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GEORGE V BRACKET CLOCK, CASED IN MAHOGANY the silvered dial with numbers in black35cm high

WALNUT BRACKET CLOCK, EARLY 20TH CENTURY by James Carr, Aberdeen23cm high including handle

A QUEEN ANNE WALNUT MANTEL CLOCK BY JOHN MARTIN, LONDON the eight day three train movement chiming on a bell, the dial with subsidiary chime/silent, chime/repeat and Cambridge/Winchester dials, the silvered chapter ring with Roman numerals, the case having a caddy top over an arched facade, on a stepped base with brass bracket feet, 58cm high x 32.5cm wide

GEORGE FLASHMAN OF LONDON: A GEORGE III MAHOGANY BRACKET CLOCK the 17cm silvered dial with Roman and Arabic numerals and strike/silent lever to arch, to the eight day, three train movement striking on nine bells, with finely engraved back plate, contained in case with arched top, carrying handle and pierced grilles to sides, 38cm high x 26cm wide x 17cm deep

A Lenz Kirch ebonised Aesthetic Movement bracket clock, late 19th century, the castellated case with three inset gilt panels over the conforming 13cm gilt metal dial, flanked by turned pillars and enclosing the two train movement striking on a coiled gong, impressed with the makers name, 34cm highCondition report Some losses and repairs to the finials, light tarnishing and rubbing to the dial.Both barrels wind and the clock does run when prompted, however this cannot be taken as a guarantee of working condition.Pendulum but no key

A Regency mahogany clock bracket, and another

E. BELL & SON, UTTOXETER, GEORGE III LATE 18th CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with 8 days striking movement, arched painted dial wiht rolling moonphase in the arch under a chapter ring showing days of the month, white roman dial with subsidiary seconds hand and date aperture, the hood with swan neck pediment, turned baluster side columns to the hood, inset fluted side columns to the waist, shell lozenge inlay to the door, raised on bracket feet, two weights and pendulum, 7 3 1/2in (222.2cm) high

JAMES TOPHAM, NANTWICH, EARLY 19th CENTURY FIGURED MAHOGANY LONGCASE CLOCK with 8 days striking movement, arched painted dial wiht revolving moonphase in the arch showing two full moons, chapter ring above including the days of the month, the white roman dial with date aperture and subsidiary seconds dial (lacks hand), the swan neck pediment having three brass ball finials, spirally fluted side columns to the hood and the waist, shaped apron and splay bracket feet, two weights and the pendulum, 7ft 11 1/2in (242.5cm) high

EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND BRASS INLAID BRACKET CLOCK, SIGNED HILLS, SUDBURY, the 8” enamelled Roman dial, powered by a twin fusee movement, striking on a bell, and housed in a moulded case with leaf carvings to the top and fore corners, conforming brass inlay beneath the dial and Gothic pierced brass side frets, raised on a plinth base with compressed bun feet, 18 ¼” (46.3cm) high, dial with re-painting, mostly to the centre and edge, not obviously to the name or place name, rear door possibly later?

EARLY 19th CENTURY FIGURED MAHOGANY LONGCASE CLOCK, probably by James Topham, Nantwich, with 8 days striking movement, arch painted dial with revolving moonphase in the arch, chapter ring above showing days of the month, the roman dial with two subsidiary dials for seconds and days of the month, the hood with swan neck pediment, spirally lobed side columns to the hood and waist, on bracket feet, 7ft 10in (238.7cm)

Barraud, London, George III mahogany and boxwood line inlaid bracket clock, the brass loop handle above a dome top and moulded plinth, with brass ogee bracket feet, the circular painted dial with Roman numerals, signed Barraud, London, the two train fusee movement with floral engraved back plate striking on a bell, 27.5cm high excluding the loop handle

