT DIAL IN THE ARCH ABOVE, A SILENT BELL LEVER ON THE RIGHT HAND SIDE, ENCLOSING A THREE TRAIN EIGHT DAY MUSICAL MOVEMENT, CHIMING AND STRIKING THE WESTMINSTER CHIMES ON EIGHT BELLS AND FIVE COILED GONGS, IN AN INLAID MAHOGANY CASE, THE HOOD WITH A SWAN NECK PEDIMENT CENTRED BY A SPHERICAL FINIAL, THE GLAZED ARCH DOOR FLANKED BY REEDED BRASS CORINTHIAN COLUMNS AND FRETWORK SIDES. THE ARCHED TRUNK DOOR INLAID WITH FLORAL SCROLL AND RIBBON DECORATION WITHIN A SATINWOOD BANDED BORDER, AND SIMILAR INLAY TO THE PLINTH BASE, ON BRACKET FEET (H: 236 cm)

A late Victorian brass carriage clock, the cream dial painted with black Arabic numerals, arched handle, on four small turned feet, with key, 8 by 7 by 12cm high, an Edwardian mantel clock, eight day twin train movement chiming on a coil, with carved and shaped pediment, silvered dial and black Roman numerals, raised on brass bracket feet, with pendulum and key, 17 by 14 by 23cm high, and a larger Edwardian mahogany cased mantel clock with domed top, eight day twin train movement chiming on a coil, with applied frieze to the front, silvered dial and black Arabic numerals, raised on bracket feet, with pendulum and key, 21 by 13 by 31cm high. (3)

A 19th century ebonised and gilt mounted bracket clock, the case with an arched top, flanked by pierced side below carrying handles, the silvered arched dial with chime/silent, the brass three train movement striking a gong, on four scrolled feet, 67cm tall

ENGLISH LANCET CASED BRACKET CLOCK BY GEORGE GOODALL (MOVEMENT AND DIAL MARKED GOODALL) OF COVENT GARDEN LONDON. TWIN FUSEE MOVEMENT STRIKING ON A BELL. ENGRAVED BACK PLATE(14" HIGH AND 4.5" DIAMETER DIAL). MAHOGANY CASE WITH BRASS LION MASK HANDLES AND BALL FEET

VICTORIAN 8 DAY OAK BRACKET CLOCK BY H.A.C. CLOCK CO. LTD. C1890

A modern Hermal Bracket Clock

A good quality early 20th c. Slate and Marble architectural Mantle Clock with brass trim bevel plate door with enamelled face and Roman numerals, eight day movement, Lion mask detail to the sides and standing on bracket feet, marked 33681, 87 inside, 8 3/4'' x 9 1/8'' x 5 1/2''.

Victorian mahogany bracket clock, Corken Oswestry, the arched top above a fleur de lis to the base, the signed white paitned dial with Roman hours, twin train movement

Jaeger LeCoultre Marina Atmos clock, circular silvered dial with Arabic hours and baton numerals, , the bevelled perspex front and sides decorated with gilt ships at sea and mountains against a black ground, gilt brass case, 23cm high, together with the Jaeger gilt brass wall bracket, cased and boxed

AN OAK ENCASED BRACKET-CLOCK having an arched silver dial with Arabic numberals and two subsidiary dials, presentation plaque to base reads 'Presented to PC Harold Lewis by the Llandaff North RFC & Inhabitants, Nov 23, 1922', 53cms high

A mahogany and gilt metal bracket clock with pineapple finial above a silvered ring chapter enclosed by brass foliate spandrels above garlands of flowers, on claw feet, 53cm high

AN EDWARDIAN MAHOGANY CASED BRACKET CLOCK, white metal face with engraved scrolling decoration, silver chapter ring with Roman numerals, the eight day movement striking on a single coil, H 38 cm (inc handle)Condition Report:Pendulum & Key

A LATE REGENCY BRASS BOUND AND INLAID MAHOGANY BRACKET CLOCK, by Robins, Charing Cross, London, the arched case with brass acorn finial, white painted circular dial with Roman numerals, two winding apertures, double ring carrying handles, with two train eight day fusee movement, with pull repeat, striking on a single bell, the back plate engraved with maker, 27cm wide x 51cm high. See illustration

