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An 8 day bracket clock with a brass dial striking on a gong with pendulum and key - one hand missing

Sale Item: TRIPLE FUSEE MAHOGANY BRACKET CLOCK Vat Status: No Vat Buyers Premium: This lot is subject to a Buyers Premium of 17.5% + Vat @ 20% Additional Info : Lots purchased online with the-saleroom.com will attract an additional charge for this service in the sum of 4.95% of the hammer price plus VAT @ 20%

William Barker, Wigan . A George III figured mahogany eight-day longcase clock with moonphase the four-pillar rack and bell striking movement with 13in brass break-arch dial with subsidiary seconds dial and calendar aperture to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes the angles with cast spandrels beneath rolling moon to arch the upper edge. The hood with swan neck pediment with rose detail, fretwork/fabric panels and pilasters .The body with shaped-top trunk door flanked by quarter columns the panel fronted plinth base with canted angles and ogee bracket feet 228cm high. William Barker is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Wigan circa 1760

McCabe - A Georgian mahogany cased bracket clock set in an arched case inlaid decoration, brass side carrying handles and grills to a brass movement with engraved decoration and striking on a bell, 39cm high together with an accompanying mahogany bracketExpected age related marks and wear to the face, some small areas of re-touching to white parts of the face, the case with some small lifts to the veneer and some small splits particularly noticeable at 12 o'clock

John Vise, Wisbech, a Regency bracket clock set with an arched silvered and brass dial with pierced spoundrels, Roman and Arabic numerals, subsiduary date aperture and pendulum aperture, the brass movement with engraved back plate, the ebonised case with pierced side panels, looped brass carry handle, brass corner finials, glazed back door and a stepped plinth base, 52cm high including handle

A Black Forest cuckoo clock of typical form, dial surrounded by carved leaf and animal decoration, raised on four scrolled feet, the untested movement striking on a coiled gong, 52cm high together with an accompanying oak wall bracket (2)

A Victorian walnut bracket clock, with brass dial striking on a gong, labelled verso 'H A C 14-day strike made in Wurttemberg', height 49cm.

A George III oak and mahogany longcase clock, the 29cm white dial inscribed Bothamley, Boston, Roman numerals, date aperture, twin winding holes, eight day movement striking on a bell, the arch with basket of fruit, floral spandrels, swan neck hood, free standing fluted pilasters, shaped door, plinth base, bracket feet, 207cm high, c.1800

William Page, London, an early-19th century mahogany bracket clock of lancet form, the circular enamelled dial marked William Page, Great Portland Street, London, 947, the twin-fusée movement engraved Vigne & Lautier, Bath, no.947, striking on eight bells, the case applied with brass stringing, brass lion mask carrying handles and claw and ball feet, 52cm high, (case and clock in need of restoration, bezel detached and lacking glass), together with a wall bracket (also in need of restoration).

Thomas, Whitchurch, a late-18th century oak and mahogany-banded long-case clock, the swan-neck pediment and shaped waist panel door on panelled base and bracket feet, the arched 33cm painted dial with seconds subsidiary, calendar aperture and moon phase painted with a warship, 212cm high, with weights and pendulum.

A late-19th/early-20th century oak bracket clock, the architectural Gothic case enclosing a gong-striking movement, the gilt metal arch dial with pierced spandrels and silvered chapter ring signed J Vassalle, Scarborough, together with a similarly-designed wall bracket, the clock 65cm high, 38cm wide at the base, (bracket 43.5cm wide, 24cm high).

A late Victorian bracket clock by Webster of London, in ebonised dome-top case with gilt-metal mounts, the 4.5” silvered & brass dial with Roman numerals & strike/silent to the arch, the chapter-ring & 8-day movement signed “Webster, Queen Victoria Street, London”, striking on a coiled gong, 36cm high x 23cm wide.

Oak cased longcase clock, pagoda top hood, long door, bracket feet, 28cm square brass dial with silvered chapter ring and cast spandrels, single hand, signed Jamed Manning, Wellingborough, thirty hour movement striking on a bell, 191cm, with weight, pendulum and door key.Condition report:There are cracks to the top, bottom, back and right side. There is a minor loss to the top right of the right side. Thee are losses to the door edge. The door does not fit properly but it has had its hinges replaced. Please see additional uploaded images, including the movement.