A mahogany musical bracket clock with a ten inch white painted arched dial, signed Robert Wood, Kent Road, subsidiary seconds, the arch containing twin subsidiaries for chime/not chime and selector for six tunes, the three chain movement similarly signed, the musical pinned barrel playing with thirteen hammers on thirteen bells, heavy bob pendulum with vernier - hold fast, in broken arch case with pagoda top, brass inlaid fluted pilasters, ball feet and finials CONDITION REPORT: Key and pendulum present. Movement complete. This clock is working intermittently The strike chime and musical drum need attention. Alignment of bells needs adjustment. Dial very rubbed and with some primitive repairs to the chipping. Repeat pull inoperable. Musical drum regulator erratic. The fretwork to the door damaged. Back door missing pieces of veneer. Side and back grilles re-silked. Condition of case otherwise good. 74cm high x 43cm wide x 27.5cm deep

Victorian architectural oak and gilt framed bracket clock, 42cm high.

Vintage oak bracket clock with silver dial marked Harrison & Son, Darlington, 36cm.

JAMES GREEN, LONDON. A GEORGE III MAHOGANY DOUBLE FUSEE BRACKET CLOCK the bell top pediment above a glazed door with pierced sound frets enclosing a 7" arched brass dial with gilt spandrels and silvered chapter ring surrounding a matted centre with calendar aperture fronting an eight-day double fusee movement with anchor escapement striking the hours on a bell, engraved backplate44cm highThe movement is original to the case, the movement is complete and ticks when wound but you cannot guarantee clock movements. The escapement has been altered to an anchor from the verge, the dial is clean having original silvering which is pitted and marked in areas. The case is in good condition, the inner masking has patched veneers around the edge of the movement, and the door locks to the front and rear are missing and have been patched with a later timber.

JOHN PEPYS, LONDON. A SMALL WILLIAM AND MARY EBONY VENEERED BRACKET CLOCK the caddy top case with well cast applied pierced mounts and acanthus leaf scroll handle above a glazed door with applied gilt escutcheons and pierced sound fret, the sides with matching sound frets and rectangular glazed aperture. The 6" gilt brass dial fitted winged cherub head spandrels with silvered chapter ring surrounding a matted centre with calendar aperture above VI and signed mock pendulum aperture above, Strike/Not strike lever at 3 o'clock. The substantial twin fusee movement with six finned knopped pillars and anchor escapement striking the hours on a bell, fine scroll engraved and signed backplate with stylised dolphin to the centre. 32cm high not including handleThe case is in good original condition with minor splits in the veneer consistent with age. The glass in the front door is damaged. The movement is original to case and dial. The gut to the strike side of the movement is snapped, the escapement has been converted from verge to anchor and the pull quarter repeat work is missing. The movement will require attention.

JOHN WALKER, LONDON. A MID 19TH CENTURY DOUBLE FUSEE BRACKET CLOCK the oak case with shaped top and canted corners above a carved base enclosing an 8" silvered dial with Roman numerals fronting an eight-day chain driven double fusee movement striking the hours on a bell - 8-inch dial.42cm high

ROBERT CAWLEY, CHESTER. A MID 18TH CENTURY MAHOGANY EIGHT-DAY FUSEE BRACKET CLOCK the 7" arched brass dial with mask head cast brass handles and silvered chapter ring, having Roman numerals and outer minute markers, enclosing a matted centre with signed cartouche and date aperture, below a strike / silent dial to the arch. Fronting an eight-day double fusee movement with suigned backplate, anchor escapement and striking the hours on a bell. The arched case with hinged doors and carrying handle to the top.38cm high handle down.The Georgian mahogany case has a small patch to the bottom of the front door and a small piece of moulding missing from the arch of the back of the case. The movement is original to the dial but associated with the case. It is in working condition ticking and striking correctly, it has an unusual striking mechanism where it strikes the hours on a large bell and also strikes the hours at half past on a smaller bell.

