We found 28112 price guide item(s) matching your search

Georgian Cavalry Battle Scene Long Case Clock by Alker of Wigan. This clock is attributed to John Alker of Wigan (1790-1820). The painted dial decorated with a dramatic battle scene of British redcoat cavalry engaging the French, in the background Regimental colours fly and troops advance. To each corner a British Officer wearing scarlet coatee. The square dial is complemented with a rotating moon dial. The movement is fitted into a flame mahogany case, which is raised on ogee bracket feet. The hood decorated with glass panels and surmounted by finials. Both works and case have been professionally restored and the clock appears to be in good working condition. Winding key absent. Height Approximately 94 inches The clock is offered as an historical item only; the instrument accuracy is neither warranted or implied.

A George III mahogany musical bracket clock, by John Taylor, London, chiming the quarters on two bells, the triple fusee movement with crown wheel escapement and bob pendulum, the bell top case with a moulded cornice above a partially silvered and gilt brass arched dial with centre date arrow, flanked by side handles and pierced gilt grilles, on foliate cast gilt feet, 40cm wide 24cm deep 52cm highCondition report: Good colour patina, splits to crossgrained veneer on door, door lock missing, silk fret backing replaced, putty holding glass has deteriorated and fallen out in places. Splits to veneer on sides. Signs of glued repairs on plinth corners. Hinge screws not matching. Silvering on chapter ring and subsidiary dial in arch has blackening to edges. Front door has come apart at top of hinge side.Back of clock - door has come apart completely at top of hinge side and beading holding glass has fallen out. Door lock missing and modern brass knob substituted. Inside of door has two missing pieces of wood that seem to have been cut out.Crossgrained veneer on vertical edges of case cracked, some glued back, one piece missing. Back of plinth base has two pieces of veneer missing to ends.

A large ebonised musical bracket clock, early 20th century, the case with gilt-bronze mounts and reeded acanthus columns, the dial with 'chime/silent' and 'chime and eight bells' and 'Westminster' subsidiary dials, the repeating movement striking on eight bells and a gong, the bracket painted and ebonised, 43cm wide29cm deepdial 18cm diametercase 72cm highProvenance: From the collection of the late Tony Saunders of Bedford.Condition report: Complete with pendulum and three keys.Movement not tested.Minor wear to case.There is no inscription to the plaque.The clock is going. Each barrel winds up.The pendulum ticks away and the quarter striking on bells and hour striking on the going all function. When the pendulum is removed the gong is erratic, probably meaning a clean is needed.

A George III-style ebonised and gilt-mounted bracket clock,c.1900, with a three-train striking and chiming movement to a brass arched dial, flaming urn finials and on cast scroll moulded feet,45cm wide30cm deep65cm highCondition report: Keys and pendulum present.Front door has cracks and chips to veneer.Mouldings are dented and scratched.Arched top and sides of case cracked.Ticks away quite happily.Back door warped.See additional images.

An ebonised musical bracket clock and bracket, 19th century and later, the later enamel dial inscribed 'Graham, Picadilly, London', supporting a three-train fusee movement, striking the quarters on eight bells with a chime/silent dial in the arch, clock 41cm high dial 18.5cm diameter bracket 32.5cm wide x 31.5cm highCondition report: Case - Missing finials, damaged and partially lost veneer piece to top left. Ebonised surfaces have deteriorated in many places, round side windows, on back surround and door. Ebonising rubbed through in places, particularly mouldings. Rear door with splits to veneers, loss of edge near lock, bow key bent.Movement - Two spare holes in back plate near pendulum retention bracket. The clock has propulsion from the spring, which makes the crutch tick fast without the pendulum. Goes, strikes and chimes.Clock ticks away quite happily.

Regency bracket clock, the white enamelled dial signed N.Hedge, Colchester, twin fusee movement with repeat and engraved backplate striking on bell in mahogany and brass mounted domed case with pierced grills on bracket feet, approx. 41 cm high, key and pendulum present. Provenance: Removed from Portishead House, ManningtreeCondition report: General overall condition good, Movement is clean and as far as we are aware in working order, although we have not had it going. Fusee movement is wire driven not chain. Back plate has a spare hole towards the top under the left mount, transportation screw retaining hole is on the left below the bracket. Seat board has been replaced. Dial has been repainted. Case is good but has had work done to it. Veneer has been repaired and replaced in places, rear door has been repaired, top handle mount is loose.