A 19th century French gilt metal mantel clock and a late 19th century ebonised and ormolu mounted bracket clock. H.41 W.30 D.15cm. (largest)

A SWEDISH GILTWOOD NEO-CLASSICAL CARTEL CLOCKLate 20th Century The enamel dial inscribed Rob. Engstrom Stockholm, with ribbon-tied cresting, the case above an integral bracket flanked by Egyptian sphinxes 51cm wide; 67cm high overall

A 20th century bracket clock by Elliot, decorated in the Chinoiserie taste, with domed caddy top with carrying handle, the 13cm arched brass dial with silvered Roman chapter ring, the movement striking the hours and half hours to a bell, 29cm high

A walnut clock bracket - early 20th century, in good condition (LWH 39 x 23 x 26 cm)

A Twin fusee Verge Escapement Bracket Clock C 1790. John Marriot, 175 Fleet St, London Clock makers company from 1768 until his death in 1824. (H34cm W23 cm D16cm)Condition Report Striking on the hours. Split to case on the arch.  Running  Strike silent functioning  Hands possibly later replacements 

A LARGE FRENCH BRASS TIMEPIECE of Rococo style, the dial with white markers with blue roman numeral details and further minute markers in black Arabic numerals, the movement stamped for Vincent and Cie 1855, with sun face pendulum, the pressed brass case with ormolu mounts, together with a matching bracket. Clock 66cm high and bracket 40cm high Condition Report:The roman numeral markers are each 4cm highlacking glass panels at either side. Some ormolu panels loose

A Mid XIX Century Rosewood Bracket Clock, with brass inlay fretwork side panels with ring handles, raised on ball feet, the white enamel dial with Roman numerals inscribed "Stripling, Litchfield" above subsidiary dial market 'strike' and 'silent', the movement striking on a ball, key and pendulum present, 34.5cm high.1) Losses to top section corners and left hand side, where the top and side meet. 2) Silk stained and coming off. 3) No glass to door, 4) Face - crazed and worn. 5) Joints coming apart throughout. 6) Back door - wood cracked. 7) Scratches and wear throughout. 8) Top cracked and worn.

A Mid-Late XIX Century French Wall Clock, the white enamel dial inscribed "Chevassy a Reichelieu" with black Roman numerals within a puce border, the brass surround cast with figures amongst sacks of hay and flowers, large brass pendulum (later), two weights, wall bracket and winding key, verge movement, face 39cm long, pendulum 100cm long.

A late 19th century mahogany cased bracket clock. The white enamelled dial detailed NEWTON BURNLEY with single train movement and hammer chiming on a bell. The brass handle over a domed case, plinth base and bracket feet. Height 35cm, (pendulum)

A Late 19th century mahogany cased bracket clock. The white enamelled dial detailed ROBERT BRYSON EDINBURGH, enclosing a two train movement with hammer striking a single bell. The case flanked by twin ring handles over a plinth base and four spherical brass feet. Height 47cm. (winding key and pendulum)Condition Report: The door to the clock is locked, no keys are apparent, so it is not possible to confirm the quality of the spring/movement

J. Poole of London, rosewood bracket clock with brass floral inlay to front, sides and edges, pineapple finial and standing on four ball feet, glazed door to back showing workings and pendulum, with key to lock door and winding key, marked J. Poole London to roman numeral dial. Untested. Further details: generally stable and good condition, slight wear, minor loss etc.

Kaminuhr/ Pendule, Frankreich, um 1830.Alabaster-Gehäuse mit reicher klassizistischer Ornamentik appliziert, Widderköpfe, Blütenapplikationen, Schleifenbänder, Fackeln etc., Bekrönungsfigur plastischer Löwe. Blütenapplikationen, Löwe und Kranzgesims best./ beschädigt. Zifferbl. Bronze mit emailliertem Ziffernkranz, nur ein Zeiger. Pendelwerk mit Schlagwerk, Schlag auf Glocke, Funktion nicht zugesichert, kein Schlüssel. H. 46 cm. Bracket clock, alabaster case with lion figure, applications damaged in places. Pendulum movement with strike on bell, no proof of funtion. France, ca. 1830. H. 46 cm.

