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An Art Deco chrome plated desk set compring of a Smiths of London 8 day desk clock, the rotating dial with gilt painted Arabic numerals, raised on bracket feet, 15.5cm wide together with a matching Ronson table lighter raised on octagonal base, 9.6cm high and a cigarette dispenser with 'C' handle raised on rectangular foot, 14cm wide.
Medaille D'Argent, a late 19th century French cloisonne and brass dome topped mantle clock, the circular dial stamped 11365/45 and black Arabic numerals, raised on shaped bracket feet, complete with mercury filled pendulum, 31cm highCondition report; the enamel is in good order, the left hand pillar is loose and at the bottom of the pillar is dented, the brass is tarnished and scratched. There are a number impact chips to the glass panels., the dial is detached from the body of the clock and the fittings are missing. There is rubbing to the numbers.
A late 19th century brass corniche cased and four glass repeat striking carriage clock, with swing handle, the white dial with black Roman and Arabic numerals and subsidiary hour dial, raised on shaped bracket feet, 16cm high.Condition ReportThe movement winds, sets and is currently ticking. The alarm repeating function is not working. The case is in good overall condition but showing wear commensurate with age and tarnished in places.
An Edwardian inlaid mahogany mantle arch topped mantle fusee mantle clock, with twin lion mask swing handles, the white dial with black painted Roman numerals raised on shaped brass bracket feet, 28cm high. Evidence of restoration to the top beading – re-glued.No key to the door lock.Small nibbles to the enamel on the dial (see picture)A 2cm long loss of veneer to the rear of case.Movement is a little loose inside the case.Fully wound and is not working, needs attention.With key and pendulum.
A George III mahogany long case clock having a swan neck pediment over an enamel and hand painted arched dial depicting a country house in a river landscape, floral spandrels, subsidiary seconds and date dials, flanked by two fluted pillar supports, the case with fluted pilasters flanking a single door, box base on bracket feet, 20in (50.8cm.) wide, 79½in. (201.9cm.) high.
An 18th century ebonised bracket clock, with a brass carrying handle and caddy top glazed doors and sides with gilt spandrel, the silvered dial with strike silent dial to the arch, Roman numerals inscribed Thomas Hunter, London, with a twin fusee movement, striking on a bell, the brass back plate similarly inscribed, 57.5cm high
A GILT COPPER AND BRASS SMALL BRACKET CLOCK, GERMAN, MID 17TH CENTURY two train weight driven movement with pendulum verge escapement, bell stiking on the hour 1 to 12 and also past the hour on a double 6 system, duration approximately 30 hours, with additional weight driven alarm train, silvered dial with Roman numerals behind the small alarm dial with Arabic numerals, case on paw feet and stepped base, the front and hinged side panels (possibly later) with carved scrolling foliage on a matted ground, plain back with exposed count wheel, front mounted pendulum, top with reduced ball finials and apparently freestanding bell below a later spire finial, 15.5cm high excluding modern black painted metal bracket
A mid 18th century oak cased eight day longcase clock, signed ‘E.Bullock, Ellesmere’ (Shropshire), the moulded cornice and tapering half pillars flanking the 31cm square brass dial, centred with a date and moon phase aperture, applied with Roman and Arabic numerals, signed with the makers name, enclosing the two train movement striking on a saucer bell, the profusely later carved case inset with a glazed circular viewing window, over a conforming lower board and bracket feet, 216cm high, two weights and pendulum, bezel diameter 26cmCondition reportGlass side panels and glass door appear to be later associated.Additional laths have been applied to the top of the backboard on both sides, along with runners and cut aways to the cheek pieces indicating a level of alteration/restoration.General tarnishing to the dial, movement is un-tested however appears dirty and dusty, evidence that it hasn't run for some time.Glass viewing aperture is later, hinges are also later with blocks added to the interior, the plinth base also appears to be later.Case with some minor chips and splits commensurate with age and use.Overall the case appears to have undergone a degree of restoration.
A French champleve and onyx four glass bracket clock, signed Vincent, late 19th century, the case surmounted with an urn above the 10cm enamelled dial applied with Roman and Arabic numerals and floral swags, enclosing the two train movement stamped with the makers name and striking on a coiled gong, with a mercury filled pendulum, upon cast gilt metal bun feet, 45cm high
An Edwardian mahogany bracket clock, with arched case and 21cm silvered dial applied with Roman numerals, enclosing the two train movement with hammers striking on five coiled gongs, with pull repeat cord to the side, all upon a moulded plinth base and ball feet, 38.5cm high, with pendulum No key, both barrels wind however they feel tight and the clock doesn't appear to run, the movement will require some attention.