Early 19th century bracket clock by Frank Robotham, Hampstead, c1800 with twin fusee movement striking on bell with repeat, dome top satinwood case with ebony stringing and crossbanding, on gilt bun feet, 37 cm high, 2 keys and pendulum presentCondition report: General overall condition good, movement is dirty and we cannot confirm if it is in full working order, movement is gut/Plastic wire driven, not chain. Dial may have been repainted. Case, generally good condition, some minor repair, stringing is missing towards back left corner of plinth.

Regency bracket clock with single fusee movement, white painted dial in brass inlaid mahogany lancet-shaped case with pierced gothic side grills raised on gilt ball feet, 32cm high, two keys and pendulum present. Provenance: Removed from Portishead House, ManningtreeCondition report: General overall condition good, movement is wire driven not chain and clean. As far as we are aware the clock is in working order, although we have not had it going. Case is good, metal work is dirty, veneers repaired in places, side silks are faded, small area of damage to plinth near back RH corner, rear door damaged at top LH, glass loose, possibly replaced.

Late 19th century Scottish chiming bracket clock by Muirhead & Son Glasgow with silvered dial, twin fusee movement striking on gong in carved oak case, 69 cm high, key and pendulum .

Late 19th century Continental musical bracket clock with silvered dial, the movement with 8 concentric bells and gong in carved oak case on turned bun feet 55.5 cm high

George III mahogany longcase clock, the silvered dial with Roman numerals, subsidiary second hand and date aperture, signed ‘Eva, Falmouth’ etched with a vignette of ships, scrolling acanthus fronds and an eagle and motto ‘Tempus Fugit’ to the break arch, the movement with anchor escapement and striking on a bell, the hood with fluted Corinthian columns supporting a broken swan neck pediment centred with an eagle and sphere finial, the trunk with quarter Corinthian columns flanking the arched door, resting on rusticated plinths, on a panelled moulded base and scrolled bracket feet, 243cm highProvenance: Liberty & Co. Ltd. Regent Street, 15th February 1972. Removed from the Old Rectory, East BergholtCondition report: General overall condition good,movement is dirty and we unable to confirm if it is in full working order. Dial is dirty, scuffed in places, silvering is worn, some sighns of rust to hands. Case is good, no major damage, no obvious signs of wood worm, but surface is well polished and some panels have had previous holes filled. Plinth may have been repaired. Hood is good, capital of rear left column is broken. Gut lines are frayed in places.

A Regency mahogany cased twin fusee bracket clock, Thomas Maughan, London,the 8" dial with black Roman numerals marked Thos. Maughan, London, raised on brass ball feet, the five pillar movement plate further inscribed Maughan, striking on a single bell.42cm high.

A late 19th century walnut cased bracket clock,with a silvered chapter ring with black Roman and Arabic numerals, cornered with pierced gilt spandrels and surmount, the case with applied mounts and finials, the movement plate stamped ‘Lenzkirch 58703’, striking on two gongs.38cm high

A George III eight day mahogany and brass mounted bracket clock,the silvered arch dial with Roman and Arabic numerals and subsidiary date dial and silent strike indicator, in a triple-pad mahogany case, with engraved back plate39cm high.

A large late Victorian ebonised bracket clock with bracketthe arched silvered dial with Roman numerals and subsidiary dials, with engraved brass presentation plaque to base, ‘From E.J Grice, To Colonel Lyne, 22nd November, 1886’, the eight day movement striking on eight bells and a gong

A large late Victorian ormolu mounted bracket clock,the dial with black Roman numerals, surrounded by pierced scrolling spandrels, with subsidiary dials, in an ebonised case, the eight day movement striking on eight bells and a gong73cm high

A George III ormolu mounted ebonised bracket clock by James Wild, London,the silvered chapter ring mark with black Roman and Arabic numerals with subsidiary seconds and strike silence selector, marked James Wild, London, with an eight day twin fusee pull repeat movement striking on a single bell.39cm high.

A George III ebonised bracket clock, Halifax of London,the silvered chapter ring with Roman and Arabic numerals with date aperture and strike silence selector, with an eight day twin fusee movement striking on seven bells, with pull repeat.43cm high.

