We found 28112 price guide item(s) matching your search

19th Century German oak cased bracket clock, the gilt dial with a silvered chapter ring and Arabic numerals, strike / silent selector and three train movement

George III mahogany and gilt brass mounted bracket clock, the broken arch case with loop carrying handle and ogee feet, the front and sides decorated with brass fretwork panels backed by red silk, the circular enamel dial with Roman numerals, signed Thomas Moss, London, No. 123, the two train fusee movement, signed and numbered again to the back plate with pull repeat function striking on a bell

Late Regency mahogany and cut brass inlaid bracket clock, the pagoda case with a shaped top above an arched door flanked by cluster columns on a plinth base with carved bun feet, the enamel dial with a strike / silent selector to the arch and Roman numerals, signed Birch, Fenchurch Street, London, the two train fusee movement with hour repeat function striking on a gong, 24.25ins high

Late 19th or early 20th Century mahogany and ormolu mounted musical bracket clock, the pagoda case with caryatid corner pilasters, the silvered dial with chime / silent, advance / retard regulator and chime selector above Roman numerals, signed Samuel Hobbs, Butchery Lane, Canterbury, the three train movement chiming on eight bells and striking on a gong, 24ins high

George III mahogany longcase clock, the arched hood above an arched panelled door and print base with bracket feet, the painted enamel dial with Arabic numerals with subsidiary seconds, calendar and moon phase dials, inscribed R. Mann, Reading, the two train movement striking on a bell

A CONTINENTAL 18TH CENTURY STYLE BRACKET RECTANGULAR CLOCK, the bracket having an arched gilt metal mounted canopy, the painted tin case with floral decoration. 68cm high, 35cm wide.

AN EARLY 19TH CENTURY INLAID MAHOGANY LONGCASE CLOCK, the hood surmounted with twin outturned scrolls with brass rosettes enclosing an enamel clock face with phases of the moon, works lacking, above a single panel door and raised on bracket feet. 230cm high

A late 19thC brass inlaid mahogany striking bracket clock in the Regency style, fitted with German movement by Winterhalder & Hofmeier striking on a spiral gong, the convex silvered dial with arabic numerals, named for retailer, Mason of Middlesborough, 20” overall height.

A GERMAN WALNUT CASED CHIMING BRACKET CLOCK, 20th century, by Ungmans of Germany, the two train movement striking on steel rods, the arched dial, the silvered name chapter ring with Arabic numerals and two subsidiary dials to the arch for chime/silent and slow/fast, against gilt, under a domed top and flanked to either side with turned half round reeded pilasters on a rectangular moulded base 17.5in (45cm)h x12.5in (32cm). (1)

A VERY UNUSUAL AND RARE CARVED 'BLACK FOREST' MANTEL OR BRACKET CLOCK, 19th century by A.C.V. Bergen of Interlacken, the rustic case carved with various foliage, and a French movement by Marti & Co. with outside count wheel, striking on a steel bell, and a black two stage dial with gilt Roman numerals and skeleton escapement, 15.5in (39cm)h x 16in (41cm)w. (1)

AN EIGHT-DAY CARVED OAK LONG CASE CLOCK, with rectangular domed pediment, above an arched brass dial by John Evans Shrewsbury, signed in the arch with stylized dolphin spandrels, above a silverised chapter ring, with Arabic and Roman numerals, flanked with rounded half turned columns, the case profusely carved with scrolling leaves, rosettes and guilloche mouldings, an arched trunk door on a carved and moulded box base, on ogee bracket feet, 85in (216cm)h x 19in (48cm)w. (1)

An oak cased Junghans bracket clock with striking gong, Arabic numerals on a silvered chapter ring - Est £40 - £50

A GEO.III.MAHOGANY BRACKET CLOCK WITH ENGRAVED BRASS DIAL.