A brass lantern clock, late 18th century and later, the bell above three pierced frets and slender urn finials, the chapter ring with Roman numerals, the dial centre signed Willm Ray SUDBURY, the weight driven movement with anchor escapement, with associated pendulum and weight, on later wall bracket, 38cm high, 16.8cm widePlease note that Roseberys do not guarantee the working order or time keeping of any timepiece.   Footnotes: Note: William Ray is recorded as working Next to the Moot Hall, Sudbury (Suffolk), b.1735 son of Daniel Ray (II), q.v., mar. 1758, free 1788-d.1808 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.642

A French gilt-brass grande sonnerie carriage clock, late 19th century, the Anglaise Riche case with swing handle above Corinthian columns, bevelled glass panels, on plinth base with bracket feet, the white enamel dial with Roman numerals, the twin train movement with platform lever escapement, strike/repeat on two gongs, with three-position sonnerie adjustment lever to underside engraved Silent / Quarters Only / Hours and Quarters, with winder, 16cm high (handled not extended), 10.6cm wide, 9.5cm deep Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.  Condition Report: The brass case with tarnishing throughout. A small crack to the bevelled escapement panel to the top of the case. The escapement platform with some tarnishing. A hairline crack to the top right corner of the enamel face. Each of the bevelled glass side panels with small marks especially to the edges, one panel does not sit tight to the case and rattles from nearby vibrations. Some empty arbor holes to the backplate. Engraved restorer's numbers found to the underside of the case. This clock comes with a key. When wound, the clock is ticking. The quarters strike accurately, the hours do not always strike accurately, the three settings of Silent, Quarters Only and Hours and Quarters are functional and the adjustment lever to the underside is functional. Roseberys do not guarantee the working operation of any timepiece offered for sale.  

18th Century 30 hour oak cased longcase clock by James Webster Salop (Shropshire), the case overall later foliate carved and having moulded cornice over square aperture flanked by turned pilasters, pointed arch waist door on a panelled base with bracket feet. Brass face with figural spandrels, Roman numerals and foliate engraved field. 30 hour movement strikes on one bell includes single weight and pendulum.(B.P. 21% + VAT)(B.P. 21% + VAT) Fair condition only, the hood is damaged and lacks its glass. Rather grubby overall.

18th Century oak 8 day longcase clock, having moulded cornice above square aperture flanked by turned pillars, the moulded waist door flanked by reeded quarter pilasters on a panelled base with bracket feet. 12" approx square brass face having mask foliate spandrels, Roman chapter ring and seconds dial, unmarked. Together with two weights and pendulum. (B.P. 21% + VAT)  Additional images added.

19th Century Welsh oak 8 day longcase clock marked 'D. Thomas, Aberystwith (sic)', the hood with broken swan neck pediment above arched aperture flanked by double spiral moulded pilasters, the waist with shaped door and similar spirally moulded pilaster on a panel base with bracket feet. Arched painted face with rolling moon, seconds dial, Roman numerals and date aperture. 8 day two train movement, strikes on one bell. Together with two weights and pendulum. (B.P. 21% + VAT) The face appears to have been well repainted. The case overall is good.

A George III oak cased eight day longcase clock signed Heywood, Northwich, the flat top hood with freestanding fluted pillars flanking the 33cm square brass dial, applied with Roman and Arabic numerals, centred with a date and second dial, signed with the makers name and enclosing the four pillar movement striking on a saucer bell, upon the case with a shaped and crossbanded door, conforming quarter pilasters, moulded lower panel, plinth base with integral bracket feet, 208cm high, two weights and pendulum

A George III mahogany cased eight day longcase clock, signed Nathaniel Brown, Manchester, the domed hood with a swan neck pediment over freestanding reeded pillars applied with brass capitals and flanking the 33cm brass break arch dial, with painted moon phase and subsidiary seconds dial, enclosing the two train movement striking on a saucer bell, the case with a shaped door and conforming pilasters, upon a plinth base with integral bracket feet (detached), 234cm high, two weights and pendulum (at fault)