ATTRIBUÉS À ANDRÉ-CHARLES BOULLE PAR GUILLAUME VITROLLES HORLOGER,NICOLAS BION POUR LES BRONZES, ÉPOQUE RÉGENCE, en placage d'écaille marqueté de laiton à décor de rinceaux feuillagés et fleuris, vagues, cannelures simulées rudentées d'asperges et palmes, La caisse arrondie, en partie haute, accueille un cadran, à plaques en émail blanc et bleu à chiffres romains pour les heures, le fond gravé des allégories de la géographie et de la connaissance entourées de cornes d'abondances fleuries ; le culot à jour à décor de consoles à enroulements, guirlandes de fleurs, centré d'une tête d'ange ailé, avec un cartouche en émail inscrit "Vitrolles/à Paris". Le mouvement également signé. Garniture en bronze doré telle que : feuilles d'acanthe à enroulement, palmes, guirlandes de fleurs en chute et agrafes feuillagées. Il est surmonté d'une figure d'Athéna, symbole de victoire et de paix. Le cul-de-lampe, ceint d'une frise de cannelures rudentées d'asperges, présente des espagnolettes en chute et au tablier un feuillage grainé., (Accidents et manques), Attributed to André-Charles Boulle, regence bracket clock, by Vitrolles clockmaker, H 112 X L 38 X P 18,5 CM • H 44 1/8 X W 15 X D 7 1/4 IN.

Good fusee wall clock by G Smith, Litchurch, of Derby. 16” dial in mahogany case. Movement stamped on back plate 1887. Pendulum attached to case via a bracket. Cast bezelUntouched condition came from St James School Derby. With pendulum and winding key Pendulum movement crutch broken but present.Smiths are a famous Derby clockmaking family from 1813 to the early 1900s

A good French Boulle wall clock on original bracket, with Bass gliding. Ebonised case and bracket painted with flowers (roses) and a scene of a girl collecting water. French movement serial number 5810. Striking on a bell. Sun pendulum. 8” dial

A good French Boulle wall clock with original bracket. Glided with maiden’s heads and cherub Gilded Dial Burr maple case, sun pendulum. Two train movement, striking on a bell. Stamped Japy Fils 1855 26” high without bracket. With bracket 35" 

Large late French Boulle wall clock on original bracket with French movement chiming on a gong. 10” dial two train movement. Ebonised case and bracket with gilded mounts and cherub on the top. 56” high.

A George III oak longcase clock by William Fenton, Newcastle, circa 1775, moulded dental pediment, 32cm brass arched face inscribed with makers name, moon phase and cast gilt foliate and c-scroll spandrels, Roman numerals and Arabic five minutes outer track, subsidiary seconds dial, twin 8-day wined up keyholes, 8-day movement, the arched door flanked by fluted columns, the trunk with moulded edge arched door flanked by quarter fluted columns, the base raised on bracket feet. 211cm H

French miniature bracket type clock with chinoiserie overlay detail, convex dial, 21 cm high, together with a further birds eye maple domed clock (2)

Edwardian walnut bracket type clock with arched, engraved steel dial, Roman numerals and twin train movement striking on an orchestral gong, 42cm high

Edwardian inlaid walnut bracket type clock, the arched engraved dial with silent chime subsidiary dial, Roman numerals, twin train movement, striking on a gong, 42cm high

A William IV mahogany bracket clock, height 42cm (a.f.)

A LATE VICTORIAN MINIATURE MANTEL CLOCK, in the form of a Japaned Georgian bracket clock, caddy top with brass handle, chinoiserie decoration, raised on brass bracket feet, 16cm high, the white enamel dial with Roman numerals, 4cm diameter

A 19th Century Oak and Mahogany Long Case Clock, the square hood with swan neck pediment and brass finial and with turned pilasters above a rectangular door with bracket feet, the painted dial inscribed W. Stephenson Dorchester with subsidiary seconds dial and date aperture

A William IV Mahogany Bracket Clock, the circular dial with Roman numerals and with twin fusee movement, the case with side handles and low brass feet together with a mahogany brass inlaid wall bracket, 45 cms tall