A 19th century mahogany bracket clock

A 19TH CENTURY OAK LONGCASE CLOCK, having arch top hood flanked by column, trunk with arch top door, base on bracket feet, fitted arched enamel dial with Roman numerals and 8-day striking movement, 209cm high

A LATE VICTORIAN BLACK SLATE MANTEL CLOCK, having gilded Roman numerals carved into dial, 8-day chiming movement, raised on brass bracket feet, 28cm high

REGENCY MAHOGANY LONGCASE CLOCK unsigned, the painted dial with Roman numerals, pierced hands (one possibly replaced), contained within an arched hood, with line inlay and over bracket feet, approximately 208cm high

JAMES GREEN LONDON A good early George III figured Mahogany bell-top VERGE BRACKET CLOCK with glazed side panels, gilt brass pineapple corner finials and folding handle. The 8" arched brass and silvered dial with chapter ring and spandrels, shaped cut out signature panel and date aperture fronting an eight day twin fusee repeating movement with verge crown wheel escapement and hour strike on a bell; the back plate engraved with a chinoiserie pagoda and scrolling foliage 56cm high handle up, 29cm wide, 18cm deep

G & W YONGE STRAND LONDONA Regency Ebonised chamfer-top BRACKET CLOCK of small size with brass ring handles and side frets enclosing a 6" signed silvered brass dial with recessed corner spandrels and Roman chapter ring fronting an eight day double fusee movement with knopped pillars and shouldered plates, anchor escapement and bell strike 32cm high 22cm across base

LOUIS LYON, GRAVESEND LANE, LONDON An ornate late Regency Rosewood and Brass inlaid drumhead MANTEL/BRACKET CLOCK with fret cut eared supports on a box a plinth base with shallow turned bun feet. The 7” painted dial with Roman chapter ring fronting an eight day single fusee timepiece movement with anchor escapement 43cm high 28cm wide

An Early Victorian flame veneered Mahogany 8 day BRACKET CLOCK, with ornate shaped case and applied leaf and flower head carvings to the case front, on bun feet. Painted 8" dial signed Couch, Brixham, with Roman chapter ring fronting a twin fusee movement with anchor escapement and bell strike 52cm high

BARTLEY & EGGERT, BRISTOLA good late Regency ebony banded and inlaid figured Mahogany eight day BRACKET CLOCK the lancet-top case with pierced brass side frets and lions mask and ring side handles on ball feet with an 8” painted convex dial and Roman numerals fronting an eight day twin fusee chain driven movement with signed scrolling leaf engraved backplate, anchor escapement and hour strike on a bell 48cm high 8cm wide at base

An Early Victorian flame veneered Mahogany 8 day BRACKET CLOCK, with wavy top pediment and applied leaf and flower head carvings to the case front, on bun feet. Painted 8" dial with Roman chapter ring fronting a twin fusee movement with anchor escapement and bell strike 45cm high

ELLICOTT & COMPANY, ROYAL EXCHANGE, LONDONA fine Regency flame Mahogany brass bound triple pad top BRACKET CLOCK with folding handle and ogee feet. The arched 8" florally engraved gilded brass dial set with an enamel centre and subsidiary regulation and strike/silent dials above; roman chapter ring and signed centre fronting a fine quality eight day twin fusee movement with knopped pillars and shouldered plates with engraved border, anchor escapement and bell strike - the back plate signed Ellicott Taylor and Co. London 47cm high handle up 

A late 19th Century inlaid Oak MANTEL/BRACKET CLOCK the arch-top case with half reeded quarter columns and moulded base on brass ogee feet, 5.5” enamelled dial with Arabic numerals fronting an eight day French two train spring driven movement with gong strike and makers stamps 35.5cm high

A late 17th Century style Burr Walnut small caddy top BRACKET/MANTEL CLOCK with brass mounts, folding handle and corner finials. The 5” square brass and silvered dial with chapter ring and spandrels, matted centre and mock pendulum aperture fronting a two train spring driven movement with anchor escapement and outside count wheel strike on a bell; the engraved backplate bearing signature for Jno. Ellicott, London 27cm handle up

A late Georgian cross banded and inlaid Satinwood BRACKET CLOCK the balloon shaped case on a moulded plinth with brass bun feet and 6” convex enamel dial with Arabic chapter ring fronting an eight day single fusee timepiece movement with anchor escapement35cm high