A REGENCY MAHOGANY BRASS INLAID CLOCK BRACKET with a rectangular recessed top above a carved support.32cm wide 19.5cm deep,

MITCHELSON, LONDON. A GEORGE III PAD TOP MAHOGANY BRACKET CLOCK the case with brass moulded centre pad and folding handle above a glazed door enclosing a 7.5" arched brass dial with gilt spandrels and silvered Roman chapter ring surrounding a silvered signed centre, the arch with Strike/Silent dial fronting a signed eight-day double fusee movement with five knopped pillars and engraved border to the backplate striking on a bell42cm high The case has been repolished and the two top side moulds have been replaced, the back door has some splits and repaired patched of veneer and the lock is missing, the mask around the dial has also had some repairs. The dial has fine stress cracks and some discolouration to the silvering. The movement, which is original to case and dial, has been converted from verge to anchor escapment and is ticking but the strike isn't stopping sand will need attention.

THOMAS RAYMENT, LONDON. A GEORGE II PULL QUARTER REPEATING VERGE BRACKET CLOCK the ebonised case with inverted bell top pediment above a glazed door with pierced sound frets enclosing a 7" arched brass dial with gilt masked spandrels and silvered chapter ring surrounding a matted centre with mock pendulum aperture, the arch with subsidiary calendar dial fronting an eight-day double fusee movement with verge escapement and scroll engraved backplate striking the hours on a bell and pull quarter repeating on six bells46.5cm high not including handleThe dial and movement are original to the case. The case has some detached mouldings above the door which are present. The movement is running and striking the correct hours, repeating the correct quarters. The back cock looks to have been replaced and the strike silent lever is missing. The verge escapement has probably been reconverted but if so has been done very well with no signs of plugged holes. The pull quarter repeat mechanism loos to be original to the clock and so do the brackets, they are made from the same coloured brass.

THOMAS COLLIER, CHAPEL-IN-LE-FRITH. A MID 18TH CENTURY MUSICAL LONGCASE CLOCK the oak and mahogany case having a swan neck pediment with carved floral patrea and turned half reeded columns, the trunk with carved blind fretted quarter columns and inlaid door on a matching canted base raised on bracket feet. The 13" arched brass dial with gilt masked spandrels and silvered chapter ring surrounding a matted engraved centre with subsidiary seconds dial and calendar aperture, the arch with signed silvered plaque above a rotating moon dial, tune selection lever for Psalm 95, Britons Strike Home, and Charles Dragoons fronting a substantial three train eight-day weight driven movement chiming on six bells and twelve hammers every three hours and striking the hours on a bell. - Provenance details are on the back of the door, an image has been attached.212.5cm highThe clock is in good unrestored condition, the case has a small piece of moulding missing above the hood door on the right side, and there is a shrinkage joint to the base. The movement is original to the case and is complete with the original seatboard. The movement is very dirty but is working and sounds nice when chiming. It will need cleaning and servicing. Comes with weights and pendulum. A very nice honest clock.

JAMES WAYLETT, LONDON. A GEORGE III EBONISED DOUBLE FUSEE VERGE BRACKET CLOCK the bell top pediment above a glazed door fronting an 8" silvered dial with foliate engraved spandrels and Roman numerals surrounding a signed centre with calendar aperture, the arch with Strike/Silent dial fronting an eight-day double fusee movement with five knopped pillars, verge escapement and foliate engraved backplate striking the hours on a bell48cm high not including handleThe case is in good condition, with minor surface scratches consistent with age, the original ebonised finish and sound frets to the front and sides have been replaced, and some slight discolouration to the silver on the dial. The hands have been possibly replaced. The movement which is original to the dial and case has its original verge escapement and looks to have been recently serviced and is in nice working condition striking the correct hours, and comes with winding keys and door keys.

