We found 28112 price guide item(s) matching your search

John Agar of York - late 18th century oak eight day longcase clock, with a flat topped pediment and broad frieze beneath, square hood door with attached pilasters, long rectangular trunk with a wavy topped door on a long plinth with a stepped base, brass dial with a matted centre and cast spandrels, chapter ring with makers name, Roman numerals and five minute Arabics, sunken seconds dial, square date aperture andoriginal matching steel hands, dial pinned directly to an eight day rack striking movement, striking the hours on a bell. With weights and pendulum.John Agar (1) was a highly prolific York clockmaker during the 18th and early 19th century producing many fine longcase and bracket clocks from his workshop in Castlegate York. Dimensions: Height: 220cm  Length/Width: 40cm  Depth/Diameter: 25cm

An early 20th century mahogany cased musical bracket clock having three train striking and chiming movement, height 37cm

A George V mahogany bracket clock in the Georgian style, having white enamel dial and eight-day spring-driven movement striking on a gong, h.29.5cm; together with a teak cased continental mantel clock (2)

An early 20th century mahogany cased bracket clock, having a silvered arched dial, three-train striking and chiming musical movement, h.38cm; together with one other incomplete example from the period (2)

A Georgian style mahogany cased bracket clock having arched brass dial, height 34cm (handle down)

Marriot's of Islington Bracket clock circa 1860 - Approx height: 44cm

Große Louis XV-Boulle Pendule mit KonsoleFlächendeckender Fond aus rot hinterlegtem Lack mit Einlagen aus ornamentiertem Messing in sog. Boulle-Technik. Applikationen aus vergoldeter Bronze. Balusterförmiger Korpus mit erhaben reliefiertem Musikanten sowie geschweift ansteigendem oberen Abschluss mit vollplastischer Puttenbekrönung. Reliefiertes Zifferblatt aus Emailreserven. Pendulenwerk mit Pendelfeder sowie Halbstundenschlag auf Tonfeder. Platine bez. Aubert et Klaftenberger Genève. Korrespondierende Konsole mit Maskarons. Ges.-H. 110 cm.A large Swiss Louis XV style clock with bracket. Strikes half hour on a bell.Schweiz. Genf. 19. Jh.

Große Louis XV-Boulle Pendule mit KonsoleFlächendeckender Fond aus ornamentiertem Messing, Schildpatt, farbigem Lack und Perlmutter in sog. Boulle-Technik. Applikationen aus vergoldeter Bronze. Balusterförmiger, dreiseitig verglaster Korpus auf üppigen Rocaillefüßen. Geschweift ansteigender oberer Abschluss mit figuraler Puttenbekrönung. Ornamentiertes Zifferblatt mit Emailreserven, bez. Jacques Coigniet Paris. Pendulenwerk mit Fadenaufhängung sowie Halbstundenschlag auf Glocke, ebenso bez.; Flächendeckende Marketerie aus Blüten und Blattvoluten in Contre Partie-Technik. Korrespondierende Konsole mit Maskarons. Ges.-H. 118 cm.Vgl hierzu: Tardy, S. 134.A large French Boulle Louis XV mantel clock with bracket. Strikes half hour on a bell.Frankreich. Paris. 18. Jh.

Contemporary - Telma 8-day chiming bracket clock, in a break arch case with carrying handle, brass dial with a silvered chapter, engraved dial centre ,cast brass spandrels and a working moon dial to the arch, with a three train Hermle spring driven movement with a floating balance escapement, chiming on 5 gong rods. With key.Dimensions: Height: 33cm  Length/Width: 20cm  Depth/Diameter: 15cm

A modern brass four glass clock with folding carry handle to top white enamel dial with roman numerals raised on bracket feet complete with key working H x 11.5cm L x 8cm W x 6.6cm 

A late 18th century mahogany-cased 8-day longcase clock, signed to the arched, painted, rolling moon dial for James Cawson, Liverpool, Loomes lists him initially as working in Lancaster then Liverpool from 1781, matching steel hands, centre seconds indication, case with full length door, quarter reeded columns, raised on bracket feet, hood with swan-necked pediment and inset verre eglomise panels, with pendulum and two brass-cased weights, approximately 230 cm (h). Condition Report: Some splitting / separation to the hood, glass appears ok, loss / splitting to the case door, veneer loss in areas, general surface marks / scratches / knocks throughout.