A BRASS LANTERN CLOCK, the dial signed Nath Rogers Nottingham, 17th century and later, with pierced and engraved dolphin cresting plates, silvered chapter ring with 30 hour movement and verge escapement, four pillar case with bob pendulum, all surmounted by a single bell, on later bracket with single lead weight, 37cm high (excluding bracket). See illustration

A 19TH CENTURY FRENCH GILT BRASS CHINOISERIE MANTEL CLOCK, with stylised pagoda case with two train movement, the panels decorated with Chinese figures in traditional costume, on bracket feet, 46cm high

A 19TH CENTURY MAHOGANY EIGHT DAY LONGCASE CLOCK, the painted dial signed Jonathan Wainwright Nottingham, with swan neck pediment centred by a gilt brass sphere, moon phase dial with painted flower spandrels, Corinthian column pilasters, slender trunk and panelled base on square bracket feet, 51cm wide x 236 cm high, pendulum and two weights, winder. See illustration

A MAPLE & CO LTD THREE TRAIN MUSICAL FUSEE TABLE CLOCK, in the Chinese Chippendale style, c.1900, with mahogany pagoda case, blind fret frieze foliate carved quadrants and scroll carved ogee bracket feet, the arched silvered dial with subsidiary 'Chime/Silent' and 'Chime on eight bells/Westminster Chimes dial', three winding apertures, Roman and Arabic numerals, all finely engraved with flowers and foliate scrolls, inscribed 'Maple & Co Ltd, London' the eight day three train musical movement striking on a series of eight graduated bells and single blued steel gong, locking pendulum and key, 76cm high x 36cm wide x 23.5cm deep. See illustration

A WILLIAM IV MAHOGANY TWO TRAIN, EIGHT DAY TWIN FUSEE BRACKET CLOCK, with carved flamed mahogany case, white circular painted dial, pull repeat double wooden ring handles, 41cm high x 30cm wide. See illustration

A GEORGE II EBONY CASED BRACKET OR TABLE CLOCK, signed on the backplate 'Windmills London', the caddy topped case with gilt brass carrying handle above an arched dial with silver chapter ring, subsidiary date, seconds and chime silent dial, two train fusee movement with a series of bells, foliate scroll engraved backplate inscribed within an oval cartouche 'Windmills London' on bracket feet with alterations, 51cm high x 26.5cm wide x 17.5cm deep. See illustration

A late 19th/early 20th century rosewood and marquetry bracket clock and bracket, with two-train spring driven movement striking on two gongs. Clock height 54 cm, bracket width 31.5 cm (see illustration).

A late 19th century mahogany bracket clock, by Drescher, Market Place, Hedon, with two-train spring driven movement striking on two gongs. Height 65 cm, width 39 cm (see illustration).

An early Victorian mahogany single fusee bracket clock, by J. Baker, Smithfield, London. Width 30 cm, height 44 cm (see illustration).

A large Edwardian inlaid mahogany bracket clock, with two-train spring driven movement. Height 60 cm.

A late 19th century oak mantle clock, with two-train spring driven movement striking on a single gong, with brass dial. Height 41 cm, width 30 cm. CONDITION REPORT: The clock case is in generally good condition, the only minor issues are small nibbles to the veneer to the front left bracket foot and both returns on the base. This damage is minor. There is very little silvering left on the dial which other than this is in good order. The movement winds on both trains and appears to strike as it should when advanced. The clock is currently ticking but seems to stop after about 1.5 mins. The mechanism may be a little dry. We have no key.

An Edwardian oak bracket clock, with two-train striking spring driven movement. Height 31 cm.

An Edwardian mahogany bracket clock, with silvered dial and two-train spring driven movement. Height 26.5 cm.

A 19th century oak and mahogany banded longcase clock, with painted dial and thirty hour movement, the case with quarter column corners and raised on bracket feet. Height 228 cm.

A George III mahogany longcase clock, by Payne, Blenheim, with blind fret carved pediment, arched dial with Father Time automaton and with long trunk door flanked by quarter column corners and with brickwork base and bracket feet. Height excluding finial 242 cm (see illustration).

