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GEORGIAN INLAID MAHOGANY BRACKET CLOCK, by J E Lawson of Bishopsgate, London, the satinwood inlaid case surmounted by domed pediment with brass finial's above circular white enamel face having Roman numerals, brass lion mask carrying handles and brass side grills with repeat strike on moulded base with brass ball feet. Two train movement with engraved brass back plate, striking on one bell. 22" High.

A George III mahogany striking bracket clock, the 7 inch white painted dial signed Allison, Sunderland; subsidiary calendar dial, the arch containing twin subsidiaries for Strike/Silent and rise & fall; anchor escapement in plain rectangular plates in a break arch case surmounted by carrying handle, on splayed fluted feet, circa 1790, 16½in (42cm) high. Gilbert Allison, ca. 1770 died 1810.

A French boulle bracket clock and bracket, embossed gilt dial with 25 enamel pieces, the centre re-enamelled and signed Fieffe a Paris, the square plated movement by Japy Freres in a waisted case with boulle parquetry floor, the whole with small mother of pearl flowers and ormolu mounts, cherub finial with matching bracket, circa 1860; the whole 2ft11in (90cm) high.

An unusual English Regency quarter striking bracket clock of small size, 5 inch convex white enamel dial, Brequet style moon hands, stamped on the front plate Holmden, London, no. 150; similarly signed and numbered on the base of the backplate, anchor escapement, quarter striking on 2 bells, the 5 pillar movement in shaped plates with engraved borders, in a brass inlaid ebony veneered shallow arched case with caddy top and acorn finial, circa 1815, 1ft 3in (38cm) high. John George Holmden: apprenticed 1781, Free of the Clockmakers Company 1788 and Liveryman from 1807 - 1840.

A striking verge bracket clock, the foliate engraved backplate signed Francis Perigal, London, the six pillar movement with later associated 7 inch silvered dial, in a later associated stained fruitwood case, the break arch surmounted by carrying handle, 1ft 7in (48cm) high.

A striking balloon bracket clock, the 7 inch white enamel dial signed Johnson, Gray`s Inn Passage, two-train fusee movement in plates with canted corners, Strike/Not lever on the backplate, long pendulum with hold fast, in a waisted case with mask and sunray applique beneath the dial, keyhole pattern back door (fretwork lacking), flanked by drop handles, on ogee feet with pineapple finial, circa 1770, 1ft 8½in (52cm) high. Thomas Johnson, Gray`s Inn Passage, London, died 1775.

A George III mahogany verge bracket clock, the 7 inch silvered dial signed Willm. Johnson, London, the arch containing Strike/Silent between engraved floral swags, knife edge verge escapement, the striking movement with trip repeat, the back plate monogrammed W.J. within engraved foliage, in a bell top case with brass mounts, urn finials and scrolled feet, surmounted by carrying handle, circa 1780, 1ft 8in (50cm) high.

An Irish mahogany longcase clock, with an 8 day movement striking on a bell and a 13inch square brass dial, the chapter ring signed Alexr Gordon, Dublin, subsidiary seconds dial and circular date aperture, winged mask spandrels, the hood with a swan neck pediment with carved rosettes above a foliage carved frieze centred a lion mask, corinthian capital pilasters, broken arch trunk door flanked by reeded quarter pilasters, the base on ogee bracket feet, 7ft 9in (235.5cm) high.

A George III striking mahogany bracket with automaton, the 7 inch brass dial signed on a recessed silvered plaque in the matted centre Robert Henderson, London, date aperture, scrolled foliate spandrels, Strike/Not lever at 9 o`clock, the shallow arch painted with a scene of two blacksmiths shaping a horseshoe on an anvil, both with automaton arms and hammers, alongside a loosebox with a third farrier shoeing the rear fore of a horse, being his name Conundrum on a plaque behind, the movement with verge escapement, the foliate scroll engraved backplate centred with a basket of flowers, half hour passing strike, the two train fusee movement with trip repeat, in a mahogany bell top case flanked by brass caryatids, urn finials and ogee feet, surmounted by carrying handle, 1ft 7½ in (50cm) high. Provenance - Given to George John Scott on his retirement in 1934 as Treasurer of the Bank of Scotland.