A reproduction mahogany cased dome-top mantel clock, on brass bracket feet, by Comitti of London, height 28cmGood condition and in working order

A GEORGE III FIGURED MAHOGANY BRACKET CLOCK BY ROBERT PHILP the 21cm cream enamelled dial with Roman numerals, the eight day two train movement, striking on a bell, with finely engraved backplate, contained in brass mounted arched top case, with grilles to front and sides, on ogee bracket feet, 43cm high x 30cm wide x 20cm deepNote: Robert Philp is recorded working at 6 New Court, St John Street, Clerkenwell between 1777 and 1811, noted for musical clocks, watches and astronomical clocks, including one exhibited in the Peiping Museum, China.

A FIGURED MAHOGANY LONGCASE CLOCK BY WILLIAM GAMMON OF LONDON AND BIRMINGHAMearly 19th century, the 30cm diameter cream enamelled dial with Roman numerals, the eight day two train movement striking on a bell, contained in arched top case, the hood with three brass finials and inset with brass grilles, the trunk with reeded canted corners and on bracket feet, 211cm high

A Quality and original mahogany George III bracket or table clock by Thomas Satcher of London cirica 1790 or earlier. The silvered dial with date aperture and strike silent subsidiary dial. Makers inscription and elaborate hands. The movement with fine double fusee movement striking on a single bell with engraved brass back plate and short bob pendulum. The case with applied cast acorn finials and top handle. Hight 50cm width 27cm 19cm depth glass cracked very good original condition.

A mahogany arch-shaped bracket clock, the brass dial marked Goldsmiths & Silversmiths Company, 112 Regent St, London, the movement striking on a bell, with pendulum, 30cm high, 21cm wide.

Late 20th Century brass anniversary style clock under glass dome and fitted to a wall bracket, striking on a bell, 92cm high

A George III mahogany bracket clock by William Elliott of London, with a silvered dial, the broken arch dial with a 'strike/silent' subsidiary dial and date aperture, the two train movement striking on a bell, the backplate with foliate engraving, the case with a brass handle and pierced grille sides, complete key and pendulum,39cm highCondition ReportAppears to be overwound as neither barrel moves. Will require attention of a clock maker. Some losses to the veneer, most noticeably to the front left corner of the plinth and to the edges of the panels on the arch. Minor knocks and wear commensurate with age.

A Garrard of London, Westminster chime bracket clock, together with two other mantel clocks CONDITION REPORT no pendulum neededno keys presentOur team of trusted experts are on hand to help and always endeavour to provide an accurate judgement. The ultimate responsibility lies with the buyer however, and we recommend that you make every effort to inspect the lot yourself.To that end, we have provided a number of additional images for your attention to showcase the lot in more detail.

A rosewood bracket clock, early 19th century, French movement, silk suspension

19th Century Chinoiserie bracket clock having a round dial with roman numerals to the chapter ring set within a lacquered case with landscape detailing. Movement signed with BC initials, and 'fabrique en Paris'. Measures 35cm tall.

A 19th century eight-day longcase clock with moonphase by John Smerdon of Newton Abbot - the bell-strike, four-pillar movement fronted by a painted arched Roman dial with floral spandrels, arched date aperture, subsidiary seconds dial and painted moonphase to the arch, the case with shaped arched hood with spiral reeded columns, over a canted trunk and plain base with bracket feet, 187 cm high, lacks finials and back feet from base.

A mid-18th century 30-hour weight-driven longcase clock by Giles Bennett of Malmesbury - the bell-strike movement with four knopped pillars, fronted by a square brass dial signed to the Roman chapter ring and engraved to the centre with flowers, foliage and a seated squirrel 'seated' on the chamfered date aperture, an Arabic subsidiary dial at 12, with gilt-brass floral and leafy scroll spandrels, with a single lead weight and brass and lead pendulum, the oak case with ogee moulded caddy top on parcel-gilt three-quarter columns, over a plain trunk and base with later stained pine bracket foot plinth, probably reduced in height, 206 cm high. * Giles Bennett is recorded in G H Baillie, 'Watchmakers & Clockmakers of the World' as working in Malmesbury from 1752 to 1766.