A Victorian mahogany longcase clock, with swans neck pediment above the arched painted dial and eight day striking movement, the case with applied half round twist mouldings and raised on bracket feet. Height 218 cm. CONDITION REPORT: The clock case is in generally extremely good condition. It is of a good colour and there are no significant losses to any of the woodwork. There are some very minor nibbles to the left and right hand bottom edges of the bracket feet but these are minor. The left hand barley sugar twist column is a little loose and has been broken at some point in two places but there are no losses. We have the weights and pendulum. There is however no catgut. If weight is applied to both the going and strike trains the movement does however seem to operate. It is however a little dirty. The clock face has some paint loss to the top of the dial and there appears to have been overpainting to the corner spandrels.

An early 19th century mahogany longcase clock, with swans neck pediment above the arched painted dial and eight day striking movement by James Gray, Forfar, flanked by turned columns, with three quarter length trunk door beneath and raised bracket feet. Height 210 cm.

An early 19th century mahogany longcase clock, with swans neck pediment with blind fretwork above the arched glazed door enclosing the 11.5 inch arched painted dial with moon phase and eight day striking movement by Jn. Smith Pittenweem flanked by fluted columns, with long trunk door and conforming base with bracket feet. Height 207 cm (see illustration). CONDITION REPORT: The hood is in generally good condition and of good colour. There has been an old break between the swan's necks which should be visible on our image. This is minor. The trunk is in generally good order. The door is not warped and there are no problems with the sides of the case or base. The backboards are original. There is some very long gone old woodworm holes in the softwood on the backboards but these are very minor. We have both weights and pendulum. The movement appears to be complete and is striking and the movement appears to be ticking also. We have not tested the moon phase. The dial is in original untouched condition with some minor surface scratches and paint losses. The most evident damage being to points behind two of the movement pillars. We do not think that the clock is a marriage as the cheeks are not built up and the mask fits around the dial.

An early 19th century oak and mahogany banded longcase clock by Carruthers of Langholm, with two-train striking movement, subsidiary date and second dials, the case raised on bracket feet (see illustration). CONDITION REPORT: The clock movement is extremely dirty and dusty. It is however ticking for approximately 1 minute before stopping and the strike mechanism does operate when advanced to the hour. The movement seems to be complete but definitely requires a clean if it is to run correctly. The case is in generally very good condition with no significant faults. Neither door is warped and the feet and plinth are original. The colour of the case is generally good. There will have been some form of pediment between the swan's necks which is missing.

A George III oak longcase clock by William Nicholson of Whitehaven, with thirty hour movement, the case with swans neck pediment, long trunk door, reeded quarter column corners and raised on bracket feet. Height 210 cm. CONDITION REPORT: This is a 30 hour clock. It has false winding apertures in order to make it appear as 8 day clocks which were much more expensive to make. The hood is in generally good condition with the exception of a cracked glass. There will also have been something between the swans necks which is missing, possibly a wheatsheaf. The remainder of the hood is in generally good order with only minor surface scratches and marks as one would expect. The brass dial is in good order but has lost much of its silvering. We have the clock weight and pendulum which is unfortunately missing the metal suspension. The clock does however tick without the pendulum and strikes as it should. The seatboard that would support the movement is missing. The movement does however fit the door aperture and we do not think that the clock is a marriage. The case is a typical Cumbrian case. The door is not warped, the sides of the case are in good order as are the base and bracket feet. The case is a little dry and could do with a good wax.

Lenzkirch - Late 19th Century Excellent and Impressive Oak Cased Bracket Clock with Matching Wall Bracket. Well Adorned with Brass Mounts, Feet and Finials, Also with Brass Side Pierce Vent Covers. 8 Day Striking and Chiming with Bim Bam Strikes on Quarters and Hours. Number 133087. Lenzkirch Key No 3. Clock Size - 16 Inches High, 10.5 Inches Wide & 7.75 Inches Deep. Wall Bracket Size - 5.5 Inches High & 12 Inches Wide. Excellent Condition In All Aspects.

Victorian - Impressive and Nicely Shaped Mahogany Cased Bracket Clock by Winterhalder and Hofmeier with 8 Day Strike and Chime on Quarters and Hours, Pendulum with Twin Movement, Strikes on 4 Double Rods. Excellent All round Condition with Carved Adornments to Case. Stands 15.25 Inches High, 13 Inches Wide & 7.75 Inches Deep.