A Victorian longcase clock, the painted roman dial bears indistinct Newcastle maker's signature, with subsidiary seconds dial and painted scene to the arch of a man outside a tavern, fruit pattern spandrels, two train movement with anchor escapement, the case with glazed arch door flanked by columns, banded waist door panel, base on slender bracket feet, 86in. high.

A carved oak longcase clock, the brass roman dial signed F. Robin Lundi Fecit, two train anchor escapement striking on a bell, the case with carved swan neck pediment above glazed door flanked by bobbin turned columns, foliate carved waist door, carved panelled base with bracket feet, 85in. high.

A late Georgian mahogany longcase clock, with painted roman dial signed J.A. Monkhouse, Carlisle, with subsidiary seconds dial and date aperture, moon phase to the arch, painted spandrels, two train movement with anchor escapement, the case with swan neck pediment and star burst motif, arched glazed door flanked by plain columns, the arched waist door with oval inlaid decoration, with canted burr wood side, panel base on spreading bracket feet.

A late 19th Century walnut bracket clock, ornate matted brass dial, silver roman chapter ring and ornate spandrels, the two train quality movement stamped 'R.S.M.' (Reinhold Schnekenburger, Mulheim), the case with ornate caddy style hood with gilt metal mounts, above an arched door with bevelled glass panel, canted sides with caryatid mounts, on gilt metal claw pattern feet, 19 1/2in. high.

An inlaid mahogany longcase clock, the brass dial with silvered roman chapter ring, with main plate to centre bearing the name of 'Benson, Whitehaven', subsidiary seconds dial, bust portrait to aperture in arch, mask and foliate spandrels, two train movement and anchor escapement, the case with swan neck pediment and brass finial, arched door flanked by fluted columns, arched waist door centred by inlaid shell motif, flanked by fluted quadrants, similar inlay to panel base on ogee bracket feet, 90in. high.

John Weston, Wolsingham: a George III mahogany and banded longcase clock, the brass dial with silvered roman chapter ring, engraved to the centre with a recumbent lion amongst foliated scrolls, the subsidiary seconds dial engraved with snake and bird design, two train movement with anchor escapement, moon phase to the arch, the case with swan neck pediment and dentil decoration, arched door flanked by turned columns, the central section with blind fret frieze above a shaped and banded waist door flanked by fluted quadrants, panel base with canted corners and bracket feet, 86in. high. See illustration

A 19th Century French miniature carriage clock, with enamelled roman dial, platform lever escapement, bevelled glass panels, bracket feet, 3in. high.

J. Telford, Bellingham: a Victorian oak and mahogany banded longcase clock, painted roman dial, subsidiary seconds dial and date aperture, painted coastal scene to the arch with figures and castellated buildings to spandrels, two train movement with anchor escapement, the case with swan neck pediment above a glazed arched door flanked by turned columns, shaped waist door flanked by columns, panel base with bracket feet, 88in. high.

An early 20th Century inlaid rosewood mantel clock, with enamelled arabic dial, two train French drum movement striking on a gong, the arched case inlaid paterae and scroll design, brass bracket feet, 12 1/4in. high.

A Regency rosewood and brass inlaid bracket clock, with painted roman dial, two train movement striking on a bell, the case with artichoke finial above a caddy style hood, the front with inlaid foliate motifs, twin brass handles and scale pattern side panels, on plinth with block feet, 18in. high. See illustration

A late 19th Century carved oak mantel clock, with silvered roman dial and cherub spandrels, the movement signed "Winterhalder & Hoffmeister", striking on two gongs, the architectural case with cast foliate design and turned finials, bracket feet, 17in. high.