A George III Oak and Mahogany Long Case Clock, the swan neck pediment with brass finials above an arched door flanked by turned columns, the shaped door above bracket feet, the brass dial with silvered chapter ring, Arabic and Roman numerals with two train movement, date aperture and seconds dial with corner mask head spandrels and with two train movement striking on a bell

A George III Long Case Clock, the square hood with turned pilasters above a star inlaid door raised upon bracket feet, the silvered chapter ring inscribed William Wady Bristol with Roman and Arabic numerals and with corner spandrels and date aperture

19th Century mahogany bracket clock, J.W. Benson, London, the gadrooned [pad top above bras inlaid scroll spandrels above the plinth base and squat brass balls, the sides with fret panels, signed silvered dial with Roman hours, anchor escapement with triple chain fusee movement, five hammers striking on five gongs, 45cm high

EARLY 20TH CENTURY OAK BRACKET CLOCK, 45cm high

REGENCE STYLE BOULLE CLOCK 19TH CENTURY The domed top surmounted by a figure of a trumpeting angel, the balloon shaped case applied with masks, figural and foliate scroll mounts, the circular dial with enamel Roman chapters, with an associated bracket 60cm high, bracket 22cm high, 32cm wide

A 19th century mahogany and boxwood-strung eight-day bracket clock; the oval hinged gilt-metal handle above a 20cm dial with Roman numerals and signed 'Gammon, Birmingham', the twin fusee gilded movement striking on a bell, together with pendulum and key, with pierced gilt-metal fish-scale-style side sound apertures and raised on four gilt-metal ogee-style bracket feet (39cm high with handle x 30cm widest point to feet at bottom) The case appears to be in good order, the dial is a little dark and has some flecks and cracks around the winding holes although not too bad.  The gilt metal ogee feet have several pieces of gilding away commensurate with age.  There are a couple of small bits of veneer away from the rear of the door around the framed glass and there is a small piece approx. 1.5cm square moulding at the back away.  It is difficult to tell exactly if the movement is original to the case but in the Auctioneers opinion it looks good although no guarantees can be given.  The piece has come from a good private source and as we understand it they have had it in the family for many years.

A good late Regency period rosewood cased and brass-inlaid eight-day bracket clock; the gilded pineapple finial on a pagoda-style pediment above foliate carving and an eight-inch cream dial with Roman numerals and signed 'Martin Worcester, Wednesbury', the gilded movement with a twin fusee repeating mechanism, individually numbered to the back plate and striking on a gong, together with an early 19th century mahogany clock wall bracket having beaded edge and scrolling-shaped support below, the clock raised on four gilt-metal bun-style feet (the clock 50cm high to tip of pineapple finial x 29.25cm wide x 15cm deep not including convex glass, the bracket 41.5cm wide x 21cm deep); in good working order at time of cataloguing

A good early 19th century brass inlaid mahogany-cased eight-day bracket clock; the figured domed top above an eight-inch cream dial with Roman numerals and signed 'P. Lacey - Bristol', flanked by two ring carrying handles above arched gilt-metal fish-scale-style sound apertures, the fine gilded twin fusee movement striking on a bell and with dogtooth and foliate engraving, with original pendulum, raised on four gilt metal ball-style feet, the front two feet with moulded decoration (42cm high x 30cm wide including handles x 17cm deep including convex glass)This comes with an insurance valuation from Montpellier Clocks in Cheltenham who original supplied the clock in 2008.   They said it was circa 1825 and the valuation then is the same as that paid for it of £5,500.  Signed Mr T. Birch.  Looking at it from the front there is a very small fingernail sized piece of moulding away, front right where the arch meets the horizontal moulding at the top.  Some of the brass stringing is very slightly proud of the mahogany.  The dial looks to be in reasonable condition with some very minor pieces of paintwork away.  Being super critical there are slight scuffs around the winding holes and again scratches and paintwork away.  The mahogany case on top is of a nice figuring and there is a very small historic L shaped crack of about 1cm in between the 12 an 1 o’clock position at the top of the wood but in the Auctioneer’s opinion this does not detract.  The sides look quite good and it is noted that looking at the from the left hand side there is a small 6.5cm piece away at the back of the “fish scale” side fret.  The arched back door is glazed and there is an approx. 1cm square piece of mahogany away from the escutcheon hole on the left.  The lock looks OK an it has a service ticket on it, which appears to be October 2014 by Time In Hand (Shipston) Ltd.  This comes with pendulum, keys etc., and the bell is quite large and striking and the gilded twin fusee movement has been nicely engraved.