A WILLIAM AND MARY EBONISED STRIKING BRACKET CLOCKBy Richard Colston, LondonThe caddy top case with foliate cast handle and pierced foliate mounts, above glazed doors and sides, the 7in. square brass dial, signed Richard Colston, London on the dial plate below the VI, with winged cherub masks, silvered chapter ring and finely pierced and chased hands, the twin train six-pillar movement with latched plates, now with anchor escapement and lacking the quarter repeat work, profusely engraved and signed backplate 38cm highRichard Colston was a Freeman of the Clockmakers from 1682, he died 1702/9.Condition reportThe clock is in unrestored condition. It has one key and a case key. As stated the movement has been converted to anchor. The quarter repeat work has been removed. The dial is latched to the upper pillars and pinned to the lower.
A LATE WILLIAM IV MAHOGANY AND BRASS MOUNTED STRIKING AND REPEATING BRACKET CLOCKBy James McCabe, Royal Exchange, London, No 255The case with a chamfer top above arched glazed panel door, with canted edges, flanked to each side by a fretted panel and with a hinged glazed back door, the 6 1/2in arched signed silvered dial with strike/silent subsidiary to the arch, the twin train chain fusée movement with signed backplate, striking on a bell and with pull repeat, brass pendulum locking nut, together with a reproduction bracket36cm high excluding bracketCondition reportWith a brass winding key and a steel case key. In good overall original condition. The movement appears to be tarnished and will require a clean and service.
A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCKBy Morice, Fenchurch Street, LondonThe broken-arched top case with brass carrying handle, above glazed doors, the sides with pierced fish-scale rectangular panels, the 8in arched brass dial with strike/silent above silvered chapter ring, enclosing a matted centre with pierced blued steel hands, the signed twin train chain fusée movement with anchor escapement striking the hour on a bell, with an associated mahogany bracket46cm highCondition reportIn unrestored condition. With a modern crank key. The case has been subject to repairs previously. Some veneer replacement on the top and back door. The movement requires a clean and service. The brass securing brackets are Victorian replacements.
A RARE AND UNUSUAL GILT BRASS TRIPOD CLOCK WITH BAROMETER AND THERMOMETERBy Thomas Cole, London, stamped 70 / 1858, for Phillips, 23 Cockspur Street, circa 1860 With its original keySurmounted by a bracket, stamped to the upper side 70 1858, with small suspended silvered sphere for levelling, above three cylindrical arms, supporting the 6in silvered and engraved dial, signed Phillips 23 Cockspur St, above the XII, with seconds subsidiary below and blued steel hands, the movement with deadbeat escapement and wheels of five crossings, stamped to the base of the backplate 70 / 1858, the pendulum with silvered sphere bob, above circular engraved stepped base, inset with an aneroid barometer dial and angled thermometer scale, with Cole’s pendulum locking plate, together with glass domeThe clock 51cm highPROVENANCE: Jack Henley (according to paper label attached to the backplate)Cyril Fish, thence by descent.Thomas Cole (d. 1864) was a most innovative maker of clocks of singular design. His life and work are discussed in John Hawkins' work Thomas Cole & Victorian Clockmaking, Sydney, 1975. He illustrates a virtually identical tripod clock by Cole, item 40, page 115.The retailers of this clock are Phillips Brothers and they are recorded at 23 Cocksure Street 1856-69. They exhibited in the Great Exhibition of 1851 and the International Exhibition in 1862. Cole supplied them with his work.Condition reportThe clock is ticking and runs. In good original condition. The gilding is sharp and clean. The movement may require a service (some oil run-off on lower part of backplate). As stated it has its original key
A COLLECTION OF FOURTEEN HOROLOGICAL REFERENCE BOOKSIncluding: Terence Camerer Cuss, The English Watch; Charles Allix, Carriage Clocks; Tony Mercer, Mercer Chronometers; Peter Heber & Klaus Maurice, European Pendulum Clocks; Ron Rose, English Dial Clocks; Richard Barder, The Georgian Bracket Clock etc.Condition ReportAll in good condition.