G. Scardefield, Maidstone: a pantry clock, with brass roman dial engraved with foliate spandrels, anchor escapement, striking on a bell, with alarm mechanism, on stained oak hanging wall bracket, 18th Century, with later alteration and restorations, 18 1/2in. high.

A mid 19th Century mahogany longcase clock, the enamelled roman dial indistinctly signed with Newcastle maker, with scene of a dog chasing pheasant to arch, cottage pattern spandrels, subsidiary date and seconds dial, two train movement with anchor escapement, the case with arched glazed door flanked by plain columns, banded arched door flanked by fluted quadrants, panel base with bracket feet, 92in. high.

A mahogany longcase clock, the painted arabic dial signed 'Frames, Gateshead', with subsidiary seconds and date dials, shell pattern spandrels with painted scene of two ladies by a stream to arch, two train movement, anchor escapement, case with arched glazed door flanked by turned columns, arched waist door with canted sides, panel base on bracket feet, 82in. high.

A Sheraton revival mahogany bracket clock, the arched case on brass bracket feet, white enamel roman dial, twin-barrel French movement striking on a gong, by G.B. & E., 11 1/4in. high (lacks brass handle to top).

A late 19th/early 20th century oak cased architectural form bracket clock with movement stamped Lenzkirch, 87067, with ting tang strike, striking the hours, quarters and halves on two spiral gongs, with gilt metal mounted case and silvered dial with brass spandrels, the sides flanked with two circular gilt metal carrying handles, with small quantity of old photographs and related paperwork, complete with pendulum and key, height 43cm, missing top finial.

An Edwardian inlaid rosewood cased bracket clock by Elkington & Co Ltd, Manchester, with silvered dial and Roman numeral chapter ring, with Lenzkerch ting tang hour, half and quarter striking movement, marked one million, serial no.331187 to movement, the arch top case with gilt metal pine cone finials and arched top, on splayed gilt metal feed, complete with pendulum, height 39.5cm (illustrated).

A George III oak and mahogany longcase clock by Richard Holt, Newark with eight-day movement striking on a bell, arched dial painted with a neo-classical female,the hood with broken swan-neck arch above plain turned pillars with brass mounts, arched long trunk door flanked by fluted quarter pilasters, on box base. 212 cm Condition Report Lacking plinth/bracket base f/r

A George III mahogany longcase clock, arched painted dial, signed Jos: Symcock, Nantwich, moon phase lunette, subsidiary second dial, the spandrels decorated with figures emblematic of the seasons, eight-day two chain movement, striking on a bell, the case with a scrolled pediment piece and umbrella finials, cluster column outlines, Gothic arched door, ogee bracket feet, height 240cms.

A LATE 1920`S OAK SMALL SIZE LONG CASE CLOCK the decorative case with bevelled glass inserts to the door standing on bracket feet, the silvered circular dial with Arabic numerals, the movement striking the hours on gongs, 65" high overall

An Edwardian inlaid mantel clock the enamel dial with Roman numerals on brass bracket feet

C19TH WALNUT FUSEE WALL CLOCK, YARMOUTH ON DIAL (NO PENDULUM), 29CM DIAMETER DIAL, ON SCROLLED BRACKET

James Whitehurst, Congleton - A George III mahogany and satinwood strung longcase clock, the broken swan neck pediment and square hood with pillars, enclosing a brass approx 32cm d dial with Roman numerals, inscribed Whitehurst, Congleton, eight day movement, the trunk with arched door, raised on plinth base and short bracket feet, approx 219cm h.

A George III mahogany longcase clock, by John Whitehurst II of Derby, dated 1791, the broken triangular pediment and square hood with ionic pillars enclosing a 13" brass dial signed Whitehurst, Derby, dated 1791, with arched date aperture and engraved arrow hand, ringed winding holes, Roman numerals, pierced hands, eight day movement, in mahogany case with arched door, raised on plinth base and bracket feet, approx 226cm h.