A late 20th century longcase clock produced to commemorate the Prince and Princess of Wales' 1981 wedding: the mahogany hood, centrally carved with a fleur-de-lys above two reeded Classical-style columns with gilt-metal capitals, pulling forward to reveal the gilded mechanism striking on four gongs; the silvered chapter ring with Roman numerals and cornered by pierced fleur-de-lys spandrels, signed 'Smallcombe, England'; rectangular trunk door and with three heavy brassed weights and pendulum, raised on bracket stile feet (191cm high x 49.5cm widest at top)

A George III ebonised cased bracket clock by 'Robert Ward, Abchurch Lane, London'; the pagoda-style top with brass handle and flanked by four gilt-metal pineapple finials, the white-enamel dial signed 'Robert Ward, London' and with Roman numerals, the pull string gilded twin fusee repeating mechanism with profusely engraved back plate and striking on a single bell, with pear-shaped bob pendulum and with glazed sides and back, raised upon gilt metal ogee bracket feet, with single key (42cm high to tip of vertical carrying handle x 28cm widest point at bottom of Ogee feet x 18.5cm deep) Robert Ward is recorded in Baillie, G.H. Watchmakers and Clockmakers of the World as working in London circa 1751The clock appears to be in general overall original condition and has come privately and been in private family ownership for many years, coming to the market from a deceased estate etc.  The clock appears to have gilded movement which is engraved with a twin fusee also.  The dial is reasonable with some minor blemishes to the very edge mostly notable around the 5 to 7 o’clock positions on the edge of the dial inside the glass.  The gilt brass ogee feet appear to have had some wear but overall the clock appears to be in good overall condition (see several images posted on the website).  There don't appear to be any "spare" holes in the black plate and although the casing appears to be contemporary together and the clock has been in private hands for many years the Auctioneers cannot provide any cast iron guarantee whether the movement and case did start life together.I can guarantee that this has come from the main country house which sold for £10 million recently.  The ebonised case (not including feet and pagoda handle) is approx. 35cm highest x 26cm wide.

A mahogany-cased eight-day bracket clock; late 20th century, the silvered dial with Roman numerals and signed 'Joseph Kieninger, Aldingen', the dial also with strike silent hand, Westminster/Wittington/St. Mich. hand and the subsidiary second hand dial below the 12 o clock position, the arched top flanked by canted fluted corners with turned brass urn finials, the gilded ten-jewel movement signed 'Original Kieninger' and striking on nine bells, raised on gilt-metal ogee bracket feet, with winding keys and pendulum (35.25cm high x 29.5cm wide x 22cm deepest)Condition Report: Generally overall very good, the mahogany case on the top is a little dirty and dusty but would clean off quite well.  The dial at the front is good, no problems with the case, sides or back.  The back door has a bevel glass which is in good order.  The movement also looks to be in good order together with keys and pendulum and striking on a variety of bells as per the catalogue description.  In the Auctioneers view this probably mid to late 18th Century in date and not as per previously catalogued.  Overall good original untouched condition with no major condition issued.

Bracket ClockHöhe: 39,5 cm. Rückplatine mit Pariser Signets. Gehäuse mit Londoner Händleretikett. Paris und England, 19./ 20. Jahrhundert. Werk: Rechenschlagwerk mit Schlag auf Feder zur vollen und zur halben Stunde, ein Pendel vorhanden. Feder der Pendelaufhängung gebrochen, anbei. Gehäuse: Auf vier Kugelfüßen gelagert der gestufte Gehäusekasten mit seitlichen Löwenkopfhandhaben und eingelegten Messingintarsienbändern. Getrepptes Gebälk mit zentral überhöhendem Zapfenknauf. Zifferblatt: Weiß emailliert mit römischen Stunden und Stabindizes für Minuten, Aufzugslöchlein über der IIII und der VIII, gebläute Zeiger für Stunden und Minuten, Email schadhaft, verglast. (12603765) (13)