BARWISE, LONDON A stylish late Regency figured Mahogany BRACKET CLOCK with applied carved decoration the concave sided cluster-top pediment on an plinth base with bass ball feet, 5.5” painted convex dial with Roman chapter ring and eight day single fusee timepiece movement with anchor escapement and lockable pendulum, 40cm high, 23.5 across base

FLOCKHART KINGS ST. COVENT GARDEN LONDONA Regency Ebonised and brass bound chamfer-top BRACKET CLOCK the 6" arched gilt brass dial with engraved leaf work spandrels enclosing a convex enamel dial and subsidiary strike/silent, slow/fast dials above, Roman chapter ring and eight day chain driven repeating movement with knopped pillars, shouldered plates, anchor escapement and bell strike - with a lockable pendulum fastener 36cm high 23.5 across base

An Early XX Century German Bracket Clock, with a Winterhalder & Hofmeier movement, the white metal dial with Roman numerals, in a walnut case with arch top and brass carrying handle, 29cms high.

A Mid XIX Century Mahogany Longcase Clock, the arched white dial signed "Shearing Sheffield", painted with scenes, with Roman numerals and subsidiary dial, the hood with broken pediment, arched door and turned supports, the base with small shaped door, turned pilasters and bracket feet, 229cms high.

Edwardian dome-top 'bracket' clock in inlaid oak case

19th c. arch-topped Bracket clock with double fusee movement in flame mahogany case

A 19th Century mahogany cased long case clock, the eight day Movement with square brass dial, the Chapter ring with Arabic and Roman numerals enclosing a subsidiary seconds dial and date aperture, the face engraved with battle scene off the coast of Dover, the case of plain form, the hood with broken arch pediment and fluted side pilasters all raised on a bracket foot base

A French Style Zenith Wall Clock, with bracket support.

A GOOD FRENCH EMPIRE GILT BRONZE FOUR GLASS CLOCK, with eight-day movement, column supports and flying horses motifs, supported on bracket feet. 15ins high.

Leroy a Paris', a clock with countwheel strike in mother of pearl inlaid ebonised case, together a Boulle clock bracket (2)

A burr walnut cased mantel clock by Colin Wood, with Swiss movement also a pottery cased clock and an early 20th Century mahogany cased bracket clock with eight day movement striking on a gong (3).

AN OAK LONGCASE CLOCK, the 12' square brass dial, having Roman and Arabic numeral rings with Bell Uttoxeter under, corner spandrels, hood with swan neck cornice, bobbin supports either side door, quarter pilaster supports to body, stepped base, bracket feet, pendulum

William Barker, Wigan, a moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals with Arabic five-minute numerals to the outer aspect, the silvered dial centre engraved with c-scroll decoration and having a subsidiary seconds dial, and sweep date to the inner aspect of the chapter ring, with cast-brass c-scroll spandrels to the four corners, the arch having a moonphase disc set within the arch above, with the adjustment wheelwork from behind the dial in typical Barker fashion, and engraved above with the maker's name Will. Barker, Wigan, the globe area having two applied silvered mounts engraved with the motto Time is Valuable, the mahogany case having a shaped moulding to the top of the trunk door, fluted columns standing on fret-work blocks to the trunk corners, the hood flat fluted columns to the door and further turned fluted columns to the corners, a fretwork panel to the swan-neck pediment and cast-brass finials, the base having canted corners, a shaped raised panel and standing on bracket feet, height 230 cm.* Biography; William Barker was a well-known maker working in Wigan, Lancashire, with a whole chapter devoted to him in The Clockmakers and Watchmakers of Wigan by Arthur J. Hawkes published in 1950. A member of the Barker family of clockmakers, William was believed to have come to Wigan with his father Thomas in circa 1737 and established himself not only as a clockmaker, but also a gunsmith and petitioned to be made a Freeman in March 1748 stating that having 'married a wife there, is desirous to obtain his Freedom and to exercise his trade therein…' being finally admitted in 1751. He quickly became very active in the town and was at the forefront of a number of petitions stopping others from plying their trade without the requisite Freedoms, often to stop competition from those of equal ability. Thomas Hatton, an 18th century London watchmaker and author on clocks wrote in his Introduction to the Mechanical Part of Clock and Watch Work, published in 1773, that William Barker can be put 'in the front rank' of makers. Barker's masterpiece, a longcase clock with various complications, including moon-phases and state of sunrise and sunset along with calendar work for the Old Style and New Style that came into use in 1752, was made circa 1780. William Barker fell ill in July 1786 and died some months after, with his son Daye Barker continuing the business for a short while.