19th century gilded brass carriage clock with half hour repeater and alarm movement, three train and regulated by a platform lever escapement, white enamel sunken principle and secondary alarm dials, with Roman numerals, engine-turned surround in cornice case with engraved foliate decoration, ogee moulded plinth, bracket feet and fluted swan-neck handle, 16cm high. movement No 4934

An oak bracket clock and key

Thomas Moore, Ipswich. A 17th century-style lantern clock of traditional form with single bell weight on an associated wood bracket with cast metal shoulders.

A 19th century mahogany longcase clock, the hood with broken swan neck pediment, fretwork panels and fluted ionic columns above a long trunk door enclosed between 1/4 fluted columns, a box base and bracket feet, the 31cm brass dial inscribed to the arch "James Gray, Edinburgh, with Roman numerals and seconds subsidiary dial, the associated eight day movement striking on a bell, 221cm high

A 19th century oak and mahogany longcase clock, the hood with a broken swan neck pediment and ionic columns above a cross banded long trunk door, box base and bracket feet, the 30.5 cm dial painted with a landscape scene to the arch and spandrels, with painted Roman numerals, seconds subsidiary dial and calendar aperture inscribed, Thomas, Llandovery the eight day movement striking on a bell, 222 cm high

A 19th century oak and mahogany longcase clock, the hood with a broken swan neck pediment and fluted ionic columns, above a shaped long trunk door, box base and bracket feet, the 31 cm dial painted to the arch with a pointer in a woodland, with Arabic numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 221 cm high.

Liberty style polished pewter mantel clock, the 3.5" enamelled dial set within a case held on organic supports with mask heads and an undertier upon bracket feet, 7.5" high x 8" wide

Early 19th century rosewood and brass inlaid repeating bracket clock by Desbois & Wheeler, with twin train double fusee movement, striking on a bell, the white enamelled dial with Roman numerals, the brass back plate signed Desbois & Wheeler, Grays Inn Passage`, on four brass ball feet 20in. (51cm)

17th century walnut cased bracket clock by Thomas Pare, London; the brass and silvered dial with double fusee twin train movement, subsidiary date aperture, silvered chapter ring with Roman numerals, original verge escapement, back plate inscribed `Thomas Pare Londini Fecit`, striking on a bell, with pierced gilt metal and cherub decorated pierced basket top, on squat bun feet, 16in. (41cm)

A 19th Century French lacquered brass carriage alarm clock by Drocourt, with eight day movement striking on a bell, the white enamel dial with Roman numerals and inscribed `T. Martin ... Regent St, London`, above subsidiary alarm dial, the back plate with `D.C` maker`s mark and numbered `7017`, the one-piece case with swing handle above bevelled glass panels, on bracket feet, height approx 16cm, together with a key.

An oak cased electric clock, the circular silvered dial with Arabic numerals and inscribed `ATO Electrique`, the domed case on bracket feet, height approx 28.5cm.

An English ebonized table clock, late 17th Century and later, the brass latched eight pillar movement with verge escapement striking hours on a large bell and half hours on a smaller bell, the backplate with engraved and calibrated countwheel, tulip engraved corners and inscribed `Gulielmus Clement, Londini Fecit` within a lambrequin surround, the 9½ inch square brass dial with skeletonised silvered chapter ring and black Roman numerals on a matt ground with date aperture, cornered with winged cherub spandrels, the later ebonized bell top case with brass carry handle above pierced brass arched scale fret panels and glazed doors, on a plinth base and brass bracket feet, height approx 54cm (associated movement and case, and alterations).

A George V oak diminutive longcase clock with eight day movement chiming on gongs, the case with arched pediment above barley twist pillars, the trunk and base with geometric mouldings on bracket feet, height approx 139cm, with pendulum and key.