DESBOIS & WHEELER, GRAY’S INN PASSAGE. A GEORGE III DOUBLE FUSEE BRACKET CLOCK the ebonised break arch case with brass fish scale sound frets and hinged handle above a 6.5" painted arched dial with Roman numerals and subsidiary Strike/Silent dial fronting a signed eight-day double fusee five pillar movement striking the hours on a bell37.5cm highGood original clock, case is in very nice condition with an original ebonised finish. Would benefit from wax. the dial has its original paint which is crazed but stable, there is a small area of repair at 8 o'clock where the dial foot would be attached. The hands are original, and the quality movement is original to the case and dial and is complete. Ticks when wound and strikes/repeats the correct hours. Missing door key. The movement is dirty and will require a service.

WASBROUGH & MAILLARD, BRISTOL. A GEORGE III LACQUERED BRACKET CLOCK with circular brass engraved dial with Roman numerals and signed centre, fronting an eight-day twin fusee movement with missing strike train and escapement, with an engraved back plate. The case with a cast brass bezel and bell top decorated with gilt floral work corners.44cm high handle down

LENZKIRCH. A LATE 19TH CENTURY FIGURED MAHOGANY REGULATOR LONGCASE CLOCK the case with moulded pediment above a glazed door and side doors, the trunk with bevelled glass door and feathered backboard on a rectangular base with panelled centre and squat bun feet. The 10" silvered engraved dial having an outer minute ring surrounding a subsidiary seconds and hour dial, the winding arbour to the centre of the hour dial fronting an eight-day weight driven movement with deadbeat escapement, jewelled pallets and end stops, six-spoke wheel work and Harrison maintaing power run on a large and heavy compensated pendulum with Invar rod and large brass bob all mounted on a brass bracket fitted to the backboard204cm highThe clock has come from a retired jewellers in Preston. They have serviced it regularly and was working when we removed it from the premises. The case has a few small knocks on the mouldings and two small splits on the trunk door. Images have been uploaded. The dial has light marks on the silvering. The movement is clean and in good working condition with original pendulum. Comes with winding key and door keys.

A LATE 19TH CENTURY FLAME MAHOGANY ARCHED TOP DOUBLE FUSEE ENGLISH BRACKET CLOCK the 6" silvered dial with Roman numerals and pierced steel hands fronting an eight-day twin fusee movement with anchor escapement striking the hours on bell. The case with lion head side handles, pierced side frets and bun feet, cast bezel with convex glass.29cm high The clock is in good condition, the case has been re-polished and there is a fine hairline crack running down the front panel. The silverd dial has finger marks. the movment is clean and working correctly which is original to the dial and case

CHARLES BROOMHALL, LONDON. A LATE 18TH CENTURY FIGURED MAHOGANY VERGE BRACKET CLOCK The break arch case with pierced brass sound frets and glazed front door with brass inner mould enclosing a 7" silvered dial with Roman and Arabic numerals and subsidiary Strike/Silent dial to the arch fronting a signed eight-day double fusee movement with five knopped pillars and verge escapement striking the hours on a bell38cm high handle down A good genuine bracket clock, original movement to case, in untouched condition. The movement is complete, with original verge escapement and rise and fall pendulum. It ticks when wound but is dirty, and would benefit from cleaning and servicing. The case has its original colour and polish, the top has a small split running from front to back underneath the handle. the sound frets on the side have small losses around the veneer. the silvered dial is original and has scratch marks and stains consistent with age. The front door lock has a working key. No winding key.

ASSELIN, LONDON. AN EARLY 18TH CENTURY MINIATURE VERGE BRACKET CLOCK the kingwood veneered case with moulded pediment and tapered sides enclosing a 4 3/4" arched brass dial with gilt winged cherub head spandrels and silvered chapter ring surrounding a matted centre with mock pendulum and calendar aperture, the arch with Strike/Silent dial fronting a five pillar double fusee movement with verge escapement31.5cm high not including handle The case is period but probably associated with movement and is in good original condition, the movement is original to dial and is 18th century. The dial original gilding and the chapter ring seems to have been resilvered. The movement is complete and in working condition with original verge escapement, striking the correct hours on the original bell. There are no plugged holes in the backplate, and no obvious signs that the movement is associated but in our opinion the case is continental.