Thomas Sherwood, Leeds, a mahogany bracket clock in the manner of Thomas Hope: the eight-day duration, double-fusee, five-pillar movement having an anchor escapement and striking the hours on a bell, with shaped plates and border engraving, the round eight -inch white painted dial having black Roman numerals, , blued steel hands and signed Thos. Sherwood, Leeds, with the decorative gilded bezel having a continuous scroll design, the Romano-Egyptian style case, in the manner of the designer Thomas Hope, with tapered and fluted angle columns topped by acrotoria finials carved with a honeysuckle design, the case front with half-round angled mouldings inlaid with geometric brass stringing and a gadrooned pediment top surmounted by a brass pineapple finial, with obelisk shaped brass frets to the case sides, and standing on carved wood fan feet, height 50 cm (inc. finial).* Biography; Thomas Sherwood is recorded as working as a watchmaker, silversmith and jeweller in Leeds from before his marriage in 1802 until at least 1834. Two further bracket clocks are recorded signed by Sherwood.* Biography Thomas Hope was a designer who travelled extensively abroad to find inspiration for his work, being particularly interested in Ancient Roman, Greek and Egyptian styles. He set out many of his designs in the book Household Furniture which he published in 1807. This particular case style was in use, with some small differences, by a number of cabinet makers including Banting & France who it is known made one of the earliest examples for the clockmaker's Atkins & Son, which was in the possession of the Marquis of Bristol and was sold by Christies, King Street, London in May 2001.

Joseph Smith, Barthomley, a walnut bracket clock: the eight-day duration single-fusee timepiece movement now with an anchor escapement and formerly with pull-quarter repeat, now removed, seven-inch square brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic five-minute numerals to the outer aspect, fleur-de-lys half-hour markings and diamond seven-and-a-half hour markings, engraved in decorative script either side of VI o'clock Joseph Smith, Barthomley, the matted centre with a ringed winding hole and date aperture, with cast-brass female-head spandrels to the four corners and decorative blued steel hands, with wheat-ear engraving to the border, the walnut case having a shallow bell-top pediment surmounted by a brass handle, and standing on bracket feet, height 37.5 cm (not inc. handle).* Biography Joseph Smith was from a well-known clockmaking family based in Cheshire. He was the son of the celebrated maker Gabriel Smith who himself moved from Barthomley in 1822 and it is believed father and son shared a shop in Chester in circa 1747. Joseph made the Barthomley parish church clock in circa 1710.

Samuel Toulmin, London, an ebonised bracket clock with pull quarter-repeat: the eight-day duration double fusee movement having a verge escapement, fully engraved backplate with rococo and floral decoration, striking the hours on a bell and repeating the quarter hours on six bells via a repeat cord, the painted enamelled seven-inch break-arch dial with black Roman numerals, Arabic five-minute numerals, a 'strike/silent' dial within the arch, gilt rococo spandrels to the four corners and arch, decorative blued steel hands and signed to the centre 'Saml. Toulmin, Strand, London', the ebonised bell-top case with brass fret-work to the sides, to the front top corners, with four cast pineapple finials to the four top corners, a brass carrying handle to the top of the bell-top caddy and all standing on four cast-brass feet in the form of animal feet, height 54cms/50cms, handle up/down.* Biography; Samuel Toulmin is recorded as working in the Strand from circa 1757 until 1783; a number of watches and clocks are recorded signed by him including a bracket clock in the Virginia Museum, a watch in the China Gelis collection and a watch in the Guildhall Museum.