A reproduction brass lantern clock on wooden wall bracket

A 1960`s Schatz Elexacta collectors classic swinging wall clock with suspension bracket and minor pendulum, battery powered

A late 18th century North Country oak longcase clock, mahogany cross banded, having an associated 12-inch square brass dial with Roman and Arabic silvered chapter ring inscribed Robert Sadler London, seconds subsidiary dial and date aperture, decorated foliate scroll and cherub mask spandrels and set 8-day anchor movement, striking bell. The case with broken swan neck pediment flanking a globe and dart finial over plain column supports and an arch topped trunk door, raised on box base and shaped bracket feet, 210cm high x 47cm wide x 25cm deep.

Fred Wiseheart, Dublin, an early 19th century Irish mahogany bracket clock, cut brass inlaid, the Roman painted dial set eight day twin fusee movement, striking bell, with associated bracket 46cm high x 26cm wide

Webster, Cornhill, a George IV mahogany bracket clock in the Scottish taste, having Roman painted dial set eight day double fusee movement, striking bell, the case relief carved with thistles and foliate scrolls on gadrooned ball feet, 31cm high x 20cm wide

AMENDMENT: This clock is after Elliot rather than by Elliot - Elliot of London, an early 20th century walnut bracket clock, gilt metal mounted, having broken arch topped dial with chime, fast/ slow and silent subsidiary dials above a Roman and Arabic chapter ring flanked by foliate spandrels, the dial bears later `Garrard` plaque, the triple fusee movement with Whittington/ Westminster/ Winchester chimes on 8 bells, movement number 108/250, 38cm high x 25cm wide

A mid 17th century style walnut bracket clock, early 20th century, gilt metal mounted, having architectural case with an arch topped dial set chime/ silent, slow/ fast and chime subsidiary dials above a Roman and Arabic chapter ring, flanked by foliate scroll and shell spandrels, the triple fusee quarter repeating movement having Westminster chime on 5 gongs and 8 bells 70cm high x 42cm wide.

Waring & Gillow Ltd, London and Paris, an Edwardian bracket clock, with architectural case, the arch topped silvered dial set chime/ silent, St Michael/ Westminster chime subsidiary dials above a Roman dial, the quarter repeating triple fusee movement chiming on 8 gongs, bears presentation plaque to plinth base, 43cm high x 34cm wide, with associated oak bracket, (2).

A black forest wall bracket carved as a rams head, a casket modelled with a greyhound and panels with figures, a modern Chinese etched container of bulbous form, a magnifying glass, a papier mache pot, a lantern clock, and a plaster cameo, damage to all pieces

Late 19th or early 20th Century satinwood bracket clock with finely carved architectural case flanked by Ionic pilasters, the gilt brass dial with silvered cartouche Roman numerals and three train movement striking on gongs and chiming on bells, 20.5ins high

Good quality 20th Century walnut bracket clock in Georgian style, the brass and silvered dial with Roman numerals with a three train movement striking on gongs

An oak longcase clock, the brass arched dial inscribed William Webster, Exchange Alley, London, the five-pillar eight-day movement with strike and chime, in an oak case with spiked ball finials, 233cm (91.75") high Condition Report: The clock is with pendulum and three weights and at present is in working order although the chime is out of sync, the movement it seated incorrectly and the dial arch is partially obscured by the door when closed, there is a gap between the bottom of the dial and base of hood door which closes with difficulty and is missing some glass putty; the trunk base is missing some beading and the bracket feet are in poor condition.

A Georgian mahogany bracket clock, the circular enamel dial with Roman numerals and an eight-day striking movement, 34cm (13.5") high

A late Victorian dome topped bracket clock, the arched brass dial with subsidiary fast/slow and chime dials with three-train eight-day movement, chiming in eight bells, the ebony veneered case with Corinthian columns and ormolu mounts, 75cm (29.25") high/see illustration Condition Report: This clock is 75cm (29.5’’) high; the brass mount to the top is incomplete, missing a finial as are the brass plates to the top corners, right hand return moulding also missing; case and metalwork in original condition, needs cleaning; bell chime out of sync, Cambridge chime out of sync, chime silent lever missing, clock at present working.