Victorian - Finely Hand Carved Oak Wall Bracket / Stand, For Expensive Bracket Clock. Size - 10 Inches High, 15.25 Inches Wide & 9 Inches Deep. Excellent Condition.

A reproduction gilt metal mounted mantel clock, in the form of a Georgian bracket clock with eight day Westminster chime movement by Elliott of London, 32cm high

A mid-18th century oak cased eight day longcase clock by William Coulton of York, the arched brass Roman dial with outer Arabic minute track, matted centre, subsidiary seconds at noon, chamfered date aperture at six, signed, within gilt sea serpent spandrels and Tempus Fugit roundel to arch with winged figure automaton, the case with oversized caddy top hood on turned pillars, over a slender trunk with arched door, on base with bracket feet, 85in. (216cm) high.

A George III Channel Islands mahogany cased longcase clock by Thos. De Gruchy of St. Helier, Jersey, eight day bell strike movement, the hood with arched door, enclosing the Roman enamelled dial with painted and gilded floral spandrels and further floral decoration to the arch, flanked by slightly bellied turned and fluted columns below the swan neck pediment with brass rosette mounts to the scrolls and two sphere and spire finials, the central sphere surmounted by an eagle, the pointed arched door of the trunk over a deep base section on a shaped skirt and bracket feet, overall height 86½in. (219.75 cm.).

A Barraud & Lunds of London oak bracket clock with silvered dial, numbered 4867, 47cm

A Georgian style mahogany and gilt metal bracket clock with striking mechanism, 46cm

EARLY 19TH CENTURY WELSH OAK, THIRTY HOUR, LONG CASE CLOCK, marked: W. Williams, Merthyr, having broken swan neck pediment with eagle and ball brass finial, arched aperture flanked by reeded pillars, the waist with moulded rectangular door, having ebony inlaid outline and shell inlaid motif, flanked by canted angles, on an ebony outlined panel base and bracket feet. Arch painted face with floral decoration and Roman numerals above date aperture. Thirty hour movement striking on one bell. The face: 16.5 x 12 inches approx. 84 inches high approx. CONDITION REPORT: A little dry and lacking in patination, face has had some re-touching, crack through pediment, vertical crack through door, horizontal crack through panel base.

19TH CENTURY WELSH EIGHT DAY MAHOGANY LONG CASE CLOCK, having arched hood with turned finials above arched aperture flanked by fluted pillars, the weights with cross banded, rectangular moulded door flanked by quarter reeded pilasters on a cross banded, panelled base and bracket feet. Part painted face with Roman numerals, seconds dial and date aperture, marked: 'Thomas Chivers, Maesteg'. The face 18 x 12" approx. Eight day movement striking on one bell. 90" high approx. CONDITION REPORT: A little wear and discolouring to the face, the case requiring some polishing, being a little dry, horizontal cracks noted to the panelled base, basically good condition commensurate with age.

A Continental mahogany longcase clock, 19th century, the convex enamelled 24.5cm dial with 30hour movement, pendulum suspension bracket above the backplate, anchor escapement and shaped brass plates, the drum head case with sliding hood cover having still leaf moulded surround, break arch cornice, the slightly tapering case with upper door above a glass lenticle, upon a plinth base and stepped foot, 230cm high 230cm (90in)

A Regency mahogany and brass inlaid lancet top bracket clock, the repainted or replacement 8inch dial with shaped hands and Roman numerals, strike silent lever above, front plate stamped Handley & Moore, twin fusee movement with adjustable pendulum, pull repeat cord, side ring handles, upon brass feet. 48cm (19in)

A late 18th century Austrian ebonised verge bracket clock, the 13cm brass dial signed 'Kilian Geist Wienn' to a boss in the arch, with silvered chapter ring, engraved centre, mock pendulum, four pillar twin barrel movement rack striking on a bell, Rococo engraved backplate, now somewhat loose in the typical form case, on brass ball feet, the engraved arched brass and silvered dial boss inscribed, 38½cm (15in)

