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A reproduction bracket clock in a walnut case with an arched brass dial and silvered chapter ring, height including brass carrying handle 38cm.

Late Victorian mahogany striking bracket clock in decorative walnut case with arched brass dial

A 19th Century slate bracket clock (key)

A late Victorian oak eight day bracket clock, the face with a silvered chapter ring and black Roman numerals, the case with a caddy top

A Victorian oak bracket clock with extensive ornate brass mounts, white enamel dial, and striking movement, height 21"

An early 19th century crossbanded oak cottage longcase clock with brass finial and fretwork crest, turned reeded side pillars to the hood, arched full length door and quarter turned pillars to the trunk, on ogee bracket feet, having square painted dial and 8 day movement by Walker, Nantwich, height 83"

English mahogany bracket clock, circa 1840, white painted Roman dial, 12cm, eight day double fusee repeating movement striking the hour on a bell, in a brass inlaid case on gilt ball feet, height 31cm. Condition report: patches of veneer are missing from the case and some mouldings; the panel is missing from the rear door; strike mechanism persists until unwound and so the repeat mechanism is ineffective. Winds and ticks; with a later winding key, pendulum and keeper.

Large size oak bracket clock by Dent, London, circa 1900, the silvered arched dial with Roman chapters and slow/fast ring, inscribed Dent 61, Strand & 4, Royal Exchange, London 53971, triple chain fusee movement striking Westminster on the quarter on five coils, in a neo-classical case with side columns, height 50cm. *See clocks and watches proviso. Condition report: winds. ticks, strikes; minor wear to the dial; small loss of fretwork on right side. All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.

Ebony veneered bracket clock, early 20th century, the neo-classical case with Egyptian mummy caryatids and brass grille sides, brass arch ed dial with silvered chapter ring and Chime/Silent, triple fusee movement chiming the quarter on eight bells and an hour bell, together with an ebonised wall bracket, case height 47cm (pendulum, pendulum keeper, no winding key). *See clocks and watches proviso. Condition report: Winds, ticks to unwound, chimes the quarter, chimes and strikes the hour, strike/silent operates, no winding key; see photos for condition of the case. All clocks and watches are sold without warranty. Comments regarding the going condition of clocks and watches relate to their state at the time of cataloguing and those comments may no-longer be correct at the time of sale or delivery. Buyers should assume that all lots will require servicing to be useable and reliable. Clocks and watches are not tested for accuracy, duration or water tightness.

An Edwardian oak cased Westminster chime bracket clock, by Junghans, silvered dial, Arabic numerals, three winding holes, 34.5cm high, key and pendulum

AN ALABASTER TABLE LAMP, A JAPANESE EARTHENWARE VASE, AN IRON HAND LANTERN, AN ACTIM REPRODUCTION BRACKET CLOCK AND MISCELLANEOUS EFFECTS

Brass and glass Junghans bracket clock

A mahogany cased bracket clock, early 19th century, by James Evill, Bath, the domed case over a silvered engraved metal plate with strike/silent and date aperture, with ornately engraved brass two train movement also engraved with the makers name, on a plinth base and gilt metal bracket feet, 41cm high (pendulum). Illustrated

VICTORIAN MAHOGANY LONGCASE CLOCK maker Johnson of Dalkeith, with arched enamel 13-inch dial and convex door, on bracket feet, 224cm high

EARLY 19TH-CENTURY DRUMHEAD LONGCASE CLOCK maker G.White of Glasgow, the circular enamel dial with subsidiary seconds and date dials, on bracket feet, 198cm high

VICTORIAN INLAID MAHOGANY LONGCASE CLOCK maker John Taylor of Morpeth, the arched enamel 13-inch dial above a wide trunk with demi columns, on bracket feet, 222cm high

VICTORIAN MAHOGANY LONGCASE CLOCK with arched enamel 13.5-inch dial and convex door, on bracket feet, 220cm high

MODERN MAHOGANY GRANDMOTHER CLOCK maker Bentima, with arched brass dial above a glazed door, on bracket feet, 181cm high

EARLY VICTORIAN FLAME CUT MAHOGANY LONGCASE CLOCK, faintly signed J. Naylow, Leeds, the 14" painted roman dial with subsidiary seconds and date dials, hare painted spandrels and huntsman with two coursing dogs to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and free standing fore-columns, over a short trunk door with shaped top, flanked by plain quarter columns and raised on a base with circular inset panel and bracket feet, 95 3/4" (243.2cm) high