A mahogany inlaid dome shaped mantel clock; a wall clock; a reproduction bracket clock; other clocks; a barometer (5)

A late George III mahogany longcase clock, early 19th century, the pagoda top hood with gilt brass Corinthian capped columns flanking the painted 12inch (30.5cm) dial signed 'Thos Whitaker, Thorne', a moonphase disc to the arch above strawberry and flower spandrels, seconds dial and date aperture, 8 day movement, break arch trunk door flanked by similarly capped quarter pilasters, upon a rectangular base and ogee bracket feet 234cm highIt has been workingHood cleaned off and part re-stained. attractive dial, possibly extra height added to the base panel as timber differsLater fret in the pagodaSee images

An ebonised bracket clock circa 1740, by Richard Rayment, Bury St Edmunds, signed to a circular disc with engraved border to the arch, silvered chapter ring and date aperture, mock pendulum, gilt Rococo spandrels, the signed backplate engraved all over with scrollwork, the bell striking fusee movement converted to anchor escapement, the case with carrying handle above glazed sides, upon a moulded base47cm high, 27cm wideCurrently ticking, possible movement converted from time piece (without strike)

A George III ebonised bracket clock signed 'Grant, Fleet Street, London, No.450', the inverted bell top case with carrying handle and four cone finials above silvered dial with strike/silent to the arch, subsidiary calendar dial, gilt brass Rococo spandrels, verge movement with foliate scroll engraved backplate, glazed sides, stepped base on block feet 47cm high, 27cm wideWith J & M Bristow Antiques, Tetbury, 1996currently ticking but the strike may need attention. see images. Will have had some general cleaning up to movement and case.

A George III mahogany chiming longcase clock, with later adaption for a three train movement, the hood with shaped cresting and three ball finials above 12inch (30.5cm) brass dial signed 'Jno Stripe, Chichester' to the silvered chapter ring, Victorian movement with chime on 8 bells / 4 bells dial to the added arch, subsidiary seconds dial, mask spandrels, trunk with breakarch door flanked by brass capped stop-fluted quarter pilasters on a stepped base with bracket feet 237cm high226cm high without central finial, Three weights presentSee imagesGoing train line is caught up and not able to test it, but strikes and chimes on eight bells apparently ok. Movement rather dirty inside, bells need tuning or securing properlyWe suggest it will need a professional service. Sold as seen from a deceased estateHood finials loose, repairs and patches to plinth base

A mahogany bracket clock, early 19th century, single pad top arched case with carrying handle, white dial (retouched) marked 'Perigal, London', shaped hands, Roman numerals and Arabic minutes, bell striking fusee movement, pull repeat cord, rectangular brass scale side frets, on brass ogee feet36cm high, 28cm wideThe rear door-lock is loose. Ther front door lock does not secure properly. Seems to work, but not tested for duration.

An ebonised and gilt metal mounted bracket clock, late 19th century, the three train bell chiming fusee movement with gong strike, the arched dial with slow/fast adjustment above a silvered chapter ring, all flanked by term angles, the case with flambeau finials, side carrying handles above arched sound fret panels, on a moulded base with gilt paw feet 55cm high, 29cm wideSome minor surface wear to case, a few small shrinkage cracksPull repeat seems to workTested for a short time and running

An early 20th Century German walnut longcase clock, with silvered metal and brass roman dial, the case with ornate tall central finial above circular glass enclosed by and finial decoration, waisted case with further carved decoration, raised on angled bracket feet, 50 x 30 x 270cm high, movement marked LFS (Lorenz Furtwangler & Sogne), comes with pendulum and weights.

William Tickle, Newcastle: A Georgian mahogany longcase clock, the brass roman dial with silvered chapter ring and centre, also with inner calender date markers and pointer, two train movement with anchor escapement, the hood with pierced frieze above glazed door and flanked by classical columns, arched waist door with inlaid shell motif, on a panel base and splayed bracket feet, 39 x 24 x 230 high, comes with key, pendulum and weights.