An Edwardian mahogany bracket clock, in the George III Revival taste, 15cm convex enamel dial, inscribed R. Stewart, Glasgow, twin winding holes, 8-day movement striking on a gong, the arched case with brass carrying handle, inlaid with a navette-shaped butterfly patera, flanked by reeded canted angles and outlined with boxwood stringing, brass bun feet, 36cm high, c.1905

An Everite brass miniature longcase clock, 13cm, a similar brass miniature bracket clock, gramophone and mantel clock (4)

A glass dome and ebonised stand; a Seiko carriage clock, Roman numerals, a carved cockerel; a painted wall bracket; 19th century ejector candlesticks; chambersticks; etc

A walnut cased 19th century mantel clock with white painted roman dial marked by makers insignia and patent 'July 1878' and a beechwood wig/hat stand with upholstered top, along with a pair of Stag Minstrel mahogany reproduction bedside tables with single drawer on bracket feetLocation: G

A pair of 19th Century mahogany and mirrored domed wall brackets of small proportions with column decoration, 11 cm wide x 21 cm high, together with a 19th Century rosewood clock bracket on scrollwork decorated support, plated cased pocket watch on stand under glass dome, mantel clock in painted case with pocket watch movement and a stoneware match striker, formerly with possibly silver embellishment (now missing)

An early 19th century mahogany longcase clock by Heywood, Wrexham, the broken swan neck pediment over acanthus carved freestanding pilasters flanking the 36cm painted break arch dial, centred with a subsidiary second dial and the makers name, the two train movement strikes on a saucer bell, the wide case with an inlaid frieze over a shaped door flanked by conforming pilasters, above a cross banded lower board raised upon bracket feet, 236cm high, two weights and pendulumCondition reportCase appears in good condition, probably re polished, left hand rear foot missing, back boards are in sound condition, dial looks clean with the numerals possibly re touched at some point, movement also appears to be in good condition, although no guarantee of working order 

ANTIQUE DOUBLE FUSEE BRACKET CLOCK BENNETT 65 CHEAPSIDE LONDON 47CM X 26CM

A late 18th century mahogany table clockJoshua Sarjent, Jermyn Street, St James'sThe bell topped case with handle and four cone finials over arched fish scale side frets and set to the front corners with cast brass uprights, on a moulded plinth and ogee bracket feet, the 7.75 inch arched brass dial with strike/silent subsidiary over a silvered Arabic dial with quarter hours and minute track framing the subsidiary date dial, with matching hands, the twin chain fusee movement with knopped pillars, anchor escapement to a pendulum with engraved bob and rack striking on a bell, the backplate centred by an engraved bird on a column over foliate scrolls within a formal border. With a winding key, ticking, striking and repeating the hours. 56cms (22ins) highFootnotes:Joshua Sargent, active from 106 Jermyn Street from 1794 to 1818.For further information on this lot please visit Bonhams.com

A fine mid 19th century floorstanding mahogany regulator with mercury jar pendulumAttenborough, 84 Brompton Road, London. Further signed 'THIS CLOCK SHEWS GREENWICH MEAN TIME' (sic)The case with pierced dependent cresting below the dial revealed through the full length curved-top glazed door with two locks (keys present) over a recessed panel base, the 11.5 inch silvered dial signed for Attenborough with sight ring and minute track framing the large subsidiaries for running seconds and Roman hours, all with blued steel hands, the substantial plates set on a very heavy brass base via three substantial L-shaped brackets and united by five heavy tapering pillars screwed to the frontplate, with Harrison's maintaining power, wheels of six crossings, high count pinions and jewelled pallets to the deadbeat escapement, the steel crutch with fine-screw beat adjustment to the mercury jar pendulum with further regulation screw adjsutment, reading against an engraved silvered beat scale, the whole movement mounted on a massive cast iron bracket secured to the backboard of the case, with brass weight and fancy pulley of six-crossings. 1.95m (6ft 4.5ins) highFootnotes:The name 'Attenborough' and the number '84' have both been engraved over a hammered up area (as can be seen from the back of the dial), the Brompton Road and GMT proclamation appear to be original. It would be sensible to assume, therefore, that Attenborough bought this regulator for his own shop or workshop from one of his retiring neighbours on the Brompton Road. Two Attenboroughs are known to have traded in London, James in 1857 and George in 1869, George took his son into partnership in 1875.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good early 19th century mahogany table clockGeorge St John, LondonThe break arch case surmounted by a brass handle, over the brass strung door and reticulated side frets, raised on a shallow plinth base and brass bracket feet, the signed 7.75 inch silvered Roman and Arabic dial with engraved floral borders and subsidiary strike/silent dial to the arch, the two train fusee movement with anchor escapement, trip repeat and rack striking on a bell, the plates united by five knopped pillars, the backplate engraved with a vacant foliate cartouche and fitted with a pendulum lock. 48cm (19in)Footnotes:George St John is listed in Westminster in 1808.For further information on this lot please visit Bonhams.com