GEORGE III OAK, MAHOGANY CROSSBANDED AND LINE INLAID LONGCASE CLOCK, signed John Thorley, Macclesfield, the 13" painted Arabic dial with fruit spandrels and subsidiary seconds dial and date aperture to the centre, powered by an eight day movement striking on a bell, stamped 'Finnemore', housed in a case with swan neck pediment, flame cut frieze and free standing square tapering fore-columns, over along trunk door and raised on chamferred base with ogee bracket feet, 85" (216cm) high

LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed G. Gould, South Molton, the 11" brass dial with scroll engraved centre and pierced gilt spandrels powered by a substantial 30 hour movement, striking on a bell, housed in a case with swan neck pediment and free standing fore columns, over a long trunk door and raised on a conforming base with bracket feet, 81" (205.7cm) high, (two bad splits to the top of the dial, one with plate over)

AN EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, signed Jas Williamson, Dundee, the 13" painted roman dial with subsidiary seconds and date dials, figural spandrels, depicting various continents and highland dancing scene to the arch, powered by an eight day movement striking on a bell and housed in a case with ball and spike finial to the swan neck pediment above a pair of free standing fore columns, over a crossbanded trunk door and panel beneath, flanked by quarter columns and raised on a flame cut panelled base with ogee bracket feet, 84 1/2" (214.6cm) high

GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed Richardson, Weverham, the 13 1/2" dial with silvered chapter ring, scroll spandrels and subsidiary seconds and date dials to the scroll engraved, matted centre, powered by an eight day movement striking on a bell, housed in a flat topped case with painted panel to the freeze and brass capped free standing reeded fore columns over a long trunk door, flanked by reeded quarter columns and raised on a panelled base, with cut-out bracket type feet, 82" (208.3cm) high

GEORGE III OAK LONGCASE CLOCK, faintly signed Halder, Arundell,, the 11" painted dial with floral spandrel and scrollwork cartouche with signature and dated aperture to the centre, powered by a 30 hour movement striking on a bell, and housed in a flat top case with brass capped, freestanding fore columns, over a long trunk door and plain base, raised on bracket feet, 77" (195.6cm) high

GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, signed Rob(er)t Neil, Belfast, the 13" painted roman dial with subsidiary seconds dial, date aperture, floral spandrels and tranquil river scene to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above a pair of freestanding fore-columns, over a long trunk door with shaped top, and raised on a crossbanded base with bracket type cut-out feet, 84" (213.4cm) high

GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with rolling moonphase, signed Major Schofield, Manchester, the 14 1/4" dial with silvered chapter ring, pierced scroll spandrels and Halifax moonphase and subsidiary date dial to the engraved centre, powered by an eight day movement striking on a bell and housed in a case with rosette mounted swan neck pediment, foliate scroll and blind fret carved frieze and brass capped and fluted free standing fore columns over a long trunk door with shaped top, flanked by split turned and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89 1/2" (127.3cm) high

An Edwardian mahogany cased bracket clock with silvered dial

A 19th Century French brass mounted and Boulle cased bracket clock by Vincenti and Cie No. 100 and retailed by Louis Pesquet of Paris, the 5ins diameter gilt brass dial with raised enamel numerous cartouches to the eight day two train movement striking on a bell, contained in case of "Mannerist" design with putti finial, the Boulle inlaid in mother of pearl and coloured enamel with flowers, on scrolled feet, 19ins high (lacking key) and with conforming bracket of ogee form with cast brass female mask mounts, 10.5ins wide x 6ins deep x 7.25ins high

A George III mahogany and gilt brass mounted mantel clock the 8ins diameter white enamelled metal dial with Roman numerals to the eight day single train fusee movement with passing strike on a bell, contained in arched and pad top case with domed glass and with fretted brass grills to front and sides and on gilt brass ogee bracket feet, 15.5ins high

A late 18th Century oak longcase clock by Josiah Kember of Shaw, the 11ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals and matted and engraved dial centre to the thirty hour brass and iron framed movement with outside locking plate striking on a bell, contained in "North Country" oak and mahogany banded case with moulded cornice and slender turned and fluted pillars to hood, shaped trunk door crossbanded in mahogany and flanked by reeded quarter columns and conforming raised panel to base, on bracket feet, 78ins high Note : Josiah Kember recorded working before 1771 to 1777

A 19th Century oak and mahogany longcase clock by George Bickerton of Kidderminster, the 12ins square painted dial with Roman numerals and with spandrels painted with houses and windmills to the thirty hour movement striking on a bell, contained in oak and mahogany banded case with scroll pediment and turned pillars to hood, small angular door banded in mahogany and flanked by fluted quarter columns and conforming base, 80ins high (dial chipped overall and case chipped and damaged and lacking bracket feet) Note : George Bickerton recorded working Kidderminster 1828-1850