Bracket-Clock der Hamburg-Amerikanischen-UhrenfabrikDeutschland, um 1900, römische Stundenzahlen auf silbrigem Metallschild mit Spiralrankenätzdekor, Stahlzeigern in Birnenform und einer Plakette mit Inschrift TEMPUS FUGIT, Messingplatine nummeriert und gemarkt mit Pfeilmarke, Pendel, Schlag auf 4 Klangstäbe über kl. Stiftwalze, Stutzuhr-Gehäuse aus Mahagoni mit Ahorn- oder Buchsbaumeinlagen, H: 36 cm. Nicht auf Funktion geprüft. Altersspuren/leichte Verfärbungen, Gehäuse mit feinen Abplatzern.

A French brass carriage clock in case together with a Smiths electric bracket clock.

A 19th century rosewood cased bracket clock, dial marked 'D F Ormond, Arbroath', fusee movement, complete with pendulum and key, height 55cm.

An oak cased bracket clock, height 45cm.

An early 20th century oak cased bracket clock, with three train fusee movement, the chapter ring inscribed Pearce and Sons Huddersfield and Leeds, the movement striking on five gongs. Height 40 cm, width 29 cm, depth 22 cm. CONDITION REPORT: Whilst the clock case is in generally very good condition with no significant issues, the movement clearly requires restoration. Whilst the suspension is present the pin at the bottom of the lever is missing. The musical movement does operate when manually activated, so maybe the dirt is not as bad as it initially looks. The dial is in generally good order with some rubbing to the silvering. The movement is fully wound on three trains.

A George III oak longcase clock, with 30 hour movement by Barber Winster with penny moon and dater aperture. Height 198 cm. CONDITION REPORT: We have located the weight and the pendulum. We have not had the movement running and, in our opinion, it requires an overall. The movement appears to be complete and when pressure is applied to the going train the crutch ticks away. When the hand is advanced the moon phase and date wheels appear to work also. The clock is currently not striking when manually advanced. The seat board is clearly old, and the cheeks have not been built up. The mask around the dial fits reasonably well. This suggests that the clock is not a marriage, but we cannot guarantee this. The movement clearly requires an overall. The case is quite primitive and very heavy timber. The hood mouldings are all a little loose but all present. The door is damaged at the bottom right-hand corner where the flat hinge sits. The left-hand bottom edge return moulding looks to have been replaced. The trunk door is not warped and closes as it should. The sides of the case are in good condition and the back board is original. The clock base looks to be quite short, but we cannot see any evidence of height reduction. The bottom mouldings and bracket feet appear to be original.

An early 20th century George III style mahogany bracket clock, with two train Winterhalder and Hofmeier spring driven movement striking on two gongs, complete with key and pendulum. height 41 cm, width 29 cm, depth 24 cm. CONDITION REPORT: We can not see any repair or sales marks inside the case. There is a script signature on the back which we have illustrated.

A George III style walnut cased three train bracket clock by Elliott London, striking on four gongs, complete with pendulum. Height excluding carrying handle 30 cm, width 22 cm, depth 14.5 cm (see illustration). CONDITION REPORT: The bracket clock is in generally good condition. The case is in good order all around with only very minor blemishes. The pendulum is present and the movement appears clean. The movement winds on all three trains and appears to be ticking away and striking when advanced. The chime/silent lever operates. We do not have a key.

An early 20th century German oak cased mantel clock, with brass dial and two train striking movement by Winterhalder and Hofmeier, the case raised on bracket feet. Height 27 cm, width 18 cm. CONDITION REPORT: The movement winds on both trains and appears to be ticking away. It comes complete with key and pendulum. It appears to strike when manually advanced. There is a label to the rear dated January 04, presumably from when the clock was last serviced. The case is in generally good condition with no splits or cracks. The door is in good order and not warped. The silvered brass dial is in generally very good condition also. All bracket feet are present. The rear door is in good condition and the cloth lining present also.

An early 19th century mahogany longcase clock, with two train striking movement with arched hood and arched door, the case raised on bracket feet, maker Thomas Arlot Sunderland. Height 213 cm, width 51 cm.