WILLIAM COXHEAD, MARKET PLACE, READING. A REGENCY BRASS INLAID ROSEWOOD DOUBLE FUSEE BRACKET CLOCK the shaped case with recessed brass framed panel and pierced brass sound frets enclosing a 6.5" convex painted dial with Roman numerals fronting an eight-day chain driven double fusee movement striking the hours on a bell47cm high to top of finial

C. ELISHA, ST. JAMES. AN IMPRESSIVE REGENCY EGYPTIAN REVIVAL TRIPLE FUSEE QUARTER CHIMING BRACKET CLOCK the ormolu mounted and brass inlaid figured mahogany case with gadrooned pediment and large pineapple finial, canted Egyptian pharaoh corners above a central pyramid flanked by two ormolu sphynx raised on carved scrolled feet, the 8" convex painted dial with Roman numerals and Strike/Silent lever fronting a substantial signed eight-day triple chain driven fusee movement chiming the quarters on eight bells and the hours on a larger bell 68cm high to top of finial A good original unrestored clock. Nice colour and patina to the case, there's a small piece of moulding missing from the top right side, the right side of the case has losses to the polish, the back door is original but has been re-veered, the dial is in good order having original paint with crazing to the ground but very stable, the movement is original to case and is ticking and striking/chiming the quarters and hours correctly but is dry and will need a service.

G.J. WAGSTAFF, LONDON. A 19TH CENTURY WALNUT DOUBLE FUSEE BRACKET CLOCK the gothic case with carved panels and canted columns enclosing a 7.5" silvered dial with Roman numerals fronting an eight-day double fusee movement striking on a bell67cm highThe clock is in very good unrestored original condition and is complete without any losses other than one very small bit of castellated moulding missing from the back edge on the left side. The movement is dirty but is ticking and striking correctly. Is of excellent quality with a very heavy original pendulum. Strikes one large bell on the hour.

ALDRED, YARMOUTH. A REGENCY ENGLISH ROSEWOOD BRACKET CLOCK OF NICE PROPORTIONS the chamfer top case with gilt pineapple finial, brass moulded corner panels and gilt brass fish scale sound frets raised on brass ball feet, the cast brass locking bezel surrounding a 7" convex painted dial with Roman numerals fronting an eight-day double fusee movement with anchor escapement and original steel rod pendulum striking the hours on a bell.45cm highThe case is in good original condition, very fine cracks in the veneer next to the hinge of the brass bezel, no other losses or damage, the dial has the original paint although crazed and with some losses, the movement, which is original to case, is complete and working correctly but will need a service.

A 19TH CENTURY FRENCH CONTRA BOULLE TORTOISESHELL BRACKET CLOCK WALL MOUNT of shaped form with ormolu mounts.24.5cm wide 14cm deepThe brass inlays are lifting on the left side, they have been reglued on the right side, the ground material is a tortious shell, and there are some losses in some areas. The base finial is possibly a period addition.

THWAITES & REED, CLERKENWELL, LONDON. A MID 19TH CENTURY EBONISED DOUBLE FUSEE BRACKET CLOCK the case with glazed sides and top on an ogee moulded base raised on squat bun feet. The 5.5" square silvered dial with engraved spandrels and Roman numerals fronting a signed eight-day double fusee movement with anchor escapement striking the hours on a gong32cm high The clock is in good working condition ticking and striking the correct hours, movement and dial are original to case, there is a small piece of moulding missing from the side top edge and the two glass side panels are missing, original ebonised finish with good patina.