An early 19th Century mahogany longcase clock by Edward Shilling of Milton, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a romantic rural landscape and with floral sprays to spandrels to the eight day two train movement striking on a bell, contained in case probably by Goulden of Canterbury, with shaped "Dolphin Tail" cresting above moulded cornice and with turned and fluted pillars to hood, arched trunk door veneered in figured mahogany, on bracket feet, 85ins high Note : Edward Shilling recorded working Milton (Sittingbourne) circa 1800-1838

Early Victorian bracket clock with eight day triple fusee movement, striking on eight bells and a gong, circular, originally silvered, dial signed - Edwd Bright, Brighton, with cast brass bezel, in a walnut Gothic-style 'lancet' case with heavily carved decoration, 56.5cm overall height (pendulum present, winding key lacking)

Late Victorian mantel clock with German eight day quarter striking spring-driven movement on two gongs, back plate signed - W & H S.C.H.., brass dial with gilded spandrels, matted centre, silvered chapter ring with Roman numerals, secondary slow / fast regulator and chime silent dial, in an oak case with fluted pilasters and carved architectural top, on flat bracket feet, 41cm overall height (key and pendulum present)

Early Victorian bracket clock with eight day five pillar, double fusee movement, chiming on a gong with pull repeat, circular white enamel dial with Roman numerals and strike silent regulator, signed - Harrison & Noble, London, in a flame mahogany case with brass mounts and side frets, ring carrying handles, a carved mahogany pagoda top, on four gilt metal feet, 46cm overall height (winding key, pendulum and door key present) CONDITION REPORT General overall condition very good. Movement is clean and is believed to be in working order. Some signs of repair to back plate around pivots. Gong is not original. Pendulum securing screw missing. Dial is in good condition. Some minor scuffing around winding holes. Pull repeat has been relocated. Case generally good. Minor damage to carved decoration on front lower left and around left side fret. Side silks loose. Side handle mounts slightly damaged

Early nineteenth century eight day longcase clock with eight day bird cage movement with wooden plates, thirteen inch break arch dial with Roman numerals, floral spandrels and scene of Kirkstall Abbey in a mahogany case with boxwood stringing, short door, on tall plinth with bracket feet, domed hood with twisted columns and decorative crest with three turned finials, 227cm overall height (pendulum, weights and key present)

A Victorian Gilt Spelter and Black Slate Bracket Clock Depicting Seated Maiden on Stool. Roman Numerals to White Dial. 40cm Long, 38cm High

A pair of sectional carved wooden dragons (height 25cm), a heavily carved clock bracket (46cm), and a carved wood pediment depicting thistle and deer (length 50cm)

19th century eight day long case clock by Thomas Dawes of Northampton with brass spandrels and silvered dial. Inner Roman numeral chapter ring, secondary minute dial and calendar aperture over which is an automated tin hand painted sliding 'Old Father Time' movement and circular silver tempus fugit inscription and brass dolphin decoration. An oak trunk and hood with wedge shaped pediment on bracket feet, 254 cm high

A Victorian mahogany and oak eight day longcase clock, the painted dial with moon phase signed Owen Llanerchymedd, with swans neck pediment above a cross banded door, on bracket feet, 220cm

An early 20th century English dome cased bracket mantle clock having an eight day movement set within a mahogany case having silvered dial with roman numeral chapter ring

A reproduction bracket clock, in late 17th century style, the striking movement by Empire with a 6 inch dial, in a walnut veneered basket top case with gilt metal mounts, surmounted by carrying handle, 12.5in (32cm) high.

A mahogany striking bracket clock, the 8 inch (distressed) painted dial signed Thwaites & Reed, the arch with strike / silent subsidiary, the two-train chain fusee movement, with anchor escapement, the backplate signed Thwaites & Reed, Clerkenwell, London amongst engraved foliage, the plates numbered 8988, in a break arch case with ebonised mouldings, on ball feet, surmounted by carrying handle, c. 1833, 16.5in (42cm) high.

A George III mahogany striking bracket clock, the 8 inch convex white painted dial signed Benjamin Plymouth, the five pillar movement with anchor escapement, in a break arch case, the sides and quadrants below the dial with fish scale grilles, the single pad tap surmounted by carrying handle, on brass ball feet, 15.75in (40cm) high.

A striking bracket clock, the 6 inch silvered dial signed Dwerrihouse & Carter, Berkeley Square, the arch containing slow / fast subsidiary, the two-train fusee five pillar movement numbered on the front plate 4700, with shouldered plates and engraved backplate signed Dwerrihouse & Carter, Berkeley Square, pull trip repeat in a fruitwood break arch case with fish scale grilles, surmounted by carrying handle, 12.5in (32cm) high.