A late 20th Century Stained Oak and Glazed Floorstanding Clock, the one-piece case with overhanging cornice over hinged and panelled door set with bevelled glazing, on a panelled and plinth base with bracket feet, to a lacquered brass arched dial with moon phases and applied spandrels to a dial signed Interclock - Belgium, with Roman and Arabic chapter ring and Westminster/Silent lever at 3 with pierced hands, to a triple weight-driven movement with anchor escapement and strike on eight blued steel rods, height 87"

19TH CENTURY EBONISED AND GILT METAL MOUNTED BRACKET CLOCK, the 7" enamelled dial surrounded by chinoiserie gilt metal blind fretwork on a brass movement inscribed Josephson, London and numbered 3765, quarterly striking to two bells, housed in a stepped, reverse breakfront case, height 87cm

A George III Mahogany and Inlaid Long Case Clock, the swan neck pediment with brass finial above an arched door flanked by reeded pilasters above a rectangular door, the base with bracket feet, the painted dial inscribed D Loyd Price Beaufort and foliate gilding with Roman numerals and subsidiary seconds dial and with date aperture and two train movement striking on a bell

SAMUEL WRIGHT OF NORTHWICH; an 18th century oak and mahogany crossbanded eight day longcase clock with caddy top above square brass face with silvered chapter ring set with Roman numerals, with second subsidiary dial and date aperture flanked by two columns above single domed door and plinth base on bracket feet, height 195cm. CONDITION REPORT: The dial is 12". The dial is associated to the case, the freeze above the dial has been damaged and restored, and possibly a latter addition. Plinth has a crack to the centre, it also has some veneer replacement. Pendulum and weights present but no key.

A small gilt metal carriage clock with overall ornamental and figural decoration, the circular enamel dial set with Roman numerals and inscribed "Trigorna", on bracket feet, height 8cm. CONDITION REPORT: We cannot guarantee that this is in working order.

MARSHALL & SONS, EDINBURGH; an early 19th century rosewood thirty hour bracket clock with inlaid brass decoration, stepped top with pine cone finial above the silvered dial set with Roman numerals and inscribed with makers' name, decorative handles either side above fish scale side sound openings, to ball feet, height 49cm. CONDITION REPORT: Piece of the side moulding loose but present, clearly been restore, brass has been replaced, is loose or is missing, and some veneers have been replaced. Please see further images.

An early 19th century mahogany eight day longcase clock with broken swan neck pediment above moon phase enamel dial set with Roman numerals, subsidiary second dial and date aperture, above single domed door flanked by two columns, on plinth base and bracket feet, height 248cm.

A late George III mahogany thirty hour longcase clock with broken swan neck pediment above circular enamel dial set with Arabic numerals and with date aperture flanked by two fluted columns above single domed door and plinth base on bracket feet, height 215cm.

A large bracket clock, polished figured walnut, caddy top with metal fretwork, reverse finial and feet, housing a Lenzkirch eight day movement striking on two gongs 16 inches high, quarter gong movement

A late 19th Century French brass and champleve enamel bracket clock of architectural form, worn black Arabic numerals, with key and pendulum, height 28.5 cm approx

A 19th Century bracket clock

Late 19th century German bracket clock with oak case and 8 day movement Condition report: see terms and conditions

Reproduction bracket clock in mahogany case and a set of bone handled carvers

A late 18th century figured mahogany longcase clock with Sheraton style inlay, swan neck pediment and turned pillars to hood, quarter turned pillars to full length door, bracket feet, square painted dial with inset moon phase

An early 19th century crossbanded mahogany broad longcase clock, the swan neck pediment on turned supports enclosing a painted arch dial with lake scene to the arch and buildings to the spandrels, subsidiary seconds dial and date aperture, inscribed L.Koos Merthyr Tydvil, turned supports to the trunk and bracket feet, the 8-day movement striking on a bell, 13 inch dial, 222cm high

A fine 19th century boulle work clock bracket, rectangular bearing surface above three out reaching claw supports with applied gilt metal shell and florette decoration.

A simulated boulle style striking bracket clock by Garrard