A Highlands chiming wall clock and an Eluxa gold and floral clock with wall bracket

Jaeger lecoultre Atmos 435704 brass & glass mantel clock and shelf bracket measures approx height 22cm by 18cm by 13cm the clock will need servicing

A German 19th/20th century oak cased bracket clock - with fish scale caddy top, foliate carved panels and turned pilasters, the brass dial with silver chapter ring set out in Roman numerals fitted with a twin train movement striking gongs, height 54cm.

An early 20th century bracket clock, by Maple & Co., with an inlaid lancet shaped case and signed silvered dial, with a single train movement, 31cm high

A Mid-Late XIX Century French Wall Clock, the white enamel dial inscribed "Chevassy a Reichelieu" with black Roman numerals within a puce border, the brass surround cast with figures amongst sacks of hay and flowers, large brass pendulum (later), two weights, wall bracket and winding key, verge movement, face 39cm long, pendulum 100cm long.

A French Louet Movement Brass Carriage Clock, of typical form with bracket feet, the white front plate with black Roman numerals, 11.5cm high (handle down).

An early 20th Century English bakelite cased Garrard wall clock with hinge bracket, untested

Antique English bracket clock. Ebonized. Circa 1800. J. Leroux London. Louis Seize. Half hour strike on bell. Dimensions: H 57 cm. In good condition.

Two early 20th century mahogany cased mantel clocks, one a Mappin & Webb bracket style clock, the other with French movement, retailed by Barruad & Lunds, both with winding keys Location:

A 19thC oak mantel clock, with a rectangular brass dial with cherub spandrels and a silvered chapter ring with Roman numeric border, on bracket feet, with thirty hour movement stamped WH & Son, 26cm high, 22cm wide, 18cm deep.

A Seiko quartz bracket clock in a walnut case, 27cm high; & a Bentima Mantal clock in a walnut case, 26.5cm high.

Mahogany longcase clock, hood with three ball finials, turned columns, trunk with long door, bracket feet, twelve inch archaed brass with with subsidiary seconds dial and date aperture, moonphase to the lunertte, signed John Morse, Southampton, eight day movement striking on a bell, 240cm, with pendulum and two weights.Condition report:The hour hand has become detached. There are splits to the veneer on the hood and cracks to various parts of the hood, body and base. One the columns had a rough flat back and is missing some wood at the top. There are some minor losses to the top of the hood. One of the brass finials is slightly bent. The lock appears to have been replaced. Please see additional uploaded images.

Scottish mahogany longcase clock, hood with arched top and ball finial, trunk with long door, bracket feet, twelve inch circular silvered dial with subsidiary seconds dial; signed Bryson, Edinburgh, eight day movement striking on a bell, 210cm.Condition report:The mechanism appears complete but it doesn't strike when provisionally set up in the saleroom and the pendulum drags against the backboard (could be just not level in the saleroom). No evident worm. Some losses of moulding to the case. Some splash marks and historic dents/ notches. The case and hood are filthy - retrieved from an outbuilding - and would instantly lift with a decent sympathetic clean.

William IV mixed wood longcase clock, hood with bird finial, swan neck pediment, turned columns, trunk with short door, bracket feet, fourteen inch arched brass dial signed Henry Higginbotham, Macclesfield, rocking ship to the lunette, subsidiary seconds dial and date aperture, eight day movement striking on a bell, 240cm, with two weights, pendulum and winding key.Condition report:It appears to be working on quickly assembly in the saleroom although would benefit from being professionally installed. Some tarnishing and wear to the silvered chapter ring. The painted arch is good and the galleon moves with the seconds. Some old spot repairs to the case but generally well presented. No key for the trunk and so the door swings open at present.

Mahogany longcase clock, hood with urn finial and swan neck pediment, turned columns, trunk with short door, bracket feet, fourteen inch arched painted dial, moonphase to the lunette, eight day movement striking on a bell, 232cm, with two weights, pendulum and winding key.

Wall clock, incorporating a longcase painted arched dial, signed Jn Hallam, Nottingham, thirty-hour movement, modern wooden bracket, 48cm high.