BURTON, KENDAL. AN 18TH CENTURY EIGHT-DAY WALNUT LONGCASE CLOCK with 12" square brass dial having mask head spandrels and Dutch style silvered chapter ring with Roman numerals and half-hour markers enclosing a matted centre with a rare recessed dial showing the age of the moon, and engraved date aperture fronting an eight-day movement with knopped pillars, anchor escapement and rack strike on a bell. The architectural pediment with reeded columns, cross-banded flamed walnut case with a long trunk door and a panel base; on ogee bracket feet.214cm high There are very minor splits in the case consistent with age, movement is original to case and is in good working condition. There is some slight pitting in the silvered chapter ring.

JONAS BARBER, WINSTER. AN 18TH CENTURY FIGURED WALNUT 30-HOUR LONGCASE CLOCK the case with moulded pediment and eglomise panel above a glazed door with turned columns on a slender trunk with crossbanded feather veneered door and matching base. The 12" square brass dial with gilt urn spandrels and Roman chapter ring surrounding a matted engraved centre with calendar aperture fronting a weight driven movement with latched plates and outside countwheel striking on a bell209.5cm high the movement is original to dial and is complete and ticking but is dirty may require a service, the steel hand is original, the bottom door hinge is loose, the case is in good condition having original colour and patina, the trunk has original lock but no key, a small patch repair on the front of the lock on the trunk front, the base has a small horizontal crack, the bottom mould is later, the clock would've originally had a plinth or bracket feet, the glass panel is original but the paint is worn.

LASSEL PARK. AN EARLY GEORGE III ‘LIVERPOOL’ MAHOGANY EIGHT DAY LONGCASE CLOCK the elaborate hood with shaped swan-neck pediment and carved gilt rosettes, eglomise glass panels and turned finial surmounts above tapering reeded pilasters and a shaped top full length figured trunk door enclosed by reeded quarter columns; the canted cross banded base raised on ogee bracket feet. The thirteen-inch arched brass dial with revolving moon phases, cherub head rococo spandrels and silvered chapter ring with Roman hours and Arabic outer minute markings enclosing a florally engraved matted centre with recessed seconds dial and concentric date hand fronting an eight-day 4 pillar movement with anchor escapement and rack striking on a bell.247cm high top of centre finial

JOHN WARD, LONDON. A GEORGE III BELL-TOP MAHOGANY EIGHT-DAY VERGE BRACKET CLOCK the 7" arched brass dial with brass rococo spandrels and silvered Roman chapter ring enclosing a date aperture beneath a strike/silent to the arch. The eight-day five-pillar fusee movement with a rococo engraved back plate, verge escapement and striking the hours on a bell; flamed Mahogany case with brass carrying handle and bracket feet.47cm handle downThis is a very nice original unrestored clock. The case has a good original colour and polish. There is a small piece of veneer missing from the side edge of the front door approximately 12mm long. The feet have been replaced and one is missing. There is a very small chip in the top right corner mould. One of the finials is missing. The sound frets to the side of the case have been replaced. The movement and dial are original to the case. The dial has its original gilding. Losses to the silvering on the chapter rings. The hour hand has been replaced. The movement has its original verge escapement and is ticking and striking the correct hours but is dirty and will require a service. Comes with its original winding key. No door key.

AN 18TH CENTURY AND LATER MUSICAL AND AUTOMATON FUSEE BRACKET CLOCK the later Mahogany case with brass carrying handle and ogee bracket feet. The later arch-topped painted dial with Roman numeral dial above a painted landscape depicting a harbour scene with cut-out fitted automation mechanism of rocking ships fronting an 18th-century eight-day fusee movement by Webster London with anchor escapement and striking the hours on a bell above a spring driven music barrel. 36cm high handle down

WILLIAM WRIGHT, LONDON. A 19TH CENTURY FIGURED MAHOGANY FUSEE DIAL CLOCK having a flat moulded surround above a plinth-shaped case with scroll bracket supports, the 12" painted dial with Roman numerals fronting an eight-day spring driven fusee movement61cm highThe clock is in very good working condition with no losses or damage.