A mahogany striking bracket clock, the 7 inch painted dial signed G. Ainsworth, Warrington, the arch painted with a reclining Father Time, the spandrels representing Continents, the five pillar movement with anchor escapement, pull trip repeat operating through the top of the break arch case, the bell cast and signed G. Ainsworth, Warrn.; the associated case of unusual construction with stringing and spire finials, 22in (56cm) high. George Ainsworth recorded as working c. 1807 and known as a pinion maker.

A George III mahogany striking bracket clock, the 8 inch silvered dial signed Ollive & Reader, Crankbrook, the centre with subsidiary calendar dial, foliate engraved spandrels, the arch with Strike / Silent subsidiary, the two train movement with anchor escapement, backplate engraved with swags and flowers, in a plain break arch case flanked by fish scale grilles, brass ogee feet and carrying handle, 17in (43 cm) high.Ollive & Reader recorded circa 1809.

An ebony veneered musical bracket clock, the 8 inch brass dial signed Frans. Dorrell, London on a silvered recessed plaque in the arch between twin subsidiaries for strike/not strike and chime/not chime, the outer arch engraved with the four tunes: Granby's March, God Save Ye King, Harvest Home and Lady Coventry's Minnet, the matted centre with date aperture with three train six pillar movement with verge escapement and foliate engraved backplate centred with a pagoda and flowers, the pinned music barrel playing on a carillon of eight bells with fifteen hammers on each hour, in a ball top case with ogee feet, urn finials, surmounted by handle, circa 1770, 21.5in (55cm) high handle down.

Johnson, Grays Inn Passage. A mahogany striking verge bracket clock, the 7 inch brass dial with silvered circular chapter plates, signed Johnson Grays Inn Passage, flower and scroll spandrels, the arch containing a silvered strike / silent subsidiary, the five pillar movement with verge escapement and pull trip repeat, the backplate signed Johnson, Grays Inn Passage within an oval, engraved border, the front plate stamped WR 647 (William Robson), in a break arch case, flanked by fish scale grilles, brass ogee feet, surmounted by carrying handle, c.1790, 15.5in (39cm) high.Thomas Johnson died in 1775. His son John succeeded him taking over the business and worked in the Holborn area until his death in 1799.Provenance: P.A. Oxley, Calne, sold to the vendor's father in 1993.

A fine Regency mahogany repeater bracket clock, marked G. Kershaw London to the dial, having good quality fusee movement in case with pierced fish scale grills to hinged door front, fish grills to sides, glazed rear door and applied handle to top, approx 35cm

Dent of Cocksper Street bracket clock. Wooden cased, enamel dial. Movement marked CHVCN Paris 40669. Key and pendulum in office. H: 28cm W: 22cm

A box of twelve good 19th century brass bracket clock keys

A late Victorian walnut architectural mantel clock, with square brass dial and silvered chapter ring, and two train movement with associated wall bracket

Reproduction mahogany cased Georgian style bracket clock with brass face and brass back winding movement.

Reproduction Georgian style bracket clock with brass face and two train movement.

A 19th century oak and mahogany 8-day longcase clock with painted arch dial depicting abbey ruins, in arched hood above short trunk door, box base and bracket feet, 232 cm overall

Thomas Perkins, Evesham, an 18th century oak eight-day longcase clock, the 29 cm square brass dial with arched date aperture flanked to the corners with pierced mask head spandrels, the trunk with double arch top door, raised on shaped bracket feet, 207 cm high

A REGENCY AND LATER MAHOGANY BRACKET OR TABLE CLOCK, the case with brass inlay and pierced Gothic openings to either side, the circular painted dial with Roman numerals, signed J T Mackay, Aberdeen, the repeater movement striking the hours on a bell, 42.5cm high overall (AF)

A fine 19th century tortoiseshell and brass bracket clock, with gilt moonphase dial, silvered chapter ring and date aperture, eight day striking bell movement, the case veneered in tortoiseshell decorated with Rococo style mounts, raised on scroll bracket feet, 35cm high CONDITION REPORT: Lot 258 - back right foot unattached, back left foot loose, cracks to tortoiseshell back left top corner, beading to door lifting, sections of moulding to back brackets have been repaired with wooden brackets, mechanism matched to case, clock strikes on half hour and hour, mechanism untested.

A 20th century George III style mahogany bracket clock, with domed top, gilded dial, silvered chapter ring and two subsidiary dials, decorated with embossed spandrels, raised on scrolling feet, 37cm high