λ A VICTORIAN ROSEWOOD MANTEL CLOCKBY FRODSHAM, LONDON, MID-19TH CENTURYthe brass, eight day, twin fusee movement with a rare type of pin pallet escapement, repeat mechanism and striking on a gong, the backplate inscribed 'ARNOLD, Chas. Frodsham, 84 Strand, LONDON, 651', on a silvered dial with black Roman hours and spade hands, inside scrolling foliate spandrels, inscribed 'Arnold, 84 Strand, LONDON, 651' above a date aperture, the five pane case with a spirit level set into the top, a fluted cornice, ogee moulded and stepped plinth and brass flattened bun feet, with pendulum, together with a later mahogany stepped bracket (2)clock 31.8cm high, 23cm wide, 17cm deepCatalogue NoteAlthough the name 'Arnold' appears on the dial, it is probable that this is a Frodsham clock, John Roger Arnold having died in 1843. 84 The Strand, originally a coffee shop, was purchased by Arnold by 1821 and, on his death, was bought by Charles Frodsham. However, Frodsham continued to use the name 'Arnold', together with his own name, on all the items produced by the shop until around 1858, when Frodsham stopped using Arnold's name on his products.

John Gilbertson, Rippon, a quarter-striking bell-top mahogany bracket clock the six-pillar, triple-fusee movement with verge escapement and striking the hours on a bell and the quarters on three further bells, with a fully engraved backplate of floriate and rococo decoration, the eight-inch arched dial having a solid silvered centre engraved with the name John Gilbertson, Rippon and having a sweep centre date indicated by a brass hand, the raised chapter ring engraved with black Roman hour numerals and Arabic five-minute markings, with decorative blued steel hands, with floral and rococo cast brass spandrels to the four corners with further spandrels to the arch either side of the silvered strike/silent dial, the mahogany bell-top case with cast brass finials, cast brass feet, cast 'cherub-head' fretwork to the sides and with brass carrying handles above each, all surmounted by a fluted block to the top surmounted by a further brass finial with gilded wood scroll work to either side, height 63.5cm. The quality and style of this clock would indicate that Gilbertson 'bought-in' the clock from the celebrated maker John Taylor of London being near-identical in many aspects to those from his workshops. Of note is the engraved decoration to the backplate, the distinctive double line to the backplate edge, the shape of the verge apron, the shape of the hammer heads. The case has identical mounts to those seen by Taylor, including the feet, side frets and finials. The dial and engraving is fairly distinctive and near-identical used by Taylor as are the hands and spandrels. The 'John' part of the signature engraved to the dial centre is identical to the 'John' engraved on clocks by John Taylor. This clock is illustrated and described by Leigh Extence in Ripon's Clockmakers by David F. Severs, pages 54-57, published by the author 2013. John Gilbertson is recorded as working in Rippon (Ripon), Yorkshire from circa 1750 until his death in 1793. A longcase clock by him is illustrated in Clockmakers of Northern England by Brian Loomes. C.L. Reid, in North Country Clockmakers, notes that some clocks by him have the name Ripon spelt Rippon, as seen with this clock. Gilbertson was recorded as a clockmaker in the Universal British Directory of 1790-95, a list of which was published in The Yorkshire Evening Post, July 25th, 1908.

John Dobson, London a mahogany bracket clock the eight-day duration, double-fusee movement having a verge escapement and striking the hours on a bell with pull repeat and border engraving to backplate, the eight-inch brass break-arch dial having a raised silvered chapter ring with black Roman numerals with the centre engraved with the makers name John Dobson, London, with cast-brass c-scroll spandrels to the four corners, the arch with a Strike/Silent dial, the mahogany bell-top case having cast mounts to the corners, inset fretwork, brass carrying handle and standing on brass bracket feet, height 51cm, handle down.

F.R. & S., London an ebonised Georgian chiming bracket clock the eight-day duration, triple-fusee movement having a verge escapement, fully engraved backplate and chiming the quarters on a nest of 10 bells and the hour on a further bell with the shaped seven-inch silvered brass dial having a raised silvered chapter ring engraved with black Roman numerals, the centre having a date aperture and engraved decoration, with the arch having two subsidiary dials for Chime/Not Chime and tune selection Lass of the Hill/A Minuet/A Song/An Air, with a silvered plaque set between engraved F.R & S., London, the ebonised case with ormolu mounts to the canted sides, surmounted by a caddy top with five cast finials and all standing on cast foliate feet, height 62cm.