Thomas Richardson, Weaverham, mahogany eight day longcase clock, circa 1795, the hood with brass capped turned columns flanking a 14 inch square dial with signed silvered chapter ring, subsidiary seconds and a matted centre, the movement striking on a bell, the trunk having a well figured door and quarter pilasters over a box base with canted corners, raised on bracket feet, with pendulum and two weights, height 213cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
A Victorian mahogany bracket clock, by W Greenwood, Leeds and Huddersfield, circular silvered dial bearing Roman numerals, eight day movement with coil strike, the case of architectural form, with brass finials and fluted quarter pilasters, fabric backed grilles to the front and sides, raised on brass bun feet, with pendulum, no key, 42cm high, 25cm wide.
LATE 18TH C. MAHOGANY BRACKET CLOCK, John Wightwick, bell top with handle and four cone finials, over glazed sides and moulded angles on a plinth base to claw and ball feet, the signed brass 5.75 inch dial with silvered chapter ring with Roman and Arabic numerals, matt centre with calendar aperture and pendulum window, strike/silent and regulation dials in the arch, the twin gut (now wire) fusee movement with four knopped pillars and engraved and signed backplate, verge escapement with pull repeat playing on six bells, 43cms h (incl. handle)Provenance: private collection south WalesComments: repeat draw string broken, ticks and strikes, feet and finials probably replaced, other minor restorations.
A good second quarter of the 18th century French ormolu-mounted tortoiseshell wall clockL. Talon, ParisThe case surmounted by a detachable caddy with gilt fleur-de-lys finial on a classical urn with hoof feet, the tete-de-poupee shaped case centred by a Roman style portrait medallion over elaborate scroll mounts to the corners and base, the sides with cut-brass inlaid lozenges, over a tapering wall bracket with cast edge and goats head corner mounts, framing a coloured horn panel and terminating in a floral bud finial. The 6 inch thirteen-piece white enamel Roman dial with engraved outer minute ring and blued steel hands, signed L. Talon AParis. The large rectangular movement united by five pinned tapering pillars, verge escapement with silk suspended pendulum and solid outside countwheel strike on a bell, signed along the lower edge L Talon AParis. 25cm wide x 17cm deep x 79cm high, (9 1/2in wide x 6 1/2in deep x 31in high)Footnotes:LiteratureAccompanied by a photograph and description prepared by Mentink & Roest.This lot is subject to the following lot symbols: * Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.Y Subject to CITES regulations when exporting items outside of the UK, see clause 13.For further information on this lot please visit Bonhams.com
An extensive library of horological reference booksA large quantity of approximately seventy-five reference books on clocks and barometers including: The Knibb Family - Clockmakers by Ronald A Lee, First Edition, edition number 101, published by Manor House Press in 1964; Early English Clocks by Percy G. Dawson, C.B. Drover & D.W. Parkes; The Golden Age of Horology - Masterpieces from the Tom Scott Collection, edition 30/85, published in 2015 by Richard Garnier and Jonathan Carter; The Wetherfield Collection of Clocks by Eric Bruton; Spring-driven Dutch pendulum clocks 1657-1710 by Dr. R. Plomp; Clocks: Their Origin and Development 1320-1880 (vol. 1 - 2) by H.M Vehmeyer; The Georgian Bracket Clock 1714-1830 by Richard C. B. Barder; Thomas Tompion: 300 years by Jeremy Evans, John Carter and Ben Wright, qtyThis lot is subject to the following lot symbols: • TP• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A mid 19th Century rosewood Archibald Haswell London bracket clock, brass dial with black Roman numerals, engraved corners on plate, single fusee movement, glass bevel edge panels to sides and top, with key and open base for pendulum. (Recoil escape pallets are loose when engaging with escape wheel), 32cm x 23.5cm x 18.5cm
A late Georgian twin fusee bracket clock, the ornate engraved arch face named "William Parlett, Mayfair". With strike/not strike and chime/not chime indicator to top of face, brass outline to corners and glazed door, glazed sides and rear door, with engraved movement plate and open base for pendulum. Dial Roman numerals and outer seconds track, pierced hands and day date indicator. With key: for door and winding (a/f). 44cm tall with handle 39cm without
A Georgian mahogany bracket clock, Baker Tamworth, with arch white dial and Roman numerals, also outer minutes dial along with strike and silent indicator above. An 8-day double fusee movement with engraved plate also inscribed Baker, along with a repeat pull. Glazed doors to front and rear with brass bracket feet and some brass outlining to piece, brass fish scale sound frets lined with silk, with key. (Possible repainted/repaired dial). 46.5cm tall with handle 42 without

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28112 item(s)/page