A good late 18th century French tortoiseshell and Boulle work clock with original bracketSeugnot, A ParisSurmounted by the boldly cast figure of a young Mercury and a goat over a waisted case on scroll feet, on the original concave-sided wall bracket, inlaid all over with tortoiseshell, cut brass and ormolu foliate scrollwork mounts, the front door mount depicting a putto carrying a basket of flowers, the 8.75 inch cast gilt dial framing the Roman and Arabic enamel numerals with gilt hands, the spring driven movement with rectangular plates united by four knopped and pinned pillars, with silk suspension and outside countwheel strike on the bell set above, striking the hours and half hours. Sold with a silk suspension pendulum, large winding key and case key. 94cms (37inches) high (6)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A good mid 18th century brass-banded mahogany quarter-repeating table clockWilliam Nightingale, LondonThe bell top case with handle and pine cone finials over circular and shaped fish scale frets on a moulded base with brass banding and ogee bracket feet, the 6.75 inch arched brass dial with strike/silent over the silvered Roman and Arabic chapter ring, matted centre, shaped signature plaque and date with gilt-brass foliate spandrels, engraved pendulum aperture and blued steel hands, the movement with knife edge verge escapement and twin gut fusee repeating the quarters on a run of 6 bells, with another for the hour, the signed backplate with engraved foliate scrollwork and engraved apron. Sold with one winding key and two case keys. 52cms (20ins)high (4)Footnotes:William Nightingale, active 1747-70.For further information on this lot please visit Bonhams.com

A fine late 17th century ebony architectural longcase clockJohn Fromanteel, LondonThe architectural case with triangular pediment supported by Composite columns and centred by a typical Fromanteel shield mount over spirally twisted turned columns, three quarter to the front and quarter to the rear, over a 42-inch long trunk door with raised moulded edge framing proud panels and a moulded octagonal lenticle over a plain rectangular base on bun feet. The ten inch square brass dial signed along the lower edge 'Johannes Fromanteel, Londini fecit' with winged cherubs head spandrels framing the narrow silvered chapter ring with outer Arabic minute track, Roman hours and inner quarter hour track divided by fleur-de-lyse half-hour markers, the finely matted centre with large Arabic subsidiary seconds dial, matted shutters and chamfered date aperture, with blued steel hands, and four latched dial feet.The weight driven movement with tall rectangular plates measuring 19cms x 12cms (7.5ins x 4.75ins) united by five knopped and ringed pillars latched to the frontplate, the going train with bolt-and-shutter maintaining power and anchor escapement, the strike train with outside countwheel sounding the hour on a bell, further mounted on the backplate with an L-shaped brass bracket to allow secure fixing to the backboard of the case. 1.95m (6ft 4.5ins) high.Footnotes:Comparable longcase clocks by John Fromanteel feature in Garnier & Hollis: 'Innovation & Collaboration' An exhibition held at Bonhams London, September 2018, Exhibit numbers 55, 60, 77 and 78. Two others are illustrated in The Iden Collection, Volume 1, Nos. 9. and 10. Ahasuerus Fromanteel's 1658 advert has ensured that his name willbe forever associated with the introduction of the pendulum clock toBritain, but one could argue that a more involved role was played byhis lesser-known son John. It was after all, John, and not Ahasuerus,who travelled to The Hague in September 1657 and worked alongsideSalomon Coster at the bench in his workshop, discussing the technologies before him. It was John who returned to London andimparted the knowledge to his father and he was surely involved inthe production and finishing of those earliest clocks such as the sublime'Cupid Fromanteel' sold in these rooms June 2011.John was the eldest of three sons. He was born in 1638 andapprenticed to his father in April 1652 at the age of fourteen. He latertransferred to his brother-in-law, Thomas Loomes from whom he wasfreed in July 1663. He died sometime before 1692.( See Loomes,'Clockmakers of Britain', Mayfield Books, 2014, p208)It has been suggested that those clocks signed by him were madebetween circa 1667 when his father left for Holland, and circa1680 when he moved with his brother (Ahasuerus II) to Vijendam,Amsterdam, giving a window of production of only 12 years or so.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A good late 18th century mahogany single pad top bracket clock with alarm and pull quarter repeatRaymond, LondonThe arched top with brass carrying handle over rectangular glass side panels the four corners and door frames edged in brass, over a moulded base and brass ogee feet, the signed 5 inch white enamel Roman and Arabic dial with alarm disc to centre with gilt brass hands, and subsidiary dials above XII for strike/silent and rise-and-fall regulation, the twin gut fusee movement with pivotted verge escapement and rack strike on the bell, signed in a scroll cartouche framed by a running formal border, the engraved lenticular pendulum bob secured by a hinged engraved bracket. Ticking, striking, repeating and alarm operational. Sold with a brass winding key and two case keys. 36cms (14inches) high (4)Footnotes:Raymond of London was active around 1780.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