WILLIAM WILLS, TRURO. A GEORGE III FIGURED MAHOGANY VERGE BRACKET CLOCK the bell top pediment above a glazed moulded door with pierced brass sound frets enclosing a 7" silvered dial with engraved floral spandrels and Roman numerals surrounding engraved pheasants and calendar aperture, the arch with engraved recessed oval panel fronting an eight-day double fusee movement with verge escapement striking the hours on a bell, engarved backplate with signed cartouche47cm high not including handleThe case is in good condition having a good colour and patina with no losses, some rubbing to the silvering on the dial, the movement which is original to dial and case is in good working condition striking the correct hours, the fixing brackets are later.

DESBOIS & WHEELER, GRAYS INN PASSAGE, LONDON. A LATE REGENCY MAHOGANY LANCET TOP DOUBLE FUSEE BRACKET CLOCK the 8" convex painted dial with Roman numerals and signed centre below a strike/silent lever fronting a lancet-shaped double fusee eight-day movement with anchor escapement and hour striking on a bell, fitted adjustable pendulum and signed backplate. The case with geometric moulded front, side frets and lion head carrying handles; mounted on a moulded plinth with turned wood bun feet49cm high The case has some patches of missing polish to the sides, there's a joint split in the veneer also to one side, the front has two splits in the veneer, one running down the left side and one to the right side below the dial. There is missing veneer to the back door and 3 old wormholes to the right, the interior of the case has also got worm damage. The paint is original on the dial but is crazed in places with minor losses to the outer edge. The movement is original to case and is complete with the original pendulum with no alterations, although very dirty and will need restoring.

J. PERIGAL, LONDON. A MINIATURE REGENCY DOUBLE FUSEE PAD TOP BRACKET CLOCK the break arch case with brass moulded pad top and hinged handle above a hinged full front opening door and brass bound plinth base raised on ogee bracket feet, The 3 3/4" convex dial with Roman numerals fronting a signed eight-day double fusee movement with engraved backplate striking the hours on a bell.24cm high not including handle The case would probably be originally ebonised, there are some shrinkage splits to the veneer on the top, and the back door looks to have been replaced. The dial looks to be enamel but has been restored. There is also a small split to the front door just above the brass bezel. The movement which is original to the case and the dial is in working condition and striking the correct hours, one of the fixing brackets has been replaced. The minute hand has been replaced also.

A pair of Edwardian mahogany convex wall mirrors, each with boxwood and ebony inlay to the borders, the mirror plates approx. 19cm diameter, together with a mahogany circular twin-handled tray with inlaid white metal plaque, approx. 31cm diameter, and a walnut veneered clock wall bracket, approx. 18.5 x 34 x 20cm (4)

An early 20th Century French dome cased mantel clock, retailed by Edward Glasgow, the case with applied brass presentation plaque dated 1917, the movement stamped 'AD Mougin Deux Medailles', on brass bracket feet, 33cms high (including handle).

A substantial 19th century oak Gothic style bracket clock by Elkington & Co, Liverpool, the case with arching top, conical spires, blind fretwork decoration and Gothic arcades, the silvered Roman dial with engraved ornament, strike/chime, Westminster chime/chime on eight bells indicators above, the three train movement striking the hours and quarters on a gong and a carillon of nine bells, all on a conforming bracket pierced fretwork ornamentthe clock 50cm wide x 27cm deep x 74cm high overall; the bracket 54cm wide x 31cm highQty: 1The movement complete, and with pendulum and key, in need of cleaning. The case with some restoration and replacement of elements needed including some finials, mouldings, etc. The bracket with replacement of some mouldings, particularly around the edge needed.

A 19th century 8 day bracket clock with a twin fusee movement striking on a bell - the silvered arched dial with strike silent and calendar signed Jas Wilson Westminster and with a mahogany case - Height 39cm x Width 29cm - needing general restoration

BRASS REPEATING CARRIAGE CLOCK, LATE 19TH / EARLY 20TH CENTURY with twin drum movement striking on a coil, the white enamel dial set with Roman numerals, the five-glass case with swing handle, on bracket feet, in leather travel casethe clock 15cm high including handleCondition good to fair, glass intact. Wear to brass including tarnish and discolour. Mechanism will require attention, starts ticking though stops. Repeater starts to function, though doesn't chime properly. Case well worn.