A large Victorian ebonised chiming bracket clock the eight-day duration, triple-fusee movement having an anchor escapement and striking the hours on a gong and the quarters on a nest of ten bells, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, matted dial centre and blued steel hands, the arch with two subsidiary dials for Chime/Silent and Cambridge Chimes/Chime on Eight Bells,the ebonised case with gilt-brass inset foliate friezes, finials to the four corners, side frets and a full repousse basket to the caddy top, surmounted by a cast-brass handle, height 50cm/58cm handle down/up.

A French Victorian red tortoiseshell and brass boulle bracket clock the eight-day duration movement striking the hours and half-hours on a gong with the round brass dial having black Roman numerals to the applied plaques and blued steel hands, the boulle red tortoiseshell case with brass inlaid decoration having a glazed front door and rococo ormolu mounts to the front with the caddy top surmounted by a gilt-brass figure depicting a cupid firing an arrow, height 47cm.

A French Victorian red tortoiseshell and brass boulle bracket with bracket the eight-day duration movement striking the hours and half-hours on a bell with the round brass dial having blue Roman numerals to the applied plaques and blued steel hands, the waisted boulle red tortoiseshell case with brass inlaid decoration, with a glazed front door and having rococo ormolu mounts to the front, sides and top, with matching wall bracket, height 93cm clock, 128cm including bracket.

Paul Rimbault, Soho, London, a chiming ebonised bracket clock the eight-day duration, triple-fusee movement, now with an anchor escapement, chiming the quarters on a nest of ten bells and the hour on a further bell and having a fully engraved backplate with foliate decoration, the seven-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, the centre engraved Paul Rimbault, Denmark Street, Soho, London, 1771, with cast-brass c-scroll spandrels, the arch with a later selection for Whittington Chimes, Eight Bell Chimes, 10 Bell Chimes, Strike/Silent, the stepped ebonised case with gilt-brass caryatid mounts to the canted corners, gilt-brass pineapple finials to the four corners and surmounted by a caddy top with brass handle, height 53cm.Biography: Paul Rimbault is recorded as working in Denmark Street, Soho, London from before 1770 until at least 1785.With alterations.

A Victorian brass inlaid inlaid mahogany bracket clock having an eight-day duration, single-fusee movement, the six-inch round painted dial with black Roman numerals, with the mahogany curved top case having applied carved mouldings and inlaid brass decoration, height 30cm.

Thomas Delasalle, London a Georgian mahogany bracket clock the eight-day duration, double-fusee movement having an anchor escapement and striking the hours on a bell, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, the centre with date aperture, engraved decoration and signed with the makers name Thos. Delasalle, London, with cast-brass c-scroll spandrels, the arch with a dial for Strike/Silent, the mahogany case with inset brass fretwork and with the caddy top having four cast pineapple finials and surmounted by a brass handle, standing on brass bracket feet, height 55cms including handle.Notes: Thomas De la Salle is recorded as working at St. Catherine's Stairs, London from before 1799 until at least 1824.

J.C. Jennens, & Son, London a mahogany chiming bracket clock the eight-day duration, triple-fusee movement with anchor escapement and chiming the quarters on a nest of eight bells and striking the hour on a further bell, the backplate fully engraved with foliate decoration, the eight-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals, the matted centre with date aperture, 'false-pendulum' aperture and inset silvered strip engraved with the makers name J.C. Jennens & Son, London, with cast-brass c-scroll spandrels, the arch with a dial for Strike/Silent, the mahogany case with inset brass fretwork and with a caddy top surmounted by a brass handle, standing on brass bracket feet, height 58cm including handle.Notes: John Creed Jennens is recorded as working in Birmingham in the early-to-mid 19th century before moving to Clerkenwell, London where he died in 1883 whilst working in partnership with his son John Sydney Jennens who succeeded him.

Gray, London a Regency mahogany and brass inlaid bracket clock the eight-day duration, double-fusee, five-pillar movement having border engraved decoration to the backplate, an anchor escapement and striking the hours on a bell, the arched painted dial having black Roman numerals, brass spade hands and signed Gray, London, with a Strike/Silent dial within the arch, the mahogany case with brass inlaid foliate decoration, with the shaped curved top surmounted by a further block with cast-brass acorn finial, height 64cm.