An historic and unique early 19th century brass skeleton timepiece sold by direct descendants of Robert Roskellthe small frame consisting of two halves; the upper section with skeletonised waisted plates united by four distinctive turned pillars, with 3 inch enamel Roman dial (hands and centre wheel lacking) and supporting the chain fusee and the main wheel train, the lower section with waisted horizontal plates united by four turned upright pillars with stylised acorn finials and ball feet housing a further set of plates united by another four turned and screwed pillars (of different design to those above) carrying the spring barrel, all mounted on the original velvet covered stand with mahogany veneer and bun feet, together with the original (damaged) glass dome, the chain fusee movement with a Massey type jewelled lever escapement with steel balance and diamond endstone set in a triple-screwed chaton, wound from the rear.Footnotes:Provenance:A direct descendant of Robert Roskell, watch and clockmaker 1798-1830. Robert Roskell was the vendors great, great, great grandfather. Three horological items have been passed through the generations, a watch, a bracket clock and this small timepiece. Family tradition has it that this piece was personally made by Robert as part of his apprenticeship. There is much to support this - the frame is not a standard pattern of the time, and he has used different pillars for the three main sections of the clock - the upper, the lower and the barrel frame. The fusee too would have been made especially for the piece. The pinions, which are well finished and of a high count, demonstrate considerable skill.For further information on this lot please visit Bonhams.com

A fine and rare late 18th century satinwood bracket clock with original wall bracketGrant, Fleet Street, London, Number 321The tall arched case surmounted by an urn finial on a caddy over reeded scroll supports with foliate boss terminals, the front with recessed shaped panel, the rear solid door with silk-backed circular sound fret, on a bow fronted plinth, on the matching wall bracket with single shaped support, the signed white enamel Roman dial with dotted minute track and matching hands, the twin chain fusee movement with thick plates united by five heavy knopped pillars, with anchor escapement and rack strike on a bell mounted below the plates, the hammer activated by a brass linkage mounted on the signed and numbered backplate The clock case 34cms (13.5ins), the bracket a further 17cms (6.75ins) high. Total height 51cms (20ins) high.Footnotes:John Grant of Fleet Street was active from 1781 and died in 1810. A similar satinwood clock with enamel dial but no wall bracket is illustrated in Barder, R.C.R. (1993) The Georgian Bracket clocks 1714 – 1830. Suffolk: The Antique Collectors' Club, plate VI/17.For further information on this lot please visit Bonhams.com

19th century rosewood bracket clock having pointed arched top and pointed square section finials, with brass inlay, steel dial inscribed ‘Jas McCabe, Royal Exchange, London’ with brass inset panel below the dial, flanked by pair quadruple cluster column fore-pillars, brass ring handles and grilles to the sides, on dentil carved plinth and gadrooned bun feet, 49cm high Condition ReportPlease attached image of pendulum.  Appears working, hands move when wound.  Unable to state whether in full working order though.