S Lyon Preston a Victorian ebonised twin fusee bracket clock, with two train movement striking on five gongs, the dial marked S Lyon Preston. Height 72 cm, width across bracket feet 42.5 cm, depth 29 cm. Note: S Lyons is probably the retailer not the maker (see illustration). CONDITION REPORT: The movement is stamped for Winterhalder & Hofmeier from Schwaerzenbach. There do not appear to be any serial numbers on the movement.

An early 20th century mahogany longcase clock, with three train fusee musical movement with nine gongs and musical cylinder, with Westminster Whittington and St Michael chimes, the brass dial with Arabic numerals and subsidiary seconds dial with glazed trunk door flanked by canted angles, the base raised on ogee moulded bracket feet. Height 221 cm, maximum width 42 cm, maximum depth 30 cm (see illustration). CONDITION REPORT: The clock case is in extremely good condition and of very good quality. Any imperfections are minor. The left-hand side fretwork panel has a small section detached which is taped into place. There is a small nick to the right-hand side of the arch on the hood and minor blemishes around the keyhole. Neither door is warped. All weights and gongs are present and we have the winder and top finial. The movement winds on all three trains and seems to chime and strike when manually advanced. The dial is in extremely good clean condition. The movement is currently ticking away. Clearly, we cannot give any guarantee that the clock is running and striking absolutely correctly, but it would seem that this is the case. The clock has come to us from a good local estate.

Mahogany cased bracket clock with Junghans 151 movement, case with inlaid decoration, silver Arabic numeral dial with brass spandrels, standing 38cm tall.

A ROSEWOOD CASED TABLE CLOCK BY LENZKIRCH, the twin barrel movement with anchor escapement striking on a gong, the backplate stamped 382364, 5 3/4" arched brass dial with Roman and Arabic numerals, fast/slow dial to arch, the mildly domed oblong case inlaid with foliate scrolls and paterae, pierced fret sound panels, moulded base and bracket feet, 10" x 14 3/4" (Est. plus 24% premium inc. VAT)Condition Report: Very good condition bar splits to fabric backing the fretwork panels.

A MAHOGANY LONGCASE CLOCK SIGNED GONLAND SUNDERLAND, the eight day movement with anchor escapement striking on a bell, 12" arched brass dial with Roman and Arabic numerals, foliate chased centre with two secondary dials, signature to arch, the case with pagoda hood with brass finials on Corinthian columns, arched panelled door flanked by fluted angles, panelled base and ogee bracket feet, 87" high (Est. plus 24% premium inc. VAT)Condition Report: Very good condition, movement clean, case good with no wear to silvering, case good, possibly re – polished with high finish.Seat board renewed – possibly a marriage of case and movement (?)

A MAHOGANY CASED MANTEL CLOCK, 20th century, the twin barrel French movement striking on a gong, the white enamel dial with Arabic numerals and signed Goldsmiths Company Regent Street, in lancet case crossbanded with stringing, brass loop side handles and bracket feet, 7 1/2” x 11 1/2” (Est. plus 24% premium inc. VAT)Condition Report: Appears to be in working order, brass ring to left winding hole absent and very tiny chip to rim itself, case good, minute hand missing and movement may need attention

A LARGE AND IMPRESSIVE VICTORIAN MAHOGANY BRACKET CLOCK by Samuel Johnson The Strand London, the eight day movement with anchor escapement striking on a bell, the white enamel dial with Roman numerals, signatures to dial and back plate of movement, the arched canted oblong case with moulded cornice, applied husking to fascia and angles, brass trellis sound panels, fretwork rear door, on moulded base and bracket feet, 24 1/4" wide, 31 1/4" high (Illustrated) (Est. plus 24% premium inc. VAT)Condition Report: Movement good and in working order, pleasant sounding bell. Case very good bar small loss to fretwork of back door panel.

A 1920s/30s mahogany and marquetry mantel clock, with a silvered dial, on bracket feet, 26cm high.

A reproduction Georgian style bracket clock in mahogany arch top case, with silvered and brass dial, ,moon phase to the arch, with German spring driven chiming movement