An 18th century Lynch of Newbury longcase grandfather clock. Mahogany hood with brass finial to top, brass gilt face with ebonised roman numeral chapter ring, with branding to face. Long mahogany body raised on bracket feet. Measures approx. 213x48x26cm

An early 20th century mahogany chiming bracket clock with silvered Roman numeral dial, 34cm high

An early 20th century Mappin and Webb mahogany bracket clock, 40cm high

Walter Mitchelson, London, a bracket clock with later ebonised case, 47cm

An inlaid mahogany mantel timepiece with German movement, retailed by Maple & Co. (London), 37 cm high bracket clock

Mid 19th century - 8-day Scottish mahogany longcase clock, with a tall west coast flat topped hood, break arch door and sound frets to the sides, crossbanded trunk with a long flat topped door on a square plinth with bracket feet, painted dial with floral spandrels and depiction of a bird of paradise to the arch, Roman numerals, five minute Arabic's and minute track, matching steel hands, seconds and date dials, movement pinned directly to a rack striking weight driven movement striking the hours on a bell. With weights and pendulum. No makers name.Dimensions: Height: 210cm  Length/Width: 50cm  Depth/Diameter: 25cm

English - early 19th century 8-day oak longcase clock c1820, with a swans neck pediment and brass patera, broken arch door beneath flanked by two reeded pilaster with brass capitals, trunk with recessed quarter columns and capitals, trunk door with crossbanding and a wavy top, square plinth with a raised panel and bracket feet, painted dial with upright Arabic numerals, seconds dial and steel hands, painted spandrels and birds of paradise to the centre, with a depiction of a shepherdess to the breakarch, dial pinned directly to a rack striking movement with a recoil anchor escapement, striking the hours on a bell. With weights and pendulum.Makers name indistinct.Dimensions: Height: 207cm  Length/Width: 50cm  Depth/Diameter: 24cm

Scottish - 8-day mahogany longcase clock c1860, with a tall west coast hood and swan's neck pediment, break arch door beneath and sound frets to the sides, long flat topped trunk door on a square plinth with bracket feet, painted dial with representations of the four seasons to the spandrels and a depiction of Robert Burns and Highland Mary to the arch, with Roman numerals, minute track , seconds and date dials, unusual cast brass hands in the form of flying birds, dial pinned directly to a rack striking movement, sounding the hours on a bell. With weights and pendulum. Makers name indistinct. Dimensions: Height: 210cm  Length/Width: 59cm  Depth/Diameter: 24cm

An Early 19th Century Mahogany Cased Mantel Clock by Edward Hopkins of Bradford, the 8ins arched silvered dial with Roman numerals to chapter ring, centre engraved with boating scene, the sides with bellflower swags and shells, to the eight day two train movement striking on a bell contained in case with arched and moulded top, fretted grilles to sides and on brass bracket feet 16.5ins high Images are within the attached Dropbox linkhttps://www.dropbox.com/scl/fo/t2i96a9ehogl4435omlhd/h?rlkey=3xfzjgl9iq4wj38xqk6w49itj&dl=0 Externally the clock presents in good overall condition showing some wear commensurate with age but no undue marks, cracks, chips or splits.  All the moulding is present and in good condition. There are some light marks to the veneer to the top of the clock running front and back with the seam of the veneer. The fretwork to the sides - right hand side has some slight damage of an area of approximately 20mm square, and on the left it is in good condition. Handle and feet appear original.  The door appears to be original as do the hinges, it closes correctly and does not bind. The dial silvering is in good condition and appears to be original. The numerals are clear and concise, may have been refreshed but this would be historic and the hands appear to be original. The glass to the door is free from any cracks or chips and is securely fastened. The rear door again functions correctly, the hinges are original. The glass appears to be original as does the putty retaining the glass. No chips or scratches present. The pendulum is present as is the winding crank. The movement appears complete however we cannot warrant the originality of all components. The bell is likewise present. The clock winds, runs and sets but should be regarded as untested. Potential bidders are advised to study all images carefully prior to bidding.