NELSON LOVE OF ANDERSTON, MAHOGANY LONGCASE CLOCK, 19TH CENTURY with twin train movement, the white enamel dial set with Roman and Arabic numerals, subsidiary seconds and calendar dials, painted spandrels and lunette, the pillared hood with swan neck pediment, over a block base and bracket feet, outlined in boxwood222cm high

Peter Hitt, Liskeard, longcase clock Peter Hitt, Liskeard, late 18th century longcase clock, 8-day movement striking on a single bell, square brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial with applied brass spandrels, mahogany case, the hood with a moulded cornice and four rope twist columns to each corner, trunk with long door that opens with button release in the form of a doric column, on bracket feet, weights and pendulum included.40cm wide, 22cm deep, 184.5cm highClock ticks and strikes on the hour, with the subsidiary seconds dial moving with the pendulum, however we do not guarantee the working order or time keeping of any timepiece. Please see all additional images of the dial, movement, cheeks and seatboard.

Victorian Gothic Double Fusee Bracket Clock by Wilson & Fairbank, Bradford Victorian Gothic oak bracket clock by Wilson & Fairbank, Bradford, double fusee 8-day movement striking on a single bell with repeater, shaped white painted metal dial with Roman numerals, the case of architectural form with a carved pediment flanked by spires, lion mask ring handles to each side, plinth base raised on bun feet25cm wide, 16cm deep, 45cm high

Palin, Nantwich Longcase Clock Palin of Nantwich, mid 19th century longcase clock, 8-day movement striking on single bell with false plate, painted square dial depicting Oriental scenes to each spandrel, with black painted Roman numerals, subsidiary seconds dial and date aperture. All contained in an oak case with mahogany cross-banding and boxwood stringing, swan neck pediment, glazed door flanked by barley twist pilasters, trunk with figured mahogany panels and barley twist pilasters, inlaid box base with chamfered edge all raised on bracket feet211cm highClock with a false plate attached to the rear of the dial, clock ticks and strikes with pendulum and two weights included. Crazing to the painted face, no finials.

John Shepley, Stockport Longcase Clock John Shepley, Stockport early 18th century longcase clock, 30-hour movement with an outside count wheel striking on a single bell, square brass dial with silvered chapter ring, Roman and Arabic numerals for hours and minutes, subsidiary seconds dial and date aperture, all contained in an oak case, canopy with moulded cornice and square glass flanked by brass capped columns, trunk with quartered columns, box base with raised panel on bracket feet. No pendulum or weight59cm wide, 25cm deep, 219cm high

A small clock with dome top and bracket feet London 1897 by T.W

18th century English bracket clock, movement with verge escapement and central seconds, half-hour striking and engraved back plate. Was once in a table clock. Timepiece is in working condition. Dimensions: H 36 cm. including glass bell jar. In fair/good condition.

An 18thC longcase clock by Henry King of London, the square dial with gilt metal spandrels and Roman numeric chapter ring, eight day movement, in red and gilt raised chinoiserie case, with bracket feet, 205cm high.

A George IV mahogany bracket clock, the 21cm circular painted dial inscribed Brockbank, London, single winding hole, eight-day movement, the arched case inlaid with ebony sunburst to frieze, brass columns to angles, ogee bracket feet, 51cm high, c.1825

A late 19th century mahogany domed bracket type mantel clock, brass inlay, pair of lion mask loop handles, white enamel dial, Roman numerals, twin winding holes, striking on a bell, brass bracket feet, 29cm (key and pendulum)

A circa 1900 French brass cased carriage clock, the white enamel dial with Roman and Arabic numerals to the chapter ring on a bracket foot base 11 cm high