A late Victorian mahogany chiming bracket clock by Dent, London, the bell top case with handle and four ball finials, arched brass 18.5cm dial with subsidiaries for chime/silent, slow/fast and chime on 8 bells/Westminster, within a raised gilt foliate scroll mask surround, matted centre, the three train fusee movement striking on a gong and chiming on 8 bells or 4 gongs, and gong hour strike, the case with stop fluted columns and arched brass side frets, mesh rear door, all on brass ogee feet, 61 x 40 x 35.5 cm (24 x 15.75 x 14in)   

AN EBONIZED AND GILT METAL MOUNTED TABLE CLOCK of Georgian design, late 19th century, the twin barrel movement striking on a gong, stamped on backplate 4364/46, 4 1/2" arched brass dial, the silvered chapter ring with Roman and Arabic numerals, the case with caddy top and pineapple finials, canted corners with caryatids, pierced metal sound panels, moulded base and bracket feet, 11" x 18 1/2"

AN OAK LONGCASE CLOCK by J. Collier, Cheadle, the eight day movement with anchor escapement striking on a bell, 14" square dial painted with birds and flowers, the rolling moonphase with sail ship, Roman and Arabic numerals and calendar aperture, the mahogany banded and string inlaid case with brass finials and scrolled pediment on reeded square columns, arched door flanked by reeded pilasters, canted base and ogee bracket feet, 87 1/2" high

AN OAK LONGCASE CLOCK signed Jas. Gray, Edinburgh, the eight day movement with anchor escapement striking on a bell, arched 12" brass dial with Roman and Arabic numerals, silvered centre chased with birds on branches, secondary dial and calendar aperture, signature roundel to arch, the case with scrolled pediment with brass finial and rosettes on turned fluted columns, arched door with marquetry shell patera, panel base and bracket feet, 85 1/2" high

AN OAK LONGCASE CLOCK signed Joshua Horrocks, Lancaster, the eight day movement with anchor escapement striking on a bell, 11" square brass dial with Roman and Arabic numerals, calendar aperture and signature roundel, the mahogany banded case with dentil moulded cornice and blind fret frieze on turned columns, arched door flanked by quarter columns, canted panel base and ogee bracket feet, 64 1/2" high

AN OAK LONGCASE CLOCK, early 19th century, unsigned, the eight day movement with anchor escapement striking on a bell, 12 1/2" arched dial painted with floral spandrels and sailing ships in the arch, Roman and Arabic numerals and secondary dials, the case with dentil moulded cornice on turned columns, canted trunk with arched door, panel base and ogee bracket feet, 64" high

A MAHOGANY LONGCASE CLOCK signed Halliwell, Warrington, the eight day movement with anchor escapement striking on a bell, 14" square dial with Roman and Arabic numerals, painted floral spandrels, secondary dial and calendar aperture, the case with scrolled pediment and frieze with inset paper panel featuring foliate scrolls, arched door, the canted panel base with beaded edged quartered veneered panel centred by a marquetry patera, on bracket feet, 97 1/2" high

NINETEENTH-CENTURY BUHL BRACKET CLOCK AND BRACKETClock: 54 cm. high; Bracket: 20 cm. high

An early 19th Century oak and mahogany banded longcase clock by John Cotterill of Wirksworth (Derbyshire), the 13ins arched painted dial with Roman numerals and subsidiary seconds dial and date aperture, the arch painted with figure of a young lady leaning on an anchor looking out to sea with sailing ship to background and with floral spandrels, to the eight day two train movement striking on a bell, contained in oak case banded in mahogany and rosewood, the hood with moulded scroll pediments and slender turned pillars to hood, the shaped trunk door inlaid with lozenge panel to centre and flanked by fluted quarter columns, the base with raised astragal panel and on ogee bracket feet, 92ins high Note: John Cotterill recorded working in Wirksworth, 1828-1849

A 19th Century "North Country" mahogany longcase clock by Ingham of Ripon, the 14ins arched painted dial with Arabic numerals and with subsidiary seconds and calendar dial, the arch painted with a view of a country house and with floral spandrels, to the eight day two train movement striking on a bell, contained in mahogany case, inlaid with chequered bandings and boxwood stringings, hood with moulded scroll pediment and slender turned and fluted columns to hood, shaped central door flanked by quarter columns and with conforming plinth base, with bracket feet, 88ins high